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A collection of Mexican recordings dating from approximately 1900 to 1910. Corridos, zarzuelas, poetry, popular songs, police bands, solo harps & guitars, all taken from wax cylinders issued from the beginning of the 20th century through to roughly the start of the Mexican revolution.
Inspired by Dr. Fatima Volkoviskii's paper 'In Search of Revolutionary Voices: Performance Practices of Mexican Singers in Cylinder Recordings' delivered at the Early Recordings Association's 'Exploring Traditional…
It all started here... “Eternal Paralysis” and “Peony Crackers” is two fantastic works produced by T. Mikawa's Pariah Tapes label in 1981 and 1983, which were not sold publicly and only friends could receive them. The red and green paper is used as in the original release, and the handwritten logo and titles by T. Mikawa on the master tape case are reproduced in full. The result is the fruit of early acoustic experimentation, including the destructive sounds of the self-made noise generator “The…
It all started here... “Eternal Paralysis” and “Peony Crackers” is two fantastic works produced by T. Mikawa's Pariah Tapes label in 1981 and 1983, which were not sold publicly and only friends could receive them. The red and green paper is used as in the original release, and the handwritten logo and titles by T. Mikawa on the master tape case are reproduced in full. The result is the fruit of early acoustic experimentation, including the destructive sounds of the self-made noise generator “The…
Double LP version. "Open Vocal Phrases, Where Songs Come in And Out and Sketches For World of Echo (AU 1029CD) offer two intimate unedited Arthur Russell solo live performances recorded at Phill Niblock's Experimental Intermedia Foundation in Downtown NYC on 12/20/85 and 06/25/84. Phill curated and produced with Arthur both concerts at EI that would become part of the foundation for the World of Echo album. These extraordinary performances were recorded 18 months apart between 1984/85 by Steve C…
2025 repress. "Natural Information Society, like their partners in time Bitchin Bajas, live their days in flow motion. Rhythms come and go, instruments sound as a means to a greater end. Music is the way of their life. Their debut convergence, Automaginary, feels as natural as it does inevitable. Both groups were first heard in 2010, both emerging from solo endeavors that accessed a vastness, more room than a single player might ultimately fill -- a place then for fellow travelers! Joshua Abrams…
Biiig Tip! Edition of 300. Paal Nilssen-Love and Joe McPhee started playing together when Paal was 25. Now he’s 50, so this musical dialogue has been going on for the quarter of a century. It has taken many forms, first with The Thing, then The Thing/Cato Salsa Experience big-band, on to the Peter Brötzmann Chicago Tentet, with several one-off collaborations on the way (some previously released on PNL) – but throughout the years the duo format has been the best way to hear these two voices. It’s…
*First time on vinyl* Despite all their incredible work, record labels often get the short end of the stick. We rarely place their efforts on the same plane as the music they dedicate themselves to bringing into our lives. Far more than simply a means of production and distribution, great labels are ecosystems unto themselves; free-standing, singular environments that offer the context and understanding that allow their artists to thrive. Two such cases are the imprints, Soave and Cinedelic. Sin…
Cinedelic returns on the back of some pretty incredible releases over the last year with one of their most exciting and unexpected records to date, the first ever release of the legendary composer Egisto Macchi's soundtrack for Mino Guerrini’s 1968 film, “Gangsters '70”. Created in collaboration with his Gruppo di Improvvisazione Nuova Consonanza associate, Walter Branchi, it's among the most strikingly experimental of all his soundtrack work and remains startlingly urgent more than half a centu…
Sull’Accordo Mimetico (On the Mimetic Chord) dates back to the end of the 80’s. It was commissioned by the artistic director of the ParcoScenico Festival, held in Treviso, Italy. Since the area where artists and the public gathered after the Festival was located to a very busy street, Marco asked me for a sound installation that could work as some sort of a defensive barrier for the street noise. I suggested that my work, rather than hiding the noise, should aim to harmonize the disturbances com…
