We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Tip! *2023 stock* Kåre Kolberg (b.1936) is one of Norway`s foremost contemporary composers and is regarded as one of the pioneers of early electronic music and cross-artistic art in the Scandinavia. He has composed music for film, theatre and chamber orchestras to jazz acts such as Svein Finnerud Trio and Jan Garbarek.
The electronic tape composition presented on this CD was composed for the multi-media work NOVA created together with the artist Anders Kjær, presented at the Henie Onstad Art Cen…
*2023 stock* Kåre Kolberg (b.1936) is one of Norway’s foremost contemporary composers and is regarded as one of the pioneers of early electronic music and multi-disciplinarity art in Scandinavia. He has composed music for film, theatre and chamber orchestras to jazz acts such as Svein Finnerud Trio and Jan Garbarek.
Kolberg’s Omgivelser (Surroundings) was a commissioned piece made for the Norwegian Broadcasting Corporation (NRK) in 1970. It was made as a soundtrack for a short TV-film of the sam…
Kåre Kolberg (b.1936) is one of Norway’s foremost contemporary composers and is regarded as one of the pioneers of early electronic music and multi-disciplinarity art in Scandinavia. He has composed music for film, theatre and chamber orchestras to jazz acts such as Svein Finnerud Trio and Jan Garbarek. Kolberg’s Omgivelser (Surroundings) was a commissioned piece made for the Norwegian Broadcasting Corporation (NRK) in 1970. It was made as a soundtrack for a short TV-film of the same name that w…
Kåre Kolberg is a pioneer of electroacoustic music in Norway, and he was the first Norwegian composer to write a piece of computer music (in 1973). […] Kolberg’s basic ideas for electroacoustic form were shaped in his first works made in Sweden and Poland in the early 1970s, and he used a collage technique with easily recognizable elements that communicated well with audiences. Later, he extended his technique by adding a more electronic-sounding and abstract timbral palette. In Polish Ra…