New Arrivals / Today
Silmät sulaa
On Silmät sulaa, Pietu Arvola sets out to make a “summer album” and instead lands on a heat‑sick mirage: strings, tape‑scarred electronics and unstable textures steeped in memories of sunburn, burning houses and hospital fevers, where warmth tips constantly toward delirium.
In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music
On In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music, Dagmar Zuniga threads five years of Tascam‑4‑track recordings into a porous, tape‑hazed songbook: fragile transmissions where harmony, hiss and fingertip detail make lo‑fi feel widescreen.
Live at Widney High December 26th, 1971
On a Sunday in the early 70s in South LA, you could easily find yourself standing in a high school auditorium, watching Horace Tapscott conduct the Pan Afrikan Peoples Arkestra as they poured out music like a benediction. No tickets, no VIP list—just the community, gathered. This was music as civic duty, as spiritual practice, as revolution by other means. Live at Widney High December 26th, 1971 captures one such afternoon, previously unreleased and now arriving like a dispatch from a parallel u…
Happy Sad
Tim Buckley ranks among the most adventurous singer-songwriters, and 1969's Happy Sad shows his talent in full bloom. After two albums working with lyricist Larry Beckett, the Elektra collection is the first of all-Buckley originals, and these six songs reflect a growing fascination with jazz (opener "Strange Feelin'" was inspired by Miles Davis). Predominantly acoustic, the relaxed arrangements include some fine guitar work by Lee Underwood and vibraphone playing by David Friedman, but the most…
Adams Apple
2026 stock Doug Carn made four records for the Black Jazz label, more than any other artist, and each one topped the previous release's lofty standard. Adam's Apple was his last (1974) album for the label, representing the final note in his staggeringly creative crescendo. It was also the first record without Jean Carn, but Carn and crew (John Conner and Joyce Greene) don't miss a beat on the vocals. And the band is absolutely sick, featuring reedman Ronnie Laws and fellow Black Jazz recording a…
Tomorrow's Yesterday
In 1964, vocalist Karin Krog released Norway's first jazz solo LP, and By Myself has helped shape her career as a singer. In 2026, 62 years after the first release, she releases the LP Tomorrow's Yesterday, and it cannot be ruled out that this may be her last physical album. All the songs are recorded in duo or trio format. The musical sounds are excitingly combined with her voice and Rob Luft on guitar, John Surman on saxophone/bass clarinet on side A. Whilst on side B we hear Karin Krog with E…
Anthem for Peace
On Anthem for Peace, Alan Braufman leads a razor‑sharp quartet through compact, hook‑rich tunes that braid spiritual jazz, buoyant post‑bop and modal, Eastern‑tinged themes into a forward‑moving set that feels both steeped in history and fully present tense.
Joy
A groundbreaking session of European jazz – one of the first true moments of genius from singer Karin Krog! Tracks are long and experimental without getting too far out – and Karin's icy voice flows out magically over compelling tunes that still remain some of the most striking jazz vocals ever recorded! The set has Karin singing with a group of young, hip Scandinavian players that include Jan Garbarek on saxes, Arild Andersen on bass, and Terje Bjorklund on piano – all of whom stretch out in lo…
We Could Be Flying
Karin Krog's own label Meantime Records has given us many rare and legendary recordings, now it presents this much welcomed reissue on vinyl of 'We Could Be Flying', from the original master. First issued on Polydor in 1974, Karin performs alongside a musical dream team, consisting of Jon Christensen on drums, Steve Kuhn on electric and acoustic piano and Steve Swallow bass guitar.
The quality of the music is exceptional with the Michel Columbier and Paul Williams' title song headlining the albu…
D'une nostalgie inconnue
On D'une nostalgie inconnue, Delphine Dora turns a three‑week Portuguese sojourn into an intimate cartography of feeling: piano, harmonium and field recordings tracing a dream‑folk geography where Atlantic waves, stray voices and solitary improvisations blur into one interior tide.
