New Arrivals / Today
Live at Fever 20181229
Boris and Michio Kurihara reunited at Tokyo's Fever club on 29 December 2018, playing nearly all of Rainbow plus Boris pieces, Kurihara solo songs and covers. Live sound by Soichiro Nakamura of White Heaven, on 2LP in a gatefold sleeve.
L.E. Cherz Pas
Sacher-Pelz, the 1979 solo project that preceded M.B., in a CDr reissue of L.E. Cherz Pas, first out on TIBProd. in 2010: four long pieces, about an hour of music. 30 copies in a black envelope.
Carcimetrio
Maurizio Bianchi's Carcimetrio, first issued by Simple Logic in 2006, back on CDr: four long pieces named after tumours and growths, over seventy minutes, mastered by Siegmar Fricke. 30 copies.
Kathamenja
Maurizio Bianchi's Kathamenja, first issued by Lona Records in 2011, back on CDr from BeTon Raw: five tracks, close to seventy minutes, with the original preface printed in the package. 30 copies.
Anechoic-Y
Two sixteen-minute pieces of anenoises and choictronics recorded by Maurizio Bianchi as M.B. in 2017 at the Emoptyc studio in Opera, with artwork built on photos of anechoic chambers. 30 copies on BeTon Raw.
March-Ex
Maurizio Bianchi's March-Ex, first issued by Lona Records in 2009, back on CDr from BeTon Raw: five tracks, about an hour, with the voice of Yoko Ishimoto Kamimura and mastering by Siegmar Fricke. 30 copies.
Erthion
Maurizio Bianchi's Erthion, first issued by Young Girls Records in 2010, back on CDr: eight tracks titled after verses of the biblical Lamentations, about an hour, mastered by Pharmakustik. 30 copies with mini poster.
N.E.S.W.
Maurizio Bianchi's N.E.S.W. (Negativity-Enmity-Spurn-Worse), first issued by Lona Records in 2014, back on CDr: four long tracks that rotate the points of the compass, almost seventy minutes. 30 copies.
Bad Girls Get Spanked
Split in two doses: Uncodified (Corrado Altieri) and Mademoiselle Bistouri (Claudio Frassine) spank each other across two mini CDrs of noise and power electronics. 48 handmade copies, each with a coloured paddle.
Kosmische Psychédélique (Motorik, Astral and Avant-Garde Musik from Deutschland and Beyond 1970-2025)
Two-Piers' Psychédélique series lands in Kosmische Musik: La Düsseldorf, Neu!, Harmonia, Cluster, Schulze, Faust, Guru Guru, Tangerine Dream and Cosmic Jokers, then the heirs, from Boards of Canada and Tortoise to Beak>.
Cosmic Cowgirls & Female Outlaws 1951-1979
Psychedelic and acid-tinged country-folk by fearless women, 1951-1979, compiled with Hackney's Stranger Than Paradise: Connie Converse, Annette Peacock, Linda Perhacs, Catherine Ribeiro + Alpes, Brigitte Fontaine, Bobbie Gentry.
Radio Meditation
A generative system set loose on BBC Radio 3: Jasper Marsalis lets a microcomputer photograph and crossfade the radio's spectrum into an ever-shifting chord of 2048 voices, after Pauline Oliveros and Luigi Russolo.
Phren
On Phren, Marta Salogni and Stefano Pilia build a shared electro‑acoustic architecture where guitar, tape machines and field recordings circulate like memory in motion. Signals move through modular processes, echoes and Revox loops until origin and reflection blur, turning six slow‑unfolding pieces into a living study of sound, time and feeling.
Dawning
Dawning is a collaboration between Chicago creative music mainstay Damon Locks and burgeoning Black chamber music collective D-Composed, featuring violinists Khelsey Zarraga and Anya Brumfield, violist Seth Pae, and cellist Lindsey Sharpe. The album was recorded live in the auditorium of The Land School, Rebuild Foundation’s headquarters in a reconstituted former elementary school on Chicago’s south side, where D-Composed & International Anthem have been creative partners-in-residence since its …
Schattenstimme
The starting point is E. T. A. Hoffmann's The Sandman: a world where perception and reality drift apart, and the question of identity remains unresolved. Recognition, in Hoffmann, is never quite secure. The doppelgänger is less a figure than a condition, the point at which the self can no longer vouch for itself.The first record, Lichtstimme begins in an open, almost weightless sonic world. Something still appears untouched. The music carries a sense of proximity, clarity and trust. But this sen…
Ananta: Spirit of Coltrane
Miguel Atwood-Ferguson marks John Coltrane's centennial on Impulse! with a 21-piece collective (Brandee Younger, Shabaka Hutchings, Flying Lotus, Jeff Parker, Azar Lawrence), recasting Naima, Giant Steps and A Love Supreme as cosmic, spiritual music.
Lichtstimme
The starting point is E. T. A. Hoffmann's The Sandman: a world where perception and reality drift apart, and the question of identity remains unresolved. Recognition, in Hoffmann, is never quite secure. The doppelgänger is less a figure than a condition, the point at which the self can no longer vouch for itself.The first record, Lichtstimme begins in an open, almost weightless sonic world. Something still appears untouched. The music carries a sense of proximity, clarity and trust. But this sen…
Tulei
Tulei is a project born in Milan out of the friendship and collaboration between saxophonist Andrea “Jimmy” Catagnoli and Davide Domenichini of Al Doum & The Faryds. The album features a distinct spiritual jazz sound in which the saxophone takes center stage, but without sinking into the roots of the more canonical free jazz approach of legends like Archie Schepp, Alice Coltrane, or Pharoah Sanders. Rather, the sound draws on more personal, elegiac and minimalist atmospheres, often with a visual…
Morsi Cu Morsi
Rosa Balisteri was one of the brightest stars on the Italian folk scene of the 1960s and 1970s, certainly far too little known given her talent and expressive power. Her life story is marked by a tormented nature, punctuated as it is by traumas, anguish, injustices, and wounds that forever scored her turbulent existence. Through her songs, Rosa relives the suffering and despair for the devastating challenges and trials of her harrowing life. The archaic and expressive power of her dialect stirs …
Golden Memories & Other Romantic Melodies
The pianist and composer Javad Maroufi (Tehran, 1925-1993) is the great interpreter of Iranian classical music. His repertoire defines a precise encounter between Western classical music and the traditional folklore of his homeland. Through his academic training, he absorbed the lessons of the works of Chopin, Mozart, Bach and Beethoven, but his refined pianism echoes and reinterprets the popular melodies of ancient Iran. A profound and delicate song of the drama of life, between joys and sorrow…
