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Ütopiya? not only continues Oiseaux-Tempête's first album (SR 381CD/LP); it also extends it. The travels move this time to Istanbul and Sicily, providing the food for its urgent energy and indomitable drive. While the structures still hint at moments of post-rock, they go further now, almost into the area of free-jazz yet without losing a directness rooted in punk (highlighted perhaps by the presence of G.W. Sok from The Ex). In addition, the bass clarinet of Gareth Davis references both t…
2015 reissue. Not counting a couple of sessions he co-led with John Coltrane and Albert Ayler, Complete Communion was the first album Don Cherry recorded as a leader following his departure from the Ornette Coleman Quartet. It was also one of the earliest showcases for the Argentinian tenor saxophonist Gato Barbieri, who Cherry discovered during a stay in Rome. While the music on Complete Communion was still indebted to Coleman's concepts, Cherry injected enough of his own personality to begin d…
Pressed on red vinyl. Limited edition of 1000 hand-numbered copies. Released in 1973 and 1974 respectively, Blood for Dracula and Flesh for Frankenstein (soundtrack available as RED 212LP) were interesting if not a little off-beat horror movies both of which were filmed in Italy. The legendary Paul Morrissey directed with the assistance in more ways than one of Italian filmmaker Antonio Margheriti, with the productions overseen by Andy Warhol. The Italian composer Claudio Gizzi, with harmonio…
Korm Plastics is proud to present the twenty-eigth release in the Brombron series (missing numbers? may never follow?). Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the Brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in a certain a…
New Triple-LP set in luxurious fold-out cover. "Oxtlr is the result of contemporary works of Günter Schickert. Indeed, while discs of the 70's by Günter Schickert are now reissued, it seemed interesting to complement this with a production of his research today, and also its collaboration with Pharaoh Chromium. A mental journey in solar atmospheres sometimes, sometimes completely frozen. The sounds will orbit as these distant planets of our solar system, beyond the asteroid belt. An anxio…
Never-heard studio music from the legendary Sun Ra – material recorded right around the same time as the unique Strange Strings session – and which really stands as a "part 2" to that amazing record! The sound is very loose and open, but quite spiritual too – and the record is definitely one of the most unique Sun Ra sessions ever heard. Within Sun Ra’s vast-as-outer-space discography, the album that orbits the furthest away from the known jazz universe is Strange Strings. Calling it a “st…
If anybody deserves to be called a living legend in Norwegian free jazz it must surely be saxophone, flute and clarinet player Frode Gjerstad. Born in 1948 in Stavanger, he has since the early 80s been central on more than fifty records and played with a number of free jazz players such as Evan Parker, Johnny Dyani, John Stevens, Derek Bailey, Barry Guy, Bobby Bradford, Paul Rutherford, Hamid Drake, William Parker, Peter Brötzmann, John Edwards, Louis Moholo-Moholo, Han Bennink and several…
"Det Flygande Barnet" is a theatre piece that has its premiere performance on 7th February at Orionteatern in Stockholm, Sweden. The piece will run through March and Fire! will be performing live as an important part of the piece. This 7" is being released as a souvenir in a limited edition of 700. Guests on this 7" is Mariam Wallentin (Wildbirds & Peacedrums, Fire! Orchestra) and David Sandström from legendary hardcore punk group Refused. There might be a couple more singles from this th…
Sleepstep's subtitle, Sonar Poems for My Sleepless Friends, describes its underlying concept -- Sleepstep is a trip through electronically alienated micro-compositions and sound collages that, interwoven with text passages, aim at creating a dream-like atmosphere. The album's journey strives for oblivion of time, an immersion, a drifting in universal states -- moving through the stations of death, life, birth, grief, desire. The titles often appear to be raw sketches; fugitive, surreal shor…
Another welcomed return in our Zeit Series - his 2010 Neuma Q being one of the best received titles in the series - Osvaldo Coluccino presents a collection of his early (1997-2007) electroacoustic pieces. From the dark drones of Dimensioni(interspersed with the treated voice of Jacques Lacan) to the treated percussions of Nell'attimo, to the acousmatic brilliance of Dal margine, this CD is a journey into the brilliant head and the complex soul of one of the most interesting Italian cont…
