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Anushka Chkheidze + Robert Lippok continue their collaboration with »The Sky Was Out of Tune«. Its eight movements form a long-form ambient piece in constant flux: soundscapes emerge from electronic synthesis and layered textures, while small melodies, rhythmic patterns, metallic noises, or distortions drift through like clouds across the sky. But a sky that is out of tune is still a sky. What shifts is the register in which it speaks.
»The Sky Was Out of Tune« emerges from a live performance fo…
"The story of each re-release begins with the original. In the late 90s, Uwe Zahn (Arovane), along with Robert Henke (Monolake) and Stefan Betke (Pole), began releasing music on Torsten Pröfrock’s (Dynamo) newly launched DIN label. This was a very inconspicuous undertaking, but fans of the flourishing IDM, glitch, and constantly evolving abstract techno genres quickly picked up on the quality of sound coming out of Germany. After a few successful EPs, Zahn began working on his debut full-length,…
*500 copies limited edition* After more than four years in the works, I am beyond elated to announce the release of ballastnvp067: The Hafler Trio: If Take, Then Take: Tricks, Half-Tricks & Real Phenomena (2 x CD, DVD, cards, and enamel pin in custom fabricated box). I originally released If Take, Then Take: Tricks, Half-Tricks & Real Phenomena in 2005 as a vinyl record, and it didn’t go off without a hitch or two. (In the end, I played almost every copy prior to sending it to a customer or dist…
Wewantsounds is delighted to continue its Ziad Rahbani reissue program with Ana Moush Kafer, a classic album by the Lebanese legend Ziad Rahbani, recorded at his By-Pass Studio in Beirut during the height of the Lebanese Civil War in 1985. Showcasing Rahbani’s signature blend of Arabic music infused with touches of jazz-funk and bossa nova, the album has attained cult status over the years. Originally released on cassette, it has never before been available on vinyl. Newly remastered, this editi…
Etherworld is proud to announce a new Merzbow album, "Vapor Hoof" on CD. Our previous Merzbow album, "Electric Salad" came out on the Etherworld label in 1996. This pulse-warping, mind-smashing new release by Masami Akita is coming to stores on Friday, July 17, 2026.
Scientist's “Dub War Coxsone vs Quaker City” is a landmark dub release that originally emerged in Canada in the early eighties, capturing the weight, depth, and electrifying pulse that made Scientist’s approach instantly recognizable. Rooted in Bunny Lee-produced riddims, the album showcases Scientist’s deep & heavy mixes, turning iconic performances into immersive soundscapes—where basslines thunder, echoes linger, and every cut feels like a new chapter in the dub war.
At the heart of the recor…
The Sun City Girls were unlike any band before them or that has come in their wake. Their catalog, their ethos, their *being* - you name it, with the Girls that “it” was singular and became legend. This singularity started early and extended to their release schedule and the means behind the same. While the band would prove to be wildly prolific throughout their existence, during their nascent days they quickly realized that they could not be contained by any sort of traditional label schedule. …
The Sun City Girls were unlike any band before them or that has come in their wake. Their catalog, their ethos, their *being* - you name it, with the Girls that “it” was singular and became legend. This singularity started early and extended to their release schedule and the means behind the same. While the band would prove to be wildly prolific throughout their existence, during their nascent days they quickly realized that they could not be contained by any sort of traditional label schedule. …
Originally self-produced in 150 copies (1977), Mar-Vista’s only album is one of France’s most strange and radical records. Psychedelic electronic music, experimental, and acid folk — a collector’s grail for fans of Klaus Schulze, Terry Riley, Neu, Heldon and Silver Apples.
One of the critical figures in Chicago's creative music scene, alto saxophonist Nick Mazzarella has been a mainstay for over 25 years as a leader, composer, and player. This gorgeous recording was made at Shape Shoppe Paradiso, the Italian studio of former Chicagoan Griffin Rodriguez. Mazzarella was introduced to bassist Silvia Bolognesi by cellist Tomeka Reid, and he began informally playing with Silvia and drummer Cristiano Calcangile in 2016. Seven years later, Bolognesi invited Mazzarella to…
On this split cassette, Sottana & Calze’s The Gloria and The Rita collide in a sharply focused post‑industrial ritual. Trifurcated contact mics, woolen stockings and monophonic chants meet the Canadian project’s obsessive “canes” study, pressed onto dual‑color shells as a rare Canadian/Italo‑Norwegian collaboration built for XXI Congresso Post Industriale.
On The Gloria, D.D.D.D. channels Heretic/Erotic noise from the cold north into a focused burst of post‑industrial intensity. Conceived as a special tape for XXI Congresso Post Industriale, it distills Desire, Devotion, Dedication and Discipline into a sharp, ritual object: glossy black shell, stark white print, and sound built to scorch in real time.
On Die Fantastischen Abenteuer von Pawel Denda, Pawel Denda surfaces as a lurid, possibly fictional shadow-figure whose “lost & found” tapes collapse sacrilege and kitsch. Framed as SataniK Industrial-Pop from a corrupt Polish priest’s secret box, the album spins a blasphemous, pulp-noir mythology into jagged, future-facing noise theatre.
On Canvas on Which It Is Impossible to Paint, Tungu and Hui-Chun Lin stretch improvisation to the brink of impossibility. Lin’s fiercely physical cello dialogues with Senchuk’s cut‑tape, bass and environmental ghosts, while Makigami Koichi’s voice skews the frame further, turning the duo’s third chapter into a volatile, detail‑rich sonic palimpsest.
The Commission marks forty years of Capricorni Pneumatici with an eerie convergence of sound and image. A new CD of liturgical trances and mechanical nightmares intersects with Tomislav Török Terek’s London installation, where ritual ambient, police sirens and Tunguska dreams fuse into one destabilizing, cavernous listening experience.