New Arrivals / Today
The Dew That Flies
Creative Sources Recordings proudly presents The Dew That Flies, an evocative new work from German multi-instrumentalist Udo Schindler and Catalan pianist Jordina Milla. This album captures the essence of improvisation, offering listeners a journey through sound that is intimate, fearless, and subtly poetic.
The title conjures images of fleeting beauty and transformation—like dew glimmering in the air, the music shifts between density and silence, inviting exploration of resonance and texture. S…
High Carbon
With this album, Heleen Van Haegenborgh returns to her roots as a pianist. In recent years, she has primarily composed works on commission for a diverse range of ensembles, from recorders to foghorns. On this solo album, her entire journey of musical encounters and compositions comes together subtly.Van Haegenborgh doesn't think in terms of stories or boxes, but rather in colours, energy, and texture - without drifting into the abstract.
She remains true to her personal inside piano world, inclu…
Mean Reds
Vocalist and songwriter Laura Ann Singh presents her new album Mean Reds, a deeply personal and sonically expansive project that traverses jazz, folk, and global influences with fearless honesty. Known for her evocative voice and ability to blur genre boundaries, Singh brings listeners into an intimate conversation about vulnerability, resilience, and the beauty that can emerge from darker emotional landscapes.
Mean Reds captures a spectrum of moods—from haunting ballads drenched in longing to…
Piwal
Other Minds is pleased to present Piwal by the Balinese composer and gamelan musician Putu Septa. Septa represents a new generation of maverick Indonesian composers, “evident,” as ethnomusicologist Oscar Murakami-Smith writes in his liner notes, “from the title of the multi-movement piece presented on this album—Piwal, a Balinese word which may be defined as ‘rebellion,’ ‘resistance,’ ‘disobedience,’ ‘denial,’ or ‘deviation.’” Piwal is Septa’s attempt to square the traditional lineage of gamelan…
Understories
Dálava, the genre-defying ensemble led by vocalist Julia Úlehla with guitarist Aram Bajakian (Lou Reed, John Zorn), returns with Understories, a deeply evocative new album that explores uncharted territories of sound, seamlessly weaving Moravian folk traditions with an experimental, improvisational approach into a captivating new soundscape. Their music has received critical acclaim for its expressive depth: fRoots extolled their prior release as “so overwhelming and so intense that it is hard t…
Thereupon
Thereupon is the long-anticipated return of the all-star collaborative trio Fieldwork, which has been described by NPR as a “power trio for the new century.” This long-standing collective comprises three internationally revered innovators of contemporary music: alto saxophonist-composer Steve Lehman, pianist-composer Vijay Iyer, and drummer-composer Tyshawn Sorey. In the seventeen years since their last recording, Door (Pi), all three musicians have climbed to the pinnacle of the creative music …
Listen Ship
Listen Ship is the latest masterpiece in the ever-expanding sound world of Pulitzer Prize-winning composer Henry Threadgill, whom The New York Review of Books recently described as “one of American music’s great Romantics and a lifelong seeker of the sublime.” The new work is a suite for six acoustic guitars – including individual stylists such as Bill Frisell, Miles Okazaki and Brandon Ross – and two pianos that utilize Threadgill’s unique intervallic syntax to illuminate his idiosyncratic visi…
Unclassified Affections
Unclassified Affections is the entrancing new release from drummer and composer Dan Weiss that features the convergence of some of the most intriguing musicians on the scene: Peter Evans on trumpet, Patricia Brennan on vibraphone, and Miles Okazaki on guitar. The new compositions, which were written by Weiss specifically for these musicians, range from deep, meditative moments to intense, high-energy peaks, while every track unveils a new layer of exploration.
Brennan’s sonorous mallet work co…
GN
fft_Materialism is a new series curated by Riforma. The projects and subjects involved are invited to reflect on their use of the Fourier Transform algorithms. Can a mathematical formula be considered a living being? What are the relationships between non-human and human entities? Is it possible to expand human narratives understanding the intra-actions within the digital realm? These and other questions are part of an investigation which dresses the shapes of experimental music, in a playful hy…
Baroque Non Baroque #27815 (LP)
*110 copies limited edition. Includes repulsive cover photo and hand-stamped labels* ‘Nothing compares to you’ was about Peter Fengler and Sinéad was right! There’s no losers here, just the bare and brutal leftovers of a very long night or a really early morning. Is the sound your uncle Peter makes sexy or sexist? Is knocking on wood kinky or slapping the salami sufficient? Is it a Karlheinz with a Karlsquell or a Cage with a Cara? Or just tins for fears? Complex comparisons more zonked than the…
Neither in the sky nor on the ground
Neither in the sky nor on the ground is the long-promised new album from Tbilisi-based producer and DJ Ani Zakareishvili. Initially prepared as a unique live set for Tkeshi festival with its own dialogue and dramaturgy, the record is now presented in purely instrumental form. But even though the narrative elements are gone, the album follows its own arc, it breathes, rises and falls, like the rib cage of a sleeping creature. Mysterious, spacious, yet vaguely familiar, 'Neither in the sky nor on …
Superstitions
Often dark, sometimes repetitive or experimental, sometimes rhythmical and exotic, always based on emotion inducted by the Sound. One could define it as dark age music (as opposite to new age music), a sort of minimal come back to the roots and purity of acoustic sound without the cultural background linked to the 'academic' use of some instruments (for example African senzas are transformed and tuned to sound like Indonesian instruments, sitar or harmonium are used as rhythmical instruments, va…
Believe That Was Me
Believe That Was Me: An Existential Experience Starring Avant-Garde Minds, Pianist Matthew Putman, Bassist Hill Greene, and Drummer Francisco Mela
Eau
"Eau" is the lovely new album from aus, the solo project of Tokyo-born composer and producer Yasuhiko Fukuzono, who has gained attention, in Japan and overseas, for his thoughtfully paced and sensitively skillful music as well as his intriguing sound design for exhibitions and experimental cinema. Having worked primarily with keyboards and electronic sound up to this point, "Eau" is a slight yet fascinating shift for aus; the album, while still primarily an electronic work, revolves around the s…
Climbing To Sleep
As students in the late 1980s, Julia Werntz and Pandelis Karayorgis both enrolled in Joe Maneri’s Microtonal Composition and Performance class at the New England Conservatory, beginning a formative period of mentorship and collaborations with musicians in the scene surrounding that course. During those years a special mindset was cultivated regarding rhythm and musical form, as well as the rich world of microtonal melody and harmony. We also were married during that period, but our musical paths…
Atmos
"The music of this trio, with its emphasis on phrasing, space and dialog, evokes for me the sensation of watching vapor rise and dissolve. That’s why I named the group and the album Atmos, after the Greek word for vapor. The trio has been active since 2023, especially before Brittany Karlson moved from Boston to NY, but there have been other contexts in which the three of us collaborated in different formations. There are six improvised pieces here, five originals of mine (three written specific…
Blink
"I started Blink in the summer of 2024, aiming to create a band sound where collective improvisations and responses take precedence over individual solos. The compositions are inspired by group behavioral patterns such as insect swarms and bird flocks, with their organic swells in dynamics and density. Gabe and Nate’s instruments are tuned a quarter tone sharp, giving the band a distinctive, off-balance feel – one inspired by classic African High Life bands, Indonesian Gamelan ensembles, and Del…
