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Quartet Records, in collaboration with EMI General Music Publishing, presents a meticulously remastered reissue of Ennio Morricone's iconic poliziesco score for Sergio Sollima's Revolver (1973), a violent Italian-French thriller starring Oliver Reed and Fabio Testi. This definitive release brings one of Morricone's most dynamic crime scores back to pristine sonic quality, showcasing the composer's mastery of the genre that would later influence his acclaimed American gangster film work. The film…
Quartet Records, in collaboration with Universal Music Publishing Italia and EMI Music Publishing, presents a meticulously remastered reissue of Ennio Morricone's fascinating score for Folco Quilici's Oceano (1971), a pseudo-documentary film that stands as one of the most unique and spiritually profound projects in both filmmakers' careers. This definitive release showcases Morricone at his most experimental and meditative, creating what may be his most transcendent work for cinema. The film fol…
Ennio Morricone with “Secret of the Sahara” achieved great sales success, especially thanks to the song “Saharan Dream” performed by Amii Stewart. At the time, Italian RCA released a CD and a 33 rpm with sixteen tracks selected by the author. This material was released in France on CD and on vinyl. In 2018, the same material was reissued on vinyl by Monte Stella Records. In 2007 Maestro Morricone approved six previously unreleased tracks for an expanded edition, which GDM released on CD, now tha…
Quartet Records, in collaboration with GDM and EMI General Music Publishing, presents a remastered reissue of the 1968 classic, propulsive and exciting Ennio Morricone cult score for the gangster movie Gli Intoccabili (aka Machine Gun McCain), a successful Italian-US coproduction, directed by Giuliano Montaldo and starring John Cassavetes, Britt Ekland, Peter Falk, Gena Rowlands and Gabrielle Ferzetti. The film is about a paroled gangster and his son who plan to rob a Las Vegas gambling house, u…
Quartet Records presents a remastered reissue of one of the most celebrated collaborations between Ennio Morricone and Giuseppe Tornatore, the composer’s most important partner during the last twenty years of his career. Together they achieved great success in Italian and international cinema with films such as Cinema Paradiso, Stanno Tutti Bene, The Legend Of 1900, Malena and The Best Offer, among others. A Pure Formality (1994) is an intense Kafkaesque noir drama (starring Gérard Depardieu an…
Quartet Records, in collaboration with GDM and Universal Music Publishing, presents a remastered reissue of one of Ennio Morricone’s most celebrated collaborations with Giuliano Montaldo (Sacco e Vanzetti, Gli Intoccabili, Ad Ogni Costo, Il Giocattolo, Tempo di Uccidere). The 1973 historical drama Giordano Bruno is about the free-thinking philosopher, poet and scientist Giordano Bruno (Gian Maria Volontè), who, fleeing from his enemies in the Catholic Church, has found some protection in Venice.…
Quartet Records, in collaboration with GDM and Universal Music Publishing, presents a remastered reissue of one of Ennio Morricone’s most celebrated collaborations with Luciano Salce, with whom Morricone maintained a loyal collaboration at the beginning of his career, from Il Federale, his very first film score, through La Cuccagna, Slalom and Come Imparai ad Amare le Donne. El Greco (1966) is a romantic drama set in 16th-century Spain, where the famed Greek painter El Greco journeys to Toledo t…
Noise and experimental musician Green Tea returns with Private Universe, a captivating new release on the renowned independent label Tribe Tapes. Known for pushing the boundaries of sound, Green Tea crafts an immersive sonic journey through layers of intricate textures, raw emotion, and hypnotic rhythms.
Private Universe encapsulates the artist’s unique ability to blend harsh noise with subtle melodies, creating a deeply personal and evocative soundscape. Tribe Tapes, celebrated for championing…
The experimental combo Illusion Of Safety's RVE is a boundary-pushing release that fuses unsettling soundscapes with raw electronic textures. Reissued on the esteemed independent cassette label Tribe Tapes, RVE stands as a bold statement in noise and experimental music.
