Lionel Marchetti
Lionel Marchetti is a musique concrète composer born in Marseille (France) in 1967. Self-taught at first, he later explored the musique concrète repertoire as acousmatic art withXavier Garcia. Live, he performs his concrète compositions on various sound spatialization systems. He also composed at CFMI — Université Lumière Lyon 2 (France) and at Groupe de recherches musicales (Ina-GRM) in Paris (France).
Lionel Marchetti also practices improvisation on stage on his own (experimental analogue devices with various microphones, feedback, radio waves, magnetic tape recorder, modified speakers, analogue synthesizers, etc.) and with musicians like Jérôme Noetinger (electronics, magnetic tape recorder), Xavier Garcia (electronics), Seijiro Murayama, Xavier Charles, Emmanuel Holterbach, and Yan Jun, as well as with Japanese musician and dancer Yôko Higashi.
Lionel Marchetti also practices improvisation on stage on his own (experimental analogue devices with various microphones, feedback, radio waves, magnetic tape recorder, modified speakers, analogue synthesizers, etc.) and with musicians like Jérôme Noetinger (electronics, magnetic tape recorder), Xavier Garcia (electronics), Seijiro Murayama, Xavier Charles, Emmanuel Holterbach, and Yan Jun, as well as with Japanese musician and dancer Yôko Higashi.
Lionel Marchetti is a musique concrète composer born in Marseille (France) in 1967. Self-taught at first, he later explored the musique concrète repertoire as acousmatic art withXavier Garcia. Live, he performs his concrète compositions on various sound spatialization systems. He also composed at CFMI — Université Lumière Lyon 2 (France) and at Groupe de recherches musicales (Ina-GRM) in Paris (France).
Lionel Marchetti also practices improvisation on stage on his own (experimental analogue devices with various microphones, feedback, radio waves, magnetic tape recorder, modified speakers, analogue synthesizers, etc.) and with musicians like Jérôme Noetinger (electronics, magnetic tape recorder), Xavier Garcia (electronics), Seijiro Murayama, Xavier Charles, Emmanuel Holterbach, and Yan Jun, as well as with Japanese musician and dancer Yôko Higashi.
Lionel Marchetti also practices improvisation on stage on his own (experimental analogue devices with various microphones, feedback, radio waves, magnetic tape recorder, modified speakers, analogue synthesizers, etc.) and with musicians like Jérôme Noetinger (electronics, magnetic tape recorder), Xavier Garcia (electronics), Seijiro Murayama, Xavier Charles, Emmanuel Holterbach, and Yan Jun, as well as with Japanese musician and dancer Yôko Higashi.
Equus
Equus is a collaborative work of musique concrète recorded in 2001-02 on a commission from the INA GRM It is truly a delight for Pogus to add this title to our catalog. As Capparos notes: Equus guides us through human memory and history. It may sound a bit strange that sound & music would appear as a vehicle, or as we had cast a lead into a labyrinth. This brings us to the question of whether we are alive or not; travelling the path throughout these soundings would drive us down and up our consc…
100 000 Années'
Musique concrète composed in 1990-93. Kitnabudja Town was previously released by Metamkine (MKCD XXX, France, 1997). This is new version assembled in 2007 by Lionel Marchetti. Jean-Baptiste Favory: 'Des sphères'. Electronic music recorded in 2005.Musique concrète composed in 1990-93. Kitnabudja Town was previously released by Metamkine (MKCD XXX, France, 1997). This is new version assembled in 2007 by Lionel Marchetti. Jean-Baptiste Favory: 'Des sphères'. Electronic music recorded in 2005. Compr…
Les 120 jours
For Les 120 Jours, Michel Chion, Lionel Marchetti and Jérôme Noetinger assembled a common bank of many original sounds which each of them had worked on, transformed and re-composed in his own style. This gives the listener the ability to hear a musical language in the form of collage-citations, which, for this occassion, they also named a 'concrete diversion'. Musique concrète composed in 1997/98 for the Festival Musique Action, 16 May 1998, at Vandoeuvre-lès-Nancy, France.Limited edition of 100…
L’incandescence de l’étoile
L'incanDescence De l'étoile is a Musique Concrète piece based on the everlasting universal (re)cycle. It is it's own modulator, oscillating at immense speed, almost standing still. The composer has interpreted and given an auditive representation of these cosmic forces, melted together in a solid musical gesture , perpetuated on a little disc. Captured time, but where to next? L'incanDescence De l'étoile is a great example of the fine craftmanship of Marchetti, it's been composed up to it's most…