New Arrivals / Today

Black Truffle's 150th release: Graham Lambkin and Emmett Kelly fold finger-picked British folk, psych jams and loops of natural sound into a tape-collaged record, with Jim White on drums for one track.

AMM in its classic trio of Eddie Prévost, Keith Rowe and John Tilbury, live at Goodspeed Hall, University of Chicago, on 20 April 1996. An audience recording approved by all three, 100 copies on green vinyl.

Music from Stan Douglas' two-channel installation ISDN (Venice Biennale 2022), where London grime MCs and Cairo mahraganat rappers trade verses. Two edits chosen by the artist, 180 g 12", 1,000 copies.

Lawrence Lek's soundtrack for Temple, the virtual karaoke club from his film AIDOL rebuilt at 180 The Strand in 2019, completed after a bereavement. Single LP on 180 g black vinyl, 500 copies.

Live recording of Theaster Gates and The Black Monks at White Cube Mason's Yard, London, on 24 May 2019, the opening of his exhibition Afro-Mingei. Single-sided 180-gram 12" with an etched B-side.

Live jam by Theaster Gates and The Black Monks, recorded at the Sprengel Museum, Hannover, in 2018 and issued in 2019 as the second Black Madonna Press release. 180-gram black vinyl, mask etching on one side, 1,000 copies.

Soundtrack to Theaster Gates's film Dance of Malaga (2019), shown in his exhibition Amalgam at the Palais de Tokyo: eleven songs by Gates and The Black Monks, produced by James William Blades. 2LP, 180 g, 750 copies.

Four-track 12" EP by Theaster Gates and The Black Monks of Mississippi, first issued in 2018 to launch Black Madonna Press alongside his Kunstmuseum Basel exhibition. 2024 repress on 180-gram black vinyl, 500 copies.

Album recorded by Joakim in May 2017 inside Xavier Veilhan's Studio Venezia at the Venice Biennale, improvised on chords drawn from words given by visitors. Double LP on 180 g vinyl, edition of 500.

Direct-to-disc recording of Arthur Jafa's Listening Session at the Serpentine Sackler Gallery, 9 September 2017, with Jason Moran, Steve Coleman and others playing apart across London. Signed, numbered edition of 300.

Three pieces from Gazelle Twin's Kingdom Come, an audio-visual show for two vocalists after J. G. Ballard's last novel, released by The Vinyl Factory for CTM Festival 2017. Cover by Jonathan Barnbrook, edition of 300.

Kelela and Elysia Crampton set lyrics by Adrian Piper on two sides, the second edited by Total Freedom: the fourth release in Anthem, the 9th Berlin Biennale's 12" series (2016). Edition of 300 on 180g vinyl, 45 RPM.

The soundtrack to Halil Altındere's video Homeland, rapped by Syrian MC Mohammad Abu Hajar over a beat by Nguzunguzu: the third release in Anthem, the 9th Berlin Biennale's 12" series (2016). Edition of 300 on 180g vinyl.

Jacolby Satterwhite and Nick Weiss turn a cappella songs recorded at home by his mother Patricia into two electronic tracks: the second release in Anthem, the 9th Berlin Biennale's 12" series (2016). Edition of 300 on 180g vinyl.

Fatima Al Qadiri's choral setting of lyrics by Hito Steyerl and Juliana Huxtable, the first release in Anthem, the 9th Berlin Biennale's 12" series produced by Total Freedom in 2016. Edition of 300 on 180g vinyl.

Trevor Jackson recorded 300 Words at the Barbican for Doug Aitken's Station to Station in 2015: 300 words by Åbäke read by Emma Berit Smit, pressed by The Vinyl Factory in 300 copies, each sleeve hand-made with a different word.

Hisham Akira Bharoocha (Soft Circle) and patten recorded this EP on 30 June 2015 at the Barbican during Doug Aitken's Station to Station, drawing on sounds of the building and of The Vinyl Factory's on-site press; 300 copies in unique Åbäke sleeves.

