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Reissue of this largely unknown yet spellbinding touchstone in the canon of Sheffield's industrial music heritage, the album was recorded in 1986 as a soundtrack to a theatre performance recorded by John Avery, a contemporary of Cabaret Voltaire and Clock DVA. Forced Nostalgia's sixth release imposes the uncannily affective melancholia of John Avery's 1986 soundtrack to a theater performance Jessica in the Room of Lights by the coincidentally-named Forced Entertainment company. Avery employs pi…
"Since 2005, Tompkins Square label's Imaginational Anthem compilations have featured some of the greatest acoustic guitarists in the world, with recordings spanning five decades. More than mere samplers, these albums have served as state-of-the-art dispatches from the front lines of the art form. Imaginational Anthem Vols. 1-5 is a specially priced 6CD box set, limited to 999 copies, featuring the first five volumes in their originals packaging, plus an exclusive live bonus disc from Willia…
Empty holes, empty homes, the sixth book from GX Jupitter-Larsen, is an amathopaedia of nonfiction, fiction, poetry, & cryptograms. Printed and perfect bound in the United States using traditional offset methods with recycled inks and fine recycled papers. Housed with tear out double sided flexi-disc. Edition of 400 copies with black flexi or numbered edition of 100 copies with clear flexi.
Thus was the simple dare handed to Richard Youngs from his friend Andrew "Paz" Paine during their weekly Sunday meet-up. Ever the modest master, Youngs said in accepting this friendly challenge that he merely endeavored to capture the "beats and hooks" of contemporary pop. He's never attempted to disguise his gift for catchy musical phrases, though they may have come by way of careening, pleading, soothing or challenging multi-tracked voices.We present the results here as Beyond The Valley Of Ul…
Both DT and JC have been sending eachother garbage and leftovers since a few years, sometimes almost nothing, probably out of pity, often to make eachother smile or as an act of friendship.Sharing the last spoon of cold soup on a cold winter night, when the heater does not want to be touched. these 36 pages are filth, with found imagery or buggles that the cleaning lady forgot to sniff out, images that have been dominating our seperate rooms for years and that remain unnoticed because of the dai…
Duane Pitre's new album, Bridges, features two pieces taken from a suite of analogous compositions by the same name, and was composed by Pitre in 2012. The two pieces that comprise the album are meant to work together in sequence as a composite work; or they can be isolated and listened to on their own. The title derives its name from the original concept for this work, which was to bring together aspects of traditional Eastern music (such as compositional form and tuning) with Western musical t…
Remarkable subterranean radicals have been getting to enter the stage since mid-late 2000's via the label Lust Vessel and the lineage, which are actual first ever fulcrum of genuine industrial cassette culture and the actuality in Japan, after a long period of the mostly scorched ground for that culture from the far east. This is a document of an aspect of thee lust-age and the assembly, featuring six assassins which are true to themselves and standing on their own territories.
Tongue Knax ; a h…
James Hoff’s “How Wheeling Feels when the Ground Walks Away” presents an audio landscape comprised of various historic riots, from the concert hall and music venue to the sounds of modern warfare. Presented in surround sound, the work relentlessly envelops the audience as the tumultuous panorama of over-layered riots travel around the gallery. Part of Riot Radio Ballad, which explores the performative and futurist aspects of spoken word, audio, and radio material. Curated by Mark Beasley.…
Feeding Tube is chuffed to present the first vinyl offering from Moscow's berserk Asian Women On The Telephone. Formed as a duo in 2007, they have since expanded (in all directions) to assume sextet form, with stage names worthy of Smegma -- Oriental Yid (drums, guitar), Good Enough Freundin (guitar, vocal, drums), Brown Polizei (keyboards, voice, bass), Divine Gift (percussion, voice), Mutter Land (drums, percussion, bass), and Lewd Primat (bass, voice). Many of their insane, extremely theatric…
House of Low Culture is the long-running solo project of Aaron Turner (Isis, Mamiffer, Lotus Eaters, etc.) and Poisoned Soil is the first proper album to be released in nearly a decade. HOLC's first release, Submarine Immersion Techniques Vol. 1, would set the tone for all that would follow. Recorded from 1997-1999, released in 2000, the album explored lonely, lysergic drone territories and the construction of textural weavings. Over the course of the next several years, Turner broadened …
