New Arrivals / Today
The Unreleased Themes For Hellraiser
Nearly four decades after the fact, the full story of Coil's aborted commission for Clive Barker's Hellraiser can finally be heard - and it is every bit as extraordinary as the legend suggested. The Unreleased Themes for Hellraiser [expanded ritual], released by Mental Groove Records / Musique Pour La Danse, is the definitive edition of one of experimental music's most mythologised what-ifs: a lost soundtrack now restored, expanded, and assembled into a coherent and deeply unsettling whole.
The …
L'Oeuvre Musicale En 12 CD
**Finally repressed, absolutely recommended!** An incredible box-set with 33 compositions from 1964 to 2007 that includes a 92-page booklet in French and English. The best way to enter the world of Bernard Parmegiani, French composer of musique concrète, member of the GRM group.
Jazz In Libertà
On Jazz In Libertà, Antonio Riccardo Luciani turns a nameless studio quartet into a lean, cinematic engine: two duelling keyboards, supple bass and drums, and a single Benson‑tinged guitar cameo conjure an entire universe of 70s Italian jazz‑funk and cop‑film tension.
Flowers
On Flowers, Zuni (Benito Simoncini) moves from lean, guitar‑driven funk‑rock into more exploratory terrain, trading bluesy riffs for bass‑and‑synth experiments and spacey percussion pieces that gently unravel the classic Italian library mood.
American Bus
On American Bus, Jason Black and Arawak ride a 1977 dream of the U.S. West Coast: lean, blues‑edged funk‑rock cues, honking sax and one off‑route reggae detour, all conceived as Italian library visions of San Francisco from behind a bus window.
Discorsi
Raskovich (Giuliano Sorgini) refines a single idea to a razor’s edge: lean jazz‑funk frameworks animated by flute, Rhodes, electronics and blaxploitation‑style orchestration, finally back in circulation after decades as a cult library secret.
Telemusica N. 6
A 1973 library brief of “jazz + experimentation” into a compact film in sound, gliding from lush lounge and tense jazz‑funk to freaked‑out electronics and stark Nuova Consonanza‑style miniatures.
Ptah, The El Daoud
2026 repress * Grey-area LP reissue, perfect replica of the original * Ptah, the El Daoud, recorded and released in 1970, is the third solo album by Alice Coltrane. The album was recorded in the basement of her house in Dix Hills on Long Island, New York. This was Coltrane's first album with horns (aside from one track on A Monastic Trio – 1968 - on which Pharoah Sanders played bass clarinet). Sanders is recorded on the right channel and Joe Henderson on the left channel throughout. Coltrane not…
Afro-Harping
The jazz-funk metamorphosis of harpist Dorothy Ashby completed on her 1968 album released on Chess records subsidiary Cadet. The cycle was literally completed when the album – recorded on February of the same year in Chicago – hit the stores. With arrangements by Richard Evans and a killer (unknown) line-up the record is full of samples galore, from "Soul Vibrations" and "Come Live With Me", plus a version of "Little Sunflower" by Freddie Hubbard.
