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"L'œil De La Tigresse" by Delphine Dora & Anaïs Tuerlinckx presents six different sonic explorations of hidden aspects of perception and past experiences. Song titles that conjures images of freedom and exploration in untamed spaces. A raw experience that explores jazz and free improvisation, the contrast between tranquility and underlying longing. Released under the Possible Motive label the album features six pieces that explore sound and identity.
Anaïs Tuerlinckx, a pianist and sound artist …
When I arrived in Geneva, Claude picked me up in his Aston Martin. He had a tape deck playing Lowell Fulsom – a guy who used to come to Memphis a lot and I knew some of his musicians. I grew up around the Blues, so this was a natural sound for me. Claude didn’t tell me until much, much later that he played Blues harmonica. He took us to the hotel where we had a warm and cordial welcome. Montreux was a quaint and sleepy town in 1967. However, there was a palpable excitement in the air and we coul…
Back in 1980, Weather Report consisted of Wayne Shorter - tenor & soprano sax, Joe Zawinul - keyboards, Jaco Pastorius - bass, Peter Erskine - drums and Bobby Thomas Jr. - percussion. Often considered as one of the best line ups in the band's history, this was a super tight combo playing with the same energy and power of a big band. The 1980 tour, also known as the "Night Passage" tour, is also remembered for the great visual impact, a large scale staging including laser and film projections. Th…
*Dubbed on reused ferro tapes* Reveries; an apartment and it's lonesome inhabitant. Field recordings and reamps through lousy computer speakers. The livelyhood and sounds of tape running around different objects, chatting radios and the fiddeling of a diverse array of small talkative machines. All recordings were made within the same weekend, being alone in my apartment. Edited, cut apart and put back together.
*Dubbed on TDK Chrome Tapes - very good quality!* Two long-form pieces evolving around experimental sampling and noticeably draws inspiration from the sharp digital sounds of the 2000s. Notably, these sounds doesn't lack the inorganicness and sterility that often are a synonym with the early digital era. From my perspective these two pieces reflect glimpses of wild articulative freedom from a otherwise verysimplistic language.
*Dubbed on new ferro tapes* A collaboration between accordionist K. Vidar, recorded and edited by J. Folke with onset from Vidar's solo accordion concert in a water tower in Brønshøj. Recordings are made the day prior to the concert, and subsequent on the staircases of the conservatory on Rosenørns Alle. Edited and processed throughout the summer 2024.