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Magick Knives channel desert night into sound: cinematic post‑punk steeped in gothic rock, darkwave and shimmered synths, where hypnotic bass, spectral guitars and whispered occult glamour coil into slow‑burn rituals.
On Break The Faith, Repeated Viewing drags his VHS‑streaked horror synths onto the factory floor, hammering grime, dread and adrenaline into a streamlined industrial brawler built for raves in the rubble rather than candlelit cult screenings.
On Nightshades, Celestial Hex step out of Berlin’s mist with a sleek strain of electro‑noir: neon‑bleeding synths, darkwave pulse and vampiric hooks that feel custom‑built for creatures of the night raised on grainy 80s cult cinema.
This release (Book + 7") by Vincent Epplay is a free interpretation of audio and visual archives drawn from sound experiments conducted during music workshops in Freinet schools in the 1960s and 1970s. It serves as a way of reviving these diverse practices, allowing us to revisit the original educational experiments carried out over the course of a decade in various Freinet classrooms. Beyond simply unearthing these hidden treasures, the aim here is to capture a pioneering spirit in which wild …
“Novos Baianos shaped an entire generation of Brazilian music — their sound is pure freedom.” — Caetano VelosoOriginally released in 1973, Novos Baianos F.C. captures the band’s communal lifestyle and fearless experimentation. After the success of Acabou Chorare, the group expanded their sound into a vibrant mix of samba, choro, folk, psychedelia, and electric street-soul.With the unmistakable chemistry of Baby Consuelo, Pepeu Gomes, Moraes Moreira, Paulinho Boca de Cantor, and Dadi, the album r…
Clube da Esquina is a 1972 double album by the Brazilian music artists collective Clube da Esquina, credited to Milton Nascimento and Lô Borges. Considered one of the greatest Brazilian albums and an important record in the history of Brazilian music, it features arrangements by Eumir Deodato and Wagner Tiso, and conductions by Paulo Moura. The album garnered high attention for its engaged compositions and miscellany of sounds. Indeed, the LP was considered in the list of the Brazilian version o…
On Master of Dragons, Jim Kirkwood summons one of his most cinematic visions: sweeping synth fanfares, brooding drones and neo‑medieval melodies unfurl a lone‑hero saga in sound, where wyrms, ruins and prophecy coil through a perpetually storm‑lit sky.
On Through a Dark Glass, Jim Kirkwood peers into his signature realm of neo‑medieval gloom and cosmic dread, layering synth choirs, martial pulses and dungeon‑folk melody into a fogged‑mirror vision of fantasy where revelation always stays just out of reach.
On Maps, Driftwood - the duo of Nick Ashwood and Aviva Endean - deepen their microtonal pump‑organ world with clarinets, guitars and quietly feral electronics, letting overlapping instruments and live processing drift into a tender, otherworldly haze.
Interviews with Machine Listening, Tomomi Adachi, Erin Gee, Pedro Oliveira; article: The Watery Graves of Electronic Speech, or Phonemes in Davey Jones' Locker; reports: Festival de la Imagen 2025, Choose Your Filter!...
Neural is a printed magazine dealing with new media art, with a peculiar attention to the networked and conceptual use of technology in art (the so-called net.art), hacktivism, or activism using electronic media to express itself, and electronic music, investigating how the te…
*Edition of 100* On Quiet Panic, Mark Schaub sculpts a slow‑burn tension where stillness never quite settles, his compositions hovering between ambience and unease, finely honed and given extra dimensional depth by Andrea Marutti’s mastering.
On The Crystal Suite, Paul Schütze channels J. G. Ballard’s The Crystal World into slow‑burn electronics and guitar haze, rendering time‑sick landscapes where matter ossifies, light fractures, and contemporary collapse glows with eerie, faceted calm.
The long-awaited 3rd pressing, with a revamped obi design. The birth of a new classic in contemporary Japanese spiritual jazz and modal jazz. Experience a beautiful soundscape crafted with overflowing emotion and hidden energy.
WRWTFWW Records announces the return of Louisiana-based composer and producer Jammin’ Sam Miller with A Link To The Past Tribute, his homage to the music of Zelda (A Link To The Past). His remake of the classic video game score is available as a limited edition green vinyl LP with artwork and sticker sheet by French illustrator Pierre Thyss, as well as an obi strip.
Originally composed by the legendary Koji Kondo, the epic 1991 Zelda soundtrack for the Super Nintendo Entertainment System is one …
"When I recorded the first 2 Trickfinger records, I had recently discovered that you could make electronic music in a room with a bunch of synced machines going at the same time, record it on a CD burner and have a finished track. I've heard this process described as “overdubbing into the air”. It was as exciting to me as my first 4 track was when I was 14. I wasn't trying to be good, or original. I was just excited that music could be made that way; it felt like I was a whole group of musicians…
Tip! "City Dragon is Max Kaario, who is part of different bands such as Altersgruppe, Teenage God, ski attic etc. Canadian, he has lived in Paris for more than ten years where he organizes concerts such as cmptrmthmthcs in bars that are always changing and kebab shops sometimes. The first time I saw Max play as City Dragon was at Pauline Perplexe, an artist place in Arcueil where his friends have their studios. He was singing and improvising with a drum toy, and dancing spinning right round a bi…
Welcome to ‘No Human Voice’, the eponymous first album from Liverpool’s Soundart electronica hitsquad. Pete Smyth and Mark Greenwood (both voice/electronics) have been in bands around Liverpool for years, including Mugstar, Kling Klang and Cavalier Song. They use and abuse lo-fi pedals, loops and the English language into places they were never intended to go, to mutate a disorientating whirl of noise and pitches into an abstract whorl a long way post-punk, as if Stockhausen had discovered the F…
*2026 repress. 200 copies limited edition* Iskra is the debut album by Polish multi-instrumentalist and composer Olga Anna Markowska. Starting at “Dawn” and ending at “Dusk”, it is a journey of melancholic depth and true beauty filled with warm memories from what was & what could be.
Using zither, cello, electronics and occasional wordless voice, Olga weaves together something so affecting and under the skin beautiful that it is hard to shake, bringing to mind classics from artists like Jacaszek…
Kuusijärvi/Rönkkö launches the concept of accordion jazz into orbit with their album Aika ja tila (Time and Space). Built entirely on improvisation, this six-track collection stretches both musical genre boundaries and the very fabric of spacetime. Harri Kuusijärvi’s electronic accordion sounds at times like the chirping of a cyborg bird flock, and at others like Brian Eno’s electric toothbrush just as the batteries are dying. The other half of the duo, Tatu Rönkkö, weaves through his drum kit, …