New Arrivals / Today
Waterforest
On Waterforest, Yoichi Kamimura turns a multichannel installation into an intimate atlas of water and ice, braiding global field recordings into a quietly immersive study of climate, memory and the act of listening to landscapes.
The Kármán Line
The Kármán Line is the threshold - the precise altitude at which the Earth's atmosphere ends and open space begins. Outer Worlds Jazz Ensemble understood the metaphor immediately. This is music made at that exact boundary: grounded in groove and breath, but pulling steadily toward something without ceiling.
The story begins in Tokyo. Neil Innes - bassist, producer, the animating force behind ATA Records and its consistently remarkable Leeds-centred roster - and woodwind voice Chip Wickham were n…
Glorious Mahalia
Midway through Martin Luther King Jr.’s historic speech at the 1963 March on Washington, a voice rang out from behind him: “Tell them about the dream, Martin!” That voice belonged to Mahalia Jackson, King’s close friend and one of the most revered gospel singers of the 20th century. Glorious Mahalia, a visionary tribute to Jackson’s life by the internationally renowned Kronos Quartet, uses that moment as a springboard to explore the depth of Jackson’s musical craft and its impact on the Civil Ri…
Embryo's Sculptures
Embryo’s Sculptures captures Pink Floyd in a stunning live performance at the Rainbow Theatre, Finsbury Park, London, on 20 February 1972. This remarkable recording preserves a pivotal moment in the band’s evolution, offering a fascinating glimpse into the creative forces that would soon culminate in The Dark Side of the Moon.
At this stage, Pink Floyd were moving into one of the most inventive and defining periods of their career. The set features a substantial amount of material that would lat…
Cara Maluco
Osees return with a four-track EP recorded last year in Tornio, TX. A couple fried trippers and couple tight dance punk numbers. Crazy face indeed.
Tähtisilmä
Hot Heros once again bring a raw jazz grit to the heart of Finnish folk. Their latest LP, Tähtisilmä, explores the compositions of the master fiddler Konsta Jylhä through a modern, improvisational lens. Deepened by the rich, mournful tones of cellist Juho Kanervo, the group reimagines these beloved songs alongside a new original composition by bassist Ville Rauhala. Tähtisilmä is a visceral blend of jazz improvisation and the timeless "pelimanni" spirit, capturing the melancholy beauty of Finnis…
Two Thousand Sacred Steps
*200 copies limited edition*
Chris Abrahams - Steinway grand pianoMark Wastell - cymbals
Recording engineered by Andrew LisleVortex Jazz Club, London, 8 May 2025
Linear Contact
*10 copies limited edition* Made as an act of mindfulness, Linear Contact emerges as JCKSN’s debut foray into the genre of ‘harsh noise’. Across these four tracks, the erratic sound of household clatter paired with bit crushed field recordings, resides deep experimentation with moments of suspended ambient undertones. Each track is named after the materials recorded, and features a minimal background of field sounds drenched in harmonic attack.
Light Sensitive Materials
Sapphire Goss is an artist based in the UK. She uses obsolete and expired materials to create an “analogue uncanny” where light, time and materials come together in unexpected ways.
Samba '68
“Samba ’68“ is the only album released on the Verve label by prolific Brazilian singer Marcos Valle. In 1968, Valle was commissioned by Verve to record his Brazilian hits in English in order to capitalize on the then-huge Getz-Gilberto-Jobim-Mendes-Astrud market. Marcos’ rapid and stunning artistic growth is apparent on this brilliant Bossa Nova album. Fans of Sérgio Mendes and Astrud Gilberto (both of whom recorded tons of Valle tunes) will enjoy it immensely, for “Samba ’68” is definitely one …
Negro É Lindo
"1971 is a complicated year in Brazil, with the dictatorship in its hardest period, and the censorship acting in every part of the culture. In this context Negro é Lindo was released: a LP in which Jorge Ben adopts an artistic form of confrontation. In the lyrics you can see Cassius Marcelus Clay aka Muhammad Ali taking the space of Spiderman or Captain America, and the beauty of black people in tunes like Cigana, Zula, and the title track. The name Negro é Lindo means Black is Beautiful, an emp…
Pakachume
Emerging from Studio HC Orchestra, Pakachume is a collaboration between producer Adrien de Maublanc and multi-instrumentalist Yonatan Levi. The album blends minimalism, jazz, chamber music, Afro-carribean sounds, and ambient electronica, recorded intimately in Paris’ Studio HC with acoustic instruments and analog synths.
