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Fantôme Phonographique present a reissue of Umm Kulthum's (Oum Kalthoum) The Twinkling Star,
originally released in 1961. Kalthoum is a legendary Egyptian vocalist
and one of the biggest celebrities of the 20th century Arab world. She
was dubbed "the voice of Egypt" and "Egypt's fourth pyramid", and is
considered a national treasure. This 1961 album originally released on
Parlophone is one of the finest examples of her vocal ability and a
beautiful example of mid-20th century Egyptian popu…
Fantôme Phonographique present a reissue of Luc Estang and Pierre Henry's Saint-Exupéry, originally released as a 10" in 1959. During his long and illustrious career, the French composer and musique concrète pioneer Pierre Henry created a large amount of incidental music to accompany literary texts, both on record and for the stage, from Jules Verne to Victor Hugo, from Lautréamont to Antonin Artaud. This incredibly rare LP from 1959 is a radio play about the life of French pilot and writer Anto…
"This cassette contains different versions of a kind of static music consisting of humming sound formations. Various parts are combined in constantly different ways and activated or paused at a slowly changing pace. The three versions have different tempos with different characters ensuing. Simple looped motifs repeating themselves form the basis. Some of these are capable of modifying the pitch of each other. I have acted as a musician playing the computer sequencer by changing tempo, allowing …
On Rimarimba’s 1985 album In The Woods, Robert Cox has made his music kit, an odd assortment of new and old technologies, lately fixated on the digital delay, and programming technologies, sing his own song at its most articulate clip. The songs seem more developed, fluent, like mini-suites in some sense. By his third album, it’s clear Cox has recognised just how liberating technology can be – “All these intricate layers of things that I was trying to play, and didn’t have the musical ability to…
For Rimarimba’s 1984 album On Dry Land, Robert Cox advances along the terrain explored on Below The Horizon. It’s an enchanting album, one which, at times, seems to comment on its own practice; a picture of everyday life in the hobbyist’s, or part-time musician’s, recording studio. Some moments point towards the tourist-explorer aesthetic that would eventually coalesce under the banner of Fourth World music. Other moments where Cox seems to be channelling an otherness, a kind of hauntological re…
**100 copies** Drift is a free fall album consisting of three compositions invoking a sense of hovering expansion. Deeply spacious yet tightly compacted sound movements create holding patterns that slowly shift and evolve. Cycles fall in and out of sync while atmospheres envelope time, appearing on the periphery before being subsumed back into space. The compositions utilize modified alto saxophone with spring reverb attachment, synthesizers, percussion, field recordings and electronic processin…
**100 copies** The sound art of Jacob Kirkegaard explores ways to reflect on immediate complex, unnoticed or unapproachable aspects of the human condition or civilisation. His works have treated themes such as radioactivity in Chernobyl and Fukushima, melting ice in the Arctic, border walls in Palestine, and tones - otoacoustic emissions - generated from the actual human ear. Currently Kirkegaard works on two projects, one on the sound of global waste and waste management, and the other on sound…
**300 copies** The sound art of Jacob Kirkegaard explores ways to reflect on immediate complex, unnoticed or unapproachable aspects of the human condition or civilisation. His works have treated themes such as radioactivity in Chernobyl and Fukushima, melting ice in the Arctic, border walls in Palestine, and tones - otoacoustic emissions - generated from the actual human ear. Currently Kirkegaard works on two projects, one on the sound of global waste and waste management, and the other on sound…
**500 copies** This is a total find - Tanz und Andacht (Dance and Devotion) is a mouth-wateringly rare and otherworldly missive from Hamburg’s cult, highly enigmatic label / band Werkbund, a bizarre, crazily ahead-of-its time project that finds the sweet spot between Coil and Torsten Pröfrock's work as Dynamo / Various Artists, now reissued on vinyl with two bonus tracks to the pleasure of weirdos across the world, more than twenty years after the long sold-out original 2x7” release. Since 1987,…
Charles Gayle is a saxophonist, pianist, sometimes a clown and
