New Arrivals / Today

*100 copies limited edition* Originally released in 2003, Requiem for Abandoned Souls returns as a double-LP reissue, marking the album’s first appearance on vinyl. Across 9 interlinked tracks, Peter Andersson’s raison d’être shapes an existential passage through desolation, faith and the possibility of inner renewal. Church bells, reverberating drones, metallic textures, discordant chimes, haunting chorals and sub-orchestral movements gather into a dark, immersive sound world. Sacral and arcane…

Originally released in 1977, Renaissance was Dailey’s only album for Catalyst and remains one of the real standouts from the label’s short but brilliant run. A pianist with serious depth, Dailey had already built a heavy CV by this point, working with names including Art Blakey, Stan Getz, Sonny Rollins, Sarah Vaughan, Charles Mingus and Woody Herman. On Renaissance, that experience comes through in full: strong compositions, fluid playing, and a band that knows exactly where to take the music. …

One of the Holy Grails of the first psychedelic era, the first edition of the Tripsichord album on the San Francisco Sound label was released in 1970 in minuscule quantities and has eluded collectors for decades. Here’s the first ever reissue with faithful reproduction of the original homemade sleeve with pasted on stickers, fabulous remastered sound, insert with detailed liner notes & photos / memorabilia plus download card. Tripsichord Music Box emerged from the San Francisco’s ’60s psychedeli…

*10 copies limited edition* The Modus Vivendi - You Are the Wooden Spoon, I Am the Casualty, was the 2nd release to be published under the Fr33zehead DIY collective back in 2006. Originally released, pre bandcamp, as a 5 track cd only to be sold at a handful of shows, it sees the MK based quartet’s movement away from their post-hardcore roots making way for a more dub laced avant-noise rock. Paired with early unearthed ‘Work Tapes’ the 20th anniversary reissue is erratically woven and sonically …

‘A Closer Darkness’ is the fourth album by Graculus, consisting of Richard Harding (guitar, ambiences) and Phil Hargreaves (woodwinds). Up to this point, Graculus has always been an acoustic project, with classical guitar and soprano sax/flute. On this album we have utilised Richard’s extensive pedal collection, and (following the footsteps of Bob Dylan) have gone electric. Glitchy loops, expansive washes and stuttering delays combine with the woodwinds to form surreal landscapes that evolve and…

The 2014 collaboration between Sissy Spacek (Charlie Mumma and John Wiese) and K2's Kimihide Kusafuka, made by mail between Los Angeles and Japan. Reissued with new artwork and liner notes, for the first time on vinyl.

Split between Incapacitants and Richard Ramirez, one fifteen-minute piece each, out on cassette earlier in 2026 and now on LP and CD in 200 copies per format, remastered by Lasse Marhaug.

Acid Mothers Temple's forty-minute reading of a traditional Occitan song, first issued on LP in 2000, newly remastered by Lasse Marhaug. The CD adds two older tracks and a version of La Nòvia recorded in 2026.

Three movements for layered acoustic flutes, played by Rai Tateishi with circular breathing and produced by Koshiro Hino. Fourth record in the MAO Torino series, made for Chiharu Shiota's The Soul Trembles. One-sided LP, 250 numbered copies.

Metaphon's three releases of November 2026, offered together at a reduced price: Hans van Koolwijk's Bambuso in the slipcase edition, Kees Tazelaar's LP in the Signature Series and Michael Ranta's Mu V / Mu VI on CD.

First vinyl edition of the 1993 debut by Oleg Salkhov and Konstantin Smirnov, made at Moscow's SNC Studio from their own library of samples and loops. Downtempo, trance and techno from the early years of Russian electronic music. Remastered double LP.

The debut album by Moscow brothers Sasha and Sergey Lipsky, three years in the making: psychedelic pop with flutes, cello, sitar and synths in place of their usual dance tracks, with guests from Iggor Cavalera to C.A.R.

Five long pieces by a film sound engineer from Ekaterinburg: drums recorded in the forest, a self-built guitar tuned in quarter tones, track titles taken from his working notes. Somewhere between folk, ambient and new age.

Anton Glebov's first solo album in years, recorded mostly alone in his Saint Petersburg studio in 2021 and 2022: spiritual jazz with Afro-Cuban and Latin rhythms, trumpet, and long new age pieces at either end. Double LP.