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Space Afrika, the Manchester/Berlin-based duo of Joshua Tarelle Reid and Joshua Inyang, make raw, intensely detailed, visceral music with shades of ambient, trip-hop, techno, and modern classical, drawing spacious urban dubscapes from the contours of their city. 'Quiet Storm', the duo's highly anticipated follow-up to their 2021 LP on Dais Records, expands on its predecessor’s sound and scale in every direction as a sprawling, collaborative vision shaped with profound patience and intention. The…
A seamless blend of the avant jazz of David Murray (sax) and Steve McCall (drums) with the powerful prose and cadence of Amiri Baraka! This first ever reissue of poet and social/political activist Amiri Baraka’s electric live 1982 beat poetry reading is newly remastered and includes a zine-style poetry insert and liner notes by David Murray!
“The poetry I want to write is oral by tradition, mass aimed as its fundamental functional motive. Black poetry, in its mainstream, is oracular, sermonic, …
Ancient Infinity Orchestra return with their third album, It’s Always About Liberation, a new record that deepens the vision of their acclaimed recent work while moving into darker, more searching emotional territory.
Conceived as a partner to It’s Always About Love, this new body of work shares its predecessor’s generosity and spiritual openness, but carries a different charge. Where the previous album focused on healing and warmth, It’s Always About Liberation is largely animated by struggle, …
Often credited as the father of multi-media theatre, Alwin Nikolais (1910-1993) took complete creative control over his productions - including cutting-edge approaches to lighting and costume that transformed human bodies into shifting sculptural shapes, while also composing wildly innovative electronic music as accompaniment.
After initially experimenting with musique concrète and tape manipulation (as demonstrated on the 1959 LP Choreosonic Music of the New Dance Theatre of Alwin Nikolais) Nik…
*300 copies limited edition. Exact reproduction of the original folded screenprinted cover (when open dimensions are 69.7cm x 62.30 cm). Screenprinted innersleeves.* When Off Off came out around June 1984, one couldn’t speak of an independent music scene in Portugal. Warm Records’ vague existence didn’t have any impact and Dansa do Som’s inaugural release appeared only in December. 10 years after the revolution, after two IMF interventions, a lot of political instability (not to say turmoil, in …
Claire Rousay completes her trilogy with A Little Death, where field recordings intertwine with strings and piano like voices in a chamber ensemble. A return to her core practice after sentiment's pop forms, the album transforms tactile samples into emotional archaeology—fragile, honest, vital.
Magic Tuber Stringband probes the undercurrents of the landscapes around them. Highly skilled players and writers, the trio are leaders within the burgeoning avant composition world utilizing folk instrumentation. Their music appears to weave in and out of the fabric of their surroundings, reflecting their time spent living across the Southeast and studying its regional folk traditions and natural histories. The ensemble continues to stretch the parameters of acoustic instrumental expression wit…
Tip! Man Eating Tree is the first solo album by Belgian-born, Oslo-based pianist Jonas Cambien. On prepared piano and electric organ, Cambien channels a soundscape of meditative repetition and oscillating rhythms. Cambien's background is dappled with diversity. While training in classical piano at the Conservatory of Brussels, he focused on contemporary repertoire. This would deeply shape his playing and ensuing projects, largely in Norway, where Cambien has embedded himself as a pillar of Oslo’…
Sirenjaw documents the first meeting of three musicians who, while previously connected through various collaborations, had not performed together as a trio before this recording. The project brings together long-standing musical relationships: Lukas Koenig and Vinicius Cajado share a deep-rooted connection within the Viennese music scene; Koenig and Kit Downes have collaborated both live and on record; and Downes and Cajado have recently worked together in a range of ensemble contexts in Berlin…
This is the fifth chapter, and one of the most assured. Wild Up's long reckoning with the music of Julius Eastman arrives at Gay Guerrilla, the work Eastman composed at the close of the 1970s and regarded as the point where his politics and his sound became indivisible.
Eastman remains one of the singular figures of American experimentalism, an African American and openly gay composer who moved through the orbit of the Buffalo new music scene and the downtown minimalist world before dying destit…