Sol.Hz
London braingaze experimenters Seefeel return with Sol.Hz, their first full-length album in 15 years and a carrying-on of the hazy IDM that saw to their becoming one of Warp Records' most distinctive early signings. Famously among the first acts on the label to fold guitars into an electronic framework, the group again dissolve the adumbrations of shoegaze, dub and ambient techno, a now much-exploited sonic terrain by sound revivalists today. Tracks like 'Ever No Way' and 'Humidity Switch' drift…
Movement
Debut Sacred Bones release from acclaimed Venetian ambient visionary. From spectral drones to shimmering electronics and jazz-tinged harmonies, Movement flows like tides: a music of swells, currents and the body in motion.
O Compositor E O Cantor
Marcos Valle is one of those artists you simply can’t overlook if you have even a passing interest in Brazilian music. Whether your taste leans toward bossa jazz, samba, psychedelic folk, or modern soul, Valle has surely recorded a great album for you. By the late 1960s he had already released enough outstanding records to secure a place among the greatest Brazilian artists of all time, but fortunately his career didn’t stop there. He has continued recording fabulous albums over the following de…
Red Black & Green
This 1973 album captures Roy Ayers in the midst of a creative evolution toward a sound increasingly influenced by soul and funk, surrounded by accomplished collaborators such as keyboardist Harry Whitaker and Strata-East musicians Charles Tolliver and Sonny Fortune. The album includes outstanding versions of ‘Ain’t No Sunshine’ and ‘Day Dreaming,’ along with original compositions such as ‘Cocoa Butter,’ ‘Rhythms of Your Mind,’ and the superb title track, ‘Red Black & Green.’
In the early 1970s, …
El Pulso Del Acero: Shinkansen
El Pulso del Acero: Shinkansen is Esplendor Geométrico's electrifying new album, blending trance-inducing industrial rhythms with bold voice and noise collages. Featuring 16 tracks, it revisits the raw power of their 80s classics while exploring futuristic industrial sounds, with recordings from Tokyo (2025) and a rare previously limited tracks now on vinyl for the first time. After over 40 years of continuous innovation, the influential Spanish duo continues to shape industrial, techno, and exp…
Rem(a)inders
Amulets is the solo project of Portland-based audio and visual artist Randall Taylor. Amulets employs handmade cassette tape loops and live processed guitar loops to create live, lush soundscapes and immersive drones. Through the recontextualisation of cassettes, sampling, field recording, and looping, these long-form compositions blur the genres of ambient, drone, noise, and electronic music. Amulets has steadily built a catalog defined by tactile intimacy and patient exploration. Deeply immers…
Souvenez-Vous De L'Homme
Michel Houellebecq is, of course, well-known for his novels, translated into more than 40 languages, and his Goncourt Prize (The Map and the Territory, 2010), but perhaps less so for his debut album, released exactly a quarter of a century ago on Tricatel label. One can sense the influence of Serge Gainsbourg's L'Homme à la Tête de Chou, a disillusioned Procol Harum and a world-weary Burt Bacharach hovering over Houellebecq's poems in Présence Humaine, a now cult classic album orchestrated by Be…
Rock För Kropp Och Själ
Expanded Content: Includes a Bonus LP of rare live material from Denmark and Gothenburg. "Rock för kropp och själ" stands as the final, definitve statement from Träd, Gräs och Stenar during their original tenure with the legendary Silence label. By 1972, the band had reached a breaking point. After five years of relentless touring - defined by marathon three-to-four-hour performances delivered four or five nights a week - the collective was physically and creatively spent. The weight of expectat…