New York City's experimental duo Talibam! team up with Fluxus artist and electronic avant-gardist Yasunao Tone and trombonist Sam Kulik for a confrontational sonic attack, fired by an array of analog synths and other electronic devices. David Novak, author of Japanoise: Music at the Edge of Circulation (2013), on Double Automatism: "Bringing together the most calamitous materials from their home planets of noise, glitch, and free improvisation, Tone and Talibam! are at once the likeliest and …
This documentary film directed by Anne-Laure Chamboissier and Philippe Franck, in collaboration with Gilles Coudert, brushes an intimate portrait of Bernard Heidsieck, pioneer in the sound poetry movement since 1955 and founder in 1962 of action poetry. The film takes viewers into Heidsieck's 'double life' as an artist and a banker, exploring his work through a series of conversations and seldom-seen audiovisual archives. Interviews with other major figures from sound poetry add to viewers' unde…
Since the end of the '90s, Laurent Jeanneau aka Kink Gong has been recording the music of mostly endangered minorities of South East Asia. Alongside his relentless pursuit of remote exotic and unpublished musical traditions, he also creates electronic versions by combining raw recordings with natural sounds, archival material and electronically-treated sounds. For Gongs, Laurent returns to his soundscape approach not heard since the Xinjiang LP (2011) and further develops his unique re-versi…
FILE UNDER: AfrabiroQ.+Martial MelanQ.+Qubti FunQ.+... Mutamassik aka Giulia Loli: producer, musician, improviser, artist, synesthete. The follow-up to 2012's Rekkez (ini.itu). "...uneasy... uncompromising... unapologetic" --Sam Davies, The Wire. "Deftly maneuvering the space between tradition and innovation, acoustic and digital, familiar and unexpected" --Okay Africa. "The headiness of the treated strings and clattering percussion sets her mixes apart from anyone culling beats" --Owen Stro…
Schlippenbach Trio's magic chemistry is founded on years of working together, both on intuitive listening and interaction – the ability to respond in an instant – andon the match between their characters, each adding to the whole as well as challenging each other – a stroke of fortune. Alexander von Schlippenbach likes to talk about the 'impetus of music making'. Impetus means drive, initiative, force, momentum, temperament. Three 'travelling fellows' on a Winterreise. The motto is: never …
Eric Chenaux has emerged as one of the most distinctive, innovative and original voices in what might be called avant-garde balladry, juxtaposing his gorgeously pure and open singing against a guitar sound and style that truly stands alone. Skullsplitter is the impressive new album that confirms Chenaux’s singular aesthetic: genuine, natural, unaffected vocals gliding through slow, smoky melodies while electric and nylon-string guitars are deployed with adventurously experimental, dextrou…
Supremely atmospheric Ennio Morricone score to a lesser known, but nonetheless stylish and satisfying Sergio Corbucci production; a cross between a Spaghetti Western and a wild west road movie, indeed, a fine example of a film that combines both Italian and American western film traditions.
Diagonal pull another coup with 12"s of brute bitterness from Philip Best, Sarah Froelich and Russell Haswell's Consumer Electronics. With the spray of their blinding 'Estuary English' still wet on our cheek, 'Repetition Reinforcement' is a bruising, visceral reminder of CE's position on the periphery of extreme electronic music. Holding steadfast to the transgressive subject matter which Best has explored since the early '80s as part of Whitehouse and Ramleh, in this excursion he trades …
“They made us climb up here” is the third album from Satan is my Brother. Five tracks of noisy jazz, or jazzy noise or none of the two. Melodies built on sax and trombone, struggle to surface from layers of electronics, groovy bass lines and free form drumming.
Z’ev and Simon Balestrazzi are two masters of the industrial and post-industrial sound.The first inventing his own world of self made metallic percussions, the second spreading the seeds of the industrial noise pollinated with electronica and future folk forms through his various outputs, T.A.C. (Tomografia Assiale Computerizzata), Dream Weapon Ritual and Candor Chasma.This record takes shape from several encounters between the two. A Z’ev live recording in Cagliari, Sardinia from 2007 is …