New Arrivals / Today
African Skies
Lucky restock, very last copies around. Limited edition 180g vinyl. Stoughton tip-on gatefold jacket. Restored artwork + previously unseen family photos. In 1993, when Chicago's Adler Planetarium commissioned Kelan Phil Cohran to score their "African Skies" program, they tapped into a mind that moved effortlessly between galaxies and neighborhoods, between ancestral rhythm and modern invention. Three decades later, Listening Position presents the first official reissue of this cosmic masterpiece…
Music in Continuous Motion
Bill Orcutt is back with what might be the most beautiful record in his 21st-century guitar quartet series. Music in Continuous Motion (Palilalia, LP/CD) pointedly steps away from the cut-and-paste constructivism of Music for Four Guitars into a sonic stratum that's - as Tom Carter writes - "yearningly melodic, resolutely human, and built for performance." Four guitars, twelve tracks, most hovering around two-and-a-half minutes each. No waste. No fat. Pure music.
Where Music for Four Guitars ope…
Black Ark (Book)
Black Ark is a 600‑page visual and textual immersion into Lee “Scratch” Perry’s legendary Kingston studio, assembled by Ishion Hutchinson, Kodwo Eshun, Lee Scratch Perry and Veerle Poupeye: a dense, collaged “house‑book” where dub’s sonic revolution is mirrored in murals, talismanic objects and layered histories.
Xerrox
Tip! Noton releases the Limited Edition CD Box Set of Alva Noto’s Xerrox series. Pioneering in his approach to digital sound and its materiality, Alva Noto (Carsten Nicolai) began his ongoing exploration of sampling, degradation and recontextualisation with the Xerrox series in 2007. Over the years, the project has evolved into one of the most distinctive bodies of work in contemporary electronic music, situated between minimalism, experimental sound art and digital abstraction.
Across five albu…
Gift Songs
Jefre Cantu-Ledesma returns with Gift Songs, a deep distillation of touchstones and influences drawn from the natural world and his spiritual practice. Enlisting a brilliant cast of collaborators, and blending a rich sonic palette of guitar, modular synthesizer, and acoustic instrumentation and arrangements, Cantu-Ledesma illuminates a profound sense of humanity and transcendent possibilities across a suite of five sublimely minimal compositions. Drawing its title from Cantu-Ledesma’s belief tha…
unworld.afterpop
Endlessly uplifting, gorgeous sunshine art-pop from Swedish librarian cum insanely talented multi-instrumentalist Sternpost. Who said the underground had to be glum??Sternpost’s 2023 hit Ulrika felt like something of an awakening, an open door to a vivid and unbelievably lush sound world that was totally at odds with its humble home-recorded nature. Back on Portland outpost Concentric Circles, unworld.afterpop takes our hand again and guides us into a dreamworld of charming avant-pop, drawing in…
Aya's Samba
Johnny’s Disk record is an independent jazz label run by the owner of jazz cafe Kaiunbashi no Johnny located in Rikuzentakata city in Iwate prefecture, Japan. The legendary label released a string of albums of high quality but down-to-earth music, spanning from modern jazz, avant-garde jazz to left-field pop. Albums such as “Farewell my Johnny / Left alone” and “Aya’s samba” has reached cult status among fans as some of the best works to come out of the japanese jazz scene.
Another japanese jazz…
The Haunted House
Out on Leaving Records, The Haunted House is the latest EP from Los Angeles-based artist and musician Diva Dompé. Having spent the better part of two decades channeling otherworldly transmissions with projects including Yialmelic Frequencies, BlackBlack, and their current band, Diva and the Pearly Gates, Dompé returns with a deeply personal, unguarded song cycle firmly within the singer/songwriter idiom. The titular Haunted House is a memory palace of sorts—a portal to the densely-populated imag…
Zjumk / Yililok
*2026 stock* Yialmelic Frequencies is the therapeutic instrumental music from LA-based artist Diva Dompé channeled from her home planet Yialmel. Zjumk collects the instrumental layers Diva has created and archived at dublab.com for her monthly guided-meditation radio show “Yialmelic Transmissions” – this is the first album in a series of volumes from this reserve.
Jardim Elétrico
Jardim Elétrico (1971) is a vibrant and inventive entry in the Brazilian band Os Mutantes’ discography, marking the transition beyond the core Tropicália movement into a heavier, more experimental blend of psychedelic rock, Brazilian popular music, and early progressive influences. The album balances playful irreverence with darker, more electric textures, featuring distorted guitars, studio experimentation, layered vocal harmonies, and the charismatic interplay between Rita Lee, Arnaldo Baptist…
Septober Energy
Centipede’s Septober Energy (1971), released on RCA and produced by jazz pianist Keith Tippett, is a sprawling double-album manifesto of British avant-garde jazz-rock that brings together an enormous ensemble of more than fifty musicians, including members of King Crimson, Soft Machine, and other key figures of the Canterbury and progressive scenes. Conceived as a large-scale orchestral jazz composition, the record blends free improvisation, electric jazz fusion, progressive rock dynamics, and c…
Apryl Fool
The Apryl Fool’s self-titled album Apryl Fool (1969) is a singular psychedelic rock record born from the collaboration between Japanese musicians Hiro Yanagida and Takashi Matsumoto and American producer Gary Walker. The album fuses West Coast psychedelia with baroque pop, orchestral arrangements, and subtle Eastern melodic sensibilities, creating a richly textured and cosmopolitan sound that stood apart from both mainstream American psych and contemporary Japanese rock. Though commercially over…
Embrace 1: Jupiter Storm / Partial Intersect
On Embrace 1: Jupiter Storm/Partial Intersect, Polwechsel with Magda Mayas and John Butcher fold fixed media, stopwatch scores and free low‑string improvisation into a dense, shifting topology of resonance and friction, pushing their chamber‑reductionist language into newly electronic and spatialised terrain.
Embrace 2: Chains and Grain
On Embrace 2: Chains and Grain, Polwechsel distil their chamber‑improv logic into a score grown from their own playing: a tense, breathing matrix of repeated figures, frayed textures and in‑the‑moment reactions that is rebuilt afresh every time it’s performed.
Embrace 3: Magnetron / Quarz / Obsidian
On Embrace 3: Magnetron/Quarz/Obsidian, Polwechsel with Andrea Neumann turn acousmatic tape, simulated multitracks and graphic notation into an intricate laboratory of cause and effect, where elevator doors, room ghosts and painstakingly negotiated scores yield two of their most conceptually precise and sonically uncanny works.
Embrace 4: Orakelstücke / Aquin
On Embrace 4: Orakelstücke/Aquin, Polwechsel open their rigorously quiet universe to two singular composers, Peter Ablinger and Klaus Lang, yielding a diptych where struck objects, voices and long, glowing tones summon an almost liturgical sense of mystery from everyday sound.