Renaissance
Modern and grounded in the 1960s hard-bop sensibility, the American pianist and composer Albert Dailey (1939 – 1984) had perfect control over his instrument. Since an early age he played with cutting-edge musicians of the likes of Art Blakey, Sarah Vaughan, Stan Getz, Charles Mingus, and Lee Konitz, only to name a few. But despite that, he was an underrated artist during his lifetime, receiving the deserved recognition only after his death. Renaissance 2 November 1977 is his second album, played…
A Frauta De Pã
Big tip! Fifty years on, and it still sounds like a secret. Carlos Walker's A Frauta de Pã remains one of those rare Brazilian albums that collectors circle obsessively, its original RCA Victor pressings commanding reverence - and prices - entirely disproportionate to the world's awareness of it. That wait is now over.
Recorded in 1975, when Walker was just 19 years old, A Frauta de Pã arrived at a precise confluence in Brazilian music - that charged mid-decade moment when MPB (Música Popular Br…
Cool Jojo
Cool Jojo was recorded from 3 to 5 December 1979 at Epicurus Studio in Tokyo under the direction of guitarist Masayuki Takayanagi. The album features the band ‘Second Concept,’ combining electric guitar, saxophone, keyboards, bass, and drums. The programme consists mainly of original compositions reflecting the band's electric jazz and experimental orientation in the late 1970s.
Go On
Go On with the George Otsuka 5 was recorded in 1972 in Japan for the Three Blind Mice label. The album features a quintet led by drummer George Otsuka, a major figure in Japanese jazz in the 1960s and 1970s. The repertoire includes original compositions as well as contemporary hard bop standards.
Moon Ray
Moon Ray was recorded on 21 and 22 April 1977 in Japan for the Three Blind Mice label. The album features the quartet led by alto saxophonist Yoshio Otomo, accompanied by Tsuyoshi Yamamoto (piano), Tamiko Kawabata (double bass) and Arihide Kurata (drums). The programme consists of standards from the American jazz repertoire as well as an original composition by Otomo. The production is part of the TBM label's series of acoustic recordings.
Midnight Sun
Recorded in Tokyo in June 1978 after his stay in the United States, Midnight Sun captures the Tsuyoshi Yamamoto Trio in a format typical of the Three Blind Mice aesthetic: full, dynamic sound and natural breathing of the playing. Between standards (‘Autumn Leaves’, ‘Love Is Here To Stay’) and more personal themes, Yamamoto favours melodic narration, with a deep left hand and a very singing touch.
Dream Temperature
Saxophonist, producer and composer Brian Allen Simon explores darker hues, transposing waking and altered states under his studio veil Anenon. On the deeply evocative new album ‘Dream Temperature’, to be released April 24th on Tonal Union, he shifts electronic processing to the foreground, introducing digitized wind instruments and unworldly atmospherics, not heard since his innovating mid-late 2010s output. A longtime Los Angeles resident, born and raised, Brian Allen Simon has expressively ope…
Green Chaos
Fresh Hold Releases presents Helen Ripley-Marshall's mysterious Australian ambient electronic album "Green Chaos", reissued for the first time on vinyl LP. Originally released in 1988 on Sydney based private press label Freefall, "Green Chaos" marks the sole release from Ripley-Marshall. In the late 80's Ripley-Marshall lived a Bohemian lifestyle in inner city Sydney; "surrounded by musicians, actors and artists, there was an amazing creative experimental vibe going on". While playing in new wav…
Make a mess
Masmas was formed in 2021 in Rome during a residency at the Mattatoio – Palazzo delle Esposizioni. Simone Alessandrini (saxophone and composition), Mauro Remiddi (vocals and guitar, previously known as Porcelain Raft with several releases on Secretly Canadian), and Simone Pappalardo (electroacoustic artist and sound design engineer) share a free approach to sound and a desire to transcend genre categorization. More than a band, Masmas is a collective practice: improvisation, continuous transform…
Riff Raff
Released in 1972, Riff Raff is a bold statement from a British prog quartet exploring the intersection of rock and jazz-inflected textures. The album moves between blues-tinged grooves, melodic prog passages, and expansive jazzy-rock moments, all anchored by tight rhythms, expressive guitar, and organ flourishes. Standout tracks like the opener and La Même Chose show off the band’s adventurous spirit, balancing precision with spontaneity. Though the variety of songwriters gives the album a loose…
