We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Can

Can was an experimental rock band formed in West Germany in 1968. Can constructed their music largely through free improvisation and editing, which bassist Holger Czukay referred to as "instant compositions". comprising bass guitarist Holger Czukay, keyboard player Irmin Schmidt, guitarist Michael Karoli, and drummer Jaki Liebezeit, along with original member David Johnson. Johnson, an American composer, flutist, and electronic musician, left at the end of 1968 after the band had begun taking a more rock-oriented direction. 

Can was an experimental rock band formed in West Germany in 1968. Can constructed their music largely through free improvisation and editing, which bassist Holger Czukay referred to as "instant compositions". comprising bass guitarist Holger Czukay, keyboard player Irmin Schmidt, guitarist Michael Karoli, and drummer Jaki Liebezeit, along with original member David Johnson. Johnson, an American composer, flutist, and electronic musician, left at the end of 1968 after the band had begun taking a more rock-oriented direction. 

Member of: Jaki Liebezeit
Delay
Probably the rawest krautrock release. Malcolm Mooney's singing is trance inducing yet soulful, keeping the songs together when everyone else seems to freak out. Nineteen Century Man an it's over the top distortion, combined with the 'Inner Space' mantra, and it's half a minute jazz impromptu prelude Pnoom, push the listener into bliss every time.
Future Days
An uneasy truce had been thrashed out by the warring factions of Can by the time they came to record 'Future Days' in 1972, yet it is the underlying musical tension that makes this album such a thrilling part of their cannon... With Damo Suzuki's ethereal vocals continuously juxtaposed by Michael Karoli's fraught guitars and Holger Czulkay's invasive bass, the remastered versions of 'Spray' and 'Bel Air' are numbly visceral in that trademark Can way, convincing you that the full spectrum of cont…
Soon Over Babaluna
With Suzuki departed, vocal responsibilities were now split between Michael Karoli and Irmin Schmidt. Wisely, neither try to clone Mooney or Suzuki, instead aiming for their own low-key way around things. The guitarist half speaks/half whispers his lines on the opening groover, "Dizzy Dizzy," while on "Come Sta, La Luna" Schmidt uses a higher pitch that is mostly buried in the background. Holger Czukay sounds like he's throwing in some odd movie samples on that particular track, though perhaps i…
dvd
he Can saga continues with the 35th anniversary of the founding of the group, which will be marked by the release of the Can DVD. Containing access to everything you could ever want to know about Can with rare insights into the personalities and methodology of the groundbreaking and legendary German band, the 2 x DVD and 1 x CD set features: Can Documentary, Can Free Concert, Can Notes, Can solo recordings, New 5.1 mixes of classic Can tracks and many extra features. The classic Can Documentary …
1 2 3 4