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Top notch jazz-rock-fusion with funk and Latin touches from Catalonia, 1975. Featuring Lucky Guri on electric piano (Rhodes) & Mini Moog, Jordi Clua on bass and Francis Rabassa on drums. Original artwork in gatefold sleeve and insert with liner notes by Àlex Gómez-Font & photos. RIYL: Placebo, Soft Machine, Egg, Return To Forever, Weather Report…“After recording in 1972 the cult album "We Are Digging The Beatles" with ex-Màquina! sax player Peter Rohr, innovative pianist Lucky Guri decided to fo…
The perfect marriage between psychedelia, pop and experimental sounds.
This unique album by Bill Holt, first released in 1974, sounded way ahead of its time and became an international cult classic in the following decades.
A perfect example of what it was called “Head Music” at the time, Dreamies consists of two large suits full of Lennon-esque vocals, sound collages, early electronics and proto-sampling.
Last Copies ** Limited Edition of 200 copies. This is the first album in BeJazz reissue series of long-lost classics from the legendary vaults of FMP Records, presented in restored original packaging and newly remastered for optimal sound ** Working with his own, specially crafted electronic instruments, Hugh Davies generates soundscapes that are at times whimsical, ritualistic and profoundly playful. Shozyg, a performance and improvisational instrument, first created in 1968, consists of fretsa…
1975 was the year in which Kraftwerk's live shows took off and you can hear that on this record. Kraftwerk developed a progressive robot pop style by mixing electronic sounds and hypnotic rhythms with pop melodies. Kraftwerk was the birthplace of electronic music and is still an example for great artists. This registration includes the world hit Autobahn.
Temporary offer! For 1971’s Black Unity, Pharaoh Sanders added groove to foundation of spiritual and free jazz he had explored on his previous Impulse! albums. The result is a piercing and emotive 37-minute rhythm-driven title track exploration of African, Latin, aborigine and Native American sounds. "By 1971, Pharoah Sanders had taken the free thing as far as he could and still live with himself. He was investigating new ways to use rhythm -- always his primary concern -- inside his music and m…
Re-pressing of Martin Carthy's debut album, originally released on Fontana in 1965 and re-issued by Topic in 1977. In the early 1960s, the approach Martin Carthy took to folk music was nothing short of revolutionary, albeit a relatively quiet revolution befitting of his humble nature.
You wouldn't find Carthy's music clambering up the singles charts; his was not a face adorning the teen magazines. Instead, his influence was felt at a grass-roots level. He plied his trade in the folk clubs, which…
One of two sets recorded with a mini-big band in the early seventies, Waka / Jawaka is one of the most eclectic releases of Frank Zappa's hyper-eclectic career. The album's dual showpieces, the opening 'Big Swifty' and the title track, combine dynamic horn arrangements and free-form improvisational experimentation (think Miles Davis circa 1973), and the album's other two tracks, 'Your Mouth' and 'It Just Might be a One-Shot Deal' blend elements of electric blues and country music. Perhaps the co…
2025 stock 180 grams, sourced from the original analog master. "It's all one album. All the material in the albums is organically related and if I had all the master tapes and I could take a razor blade and cut them apart and put it together again in a different order it still would make one piece of music you can listen to. Then I could take that razor blade and cut it apart and reassemble it a different way, and it still would make sense. I could do this twenty ways. The material is definitel…
2025 stock The second solo album by Frank Zappa, Hot Rats (October 1969) is one of the most influential Jazz fusion albums ever. It marked Zappa's first recording project after the dissolution of the original version of The Mothers of Invention. Multi-instrumentalist Ian Underwood is the only member of the Mothers to appear on the album and was the primary musical collaborator.
