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*42 copies limited edition*
Handmade packaging.All materials are recycled.The CDR is contained in a striped plastic (black or transparent). The plastic bag is closed with metal staples.The plastic bag has pieces of metal wire attached to the bag with a length of gray cloth tape. A sticker is attached to the tape.Inside the bag are:- a small white bag containing the black vinyl-like polycarbonate CDR. A sticker is attached to the bag.- a black and white tri-fold cover- a small sticker
*36 copies limited edition*
Handmade packaging.The CD-R is contained in a 14x20 cm embossed black cardboard envelope. A sticker is attached to the envelope.The envelope has a hole closed with a piece of white satin ribbon holding three steel washers (rings/clusters).Inside the envelope are:- a black envelope containing the black vinyl-like polycarbonate CD-R. The CD-R is printed- a full-color bi-fold cover- a bookmark- a sticker
*36 copies limited edition*
Handmade packaging.The CD-R is contained in a 14x20 cm embossed beige cardboard envelope. A sticker is attached to the envelope.The envelope has a hole closed with two pieces of satin ribbon (grey and blue) holding a charm in silver metal wich represents the symbol of infinity.Inside the envelope are:- a plastic envelope containing the black vinyl-like polycarbonate CD-R. The CD-R is printed- a full-color tri-fold cover (13x13 cm. closed, 39x13 cm. developed)- a minip…
*42 copies limited edition*
Handmade packaging.The CD-R is contained in a 13x13 cm brown cardboard archival sleeve. A sticker is placed on the sleeve.Inside the sleeve are:- a sleeve containing a black polycarbonate CD-R, which resembles vinyl. The CD-R is printed. The sleeve is a random color: yellow, green, orange, or blue.- a full-color bi-fold cover.- three bookmarks.- a mini poster.Layout – Antonio Benini
*30 copies limited edition*
Celebratory release for the tenth anniversary of the first track, released digitally only.This edition is entirely handmade.The CD-R is contained in a plastic sleeve with a frozen look, sealed with metal staples.A polyester print is attached to the front of the plastic sleeve.Inside the plastic sleeve is a paper sleeve containing the CD-R and a small insert with liner notes.The envelope and insert are printed on special high-quality lined paper.
Certain paths necessitate and call for one singular long sequence in order to arrive at a fully formed conversation or reasoning. Nothing seems to broadcast it more clearly than the trajectory Brussels based Italo-Vietnamese artist Nguyễn Zen Mỹ embarked on during the last decade as Radio Hito. After a string of highly cherished and sought out tape releases, Radio Hito’s new album ‘L’uso e gli attributi del cuore’, co-released by Maple Death & Meakusma, unfolds with devastating clarity, a profou…
Modern Obscure Music presents The Bubble of Love, a new collaborative album by Pedro Vian together with Ustad Nawab Khan and Naved Nawab Khan — the 9th and 10th generation of a distinguished santoor lineage from Rajasthan, India.
In Osni the Flare, the second chapter of Tristan Allen's mythic trilogy, the composer, producer, and puppeteer follows a mortal’s transformation into deity through the discovery of fire. Recorded over four years using wordless vocals, organs, ocarinas, an arsenal of toy instruments, and intricate sound design, Osni the Flare unfolds the origins of flame and temporality across four acts. Weaving a creation myth that shifts between beauty, shadow, and wistful embers, Allen provides a portal to met…
*50 copies limited edition* Now Transitioning is a collection of performances built around a time of personal change, discovery and evolution - waiting for a second child, switching over to a new day job, moving into a new home, looking forward and then eventually getting used to a new phase of life.
*40 copies limited edition* Poems without Words brings together fourteen improvised guitar solos by Xu Cheng, recorded over twelve years. Xu Cheng first emerged in the Shanghai underground in the early 2000s, as an early member of the harsh noise project Torturing Nurse. He went on to become a versatile sound artist working across a wide-ranging array of influences, from Fluxus event scores to Buddhist sutras. The project originated in Xu Cheng’s attempt to restore a broken instrument he had pic…
On Truly, Slightly, Overflowing, Whereabout of Good Will, Keiji Haino and Reinhold Friedl strip everything down to voice and piano interior: incantatory howls, whispered fractures and scraped strings tracing a stark ritual of tension, silence and imploding song.
On Bill Nace Plays the 2 String Taishogoto – Excerpt, Bill Nace turns a traditonal two‑string instrument into a focused sound laboratory, contrasting a feedback‑touched, spiralling first side with a pared‑back, bodily repetition that slowly blooms into vast harmonic space.
Rex is a solo cello record written and recorded while I’ve been living in the former home of Rex Brasher, a self-taught painter who created over 1,200 watercolors of North American birds. Composed for acoustic and electric cello, the record reflects the solitude and intensity that shaped both Brasher’s vision and my own process. Rex is not a portrait, but an echo—of a person, a place, and a way of seeing the world. Thank you to Matthew, Munawar, Cynthia & the RBA for the place, support, and gene…
On Diana in the Autumn Wind, Gap Mangione turns late‑60s trio jazz into a Technicolor funk miniature: short, intricate charts, molten Rhodes, and a young Tony Levin/Steve Gadd rhythm engine that future hip‑hop would mine like sacred scripture.
On their self‑titled 1973 LP, Batteaux turn baroque folk into ocean‑lit folk‑funk: lush West Coast arrangements, sky‑high harmonies and proto‑yacht grooves that feel as Balearic as they do Laurel Canyon, somehow both overlooked and timeless.
On Cafetic Atom, Magic Nousiainen & Wonderful Lehtisalo turn the Finnish DIY cosmos inside out: ecstatic free noise, cosmic hiss and bliss‑bleeding feedback spirals coalesce into a strangely serene, meditative storm of pure, glowing otherness.
On In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music, Dagmar Zuniga threads five years of Tascam‑4‑track recordings into a porous, tape‑hazed songbook: fragile transmissions where harmony, hiss and fingertip detail make lo‑fi feel widescreen.