New Arrivals / Last 4 weeks
Bluebeard
With Bluebeard (1972), Ennio Morricone explores the gothic absurdity of Edward Dmytryk’s erotic thriller through a score oscillating between melancholy, parody, and psychological unease. By blending chamber restraint and baroque flamboyance, Morricone transforms the infamous tale into a study of decadence, control, and the seductions of death.
Le Trio Infernal
Composed by Ennio Morricone for Francis Girod’s 1974 film Le Trio Infernal, this score fuses elegance and moral decay in dazzling contrast. Through waltzes, grotesque marches, and ironic chanson motifs, Morricone mirrors the film’s mordant humor and gothic perversity, crafting one of his most caustically inventive European soundtracks.
Per le Antiche Scale
In Per le Antiche Scale, Ennio Morricone sculpts a haunting and cerebral score for Mauro Bolognini’s 1975 psychological drama. Through mournful strings, dissonant gestures, and lyrical fragments, Morricone captures the fragile border between reason and madness, crafting one of his most introspective and emotionally complex film soundtracks.
La Disubbidienza
With La Disubbidienza, Ennio Morricone crafts an austere and sensual soundscape for Aldo Lado’s 1981 film. The score balances chamber intimacy and languid melodies, exploring moral tension through sparse orchestration and unexpected harmonic turns. It’s a work where desire and restraint coexist in fragile, hypnotic equilibrium.
Culvert Dub Sessions Four
The Birmingham master, Mick Harris, arrives with his first vinyl installment of his "Culvert Dub Sessions" series. Mick has taken to the studio desk with his live hands on mixing approach and conjured up 8 tracks of classic, deep, slow rolling dub techno in the traditions of the greats. Think heavy nautical dub outs, windswept delays, low ends to make you seasick, high freqs cutting through the scenery, this is Harris at his finest. No holds barred, sincere electronics from the gut in pure form.…
Group Theory: Black Music
Group Theory: Black Music is a stunning new statement from South African drummer and composer Tumi Mogorosi. Standing in the lineage of South African greats such as Louis Moholo-Moholo, Makaya Ntshoko and Ayanda Sikade, Mogorosi is one of the foremost drummers working anywhere in the world, with a flexible, powerful style that brings a distinctive South African inflection to the polyrhythmic tradition of Elvin Jones, Max Roach and Art Blakey. Since his international debut on Jazzman Records in 2…
FJL
Felicity J Lord is a band, a word which usually means a group of musicians (which is also true) but here means a group of misfits, internet lurkers, poets, polka-dotted ballerinas, CEOs, time travellers, and forever-kids. Felicity J Lord is a company, a family, a video game, a never-ending play in two acts. You are in Act I, welcome.
Uzmic Ro’Samg (Live Solo Tuba)
Ben Stapp Launches Uzmic Ro’Samg — A Visionary Solo Album for Tuba and Sousaphone. Internationally recognized tubist and composer Ben Stapp announces the release of Uzmic Ro’Samg, his first-ever album of unaccompanied tuba and sousaphone. A daring, world-building statement, the recording blends technical mastery with storytelling rooted in Stapp’s original science fiction narrative. Stapp has long been a distinctive voice in the avant-garde and creative music scenes. He has created and recorded…
Volume 2
Unstoppable Rising Pianist Eva Novoa Reunites with Bassist Drew Gress and Drummer Devin Gray to Bring Us Another Blazing Interplay Banger
Soft Shakes
Go Kurosawa is a multi-instrumentalist, producer, and co-founder of the independent label Guruguru Brain. Best known as the drummer and vocalist of Kikagaku Moyo, he has spent the past decade building bridges between East and West, sound and silence, rock and ritual. soft shakes is something different. A personal chapter in Go’s journey, it marks his first solo album, created entirely by himself and made, for the first time, purely for himself. After Kikagaku Moyo disbanded, Go spent some time p…
Electronic Phantoms
Our new album is filled with a kind of sensibility that wasn't a part of our first one: a desire to get anyone who hears it to get up and dance. We spent 2023 playing a good number of live shows, from touring and playing festivals throughout Europe and Japan. We are a band without a drummer, and we’ve been using synths and drum machines—jamming along with machines so to speak—to freely rearrange the songs from our debut album. That experience is what motivated us to make this EP. Playing live in…
