New Arrivals / Today
Collective Heliophobic Dream
Suncuts emerged in 2023 from the earlier project Teufelskeller, originally founded by Anton Ponomarev in Moscow. Teufelskeller was invited to perform at the Xciting Festival in Stuttgart but due to various serious reasons the bass player and drummer were unable to go. Ponomarev brought in Swiss drummer Maxime Hänsenberger and Brazilian bassist Felipe Zenicola as replacement musicians. Both integrated quickly, and the new line-up performed the scheduled concerts. Although the three musicians had …
Aural Corrosion
*2026 stock* 2 years after their debut album on Utech Records, P/O Massacre goes deeper in their immersive noise experimentation in this collaboration album with Alex Buess, and Merzbow (Masami Akita). An architecture of distortion, Moog processors, spring reverb, drone effects and more, then developed in different directions by two electronic/noise veterans. It’s a journey of pure sensation, destruction, and rebirth. A skull-vibrating sound decomposition to your face. For this very reason of se…
Witness Wounds
*2026 stock. 125 copies limited edition* Witness Wounds is where four singular musical voices collide to create something raw, unpredictable and deeply immersive. Formed by the meeting of two duos from distinct artistic worlds, the project blurs the lines between noise, free improvisation, performance and experimental music, resulting in a sound that is both visceral and meticulously crafted. On one side, Tomorrow I Feel Wrong unites Sara Trawöger and Kristin Gerwien, long-time collaborators kno…
Massacre
*2026 stock. 100 copies limited edition* "The resulting music is an unearthly ever-shifting roar, sometimes identifiable as the product of guitar and saxophone but just as often not. Obrazeena’s guitar frequently starts out as an almost country-tinged drone, not unlike Earth’s “Hex; Or Printing In The Infernal Method” before turning into a downtuned wall of thick, syrupy distortion you can almost touch. Ponomarev’s sax screeches and bellows, and his electronics create a dense pulse, with needle-…
Pyrocene
*2026 stock* Pyrocene is the new collaborative album from Anton Ponomarev (P/O Massacre) and Guillaume Cazalet (Neptunian Maximalism). A dynamic, heavy offering, Pyrocene is the perfect compliment to either of these artists' main projects.
Album includes remix of the title track by James Plotkin.
Sonic Oblivion
*2026 stock* A new P/O Massacre release - the duo of saxophonist Anton Ponomarev and guitarist Anton Obrazeena - is always an exciting proposition. "Sonic Oblivion” is an extension of sorts to the 2023 album "Aural Corrosion” featuring Merzbow and Alex Buess. Based on materials from the same recording session as its predecessor, "Sonic Oblivion" has a different impact. This nearly two-hour-long album features knife-sharp and grave-deep guitar noises by Obrazeena, apocalyptic electronics and shri…
Extended Topography
*2026 stock*
Anton Ponomarev - saxophones, bass clarinetLi Xing - guitar, effects, mixing
Liu Ying - masteringIvan Yakushev - design/art
Recorded in August 2021 Basel, Switzerland
Claws of the Jaguar
*2026 stock* Deep within the heart of an ancient forest, The Wolf, The Jaguar, The Bull, The Bear, and The Raven resided. They were guardians of the woodland, protectors of balance and harmony. But one fateful night, a foreboding darkness seeped into their sacred realm, whispering tales of corruption that had plagued the planet beyond the trees. Driven by an unnerving curiosity, they made a pact to venture beyond the borders of their lush abodes and uncover the source of this malevolence. Togeth…
Three ribs
*2026 stock* Recorded April 2013 at DOM CC (Moscow). Mixed and mastered by Maxim Khaykin. Cover and design of material version of album by Dmitry Lapshin. Anton Ponomarev - baritone-sax Konstantin Sukhan - trumpet Dmitry Lapshin - double bass
Dødsdromen
*2026 stock* Dødsdromen means "death well" in Danish, a stunt show in which drivers of motorcycles and miniature cars ride in a circle along a vertical wall, performing dangerous stunts due to friction and centrifugal force strength.
P.O. Jørgens - drummer, composer from Denmark known by his own legendary label "Ninth World Music" and band Mokuto trio (where he plays with Lotte Anker on saxophone and Peter Friis Nielsen on bass), collaborations with Mats Gustafsson (Torden Kvartetten) and Peter …
AP/RO
*2026 stock*
Anton Ponomarev: saxophone, electronicsRyoko Ono: saxophone, mixing, mastering
This record was originally released by Fort Evil Fruit (Ireland), July 15, 2022.
Split
*2026 stock. 100 copies limited edition* This unique split brings together two projects. Teufelskeller, with their intense and energetic free grindcore/jazz/noise, delivers a raw and devastating performance. Formed in Moscow, the trio is known for their wild improvisations and physical approach to sound. Their debut album was released on the WV Sorcerer Productions label.
Toru is a trio based between Lyon, Nice, and Marseille, blending experimental metal, noise, and electroacoustic music with di…
A Profound Loss of Meaning, El Llamado
Two of the latest releases from Tochnit Aleph - Daniel Löwenbruck's project, for three decades one of the most radical and consistent spaces in the international experimental landscape, now operating from Denmark - that share a common obsession: sound as act, as summons, as a gesture that the recording does not archive but transforms. El Llamado (Der Aufruf) by Mario de Vega and A Profound Loss of Meaning by Alice Kemp are two works that inhabit the threshold between performance and record - and…
A Profound Loss of Meaning
On A Profound Loss of Meaning, Alice Kemp braids twelve years of recording and composition into a slow, unnerving drift where trance states, dream images and tiny domestic hauntings coagulate into an intimate, disquieting cartography of unreason.
El Llamado (Der Aufruf)
On El Llamado (Der Aufruf), Mario de Vega distils a performative piece for dispersed voices and whistles into a stark, fixed composition, turning a global collection of wind instruments and a single outdoor activation into a study of call, place, and the politics of listening.
L’Oreille Voleuse
On L’oreille Voleuse, Brunhild Ferrari opens her archive of “ear memories” to Eiko Ishibashi and Jim O’Rourke, who treat her magnetic-tape recollections as a living landscape, improvising a drifting, prismatic electroacoustic Hörspiel about time, listening, and theft as tender attention.
Smog
On Smog, Piero Umiliani weaves Italian cinematic cool, West Coast jazz and vocal chiaroscuro into a quietly devastating portrait of early‑60s Los Angeles, with Chet Baker and Helen Merrill tracing the city’s alienated glamour in smoke.
Diastima
On Diastima, Luigi Turra moves inside Sylvain Chauveau’s sparse graphic scores with a hyper‑reduced electroacoustic vocabulary, turning each page into a fragile interval of tension, suggestion and nearly vanishing sound.
Motherland
On Motherland, The Visitors - brothers Earl and Carl Grubbs on alto and tenor saxophone - channel late Coltrane’s searching fire into a spiritual soul‑jazz ritual, all tenderness and incantation wrapped in a warm, analogue glow.
Tetragon
On Tetragon, Joe Henderson sharpens his post‑bop language to a diamond point, driving a powerhouse band through knotty tunes and reworked standards that already hint at the spiritual depths he’d soon explore more fully.
