Consumer Electronics
Für Ilse Koch
Rare original black vinyl edition of Come Organisation's 1983 classic compilation featuring Come, Whitehouse, Nurse With Wound, Consumer Electronics, Leibstandarte SS MB, Musique Concret, Etat Brut, Wiking DDV and some archive recordings (Aleister Crowley, Charles Manson, Heinrich Himmler).
Anthology 2 (Come Organisation Archives 1981-1982) (CD)
Rare 2001 CD compilation collecting early Come Org. releases: the second LP by Come and selections from the two Leibstandarte SS MB LP's and from the Für Ilse Koch compilation (Nurse With Wound, Consumer Electronics, Musique Concret and Etat Brut).
Leathersex
Rare grey-area LP reissue from the early 90's, in an edition of 70 copies with blank labels and paste-on cover, of the third 1982 cassette by Philip Best's solo project before joining Whitehouse.
Horn Of The Goat
1995 CD on Freek, a collaboration between Philip Best and Masami Akita featuring also Ramleh's and Breathless' Gary Mundi and Skullflower's and Sunroof's Matthew Bower.
Crimes
Rare grey-area LP reissue from the early 90's, in an edition of 100 copies with blank labels and paste-on cover, of the first 1983 compilation cassette on Philip Best's Iphar label, featueing Sutcliffe Jugend, Consumer Elettronics, Krang and SPK.
Repetition Reinforcement
Diagonal pull another coup with 12"s of brute bitterness from Philip Best, Sarah Froelich and Russell Haswell's Consumer Electronics. With the spray of their blinding 'Estuary English' still wet on our cheek, 'Repetition Reinforcement' is a bruising, visceral reminder of CE's position on the periphery of extreme electronic music. Holding steadfast to the transgressive subject matter which Best has explored since the early '80s as part of Whitehouse and Ramleh, in this excursion he trades …
Nobody's Ugly
Original, long out of print, few available: Whitehouse's Philip Best goes it alone on this outing as Consumer Electronics (although since William Bennett takes the production credit for the album, you pretty much take this as a standalone Whitehouse release in its own right). This time around Best's verbal abominations are left at home, and there's really nothing to indicate an explicit vocal presence over the course of the LP. Instead, you're treated to a symphonic tirade of distortion an…