We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Helmut Schäfer

Noise As A Language
“So the point is that so much words existing, and we get better and better to use them for hiding the truth. You can use sound in the same way, stimulating some nice and warm feeling in middle of chaos, but from time to time we all should stimulate strictness, clearness, intensity, directness, set free some anger to bring up the basic truth of our present. Noise can be seen as the chance to go into the back of things, as a therapy which is able to confront ourselves with others lesser good looki…
Eminent Risk Factor
Internationally acclaimed sound artists Helmut Schäfer and Zbigniew Karkowski met for the first time in 1997. From then on, they maintained a close friendship and worked together on several collaborations, performances and music projects. Then years later, in April 2007, Helmut passed away. "Eminent Risk Factor" gathers recordings from the last 2 concerts and studio session they ever made together. The master was finished on the last day they ever saw each other.  In memory of Helmut Schäfer (19…
Thought provoking III
Thought Provoking III is the final document from the electro-acoustic composer Helmut Schäfer who died in 2007. The Austrian artist spoke of his work as "characterized by the use of very intense and direct musical language which powerfully describes his personal experience and reflections on society structures, the blindness of modern and informed masses and everyday functionalism in between civilization." That intensity of expression manifested itself through performances and collaborations tha…
Noise As a Language
Abstemious Austrian composer who committed suicide in 2007. Two long pieces, one that builds up from violins all making a slightly different type of scratching. The second piece uses computer processing, and does a great job of establishing a droning floor and then dropping through to a lower frequency beneath, or suddenly revealing a pulse without simply fading things in & out. Comes with a book that contains an interview with Zibigiew Karkowski (Weirdo Records)“So the point is that so mu…
1