New Arrivals / Today

Sixth annual volume of Graphème, the publication of experimental and graphic scores edited in Berlin by smallest functional unit, with works by twelve composers.

Seven pieces by Morgan Evans-Weiler (violin, electronics) and Carlo Costa (vibraphone, percussion), composed and recorded by Evans-Weiler in September 2025.

Saxophone, double bass and drums trio of Michael Foster, John Moran and Joey Sullivan, in two long parts recorded in Philadelphia on May 8th 2025.

A single 51-minute piece for four Wuhan cymbals played with bows, without electronics or amplification, timed on a recording of the composer's breathing while asleep. Recorded in Bristol in 2026.

McCoy Tyner septet with Andrew White, Ted Dunbar, Buster Williams, Billy Hart, Mtume and vocalist Songai Sandra Smith, recorded on 10 September 1970 for Blue Note and first released in 1974. Tone Poet 180g LP.

Wayne Shorter quartet with Herbie Hancock, Cecil McBee and Joe Chambers, recorded on 14 June 1965 for Blue Note and first released in 1980. Japanese UHQCD, UCCQ-9742 (2024).

Wayne Shorter quartet with Herbie Hancock, Reggie Workman and Joe Chambers, recorded on 3 and 24 February 1966 for Blue Note and first released in 1967. Japanese UHQCD, UCCQ-9645 (2024).

Jackie McLean quintet sessions for Blue Note: five tracks recorded on 11 February 1963 with Donald Byrd, Herbie Hancock, Butch Warren and Tony Williams, one from 2 May 1959. First issued in 1980. Tone Poet 180g LP.

Jackie McLean quartet session with Sonny Clark, Butch Warren and Art Taylor, recorded on 28 September 1962 for Blue Note and first issued in Japan in 1979. Tone Poet 180g LP reissue.

Jackie McLean's One Step Beyond, a quintet session with Grachan Moncur III, Bobby Hutcherson, Eddie Khan and Tony Williams, recorded on April 30, 1963 at Van Gelder Studio and first released by Blue Note in 1964.

Jackie McLean's A Fickle Sonance, a quintet session with Tommy Turrentine, Sonny Clark, Butch Warren and Billy Higgins, recorded on October 26, 1961 at Van Gelder Studio and first released by Blue Note in 1962.

Elvin Jones' first Blue Note album as a leader, a piano-less trio with Joe Farrell and Jimmy Garrison recorded on April 8, 1968 at Van Gelder Studio, produced by Duke Pearson and first released in 1968.

Bobby Hutcherson's Medina, recorded on August 11, 1969 at Van Gelder Studio with Harold Land, Stanley Cowell, Reggie Johnson and Joe Chambers, unissued until Blue Note released it in 1980 in the LT series (LT-1086).

Andrew Hill's Judgment!, a quartet session recorded on January 8, 1964 at Van Gelder Studio with Bobby Hutcherson, Richard Davis and Elvin Jones, produced by Alfred Lion and first released by Blue Note in 1964.

Andrew Hill's Compulsion!!!!!, recorded on October 8, 1965 at Van Gelder Studio with Freddie Hubbard, John Gilmore, Cecil McBee, Richard Davis, Joe Chambers, Renaud Simmons and Nadi Qamar, first released by Blue Note in 1967.

Larry Young's last Blue Note session, five originals recorded at Van Gelder Studio on 7 February 1969 with Lee Morgan, Herbert Morgan and Eddie Gladden, first released in 1980 (LT-1038). Tone Poet reissue, 2026.

Larry Young's first Blue Note album as leader, recorded at Van Gelder Studio on 12 November 1964 with Sam Rivers, Grant Green and Elvin Jones, first released in 1965. Blue Note Classic Vinyl reissue, 2020.

Japanese UHQCD reissue (UCCQ-9640, 2024) of McCoy Tyner's 1969 Blue Note album, a hornless quartet with Bobby Hutcherson, Herbie Lewis and Freddie Waits recorded at Van Gelder Studio on 17 May 1968.

Tyrone Washington's only Blue Note album as leader, six originals recorded at Van Gelder Studio on 29 December 1967 with Woody Shaw, James Spaulding, Kenny Barron, Reggie Workman and Joe Chambers. Tone Poet reissue, 2026.

Sietse van Erve's first album under his own name after 25 years as Orphax: a single still, drone-based piece for electronics and organ with flute, bass clarinet and double bass, played by members of Ensemble MAZE.

Debut of the open improvisation collective founded by Philipp Hager, with Andrew Bernstein of Horse Lords: four pieces of free jazz, polyrhythmic drums, droning bass and synths, cut in one day.

Former hardcore punks from Palembang who swapped amps for mandolin, accordion and Malay drums: pantun-inspired songs from 2009-2013, including unreleased material, sung by muezzin David Hersya.

Belgian violinist Catherine Graindorge and Australian singer Hugo Race (Bad Seeds, Dirtmusic): violins, electronics and a dark voice in retro-baroque songs, first released on Sub Rosa in 2017.

Jimi Tenor's new solo album for Bureau B, built on 1960s and 70s drum machines treated by Gunther Buskies: synths, flute, sax and voice, between Suicide-like minimalism and cosmic drift.

The English composer's second album: choral writing, honkytonk piano, flutes, bells and electronics in minimalist patterns and anagram titles, a reflective, mystical record.

Robert Lester Folsom's private-press album of 1976, a cult of Georgia home-recorded folk, remastered for its fiftieth anniversary together with the original reel-to-reel demos.

Four compositions by the Stockholm artist built from modular synthesizers, microphones and self-regulating systems: feedback held at a fragile threshold between order and instability.

Allan Nilles of the Berliner Philharmoniker on viola and Tom Schneider on sampler, recorded in the Kammermusiksaal of the Philharmonie: every sound starts from or returns to a single viola.