Tauhid
Recorded November 15, 1966 at Van Gelder Studios, Englewood Cliffs - New Jersey, Tauhid is one of the most iconic album recorded by the tenor saxophonist Pharoah Sanders. On his debut for Impulse ! the leader assembled an extraordinary line-up, defining the boundaries of the so-called spiritual jazz movement. Henry Grimes (bass) Roger Blank (drums), Sonny Sharrock (guitar), Nat Bettis (percussion) and Dave Burrell (piano)Pharoah, (born Farrell Sanders of Little Rock, Arkansas on October 13, 1940…
Karma
Karma is Pharoah Sanders' third recording as a leader, and is among a number of spiritually themed albums the Impulse! Record label released in the late 1960s/early 1970s. Although it is followed by the brief "Colors", the album's main piece is the 32-minute-long "The Creator Has a Master Plan", co-composed by Sanders with vocalist Leon Thomas. Some see this piece as a kind of sequel to Sanders' mentor John Coltrane's legendary 1964 recording A Love Supreme (whose opening it echoes in a muscular…
Happy Today
Happy Today, the third album from guitarist/bandleader Jeff Parker’s long-running ETA IVtet, was recorded live at Lodge Room in Los Angeles on August 20, 2025. This fresh entry into the IVtet’s catalog captures Parker and the band – including drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson – on record outside of the now-shuttered Highland Park micro-club ETA for the first time. The performance also captures a distinctly joyful night of togetherness set against the back…
Wade
*150 copies limited edition* Circle Bros emerged during the late‑nineties wave of lo‑fi and dronerock, when Morc Records founder Wim Lecluyse first began shaping hazy, guitar‑driven soundscapes. Over the many years that followed, the project gradually started using a richer soundpallete, and shifted toward semi‑improvised, restrained songs that draw as much from minimal‑leaning songwriters as from artists who fearlessly approach the folk traditions. What has never changed is the core approach — …
Oceanine
Oceanine, Jolanda Moletta’s third album and her first for Beacon Sound, is a powerful and ethereal statement of artistic community. Expanding on her previous work, each track represents a collaboration with a different female vocalist, with the foundational elements being generated entirely by her own voice. By turns haunting, enchanting, and inspiring, you won’t want to come up for air once you’ve been pulled under. Representing a
musical practice that is distinctly feminist, this is an album w…
Primordial Mind
Primordial Mind forms the mysteries and intensity of inner life into eight mandalic instrumentals where Mas Aya and Khôra, artists who share 15 years of music making, orchestrate an inspired, prismatic palette of percussive and melodic sources. Each composition presented stages a vigorous meshwork of colours and textures, contrasting riveting polyrhythms with towering arrangements for flutes, synths, and processed acoustic instruments. Tendencies which the artists trace in their solo practices a…
Symbols
*300 copies limited edition* Once mainly something that existed in a live setting, the group drifts further into its own orbit with a second collection of songs. What began as a collaboration between two voices now expands with the presence of a third, adding new layers that sometimes verge on something almost familiar. The work continues to explore a method that feels less like collecting from the outside and more like rearranging from within. Fragments are taken apart and reassembled: rhythms,…
Sleep
Italian saxophone, cornettophone, and bansuri flute player Gianni Gebbia makes his debut on Minority Records with Sleep, released on LP and Bandcamp on May 1, 2026, the same day that marks the artist's 65th birthday.Sleep can be considered an introspective and ambient meditative work, whose structure does not correspond to traditional jazz compositions, but rather consists of extensive improvised hypnotic soundscapes without precise boundaries, using soprano saxophone and cornettophone with elec…
All That I Am
A strange and beautiful artifact of late‑70s outsider music returns: Kit Ream’s lone 1978 album, All That I Am, has been reissued on vinyl and digital formats. Once a private-press secret treasured by psych‑folk collectors, this ultra‑rare record is now available again for listeners drawn to music that sits defiantly outside conventional boundaries.
Weirdos, or so they said. A long‑term psychological state. All That I Am grew from that condition — music shaped by solitude, introspection and an u…
Weather Eye
'Weather Eye' marks the first recorded collaboration between Italian guitarist Francesca Naibo and American cellist Theresa Wong. This collection of improvisations reveals a dialogue of care as the duo uncovers delicate and unexpected sonorities of the electric guitar, cello and two voices. Francesca Naibo is an Italian guitarist who moves fluently across all the different conjugations of the guitar, from the classic, the electric, to the fretless and the pedal steel. Involved in the research fo…
Un Sequestro Lungo 10.000 Anni
In an age that demands hyper acceleration, kinetic flashes and byte voracity, Blak Saagan sticks out like a sore thumb with a sprawling body of work that requires attention and unlocks profound symbols and meaning with every passage. After a 5 year gap, the Venetian composer returns with his most personal and openly political statement yet, ‘Un Sequestro Lungo 10.000 Anni’, a staggering 108 minute triple album soundtracking a dystopian city through flashes of futuristic fourth world visions, war…
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