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On Flood Coil, Norwegian artist Kjell Bjorgeengen and noise architect Lasse Marhaug collide flickering electronics and dense signal storms, turning sound into a volatile field of interference where image, electricity and feedback are felt rather than merely perceived.
On Displaces, sound artist Francesco Fabris fashions a high‑dimensional cartography of memory, hyperobjects and matter, where langspil, biophonies and geophonies are folded into phased time‑space, drifting between suffocation and release in an eerily tactile sonic ecosystem.
On Los Mandatos del Aire, Peruvian flautist Camilo Ángeles deconstructs his instrument into a bridge between worlds, channeling Amazonian cosmology and ayahuasca visions through extended techniques, microtonalities, analog processing and reverb‑chamber acoustics in dialogue with Musuk Nolte's photography.
On Nuó Xiǎng, Camilo Ángeles and Qiujiang Levi Lu forge an electroacoustic ritual: custom DSP, live processing, extended voice and augmented flute merge into abstract yet visceral soundscapes, echoing ancient Nuó ceremony while stepping beyond any fixed genre.