New Arrivals / Today
Yerevan Nights (Soviet Armenian City Pop 1986-1992)
Available October 30th, 2026, this compilation pulls back the Iron Curtain to bring a bevy of physically unreleased music of Soviet-era Armenia. Songs that were exclusively broadcast on radio and television, stored on reel-to-reel tapes, and shelved in a government-owned vault alongside tens of thousands of various recordings by Armenian artists - all inaccessible to the public. Fully licensed from Public Radio of Armenia, with additional clearance from all composers or their living descendants …
Quiet Forest
"My encounter with the Hoh Rain Forest, located inside Olympic National Park across the water from Seattle, felt like seeing a whole new world for the first time in my life. Long green fronds draped along the branches, like a scene in which fairies could be heard whispering to one another. But when you try to listen, no sound can be heard. Amidst the mysterious silence, in which no birds or insects make a sound, every living thing seemed to have stopped in its place, only to start dancing when s…
Forest of Tranquility
When Japanese artist Masayoshi Fujita was invited to create the soundtrack for Expo 2025’s vast living nature installation, Forest of Tranquility, he immediately envisioned a relaxing public space in which visitors could tune out the noise and restore their energies. Inside this green open-air sanctuary – visited by millions of people during the landmark Osaka event, which ran for six months – stood a central pond and 1,500 real trees, all rescued and repurposed from Expo’s former ‘70 site and o…
Passage Through: A Ritual
The Hotel is honoured to present Passage Through: A Ritual, Philip Corner’s soundtrack to Stan Brakhage’s 1990 film of the same name.
L'Inversion Des Pôles
*200 copies limited edition* "“L’inversion des pôles” holds two tracks, “Anaphores” on the A side and “Syncopes” on the B side, both composed by Comelade and Saintlos. Comelade plays grand piano, vertical piano, Farfisa organ, an Emenee plastic guitar and a Roland RD 300 SX keyboard, with “Syncopes” adding an EMS-AKS synthesizer and a Koma Elektronik FT201. Saintlos contributes a Korg MS10, an Arturia MiniBrute, a Nord Lead X2, a Yamaha RX11 drum machine, an ARP Odyssey and a Poly D clone Minimo…
3
In a digital timespace stalked by the shifting and pixelating apex predator of Desire Optimization, fling ii has decided that a humble american neokrautrock n-gon of various part time participants lacks the resourcing and relevant domain knowledge to meaningfully compete with the Leviathan of Hypertargeted Urge Satisfaction. The market for pursuing what people actually want is supersaturated, leaving a marketable capability gap for those creating things nobody wants or asked for. 3 is an album e…
Double On Time
*300 copies limited edition* For the past 30 years, Toronto's Picastro has been evolving an intense and idiosyncratic variant of indie rock songcraft, embracing unique instrumentation, unsettling dissonance, and an ultra-personal approach to form and dynamics. The vision of vocalist, composer, and multi-instrumentalist Liz Hysen has anchored the project's sound throughout these three decades, even amidst a diverse cast of collaborators that have come, gone, and sometimes returned. Among these co…
kitsune no yomeiri
*300 copies limited edition* Kitsune No Yomeiri, which translates to the fox’s wedding, is an endearing expression used to describe sunshowers. Dawson returned home from a recent tour of Japan with a collection of field recordings documenting the spring rain he encountered throughout his travels. These curious sounds, stretching from peaceful shrines to clattering city streets, underpin the material.
Dawson also credits the wonderful folks he met on that tour with profoundly shaping the directio…
Long Slow Distance
*300 copies limited edition* Long Slow Distance is an album about finding peace, and making peace where it can’t be found. It’s inspired by change, grief, acceptance, forgiveness, love, and running. Dawson began running around the same time he started making records. At this point it’s unclear where one practice ends and the other begins. The album’s title has become the ethos he’s embraced for all things in life.