“Music To Listen To Other Tapes By” is the essential work of clip art noise and american xerox prodigy Croiners AKA James Levine, originally self-distributed as part of the 1980s cassette culture underground and often regarded as a highlight of that era.
Muzak and industrial assemblages are processed via tape loops, samplers, and an adoption of now-archaic MIDI hardware, being one of the originating noise acts to utilize the digital technology in their live performances. Said gigs were riotous, …
Limited edition 180g vinyl. Stoughton tip-on gatefold jacket. Restored artwork + previously unseen family photos. In 1993, when Chicago's Adler Planetarium commissioned Kelan Phil Cohran to score their "African Skies" program, they tapped into a mind that moved effortlessly between galaxies and neighborhoods, between ancestral rhythm and modern invention. Three decades later, Listening Position presents the first official reissue of this cosmic masterpiece - a recording that stands as both a spi…
Two Rooms Records is excited to announce its tenth and most significant release yet, "Live on WUOM 1979" by Griot Galaxy. Nearly lost to history, this double-length release captures an extended radio performance by the seminal Afro-futurist jazz group, aka “The Sci-Fi Band,” featuring stunning versions of their classic repertoire circa 1979, in a compact, quartet setting.
Known for mixing complex polyrhythms, polytonality and non-western scales with grooves and minimalist elements from popular m…
With "Why I Went To The Woods", I retreated once again into my hauntological dream worlds. With the woods being the place one traditionally goes to clear one's head, I went there with these recordings to fortify myself with a deliberate rejection of the Now. Inspired equally by both the fictional filmed landscapes of psychedelic folk - the bucolic British countryside of the 1960s and 1970s which, though I've never witnessed in real life, still fill me with an inexplicable melancholic yearning to…
I started recording "Creature Comforts" with 'Allegiance' on the night of November 4th, as the election results were coming in. I found myself craving lullabies, but ugly and reflective ones, that saw the world with an acute sense of horror and bewilderment and bereavement. Lullabies that didn't protect me from these feelings - or rather did protect me, but did so through immersion. I finished recording on March 10th of 2025. Visual inspiration came from a series of mixed-media works by my gifte…
Welcoming elusive Japanese guitarist, Kouhei Fukuzumi, for his 3rd solo full-length as Ultrafog. ‘A Replica Screams’ emerges as a collection of drifting memories, a chain reaction of unique combinations of elements already present in the World. It embraces the idea that existence itself is positively shaped by serendipity and meaningful coincidences, and that we are all falling together, in time, and on time. The vinyl edition contains an original artwork poster presenting João Bragança Gil’s ‘T…
*100 copies limited edition* « In 2025, can we still be interested in and write about the music of a band of French musicians, very “underground” who were very young at the time in the early 1970s? » writes Xavier Béal at the opening of his review of Ian Thompson's brand new book "Synths, Sax & Situationists (The French Musical Underground 1968-1978)" in the webzine Rythmes Croisés (published on October 24, 2025).
The answer is certainly yes! And although the name of Pascal Chassin is still almo…
The piano recital/album sans retour forms the concluding part of Croene's 'Trilogy of Hopelessness' (Cortizona). Conceived as a single, Beethovenian composition, Croene once again demonstrates the wide range of sound palettes a piano can produce. The common thread is a melody based on the 'Dies Irae', which takes six different forms to embody the in memoriam concept.
"I have been fascinated by the sound and potential of gongs since I first heard Stockhausen's Mikrophonie 1 in the late 1960s. When I moved to Oakland in 1999 I discovered the work of Karen Stackpole, one of the few percussionists in the world specializing entirely in gongs, and attended several of her performances. I always tried to imagine how I could combine my own sonic vocabulary with her incredibly rich array, and we enthusiastically agreed to a musical meeting which somehow kept being pos…