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In Gianfranco Rosi’s portrait of Naples, Sotto le Nuvole (Pompei: Below The Clouds), the ground shakes periodically. Between Mount Vesuvius and theTyrrhenian Sea, the fumaroles of the Phlegraean Fields hiss volcanic gas and steam. Below the sleeping volcano, modern day Naples emerges in black and white and fills with voices, with lives. From the traces of history and the concerns of the present, Rosi documents a city immersed in its continuous past, with Daniel Blumberg’s minimal soundscape hove…
On Sweet Love, Bitter, Mal Waldron turns a fictional portrait of Charlie Parker’s final years into a darkly luminous suite of cinematic jazz. His lyricism, tension and blues‑stained restraint guide a formidable 1967 ensemble through music that moves beyond soundtrack function, making New York feel bruised, nocturnal and fiercely alive.
Big Tip! Sukegawa's environmental music was heard by thousands of people, none of whom were listening. For more than a decade from the late 1980s he wrote music that played in the offices and research buildings of a large Japanese construction firm, composed by calculating backward from the response of the ceiling speakers it would emerge from, tested against questionnaires filled in by three thousand employees. It was never released, never performed in concert, never reviewed. It filled a space…