Other featured musicians include bassists Max Bennett and Shuggie Otis; drummers John Guerin, Paul Humphrey and Ron Sel…
2025 stock Lumpy Gravy is the debut solo album by Frank Zappa, an album of orchestral, electric and concrete sound written by Zappa and performed by a group of session players he dubbed the Abnuceals Emuukha Electric Symphony Orchestra. Zappa conducted the orchestra but did not perform on the album. It is his third album overall: his previous releases had been under the name of his group, The Mothers of Invention. It was commissioned and briefly released, on August 7, 1967, by Capitol Records in…
2025 stock Frank Zappa’s “Uncle Meat” is one of the most extraordinary records released in the 1960s, its sonic signature is so distinctive and so ineluctably alien, and it’s really not even a rock album, in the conventional use of the word. Although “Uncle Meat” is easy enough to sit through, it takes multiple plays to even begin to come to terms with it, and to process its irreducible complexity. “Uncle Meat” was never going to trouble even the margins of the mainstream, and its experimentalis…
2025 stock Dark Entries reissues the first 4 full-lengths from Carolyn Fok / CYRNAI, an Asian-American female solo artist from the Bay Area. The 6xLP box set contains all of Carolyn's officially released music as CYRNAI between 1980-1990, as well as bonus materials. Most of these songs will see their first vinyl appearance ever in a deluxe edition limited boxed set (333 copies). Remastered by George Horn, the set features an exclusive 48-page booklet with photos, quotes, interviews and liner not…
2025 stock A reissue of the 2nd full-length from Carolyn Fok / CYRNAI, an Asian-American female solo artist from the Bay Area. Carolyn’s adventures in sound began with recording stories on a tape recorder at age 9 in 1976. A short time later, exploring the scattering of musical instruments and effects units her father left lying around the family home. She became especially fascinated by his TEAC reel-to-reel recorder that set off a lifelong fascination with sound design. By the age of 16 Caroly…
2025 stock A reissue of the 4th full-length from Carolyn Fok / CYRNAI, an Asian-American female solo artist from the Bay Area. Carolyn’s adventures in sound began with recording stories on a tape recorder at age 9 in 1976. A short time later, exploring the scattering of musical instruments and effects units her father left lying around the family home. She became especially fascinated by his TEAC reel-to-reel recorder that set off a lifelong fascination with sound design. By the age of 16 Caroly…
2025 stock A reissue the debut album from Carolyn Fok / CYRNAI, an Asian-American female solo artist from the Bay Area. Carolyn’s adventures in sound began with recording stories on a tape recorder at age 9 in 1976. A short time later, exploring the scattering of musical instruments and effects units her father left lying around the family home. She became especially fascinated by his TEAC reel-to-reel recorder that set off a lifelong fascination with sound design. By the age of 16 Carolyn had b…
2025 stock We are honored to reissue the 3rd full length from Carolyn Fok / CYRNAI, an Asian-American female solo artist from the Bay Area. Carolyn’s adventures in sound began with recording stories on a tape recorder at age 9 in 1976. A short time later, exploring the scattering of musical instruments and effects units her father left lying around the family home. She became especially fascinated by his TEAC reel-to-reel recorder that set off a lifelong fascination with sound design.
By the a…
2025 stock Calendar Crowd was the duo of Alan Heaton and Terence Tiernan who met in their hometown of Widnes, Cheshire as schoolboys and played together in various bands in the ‘70s. In the ‘80s they formed a 6-piece band called Room For Humans and recorded one single“Telephone Telephone / Girlfriend”. When the band split and Alan and Terence continued as Calendar Crowd in a more experimental direction. Their influences were wide reaching: Kraftwerk, Neu, Cabaret Voltaire, Eno, PIL, and Joy Divi…
2025 stock Stratis is an electronic duo from Cologne, Germany, formed by Antonios Stratis and Albert Klein in 1981. They took inspiration from the progressive electronic synthscapes of Tangerine Dream & Vangelis and the proto-techno of Chris & Cosey and Yello, as well as jazz and funk. The duo recorded 5 cassette-only albums between 1982 and 1986 - Exotic, New Face, Musica da Ballo, Film Musik, and Raging Beauty - which were released on their own label Creative Tapes (later called Temporary Musi…
2025 stock Robert Rental is an artist as influential as he is overlooked. An anchor of the early British DIY and post-punk scene, his name is most frequently uttered alongside illustrious collaborators such as Thomas Leer and Daniel Miller. Dark Entries and Optimo ally to illuminate some of Rental’s early solo works with an expanded reissue of his debut 7” Paralysis /A.C.C.. Both labels have previously excavated Rental’s catalog; we reissued the collaborative LP with Glenn Wallis in 2017, and Op…
2025 stock Dark Entries and Serendip Lab have teamed up to release ‘Prototech’, the first vinyl retrospective by German electronic trio Hypnobeat, recorded 1984-86. James Dean Brown and Pietro Insipido formed Hypnobeat in 1983, but it was the addition of Victor Sol only a few months later that found the project reaching, as Brown puts it, "the desired level of technical sophistication." In time, Tobias Freund also lent his talents (and equipment) to this loose-fit sonic scheme, where the protago…