“Remember Your Black Day” features the first material conceived and produced as a full length by Dominick Fernow for the Vatican Shadow project following almost a dozen tapes (mostly released on Hospital Productions) and vinyl editions (released by the likes of Blackest Ever Black, Modern Love and Type) over the last three years. None of the 8 tracks included have been released before on any other format. At a time when the scene is saturated with “Noise Techno” the album is almost celebratory b…
Remastered edition: John Fahey has made a habit of recording a new album of Christmas music every five or six years, but The New Possibility, which was originally released in 1968, is still his best. One of the best and most influential acoustic guitarists of his generation, John Fahey's music fused past and present, borrowing from the traditions of blues and folk music and filtering them through a modern musical viewpoint. Some of Fahey's most striking (and most popular) work appeared on a seri…
In celebration of their 10 year anniversary New York City-DIY modern composition combo Zs offer this 4CD retrospective. Throughout 10 years of activity, the band has changed in countless ways without ever changing a fierce commitment to inscrutable easthetics & execution crafted to provoke reflection & challenge assumption in the consumption of music. Housed in a 2 piece 55pt box featuring artwork by Fredricks & Mae
“Not since the early days of MC5 at the Grande Ballroom in Detroit, circa 1968, had there been such an organic melding of sheer metalesque maelstrom and free jazz. These archival recordings from the legendary punk club CBGB capture a moment in time when open-minded musicians from the 'downtown scene' were exploring the possibility of bringing Lou Reed's feedback-infested Metal Machine Music together with Albert Ayler's Love Cry. Dissipated Face guitarist Kurt "Hologram" Ralske and special guest …
Mats Gustafsson is perhaps the pre-eminent saxophonist of this post-free jazz/improv era. A perfect combination of Peter Brotzmann's fiery passion, Evan Parker's extended technique and Ken Vandermark's willingness to explode genre boundaries, Gustafsson's discography spans over two decades and sports numerous must-hear recordings with a long laundry list of collaborators, including such luminaries as Brotzmann, Vandermark, Joe McPhee, Jim O'Rourke, Derek Bailey, Sonic Youth and The Ex. Illustrio…
By now, the significance of Sam McKinlay's extensive body of work is undeniable. After having begun his mapping of the depths of monomania, fetish, addiction, and vice, in the mid-1990s with his flagship project, The Rita, McKinlay briefly halted his work in the early 2000s. Though it was unforeseeable at the time, McKinlay's return to substantial recording output and live performances around 2004 would quickly and permanently alter the landscape of Harsh Noise. The Rita became one of the most …
"The singularly strange storytelling power of Jun Konagayas unit GRIM had been largely overlooked until haang niap records "Folk Songs For An Obscure Race" compilation of the groups early 80s material. Konagaya restarted the group in 2009 and these are their first new recordings - and a full album to boot. Split release between Art Into Life and Eskimo Records! A story in 8 volumes, ripe with deviant madness and gathered salvic capacity. Handmade clock artwork by Konagaya - each one is di…
Jan Jelinek, Hanno Leichtmann and Andrew Pekler have formed a trio that can truly be called a supergroup. As solo artists, all three members are among the most renowned of Berlin's electronic musicians. When playing together as Groupshow, the three instrumentalists -- themselves largely informed by minimalist sensibilities -- engage with the idiom of free-form collective improvisation, which has a long tradition in Germany dating back to the days of Fluxus and Krautrock. Consequentially, t…
Kogetsudai is Sylvain Chauveau's 10th album, the second in a trilogy initiated by Singular Forms (Sometimes Repeated) (2010), where the song structure is dismantled and reconstructed on the fringe of silence. Whereas Singular Forms found inspiration from Abstract Painting, Kogetsudai is influenced by Zen rock gardens found in Japan Ñ also the location where the album was conceived (for the most part) Ñ and from which the album borrows its title. Layers of minimal electronic sounds and filtered f…
Saturn calls, Istanbul responds! After releasing a handful of beautiful releases last year that brought them to the attention of the free jazz scene, Konstrukt come back with a fantastic album recorded in collaboration with Mr. Marshall Allen, the legendary saxophonist of the Sun Ra Arkestra (aka the best band ever landed on Earth). Cosmic, cathartic, spiritual free jazz in its purest form! When music can make you travel with your imagination like this, building bridges between different…