**First time on LP. 300 Copies in colored vinyl** A Marco Dalpane's unreleased recording (mainly known for the cult album “Scorie” released with Tiziano Popoli) produced in 1991 for Radio Rai as an accompaniment to the reading of Italo Calvino “Le città invisibili” ("Invisible Cities”). First thing you notice is how Marco Dalpane personal soundtrack for “Le città invisibili” could be seen as a link towards the combinatorial approach adopted by Italo Calvino in the book, where he used the languag…
Daniel Bacalov is a composer of music for theater, cinema, and dance who has studied classical guitar and percussion. He composed the music of numerous theatrical performances represented in many international theatre festivals. His first two publications on Lp were Il Ladro Di Anime, presented at the Venice Biennial of 1984, and Diario Segreto. The label Soave proposes these two fundamental documents of the period reprinting them for the first time in a limited edition on double Lp.The composit…
When No Pussyfooting was released in 1973 by two great pioneers like Eno and Fripp, that first whisper of their artistic association surprised many critics and fans. Yet, that kind of minimalist ambient sonority carried out by the two appeared in the ear like something absolutely new and innovative. Although nowadays we might be more accustomed to creative operations of this type, we are still fascinated, while listening, by the still possible achievement of relevant moments of musical epi…
A real brain ripping free jazzing blast from the past. Togashi Masahiko may be a name you have already encountered if you are a bit acquainted with Japanese free hardcore blowing jazz. He was the man responsible for churning out Japan's first free jazz disc being “We Now Create” for which he got assisted by Takayanagi Masayuki and Yoshizawa Motoharu amongst others. The following year in 1969, he teamed up with another hardcore blowing spirit, Takagi Mototeru - one of Japan's most unique sax howl…
deluxe edition with an exclusive alternate artwork on a special mirrored paper, includes double red transparent LP, a booklet, plus a limited edition 45rpm single featuring two rare cuts. Dancefloor seductions from Italian sexploitation cinema (1969-1981)" is an unprecedented and one-of-a-kind foray into the erotic side of Italian soundtracks curated by American director and actor Eli Roth.
The double black LP includes an exclusive booklet with unseen archive ephemera from the CAM Sugar archive …
*200 copies limited edition.* What sets 400 Lonely Things apart is its ability to turn seemingly mundane or discarded sonic artifacts into evocative, almost cinematic experiences. The project’s work resonates with fans of dark ambient, hauntology, and experimental sound design, offering a gateway into worlds where time has fractured and memories linger like spectral echoes. Subdivisions, the latest album from 400 Lonely Things, marks a departure from the project's conceptual and thematic approac…
The agony of hard bop, the rise of jazz-rock, and the emergence of free jazz. The definitive live recording that captures the chaos and climax of jazz in Japan. Japan's jazz scene around 1970 is very interesting. The agony of hard bop, the rise of jazz-rock, and the emergence of free jazz. New music and values were born one after another, and chaos was reached, and up-and-coming musicians ran at a speed that shook off the meter.
This album "Sensational Jazz '70 Vol. 1/2" is famous as a live soun…
Wewantsounds' major reissue program of Meiko Kaji (Lady Snowblood) continues with the first-ever reissue of her 1973 album "Yadokari" with a bonus 7" single Shura No Hana (featured in Kill Bill). with original artwork, newly remastered audio and new liner notes.
Jazz drummer and bandleader Takeshi Inomata crafted an impressive discography throughout his career, but none quite matches the brilliance and intensity of Sounds of Sound Ltd, his 1970 album featuring his regular studio band, Sound Ltd. Released during a period when the distinctions between jazz, jazz-funk, and jazz-rock were increasingly blurred, the album seamlessly delivers infectious grooves, intricate solos, and uplifting musical motifs. This sense of speed, this sense of elation. The man …
150 copies limited edition "This one is destined to become a collectors item! When Das Rad toured across the north of England in September 2024, our take on the old psych garage classic Buzzsaw by The Turtles proved to be a popular live number - so much so that we decided that while it might not fit on an album, it would make a great vinyl single. So here it is!" - Discus Music
Norman Westberg (guitar), Giridhar Udupa (ghatam, konnakol, khanjira, percussion) and Jacek Mazurkiewicz (double bass, electronics). An extraordinary meeting of three artists from three different musical worlds and three different continents. Norman Westberg (ex-Swans) and Jacek Mazurkiewicz have already released one album together "First Man In The Moon" in 2021 (published by the Swiss label Hallow Ground).In the new project, they are accompanied by Giridhar Udupa, an Indian master of ghatam (a…