Minami Deutsch
2025 Repress Minami Deutsch was formed by Kyotaro Miula (guitar, vocals, synthesizer) in Tokyo in 2014. Their sound is influenced by both their love for Krautrock legends such as Can and Neu!, and the band members being self-professed "repetition freaks" who heavily listen to minimal techno. The music proceeds straightforwardly with the Motorik beat (Hammer beat), devised by Klaus Dinger (Kraftwerk, Neu!), as its central axis. Humorous, yet bizarre Japanese lyrics are whispered over a hard, cold…
With Dim Light
2025 Repress Minami Deutsch is back at it again with their latest LP entitled With Dim Light. Whilst softening their sound and cushioning the blow, you can expect a more profound diversity in their sound, whilst retaining the principle ingredients that make them so great such as their signature fuzz, thumping bass and dream like vocals. There is a heavier experimentation in regards to genre exploration. With hints of post punk and nods to late 60s psychedelic rock, this shows that Minami Deutsch…
Hamewith
A Happy Return’s Hamewith distills a quietly radiant folk minimalism that feels both homespun and transcendent. Built from acoustic sketches, tape hiss, and pastoral fragments, the record reflects on belonging, landscape, and impermanence—its short pieces flickering like field recordings of emotion, half-remembered but deeply intimate.
Tragic Magic
Tragic Magic is the reflection of a singular musical dialogue between Julianna Barwick and Mary Lattimore—an elegy and invocation shaped by recent wildfires in Los Angeles and the serene grandeur of Paris’s Musée de la Musique. Across seven tracks, the harp’s ancestral lilt and analog synth shimmer are fused in explorations of loss, hope, and renewal, yielding a chronicle of what it means to endure and create together in the face of upheaval.
Brooklyn Pirates: Neighbourhoods in the Sky, 2014-2021
Brooklyn Pirates: Neighbourhoods in the Sky, 2014-2021 documents David Goren’s deep listening project dedicated to Brooklyn’s pirate radio underworld, spanning recordings made between 2014 and 2021. Issued on vinyl for the first time by Death Is Not The End, the album is an extraordinary aural chronicle of New York’s invisible airwaves, focusing primarily on the rich, labyrinthine world of Caribbean-run stations, with excursions into Turkish, Orthodox Jewish, and other broadcast communities.
Muluken Mellesse with the Dahlak Band (Ethiopiques)
Muluken Mellesse with the Dahlak Band is a classic Ethiopian album, originally released in 1976 and now reissued as part of the prestigious Ethiopiques series. The recording captures Muluken at the height of his powers, delivering emotionally charged vocals over the Dahlak Band’s vibrant blend of afrobeat, funk, and Ethio-jazz. This set embodies the golden era of Ethiopian popular music, marked by complex horn arrangements, subtle groove, and enduring melodies.
Live at Triton 2009
In 2009, the Triton venue (near Paris, France) was sold out to celebrate the 35th anniversary of Univers Zéro, an iconic band of the Rock In Opposition movement. These two exceptional concerts highlighted a radical and unique style of music, at the crossroads of new music and chamber rock, skilfully blending acoustic and electric instruments, as heard on the cult album 'Ceux du Dehors'.
Became These
Became These, the newest double LP by Lou Mallozzi, collects previously unreleased sound works spanning 1996–2020. Released by Pentiments in October 2025, it showcases Mallozzi’s enduring practice of dismantling and reconstituting gesture, sound, and language, enveloping the listener in a poetic destabilization of the familiar through experimental audio collage and improvisation.
Ex Stasis 69
Ex Stasis 69, the new audio work by Joseph Nechvatal. Fuses erotic tension, cybernetic poetics, and immersive noise aesthetics into a hypnotic sound experience. Drawing from his decades-long inquiry into “viral” media and the sensual limits of perception, Nechvatal explores the ecstatic collapse between machine, body, and dream.