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Since 2005, Mariska Baars aka soccer Committee, has quietly carved out a singular space where folk, ambient and experimental music dissolve into one another. Working with little more than her voice, an acoustic guitar and delicate loops, Baars creates songs of a remarkable intimacy. There's nowhere to hide in these arrangements, and that's precisely where their magic lies. For Accidental Meetings, Baars revisits a selection of songs from across her catalogue, gently reshaping and reimagining som…
Francesco Battiato was born on 23 March, 1945, in Jonia, a small town in the province of Catania. After attending the secondary school he moved to Milan to seek his fortune as a musician, but without any significant results during the first years. Giorgio Gaber listened to him by chance and, sensing his talent, recommended him to Ricordi, who didn’t want to engage him. Therefore, Gaber recommended him to Walter Gürtler, who immediately accepted to include him in the group of the protest singers,…
On Paradise Cove, Misha Panfilov and Shawn Lee build a sun‑bleached instrumental universe where deep‑funk pulse, soft‑psych haze and library exotica glide together. Surf‑tinted guitars, analogue keys and supple rhythm work trace a 35‑minute arc that feels like a lost soundtrack to a dream resort just slightly out of time.
On Percussions, Saint Tropez Orchestra turn the drum kit into a bandleader, spreading 20 compact cuts across a spectrum of funk, library jazz and tropical pulse. Every arrangement is built from the skin outward, making rhythm the song’s spine, flesh and nervous system all at once.
On II, The Oscillators lock into a heady, loop‑driven chemistry where dubwise bass, analogue synth chatter and live‑wired percussion orbit the same gravitational field. Each piece feels like a workshop in motion: themes emerge, mutate and dissolve, turning the record into a continuous, hands‑on exploration rather than a fixed set of songs.
On Loud World, Nicholas Tripi (a.k.a. Nick Tripi of Big Fun) turns the drummer’s vantage point into a full compositional engine. Rhythm is the load‑bearing wall for a delirious blend of space‑lounge, jungle jazz, KPM‑style library cues and krautrock pulse, ten compact pieces sketching a neon‑lit, nervy planet of their own.
On Twenty‑Two, Initials MB offers a quietly psychedelic slice of French pop that feels like a faded postcard from another decade. Reissued on vinyl a decade after its digital birth, the album folds jangling guitars, analogue keys and wistful melodies into compact songs that trace one songwriter’s search for sound, place and identity.
*150 copies limited edition* Written, recorded, mixed, and produced by zakè. Featuring various instrumentation and improvisations by the following brethren: anthéne, Benoît Pioulard, Marc Ertel, and Purl. Piano accompaniments by hoax.
*200 copies limited edition* Rope is a collaborative improvisation between musician and producer Al Wootton and musician and percussionist Irene Bianco. Wootton’s hardware processing of various sampling methods, plus guitar, bass guitar and clarinet, provides a counterpoint for Bianco’s experimental treatments of drum kit, bells, vibraphone and other percussion instruments. The result is foggy, dubbed out, glacial, free form compositions that defy categorization.
Electronic Sound Issue 139 arrives with Scritti Politti legend Green Gartside on the cover, bundled with an exclusive limited edition gold vinyl seven-inch featuring two of the group's much-loved mid-1980s classics: Wood Beez (Pray Like Aretha Franklin) and Perfect Way. Inside, an exclusive interview with Green marks the reissue of Scritti Politti's Songs To Remember (1982) and Cupid & Psyche 85 (1985), two brilliant albums that took the band from scratchy post-punk outsiders to electropop giant…
Limited and numbered edition, featuring original artwork and a newly designed, beautifully crafted collector’s sleeve with new liner notes by Bradford Bailey, and pressed on 180g vinyl. Includes hi-res audio download. Among the most playful and pointed entries in Deutsche Grammophon's legendary Avantgarde series, Mauricio Kagel's Exotica returns to vinyl - a work that turns the Western fascination with the music of elsewhere into a piece of high comedy and, beneath the laughter, a quietly devast…
Limited and numbered edition, featuring original artwork and a newly designed, beautifully crafted collector’s sleeve with new liner notes by Bradford Bailey, and pressed on 180g vinyl. One of the most quietly radical entries in Deutsche Grammophon's legendary Avantgarde series - the run of albums issued between 1968 and 1971 that did more than almost any other label project to document the experimental music of its moment - returns to vinyl. Recorded in London in 1971, the Scratch Orchestra's r…
Limited and numbered edition, featuring original artwork and a newly designed, beautifully crafted collector’s sleeve with new liner notes by Bradford Bailey, and pressed on 180g vinyl. A reissue of one of the most singular documents in Deutsche Grammophon's legendary Avantgarde series - a single LP that sets two radically opposed ways of working with magnetic tape against one another, both realized within months of each other at the same address: the Studio di Fonologia della RAI in Milan.
On o…
For some fans, Health And Efficiency is This Heat's peak achievement - their most concentrated blast of visceral intensity and wayward experimentalism. Featuring two long pieces, the EP came out in September 1980. It was released on Piano, the imprint founded by David Cunningham of Flying Lizards, and distributed by Rough Trade, home of the burgeoning post-punk movement and fellow travelers like The Raincoats, Scritti Politti, Cabaret Voltaire and The Red Crayola.
Lead track Health And Efficienc…
On Hélas, Neoboris’s boy‑and‑girl duo turns late‑90s Bordeaux and Pau into a neon scrapbook: punk directness, wave romance, rave afterglow and variété hooks tangled in 15 songs that mourn and celebrate a love that refused to apologise.
Recorded in 1981, Turning Japanese captures Kraftwerk at the absolute height of their creative dominance, but sometime before their true induction into the household name superstar category of artists. Still representing a very forward thinking, boundary pushing and - as a result - specialist sound, this nine-track live recording feels like yesterday's tomorrow.
Opening with a stunning neo-classical synth overture, we're then taken on a journey through the mind of the man machine, an industrial …
*2026 repress* 1971’s ‘About Time’ was the Ping Pong debut album. Founded by Alan Taylor from The Casuals it was one of the first bands in Italy (based in Bologna) to be inspired by the British sound of the period moving between late ‘60 psychedelic rock and the jazzy prog such Jethro Tull, Tonton Macoute, Camel and Caravan. 10 tracks all sung in English delicate and exceptionally well performed with warm precision, enthusiasm and greater energy in which the excellent musicians highlight their a…
Hocketus is a new album for violin, cello, and electronics by Gage Salnikowski and Nathan Krahn. Built around a series of original MaxMSP patches, each piece creates a different relationship between the performers. Sometimes the electronics force one instrument to silence the other. Sometimes both players work together around a single sine wave. Other times the system latches onto pitches, interrupts signals, or shifts the balance of control between the musicians. Every performance is improvised…
On Crónicas Intrascendentes, Akenathon threads a shadowed, cinematic strain of Argentine progressive rock through small, quotidian vignettes. Everyday scenes – a clown’s complaint, a kiosk errand, the death of a cobbler – become surreal miniatures where symphonic textures, narrative vocals and sly humor turn “inconsequential” chronicles into quietly unsettling parables.