Can
Can was an experimental rock band formed in West Germany in 1968. Can constructed their music largely through free improvisation and editing, which bassist Holger Czukay referred to as "instant compositions". comprising bass guitarist Holger Czukay, keyboard player Irmin Schmidt, guitarist Michael Karoli, and drummer Jaki Liebezeit, along with original member David Johnson. Johnson, an American composer, flutist, and electronic musician, left at the end of 1968 after the band had begun taking a more rock-oriented direction.
Can was an experimental rock band formed in West Germany in 1968. Can constructed their music largely through free improvisation and editing, which bassist Holger Czukay referred to as "instant compositions". comprising bass guitarist Holger Czukay, keyboard player Irmin Schmidt, guitarist Michael Karoli, and drummer Jaki Liebezeit, along with original member David Johnson. Johnson, an American composer, flutist, and electronic musician, left at the end of 1968 after the band had begun taking a more rock-oriented direction.
Member of: Jaki Liebezeit
Live In Paris
* 2CD. Includes audio download code.* Mute and Spoon Records present the next instalment of the curated Can live concert series, Live in Paris 1973—the first in the series to feature Damo Suzuki's vocals. The series was overseen by founding member Irmin Schmidt and producer/engineer René Tinner, who delicately worked on restoring the archival recordings to the best quality for current modern technology. This record captures the band’s 1973 performance in Paris and features Irmin Schmidt on keyb…
Timekeepers II
a-Musik, the Cologne-based bastion of sonic exploration, unveils a new chapter in their quest for boundary-pushing sounds. Timekeepers II, a split LP featuring recordings of two duos by Marcus Schmickler with Jaki Liebezeit and Hayden Chisholm. Side A bears the imprint of Liebezeit's rhythmic flow fusing with Schmickler's digital Shepard Tone interpretation. A studio recording taken before a performance at Moers Festival in 2014. On side B, Schmickler's electronics converge with Chisholm's bagpi…
Live Rockpalast 1970
Can, live from Soest, Rockpalast, Germany in November 1970. This remarkable set is the earliest full concert recording of the mighty Can. Performed in November 1970 for broadcast on the WDR TV show Karussell für die Jugend (‘Youth Carousel) in Soest, 80 miles north of their base in Cologne, it features vocalist Damo Suzuki (who’d replaced Malcolm Mooney in May), alongside Michael Karoli (guitar), Irmin Schmidt (keyboards), Holger Czukay (bass) and Jaki Liebezeit (drums), and is presented here wi…
Bewegliche Ziele
* Limited edition including a colored 7 inch vinyl (transparent magenta) and 3 inch Mini CD. * It's 1981. Everything seems possible in the realms of music. The barriers between genres are being willfully torn down, punk is discovering the synthesizer, the drum machine is replacing the drummer and no idea is too absurd to pursue. The winds of change are blowing from New York to London, Berlin and Tokyo and there's a palpable, uninhibited spirit of optimism in the air turning music industry on it'…
Live In Cuxhaven 1976
Limited edition first pressing on Curacao blue vinyl. Includes booklet and sleeve notes. This carefully restored live album comprises the 1976 show in the format of a story with a beginning, middle and end, bringing Can’s performance to life. The album consists of four instrumental pieces – Eins, Zwei, Drei and Vier. These compositions reveal an improvisatory approach of Can. Each instrument contributes to the shamanistic nature of the music
The series was overseen by founding member Irmin Schm…
Live In Brighton 1975
*Packaged in a 6-panel digisleeve with 16-page booklet.* "Live In Brighton 1975" is the second album of a curated series of Can live concerts. Available in full for the first time on triple vinyl, double CD and digitally. Originally recorded on tape, this carefully restored live album comprises the entirety of the show in the format of a story with a beginning, middle and end, bringing CAN’s performance to life.
