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On SLG3, Juan Manuel Cidrón returns to vinyl with four long-form electronic landscapes shaped by analogue circuitry, minimal pulse and cosmic drift. The Almería synthesist turns S, L, G and 3 into open territories - desert-wide, elemental and quietly visionary - where natural rhythm and machine logic meet in a patient, dream-lit dialogue.
On Solos II, Anton Toorell turns two simultaneously played guitars into a shimmering architecture of tone, tension and air. Recorded in an Italian wine cellar, its three extended pieces use altered tunings, open strings and resonant decay to create lucid, microtonal currents - rigorous in design, but touched with the ease of unhurried improvisation.
On The Chair and the Faucet, Etelin transforms a Zen‑retreat image into 33 minutes of quietly volatile modular synthesis. Alex Cobb’s Serge system traces dry, microtonal drones and wavering harmonics that drift without resolution, making stillness feel less like peace than a lucid encounter with electricity’s own unstable, living grain.
Pierre Bastien and Christophe Petchanatz (aka Klimperei) met more than twenty years after their last musical collaboration. “Aeroplane Chess”—what is that? It’s the Hong Kong name for the universal game known here as “Ludo.” Pierre and Christophe play together here on sixteen simple, stripped-down tracks. They pass back and forth their figurines made of melodies, sounds, and rhythms, creating a minimal yet dense ensemble, with nothing missing from these two record jockeys. It brings to mind the …
Insane," or in French, "un truc de malade": expressions often used to describe a strange work of art, a daring piece of architecture, or an experimental piece of music. It’s a comment that should be taken figuratively: not necessarily pejorative, and most often even positive. In contrast, the music of this album reflects a "sick" theme in the true sense of the word, as the two protagonists chose to resume their twenty-year collaboration in the antechamber of a hematologist's office.
The album’s …
Reemerging three decades on, C.C.C.C.’s Love & Noise hits vinyl for the first time, a still‑devastating artefact where Mayuko Hino’s charged electronics and Hiroshi Hasegawa’s Moog storms turn harsh sonics into something crushing, psychedelic and strangely exultant.
*2026 stock. 200 copies limited edition* Air De Rien, because it is not nothing all these small tunes in the air... This double vinyl is shared - each one its face - by four musicians or groups who each traces in watermark an original line of conduct, soft and harsh, off the beaten tracks.
A lot of purity in this project - and in these four achievements - in those times of useless filling. Music and visuals are discreet, a fine black and white, like the engraving of this psychedelic pseudo-brain…
Cacciamali is an exploration of diegetic sound, folk chants and traditional rhythms and instrumentation building upon Milan based Rosso Polare’s last outing Campo Amaro and the subsequent departure of co-founder Anna Vezzosi from the group. Where the 2024 album incorporated a heavy use of folklore as a new tool, Cacciamali explores the influence further by bringing in a host of collaborative players including Italian avant-garde veteran Riccardo Sinigaglia, sound artist and researcher HMOT (Stas…
“The role of the composer is to act as a filter between reality and the listener, transforming real life into something different from what the listener is accustomed to,” summarizes composer Mioko Yokoyama, reflecting her personal view on her profession. She wants to show that contemporary music is not difficult or hard to listen to. In order to compose, she must first open up new realms of experience, not only through writing, but also through study and analysis. Her aim is to enable people to…
This compilation was specially curated for those in attendance at the Past Inside the Present Label Showcase, presented by Indy CD & Vinyl on December 5, 2026, at The 808 in Indianapolis, Indiana, featuring live performances by zakè, Wayne Robert Thomas, and Marc Ertel. This sampler brings together selected works spanning 2019 through 2025, offering a retrospective of each artist's contributions leading up to the evening's performances.
*200 copies limited edition* Recorded live at The Jazz Cafe in Camden, London, on the year's so called "Blue Monday," Live from Camden captures The London Ambient Orchestra in a single evening of collective improvisation. Conceived during the depths of winter, the performance reflects the ensemble's commitment to creating music that encourages presence, reflection, and restoration. While Blue Monday began as a marketing invention, it has since become associated with conversations surrounding men…