First vocal album from Camille D’Arc. Camille is an artist and poet. Whether poetry or music, it doesn't really matter—this is a sonic unity that speaks for itself. I Come From Sexta is the slowly crystallized fruit of a myriad of Camille’s voices, captured during moments of meditation and retreats she moves through as thresholds of consciousness, where she channels languages she receives and transmits in a langage she calls DXDA. There is no written poetry here, but rather a composition of ancestral mouth-sounds, of free antenna-voices—raw or transformed—woven at the intersection of oral and sonic poetry. Think of it as channeled poetry, sonic mediumship, or vocal music rooted in healing, which she both receives and transmits—invocations oscillating between cosmos and chaos. Her vocal discipline belongs to no tradition: chants, breaths, noises—she plays with her throat, tongue, teeth, belly; with phonemes, hisses, spirants, sibilants... spoken formulas stretched and vibrating, sonic mantras that set movement in motion. The poem emerges through intention; voices carry the power we give them. Sexualities and ecstasy connect, and singing opens the space of the verb, of sound, of vibrating silence—a link to the ether, to the invisible, to words that have not yet taken form. Voice does not always speak—it opens, connects, and heals. Silence contains sound. Nāda, as the origin of the world of vibrations—a language of the birds that activates, as bird songs awakens the vegetal world. AI voices speak to us on the beach—voices coming from everywhere. More voices, more again! Always more voices!! Whether we listen or not, they stir us or allow us to breathe—whether AI or otherwise—let us also listen to our own.