Butthole Surfers
Cream Corn From The Socket Of Davis
The second part of Matador’s reissues of the essential early records by Texas’s Butthole Surfers continues with three of their most insane slabs -- 1985’s ‘Cream Corn from the Socket of Davis,’ 1987’s ‘Locust Abortion Technician’ and 1988’s ‘Hairway to Steven.’ The period during which these records were first issued parallels the Buttholes’ transition from being weirdo Texas outcasts to becoming internationally recognized smut-kings of the American underground. In 1985 they were still the sole p…
Locust Abortion Technician
The second part of Matador’s reissues of the essential early records by Texas’s Butthole Surfers continues with three of their most insane slabs -- 1985’s ‘Cream Corn from the Socket of Davis,’ 1987’s ‘Locust Abortion Technician’ and 1988’s ‘Hairway to Steven.’ The period during which these records were first issued parallels the Buttholes’ transition from being weirdo Texas outcasts to becoming internationally recognized smut-kings of the American underground. In 1985 they were still the sole p…
Hairway To Steven
The second part of Matador’s reissues of the essential early records by Texas’s Butthole Surfers continues with three of their most insane slabs -- 1985’s ‘Cream Corn from the Socket of Davis,’ 1987’s ‘Locust Abortion Technician’ and 1988’s ‘Hairway to Steven.’ The period during which these records were first issued parallels the Buttholes’ transition from being weirdo Texas outcasts to becoming internationally recognized smut-kings of the American underground. In 1985 they were still the sole p…
Smack My Crack
** Original copies of this rarity. Factory sealed. Few copies available ** A legendary compilation with contributing musical artists include William S. Burroughs, Tom Waits, Butthole Surfers, Chris Stein, Einsturzende Neubauten, Diamanda Galas, Nick Cave, Swans, John Giorno Band, and Chad & Sudan. Cover art by Gary Panter. "This is a crazy compilation of varying degrees of outsider musicians and poets. It’s a polarizing collection of names – you’re either into Swans or you’re not. You either get…
Rembrandt Pussyhorse
Everything seems to start almost normally on Pussyhorse with "Creep in the Cellar," even with the rather gone violin line -- Haynes is intelligible, the piano part is quiet serene. Then again, Haynes is talking about the creep in question doing things like taking off his skin, so clearly all is still at least somewhat tweaked in Surferland. The rest of the album makes that pretty clear; if not quite as strong as Psychic...Powerless, Pussyhorse is still a strong slice of homegrown art/psychedelia…
Psychic, Powerless... Another Man Sac
The Surfers' Touch and Go debut remains their highlight for many fans, an inspired blast of ugly noise, knowing idiocy, drugged-out insanity and some backhanded surprises. Haynes is still relatively interpretable here; the vocal distortions are only on a few songs, like the opening "Concubine," and what one can't quite understand one can still sense. The band's self-production brings out the mighty rumbles of drummers Coffey and Nervosa and Leary's avant-junkyard guitar work with clarity and a b…