Marco Fusinato
Atmosphæram
Tip! Atmosphæram inaugurates a new series of hyper-focussed solo studio recordings from Marco Fusinato, each consisting of two side-long pieces exploring noise and feedback, respectively. Documenting his guitar running through an array of distortion pedals amplified by two full stacks made up from his collection of Hiwatt DR103 Heads running at full volume, these recordings capture both the physical immensity and the glittering textural detail of Fusinato’s assaultive approach. Massive amplifica…
Desastres (Book)
An experimental noise project that synchronises sound with image and takes the form of a durational solo performance as installation (the publication accompanying Marco Fusinato's immersive project for the Australia Pavilion at the 59th International Art Exhibition of La Biennale di Venezia in 2022).
Spectral Arrows : Venice
Spectral Arrows is an ongoing series of long-duration performances for guitar and electronics by Marco Fusinato. In Spectral Arrows, Fusinato arrives at the venue when it opens for business, sets up his equipment facing a wall and proceeds to play for the whole day until the end of business hours. Fusinato presents himself here in the guise of a worker, clocking on and unceremoniously clocking off at the end of his 8-hour day, refusing to allow the behind-the-scenes mystery of rehearsals and pre…
Spectral Arrows: Singapore
In Singapore, the year 2015 will for evermore be remembered as “SG50” – the state-led yearlong celebrations of Singapore’s 50th year of independence, marked by scores of heritage projects, commemorative merchandise (SG50 fish cakes, anyone?), festivals and more. 2015 was also a big year for Marco Fusinato. The sound and visual artist was selected to exhibit at the prestigious Venice Biennale’s headline international art exhibition, All the World’s Futures. Right smack in the middle of his Venice…
Spectral Arrows: Sidney
** Edition of 200 copies ** In "Spectral Arrows", Marco Fusinato arrives at the venue when it opens for business, sets up his equipment facing a wall and proceeds to play for the whole day until the end of business hours. Fusinato presents himself here in the guise of a worker, clocking on and unceremoniously clocking off at the end of the working day, refusing to allow the behind-the-scenes mystery of rehearsals and preparations to lend an aura to the performance, and affirming the deskilled et…
Spectral arrows : Rotterdam
Spectral Arrows is an ongoing series of long-duration performances for guitar and electronics. In Spectral Arrows, Fusinato arrives at the venue when it opens for business, sets up his equipment facing a wall and proceeds to play for the whole day until the end of business hours. Fusinato presents himself here in the guise of a worker, clocking on and unceremoniously clocking off at the end, refusing to allow the behind-the-scenes mystery of rehearsals and preparations to lend an aura to the per…
L'Origine / TEMA
Drawing inspiration from the "Action Direct" expanded guitar performances of Masayuki Takayanagi, Fusinato places the guitar at the centre of his work. A few crudely played strings provide the impetus for a long chain of electronics which obliterate the original signal and leaves us with a hyper-kinetic wall of full frequency spectrum noise. Like the piano in David Tudor early 1960's performances of Cage's Variations II, in Fusinato's work, the guitar is the object of a dialectic of simultaneous…
Ambianxe
an edition of 250 copies on 180 gram virgin black vinyl. A live LP of incendiary concréte guitar shards. Two live sets from SuperDeluxe Tokyo. Imagine Derek Bailey slamming his guitar into the circuitry of David Tudor and the subsequent brawl. Polite applause please. This is the sound of Caravaggio. Marco works outwards from his home in Melbourne, Australia. Primarily a visual artist he produces artwork through the employment of an open methodology, avoiding practice riddiled with formal …
Ripping Skies
From the bowels of the southern hemisphere, guitar-electronics noise signor Marco Fusinato gives us the full FA-18 squadron attack. One side is an inferno of mangled guitar spit, relentlessly speeding and colliding with all in its path. The flipside features a giant monochord stuck and struggling to escape from the shards of the volatile overload. Recorded live, then spliced-mixed-mastered by Oren Ambarchi. Cover artwork by Australian colonial convict-forgerer-artist Joseph Lycett. And now... ev…