Vinyl edition of Planet Mu's 20th anniversary compilation: eighteen mostly unreleased tracks from 1997 to 2015, from footwork to IDM and early dubstep. Three 180 g LPs, 1,000 copies.

Anna Meredith's second EP from August 2013, four tracks with cello, clarinet, drums and electronics, closing on a reworked Erasure cover. 12" on 180 g vinyl, limited to 500 copies.

Anna Meredith's debut EP, four tracks released in October 2012 by The Vinyl Factory and Moshi Moshi, including the first version of Nautilus. Original 12" pressing limited to 300 copies.

Matthew Herbert's score for Sebastián Lelio's The Wonder (2022), built from organs, harmoniums, processed Irish instruments and the scaffolding of the film set. Vinyl Factory special edition on 200 g vinyl, 100 numbered copies.

Trio session by Binker Golding (saxophones), Olie Brice (double bass) and Eddie Prévost (drums), recorded at All Saints Church, High Laver, Essex, on 3 February 2026; the fourth volume of Prévost's High Laver series.

Spencer Clark's second and last album as Black Joker, from 2010, remastered and pressed to vinyl for the first time: wooden-block percussion, flute-like keyboards and interlocking synth melodies under a night sky.

Gonçalo F. Cardoso as Tropic Brut: contact mics, geophones and piezos on the resort complexes of Tenerife, concrete, metal and machinery amplified into a brutalist, tongue-in-cheek record about mass tourism. Mastered by Rashad Becker.

Keyboardist Himiko Kikuchi's 1987 fusion album with guitarist Masatsugu Matsumoto, a full horn section and members of Spectrum, AB's and Yuji Ohno's band. Limited 180g reissue on Great Tracks, pressed in Japan.

Masabumi Kikuchi's quintet recorded live in the studio in March 1973, just before his move to New York: two saxophones over a piano trio, five original compositions. Japanese reissue by Universal Music on vinyl.

Bassist Takashi Mizuhashi in New York on February 22, 1977, with Herbie Hancock on piano and electric piano, Teruo Nakamura on second bass and Bruno Carr on drums. Nippon Columbia reissue on black vinyl, repressed for February 2027.

Tenor saxophonist Akira Miyazawa's first album, recorded in May 1962 with Masahiko Sato on piano and Sadao Watanabe on alto: a founding record of Japanese modern jazz. King Records reissue on black vinyl, repressed for February 2027.

The debut of drummer Toshio Osumi's regular trio, recorded for Three Blind Mice in March 1983 with Hiromu Aoki's funky piano: Watermelon Man, Willow Weep for Me, Beatles and Stevie Wonder songs. Official reissue on 180g vinyl.

Singer Koji Moriyama's debut as a leader, recorded for Three Blind Mice in December 1975 with the Tsuyoshi Yamamoto Trio: standards from Night and Day to Bye Bye Blackbird, sung and scatted with a light swing. Official reissue on 180g vinyl.

Drummer George Otsuka's third album for Three Blind Mice, recorded in February 1976 with Fumio Karashima on electric piano and synthesizer and Shozo Sasaki on saxophones, closing on Coltrane's Naima. Official reissue on 180g vinyl.

Masayuki Takayanagi alone with his electric guitar in August 1982: his first solo improvisation album, made after his recovery from near death, from Ornette Coleman's Lonely Woman to Lennie's Pennies. Official Three Blind Mice reissue on 180g vinyl.

Pianist Masabumi Kikuchi's 1970 album named after his nickname: twin keyboards and twin drums, Kohsuke Mine on saxophones, and the long groove of Dancing Mist. Japanese reissue by Universal Music on vinyl.

Taeko Onuki's third album, from 1978, arranged by Ryuichi Sakamoto and Ichizo Seo with Haruomi Hosono, Yukihiro Takahashi and Shigeru Suzuki: Yokogao, Umi to Shonen and 4:00 A.M. 180g reissue cut by Bernie Grundman.