Long Slow Dance unravels the woven collage of his previous work. Here each song co…
Iron
Originally released in 2000, Iron grew out of Pavlov's teenage fascination with heavy metal and the underground record-exchanging community of the late Soviet era. At fourteen, inspired by Iron Maiden's “Running Free,” he picked up a six-string guitar brought to him by his grandmother and decided that he and his friends could also play that kind of music. Before long, they were rehearsing in a Soviet youth club with whatever equipment was available, looking for the sound they heard in early heav…
Winterglare
Suspended somewhere between stillness and movement, Winterglare explores the fragile moments that exist beneath the surface: frozen landscapes, distant memories, quiet isolation, and the sudden brilliance of light reflected through the cold. The album unfolds as an immersive listening experience, inviting the audience into a world that feels both intimate and vast.
Rather than offering easy answers, Winterglare creates space for reflection. Its songs move through shadow and radiance, embracing c…
The Electronic Works
Dutch Oscillation Series (DOS) proudly announces the release of a box set featuring the complete electronic works of Ton de Leeuw (1926–1996). This publication marks the first instalment in a new series that brings the history of Dutch electronic music to life for a broad audience. The official presentation will take place on Saturday, 12 September, during the Gaudeamus Festival for contemporary music in Utrecht.
Unique discoveries from the archive. For far too long, twentieth-century Dutch elec…
You Never Were Much Of A Dancer
When I was about eight years old a pretty formative thing happened to me ... my mum bought me a cassette tape of Nirvana’s Nevermind. Being so young I'd had no real interest in music prior to that, but I did have a ‘My First Sony’ cassette player that I used to listen to audiobooks. Anyway, I put the tape in, pressed play, and what I heard blew my little 8 year old mind. I don't know what it was about that wall of sound that so captured me, but I spent many hours hyperactively running around the…
Strange Lights Over Garth Mountain
Welsh musician Gwenifer Raymond’s 2018 debut album, You Never Were Much of a Dancer, introduced a new voice on acoustic guitar, receiving 5 stars in The Guardian, big spreads in MOJO and UNCUT, and airplay on multiple BBC programmes. This led to months of touring on the European festival circuit. Her second album, Strange Lights Over Garth Mountain, finds Raymond ranging into unexplored experimental territory, drawing from her Welsh roots.
Machines: A History of Electronic Music (Book)
Jean-Michel Jarre's illustrated history of electronic music, built on his own collection of instruments: 150 machines from modular synths to one-off prototypes trace a century of electronic sound, with contributions from Vince Clarke, Gary Numan, Gillian Gilbert, Richie Hawtin and Hans Zimmer.
The Realist
Janel Leppin - The Realist (OOYH 048), featuring the incredible new trio of Janel with Devra Hoff (Sharon Van Etten, Nels Cline, Xiu Xiu) on bass, and Chad Taylor (Chicago Underground Duo, Marc Ribot, jaimie Branch) on drums, which Phil Overeem called "the freshest sounds from one of the most fascinating artists in creative improvisation."
Home
The rat is back in the building due to circumstances beyond our control! “rat” is an electronic project born from the gutters of Brussels in 2024 by long-standing collaborators “neither” and “Milius.” After 15 years of hidden experiments they have been assembling a sonic language where glitch, ritualised circuitry and spectral noise merge. Originally released as a cassette on Futura, "home" now returns repressed on vinyl. Their debut unfolds as a labyrinth of disjointed rhythms, haunted textures…
Deceit
"From its word-playful title (Deceit / This Heat – say it aloud and twist your tongue) to the lyrics densely written on the back cover, This Heat's second album from 1981 is much more verbally direct than their largely instrumental 1979 debut. The group had things on their minds and statements they wanted to make.
"'The first album was about the Dread, but dread not really understood yet,' says Charles Hayward. 'With the second album, we were starting to understand what made us afraid. The whole…
Quiet Pieces
'Quiet Pieces' initiates Abul Mogard’s personal imprint Soft Echoes with a definitive self-portrait of calm, contemplative, and discreet inner landscapes made audible. It is the first solo album on vinyl in four years.
Communique
*300 copies limited edition* Salford Electronics abandon all art. Nine lo-fi electronic urban nightmares spiralling through Industrial decay, rain-drenched dark ambient, abrasive loops, brooding noise, and shards of scintillating electronics. The desire to communicate the disintegration of nocturnal sound. Evoking that moment in time when you have been up all night and the dawn ambience is about to break. A series of bad dreams.
These works were created over the last decade and originally self-r…
