New Arrivals / Today
Sotto Le Nuvole
In Gianfranco Rosi’s portrait of Naples, Sotto le Nuvole (Pompei: Below The Clouds), the ground shakes periodically. Between Mount Vesuvius and theTyrrhenian Sea, the fumaroles of the Phlegraean Fields hiss volcanic gas and steam. Below the sleeping volcano, modern day Naples emerges in black and white and fills with voices, with lives. From the traces of history and the concerns of the present, Rosi documents a city immersed in its continuous past, with Daniel Blumberg’s minimal soundscape hove…
Sweet Love, Bitter
On Sweet Love, Bitter, Mal Waldron turns a fictional portrait of Charlie Parker’s final years into a darkly luminous suite of cinematic jazz. His lyricism, tension and blues‑stained restraint guide a formidable 1967 ensemble through music that moves beyond soundtrack function, making New York feel bruised, nocturnal and fiercely alive.
Informel
2 × 180g vinyl LP, Flating jacket, Obi. Deluxe edition. Informel emerged from the rupture of the COVID-19 pandemic in 2020, and stands as the point of origin for the present-day Sinsuke Fujieda Group. With regular performance activity brought to a halt, Sinsuke Fujieda was given time to reconsider his own music at its deepest level, and to ask himself what the music was that he truly wanted to express now. His answer was to return to jazz as his foundation, and to pursue, through both compositio…
Live At Elastic Arts
* Edition of 100 copies * Two kits, facing each other, one night. On 10 April 2025 Lily Finnegan put a quintet on stage at Elastic Arts in Chicago with a second drummer sitting opposite her, and Bill Harris ran tape on it. Forty minutes, released here as three continuous parts, nothing reshaped after the fact. The second drummer is Vincent Davis, and the choice tells you a good deal. Davis is an AACM member with a Chicago pedigree that runs back through Roscoe Mitchell and Jodie Christian, along…
Sumptuous Branching
* Edition of 100 copies * Chant is the starting point. Not chant as decoration or as a mood, but late medieval chant as a compositional problem, taken up by someone working alone with a bass clarinet, a piccolo, her own voice and a rack of analogue electronics. Emily Rach Beisel has described what drew her to it: music from before the rules hardened, with a wild freedom and density that later codification would take away. Multiple voices, as she puts it, "both intertwined and independent." Which…
All I Know In the City
* Edition of 100 copies * Two people in a room, and not one moment of merging. That is what makes All I Know In The City remarkable, and it is not a small thing. Potliquor is the duo of pianist Sharon Udoh and turntablist Allen Moore, caught live at Elastic Arts in Chicago on 18 January 2026 and issued by Amalgam, the artist-run Chicago collective and label founded in 2015 by drummer and engineer Bill Harris, who also recorded, mixed and mastered the session. Amalgam has spent a decade documenti…
Burn the Plastic, Sell the Copper
* Edition of 100 copies * Two years of sessions went into this record, spread between 2023 and 2025 at Marmalade, the West Loop studio Ishmael Ali co-founded and works in as an engineer. Nobody was watching the clock. You can hear that in the shape of the thing: ten pieces that were never meant to add up to a single argument, solo cello miniatures wedged between full band tracks, a couple of them actual songs with words and a singer. The solo pieces may be the strangest part of it. Ali amplifies…
Goin’ Home
Albert Ayler did it once, and only once. On February 24, 1964, in New York, on the same day as the session that would become Spirits, he recorded a program of spirituals and standards with no screaming, no glossolalia, no demolition of form: "Goin' Home", "Ol' Man River", "Down By The Riverside", "Swing Low, Sweet Chariot", "Deep River", "When The Saints Go Marchin' In", "Nobody Knows The Trouble I've Seen". Songs of suffering and salvation, played with a devotional restraint that hits harder th…