radical musical performer wrapped into the body of a humble person
living in Downtown Manhattan since the 1960s. As this set attests to, it
is sometimes hard to predict what he will do on stage... In all his
musical (and personal) life Charles Gayle has remained outside of any
form of mainstream, carving his own singular path. There is no player on
the scene today with the emotional wallop of Charles Gayle. John Edwards
is a t…
Charles Hayward is an English drummer and was a founding member of the experimental rock groups This Heat and Camberwell Now. He also played with Mal Dean's Amazing Band, Dolphin Logic, and gigged and recorded with Phil Manzanera in the group Quiet Sun as well as a short stint with Gong. He was a session musician on The Raincoats' second album, Odyshape (1981), and on one occasion played drums for the anarchist punk band Crass. Since the late 1980s he has concentrated on solo projects and collab…
Long acknowledged as one of the greatest and most influential acoustic guitarists to emerge from the British folk scene, the late John Renbourn is best known to the wider world for his membership of Pentangle, the genre-busting band that he was instrumental in bringing together in 1967. Pentangle’s recordings are widely available, most recently with Cherry Red’s 2017 highly-acclaimed box set Pentangle: The Albums. in 1966. Housed in a clamshell box that boasts replica album sleeves, some very ra…
Miles Davis' often overlooked masterpiece Miles in the Sky is his venture into the jazz-rock, which later became known as fusion. While working together with his second great quintet his interest in the usage of electric instruments was increasing every day. The first album from his “Electric” period is one big grooving adventure, in which he gets the support of the stellar line-up of Wayne Shorter, Tony Williams, Ron Carter, Herbie Hancock, and George Benson. It's a ground-breaking record from …
**Screen printed edition of 300 hand-numbered copies. Edition comes packed in inner cardboard disco sleeve, high-quality open screen printed sleeve, and heavy outer screen printed PVC sleeve.** Working the sweet spot where noise communication decisively rubs up against textural experimentation are the verdant improvisations that make up Plant, the new LP from Rimouski-based electric bassist Éric Normand and Australian alto saxophonist and bass flautist Jim Denley. Don’t be fooled by the title, t…
Bureau B present a reissue of Martin Rev's Clouds of Glory, originally released in 1985. Martin Rev is best known as one half of the seminal duo Suicide (with Alan Vega). Listening to his solo albums, it becomes clear that Rev was responsible for the group's music. Clouds of Glory, his second solo effort, was released on the French label New Rose in 1985. Suicide mirrored the reductive and radical traits of the contemporaneous punk scene that was in the process of emerging, but their electronic,…
Lovely live album that collects material recorded during Howard Riley 1976 tour in the US (taken from concerts held in New York and Buffalo, in the fall of that year). A work of deep musical contemplation, freedom and lyricism.
Axel Dörner, trumpet. Werner Dafeldecker, doublebass. Sven-Ake Johansson, drums. Recorded in May 2010 in Gothenburg by Bengt Pettersson and Bertil Karlsson.
MG.ART presents a reissue of Manuel Gottsching's Dream & Desire, originally released in 1977. For 2019, this is a newly remastered and carefully re-edited version of the legendary 1977 studio recording for RIAS Berlin. "The 1970s. The Vietnam War is slowly coming to an end; the RAF thrives and prospers; the first Achtundsechziger ('68 protestors) are actually planning to march through the institutions; Rock and Roll is getting heavier; and hardly noticed by the mainstream public, some West-Berli…
Post-metal avantgarde power force Sumac - based around Aaron Turner (Isis, Old Man Gloom) - follow up their collaboration with legendary Japanese guitarist and singer / performer Keiji Haino on Thrill Jockey - American Dollar Bill - Keep Facing Sideways, You Are Too Hideous To Look at Face On (2018), with another monolith, heavy and experimental at the same time.Personnel: Keiji Haino - guitar, voice, flute, taepyeongso; Aaron Turner - guitar; Nick Yacyshyn - drums; Brian Cook - bass.
René Huthwelker’s solo performances emphasize minimalistic repetitions that are created foremost by analogue-synthetic spheres. "IIIIIIIIIIIIIIIIIIIIIIIIII" is Huthwelker‘s solo debut in which he presents an insightful exploration of polyrhythmic networks, based primarly on the analogue synthesis of the Buchla system.