We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Lejaren Hiller (1924-1994) is, understandably, best known for his computer-assisted compositions and works utilizing electronics. The three pieces included in this collection span a crucial fifteen-year period in Hiller's career. The first was written two years before Quartet No. 4 for Strings, The ILLIAC Suite. The second work was written three years into his time as a music professor at the University of Illinois, while the final sonata in this collection was written during his second year at …
Great to see this particular title of purely electronic pieces by Lejaren Hiller in the series; we last heard from him via the piece "Vocalise" on Creel Pone #039, "Electronic Music, Experimental Studios In Prague, Bratislava, Munich ..." but this particular collection, specifically including the otherwise unavailable early tape-music piece "Nightmare Music" (1961), gets into an area of his work that veers straight into the same text-and-electronic-sound miasma as such C.P. classics as Anestis …
Lejaren Hiller (1924-1994) was a musically eclectic composer, often combining several different types of techniques in the same piece. In the mid-sixties, he asserted that his "objective in composing music by means of computer programming is not the immediate realization of an aesthetic unity, but the providing and evaluating of techniques whereby this goal can eventually be realized." In this sense Hiller was a forward-looking composer, in that each piece was an experiment that lead towa…