New Arrivals / Today

Swedish artist Michael Idehall uses sacred texts as an apocalyptic framework: ten pieces of post-industrial music and dark ambient on grey marbled vinyl in a matte black die-cut sleeve. Ant-Zen, 12 inch.

Dan Courtman's Kommando, the dark twin of Thorofon: the surviving 1993-94 recordings of two cassette albums, compiled and remastered in 2026. Death industrial and power electronics on CD in a digipak, on Ant-Zen.

Enemy by Control, the project of Thomas Garrison, in power electronics and death industrial since the late 1990s: six tracks of siege, aggression and fatalistic void. Multicoloured LP, each copy unique, 200 copies.

Polish power electronics and death industrial act SZNUR, recorded in 2025: eight tracks of concrete, steel and dead gods in a post-apocalyptic vision. CD in a matte six-panel digipak on Raubbau, distributed by Ant-Zen.

Berlin sound artist Ira Hadžić in two parts for gongs, recorded on a six-month tour of New Zealand and Australia in 2026 and shaped by Pauline Oliveros's Deep Listening. A study in resonance on cassette from Karlrecords.

Bruno Silva's Ondness with friends: Pedro Alves Sousa on saxophone, Kepla on cello and five guest voices, in a record that finds a way out of the cul-de-sac of his earlier work. Holuzam, LP of 300 copies.

Tekamolo, the anonymous electronic project, with drummer Elizabad Volkova: altered voices, fragments of memory and free-form electronics opened up by live drums, between groove and ambient. LP of 300 copies.

Aaron Michael Butler, Peter Tracy and Carlos Cotallo Solares, a Seattle trio on vibraphone, cello and violin: their own Errata and Lines, Dots, Clouds, Pulses, plus What Next? written for them by Eva-Maria Houben.

Mathias Arrignon works field recordings from Svalbard, May 2025 (pack ice, glaciers, breath, footsteps) with the GRM's Coupigny synthesiser into a composition on the changing Arctic landscape. Discreet Archive, CD.

Morton Feldman's For Philip Guston (1984), over four hours for flute, percussion and piano, played by Sasha Ishov, Steven Schick and Liam Wooding. Four CDs in a box with a bilingual booklet, on Kairos.

Chicago guitarist Bill MacKay and percussionist Michael Zerang in a duo debut of eight songs: darabuka, tambourine and saz with guitar, requinto and piano, from Arabian, Turkish, Indian and Iberian folk. Drag City.

Limited 12-inch EP of 1976 Les Rallizes Denudes material from the sessions behind Disque 4: The Last One live at Yaneura, Enter the Mirror and an alternate White Awakening. New color vinyl pressing on Temporal Drift.

Seven decades of Terry Riley in original essays, photographs, scores and documents, many of them unpublished and drawn from the composer's own archives. Edited by Vincent de Roguin, 480 pages, richly illustrated.

Spoken-word pieces and sound collages by Pilar Talavera as Emotional Pussy, closing the cycle begun with Love Is the Law. Lyrics from the book Bolsanegra. Limited O-card cassette on Indefinite Boundary.

A single 72-minute piece built from Andrew Anderson's field recordings of rescued chickens at an animal sanctuary, looped and processed by Colin Sheffield. Sleeve by Merzbow, mastered by Lawrence English. 300 copies.

Vittorio Guindani and Eventless Plot, 17 pieces for field recordings, objects, percussion, tapes and electronics. Sixth release of Innovo Editions from Thessaloniki, on cassette in an edition of 70 copies.

First album by Luke Fowler and David Grubbs: a 30-minute piece for pianos, electronics and recorded sounds grown out of Fowler's films about Brunhild Ferrari, with material from Ferrari herself and field recordings by Eric La Casa. Shelter Press.