New Arrivals / Today
Agharta (2LP)
2011 US re-issue on 180g vinyl on 4 Men With Beards of the 1975 live double-album.
Futurities (2LP)
Original edition on Hat Hut Records of the 1985 double album in special cardboard box. With postcard.
Charles Mingus (LP)
1988 Italian album originally enclosed with Musica Jazz magazine with live recordings from 1962.
Midnight Jazz At Carnegie Hall (LP)
1985 re-issue on Verve's "Best 50" series of the Japan-only 1976 live album with recordings from 1949/1950.
Dual Unity (LP)
Original French edition on Freedom of the 1972 album featuring Han Bennink.
Multi-Spheroid Solo Piano 3 (LP)
Original Japanese edition on Denon Jazz of the 1977 album. With insert.
Sugar (LP)
Original Japanese edition on King/CTI of the 1971 album featuring Ron Carter, George Benson and Freddie Hubbard. With insert.
Mingus Lives (LP)
1981 priginal Japanese edition on Enja Records of the 1979 live album. With insert and obi.
Pres On Keynote (LP)
Original US edition on Mercury of the 1973 album with recordings from 1943/1944.
Coltrane (LP)
1984 Japanese re-issue on Prestige's "Jazz Golden 50" series of the 1957 album. With insert.
Brown Rice (LP)
Original Italian and first edition on EMI of the 1975 album featuring Charlie Haden and Frank Lowe.
In Greenwich Village (LP)
Rare 1968 re-press on Impulse!/ABC of the 1967 album featuring Alan Silva, Henry Grimes and Donald Ayler.
Ampersand Curve
»Ampersand Curve« initiates a brilliant new phase of work by North Manchester’s most elusive artist, best known as Michael J. Blood. His string of ruffkut club bangers, as well as jams with Rat Heart & Samizdat over the past seven years, have made his records a true cult property, and now find him signed to one of the UK’s most foundational techno imprints – more of which later this year.
But under the Sees aegis, he swims in very different waters, following his instincts to use the studio-as-in…
Torn Asunder: The Half Girl
*300 copies limited eidtion* Power Electronics, for the most part, stays within its lanes of transgressive misanthropy, with a blackened explosiveness of tortured psyches and nightmarish reflections for the darkest facets of the human condition. Since Whitehouse introduced the phrase, concept, and framework to Power Electronics, its authorship has been primarily male. But within the past decade or so, a diverse web of voices - female, feminist, non-binary, queer - has thrust the PE aesthetic bey…
Window Left Open
*300 copies limited edition* Keith Freund’s music occupies a space where careful musicianship and homebrewed experimentation meet and shake hands. On “Window Left Open,” spacious melodies drift through dense fields of electronic activity: saxophone lines rise above buzzing circuitry, percussion flickers at the edges of the frame, and clustered glitch textures dart through the music like insects in tall summer grass. Every sound feels vividly animated, a charged part of the same mercurial ecosyst…
Crónicas del Sol de Bambú
La Isla Borrego gathers fragments and echoes from the last few years. Based on an invented dream, this is not a composition, but a sediment; not a field recording, but an archive of mistreated memories. There is no map for La Isla Borrego. Instead, there is the architecture of an invented dream: an accumulation of acoustic residue shipwrecked on the conscious island of the last six years. Sounds are not emitted, but reflected and bounced. A catalogue of biographical errors; a series of echoes sa…
I'm On My Journey Home: Sacred Harp Singing, 1928-1934
Death Is Not The End, following their cassette reissue of Harry Smith's Anthology, present a collection of recordings of Sacred Harp singing (a traditional sacred choral music with origins in the American South) taken from the late 1920s through to the late 1930s. Necessary vinyl edition of Death is Not Final’s I’m On My Journey Home, Sacred Harp Singing, 1928-1934, a collection of recordings of Sacred Harp singing (a traditional sacred choral music with origins in the American South) taken from…
Bloque 6
“Bloque 6” (1968), by Juan Carlos Calderón, is a landmark recording in the history of modern jazz in Spain, markedly different from the albums Calderón would record just a few years later under the influence of funk, disco music, and even flamenco. Juan Carlos Calderón enjoyed a long and successful career, composing and arranging some of the most iconic songs by Spanish artists such as Joan Manuel Serrat, Mocedades, and Ana Belén, among many others. However, his musical beginnings were closely …
Fuera Del Cielo
‘La Balsa’ was the first Argentine massive rock hit. In 1967 Los Gatos became the most famous local rock band with this song. At the front, as composer and singer, was Litto Nebbia. Although this milestone has remained eternally linked to Nebbia's name, almost eclipsing the rest of his work, it is really his solo career that unveils the artist's overwhelming talent and his determination to create music freely, regardless ofcommercial considerations.
“Fuera del cielo” (1975) is an art rock/space …
Satori
Originally released in 1971, "Satori" is Flower Travellin’ Band’s groundbreaking masterpiece and one of the most visionary albums of the early heavy rock era. It fused hard rock, psychedelia, progressive music and traditional Eastern influences into a sound unlike anything heard before. Unlike many rock albums of the era, “Satori” is structured as a continuous musical journey, with its five tracks presented as interconnected movements rather than conventional songs. The band’s powerful rhythm se…
