Anthony Braxton
Anthony Braxton (born June 4, 1945 in Chicago) is an American composer, saxophonist, clarinettist, flautist, pianist and philosopher. Inspired by John Cage and Karlheinz Stockhausen as much as John Coltrane and Charlie Parker, Anthony Braxton has crafted an immense body of highly complex work. Though Braxton is hardly known to the casual listener he is certainly one of the most prolific American musicians/composers to date, having released well over 100 albums since the 1960s. In 1994 he was awarded a MacArthur Fellowship. Braxton plays a multitude of instruments including the flute; the sopranino, soprano, C-Melody, F alto, E-flat alto, baritone, bass, and contrabass saxophones; and the E-flat, B-flat, and contrabass clarinets.
Anthony Braxton (born June 4, 1945 in Chicago) is an American composer, saxophonist, clarinettist, flautist, pianist and philosopher. Inspired by John Cage and Karlheinz Stockhausen as much as John Coltrane and Charlie Parker, Anthony Braxton has crafted an immense body of highly complex work. Though Braxton is hardly known to the casual listener he is certainly one of the most prolific American musicians/composers to date, having released well over 100 albums since the 1960s. In 1994 he was awarded a MacArthur Fellowship. Braxton plays a multitude of instruments including the flute; the sopranino, soprano, C-Melody, F alto, E-flat alto, baritone, bass, and contrabass saxophones; and the E-flat, B-flat, and contrabass clarinets.
Quartet (GTM) 2006
Quartet (GTM) 2006 is Anthony Braxton's first release for Important Records. GTM stands for Ghost Trance Music and this four CD box set contains four Ghost Trance compositions recorded in quartet with Anthony Braxton playing reeds, Carl Testa on bass…
Duo (Wesleyan) 1994
A double CD documenting a complete concert at Wesleyan University in front of an appreciative audience. A 100-minute dialoge between a master percussionist And an amazing saxophonist who plays hos whole arsenal of saxophones And clarinet. Sit And wat…
2 Compositions (Jarvenpaa) 1988
How will Anthony Braxton be regarded 50 years from now, after the polemicists of today are dead and/or no longer interested, when something like an objective and knowledgeable evaluation of his work becomes possible? For all his undeniable brilliance…