Live Stuttgart 1975
** Issued in a 6-panel Digisleeve with a 16-pages booklet ** Mute and Spoon Records are delighted to announce the release of Can Live in Stuttgart 1975. Originally recorded on tape, these carefully restored live albums will comprise the entirety of each show in the format of a story with a beginning, middle and end, with Can's performances taking on a life of their own. Can Live in Stuttgart 1975 will be available on limited edition triple orange vinyl and will include a booklet with extensive …
The Singles
* 2021 small repress * This unique document is the first time Can's singles have been presented together and shows the breadth of their influential career, from well loved tracks like Halleluwah, Vitamin C and I Want More to more obscure singles such as Silent Night and Turtles Have Short Legs. "Turtles Have Short Legs," was the band's third single released in 1971 and never appeared on a studio album. This was recorded around the time of the Tago Mago sessions with the line up of Holger Czukay,…
Delay 1968
Reduced Price * Limited Edition Pink Coloured Vinyl. Embossed sleeve. ncludes high definition audio download code * Although recorded in the late '60s, the material included on Can's Delay...1968 did not appear commercially until 1981. A collection of cuts featuring early vocalist Malcolm Mooney, these seven songs are among the very first Can tunes ever recorded; while nowhere near as intricate or assured as the group's later work, the visceral energy of tracks like the deranged "Uphill" and "Bu…
Full Circle
A total peach comes back into circulation with Holger Czukay’s beguiling, heavily grooving ‘Full Circle’, starring crucial input from his Can bandmate Jaki Liebzeit on drums and Jah Wobble weilding the bass
Instantly loveable for the grooving punk-disco ear worm of album opener ‘How Much Are They? - a big anthem in mid ‘80s Belgium and elsewhere - listeners will also encounter the muggy dub of ‘Where’s The Money?’ and the playfully exotic concrète-jazz-funk of ‘Full Circle R.P.S. (No. 7)’, along…
Horrortrip In The Paperhouse
The first five tracks on this Can release of dubious authenticity were taken from the famous Can free concert in Cologne, Germany, on February 3, 1972. This is the audio from the same concert documented by the video item of the out of print Can Box set, and the audio quality is quite good and the performances are outstanding. On these tracks, the group locks into one long, propulsive groove after another, blending minimalism with improvisation. Whereas "Spoon" and "Paperhouse" diverge quite a bi…
Live in Lyon January 1976
Amazing french performance recorded live in Lyon on the 17th of January 1976. The classic line-up comprising of Holger Czukay (bass), Michael Karoli (guitar), Jaki Liebezeit (drums) and Irmin Schmidt (keyboards), is here strengthened by malaysian vocalist Thaiga Raj Raja Ratnam, who played a mere four dates with the band between January and March 1976, all of which were recorded, and did considerable studio work with them. A series of highlights from their repertoire stretched with improvising t…
Live In Hannover, 11 April 1976
High quality live FM radio broadcast of a concert that Can played in Hannover on 11 April 1976. The four-piece in brilliant shape surfin’ the cosmos with special guest Michael Cousins on vocals.
Monster Movie - Live At Burg Nörvenich, 25th July 1969
Recorded live in July 1969 during the same sessions that gave birth to their classic debut album Monster Movie. The album contains rawer versions of classics tracks such as Yoo Doo Right and Outside My Door. This was Can at the very beginning of their career, before they would become widely known as one of the 70's Krautrock most iconic bands. A full catalogue of minimal grooves and extended song forms that would influence generations to come. Holger Czukay - bass, Jacki Liebezeit - drums, Micha…
Doko E. Live In Cologne 1973
Recorded in 1973 at Inner Space Studios during the "Future Days" sessions , this album contains the full lenght performance of "Doko E" a track which appeared on the “Limited Edition” LP. But where the original release gave us only a two and a half minute version, here you can get the whole 40 minutes. A solid and energetic session from the Can classic line up featuring Holger Czukay, Michael Karoli, Irmin Schmidt, Jaki Liebezeit and "Damo" Suzuki. Highly recommended for both Can completists an…
Auf Der Einbahnstrasse Live In Koln
Two long studio sessions recorded in 1971 in the band's hometown of Koln by the classic Can lineup of Damo Suzuki, Holger Czukay, Michael Karoli, Irmin Schmidt and Jaki Liebezeit. This is the '70s Krautrock scene's most iconic band at their absolute creative peak and caught in action during the epic Tago Mago sessions. A full catalogue of atmospheric minimal grooves that would influence generations to come.
Rite Time
'Rite Time’ was originally released in 1986 and has been evaluated as one of the classic Can albums. "An unexpected reunion from Can (made even more unexpected by the presence of original singer Malcolm Mooney, who left the band in 1969), 1989's Rite Time is in large part a return to form for the group, especially when one considers how weak Can's last few '70s albums were. Wisely, the quintet doesn't try to replicate the sound they created over two decades before on albums like Monster Movie. I…
Anthology (Remastered)
Having originally surfaced in 1994, Can's Anthology still serves as a pretty comprehensive, wide-ranging sampler of the band's key works, and the material's never sounded better - benefiting from a beautiful remastering treatment. Spanning Can's work from 1969's Monster Movie right up to 1991's soundtrack for the Wim Wenders film Until The End Of The World this two-disc compilation takes in a variety of line-ups, with the first disc drawing from the band's work up until 1974, with particular emp…
Can
Mute brought back more Can than any krautrock fan could possibly handle with the 'Can Vinyl Box', which featured seventeen Can records reissued in one bundle; now each record is stepping out on its own. The self-titled 'Can' is the band's eleventh record, released in 1978 and unfamiliar to most. Like 'Out of Reach', little of the music, if any at all, is attributed to the band's founding member Holger Czukay, who stepped back in the writing and composing department.
Aksak
Aksak is the exciting encounter of two exceptional musicians from different generations: legendary drummer Jaki Liebezeit (Can) and percussion wizard Holger Mertin (Drums And More). Like a zen master of the minimal, repetitive beat, Liebezeit - famous for his hypnotic precision - creates with only few sound colours the perfect matrix for Mertin's unleashed playing on any imaginable percussion instrument. The result is a mighty, complex pulse - the groove of a better world. On the basis of that m…