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First ever re-issue of this mythical Maurizio Bianchi tape from 1981, featuring two long tracks 'The Maldoror's Coming' and 'To Birkenau'. The ape was recorded in Milano at Mectpyo Studio using concrete sounds and radio waves. Another very fascinating M.B. early experiment. Limited edition of 105 copies. Cover images are original M.B. artworks from the 80s.
"I was searching the Turra along with Andrea Marutti to capture sounds for a forthcoming music release, when the refrain of the Archiaro carillon came to my mind. Without rehearsal, and availing myself of the natural reverb of the Turra, I gave voice to my soul." - Tommaso Cosco"Turra is a single long conceptual piece that can be thought as a derivative / sound musical approach to the concept of askesis, I do not mean aescetism but interior activity or communication of the soul and the will whic…
"Performed and recorded live in Archiaro (Catanzaro, Italy), The Subliminal Relation Between Planets presents outstanding sensory-emotionally ecstatic droning textures with a great feeling of floating sensations. The concept perfectly fits the symbolical significant musical harmony of the spheres (Pythagorean Greek theory on mathematical principles). In this magic live and largely improvised performance built on synthesised sounds and electronic treatments, Andrea Marutti invites the audience to…
"We welcome back the italian artist Andrea Marutti (also known under the Amon or Never Known aliases, head of the sadly defunct Afe Records label too). Andrea was the very first artist to have a 3″ on Taâlem, and that was exactly 18 years ago! Here he proposes a rather psychedelic yet dark and ambient journey in two parts." - Jean-Marc Boucher"Sleepless Nights | Lysergic Mornings is particularly important both for Taâlem and me, because it comes exactly 18 years after my Traces 94-95, which on D…
**60 copies** Gianluca Favaron join forces with Lunus to present a new exciting project based on vintage technology. All noise, except from vocals, originate from Commodore C64 and Commodore Vic20 computers programming tape cassettes. No synths were harmed in the making of these audio recordings.
Limited edition of 100 copies in digipack. Second re-issue of this rare M.B. tape from 1980. The tape was only distributed in a handful of copies in 1980 and was later bootlegged on LP format in a truncated form in the 90s. Remastered from original tape. Cover images are 1980 artworks by M.B
**Ltd 100 hand-numbered and signed copies** Softcover Book (208 pages - cm 20,5x22) + CD + 2 original collages by Maurizio Bianchi MB (cm 23x26). Fragmentages is a collection of 200 collages made by MB specifically for this project. The book comes with MB's latest audio work on CD and also includes two original collages from the collection. Each copy is therefore a unique piece, and absolute must for those who love the work of MB.In the fragmentary path of a few months, an imaginative project ha…
Edition of 100 numbered copies. This new re-issue is pressed on 180 gram black vinyl and includes a CD of the album. The cover is rubber stamped on front and back cover as the original 1982 pressing and also labels and insert replicate the original artworks. First issued on the Broken Flag label in the UK in an edition of 300 in 1983. A different style, providing some distance from all his previous works; a more expansive experimentation with multiple layers of synthesizer sounds. Still very int…
Limited edition of 100 copies in digipack. Decompostion for electrostatic loops and genewaves, conceived and released in April 1980 at Mectpyo Studio in Milan, Italy. Dedicated to the genetic puritanism. Originally released as a private cassette in 1980. Remastered from original tape. 'Gene P' was released as a cassette in 1980, and among the true Maurizio Bianchi devotees old = best.On the first track (both tracks are untitled) Bianchi uses tape-loops of what could vaguely sound like gamelan m…
Edition of 350 copies on black vinyl. The complete original double album on vinyl includes the 4 tracks from the original master tapes. The original tape from 1981 only included 2 tracks. Scientific principles that outline the mechanical and industrial sounds, while techno-steel artifices create impenetrable barriers of destructive notes that freeze ubiquity experimental mechanisms. The development of computerized progress finally undergoes its final productive annihilation. Maurizio Bianchi at …
Previously unreleased Maurizio Binachi recordings from 1983, backed with early Blackhouse recordings, which were only released before as bonus tracks on the rare American edition of the 'Pro-Life' CD in 1997. Edition on white-red splatter vinyl, limited to 80 copies.
Released 2010 by At War With False Noise: Second in the At War series of early CD issues of tapes by noise legend Maurizio Bianchi. This has been a long time coming and I promise the next installment (Mectypo/Blut since you ask) won't take so long and should surface early next year. Both these albums are lofi, featuring very primitive use of synthesizer, tape loops and tape manipulation. There's a real charm and otherworldly feel to them, There's something very prescient about MB's explorations …
"Der Abgrund is the last act of an unsolved theorem which must remains the same. It's the arcane enchanter of a denied truth since mimesis of itself, as not manifested manifestation that nevertheless perseveres on its concept of form beyond the form. It's omnivalent hypostasis of a prismatic Maurizio Bianchi who is annulling himself and reinvents between a climate and the other without solution of continuity, today in symbiotic communion with Frequency In Cycles Per Second. "Der Abgrund" is an o…
A colossal and epic post-ambient symphony in three movements, where echoes of string instruments, deep drones of indecipherable origin, layered synthetic waves, slowed-down and distorted dark sonic masses challenge time with a para-immobility in constant turmoil, in an unpredictable, progressive and sometimes cyclic combination of statuesque sonic forms whose physiognomy is often known and familiar, while at the same time elusive, disturbing, arcane and mysterious... Another highest and unmissab…
Considered a high-water mark of early industrial, Maurizio Bianchi Aktivitat went against the grain prevalent at the time; rather than pushing the boundaries of volume and pummeling rhythm (for example), the album goes for lo-fi murk, where dour restraint is the tool of depressive darkness.
This Italian electronics maestro seems to be still going strong after
around 30 years with his latest release. Opener 'Ortini' is like the
hazey recollection of a long train journey being put through an analogue
filter bank. 'The Inflammatory Sesor' has a kind of feeling of
nostalgia or distant memory that recalls William Basinski or The
Caretaker. 'Oigada' sounds like two decomposing tape loops slightly out
of sync creating a disorientating phasing effect. There are some very
…
This is the first release from Maurizio Bianchi for Red Light sound. In memory of Pierpaolo Zoppo (April 27th, 1963 / June 16th, 2012). "...whereas you do not know what your life will be tomorrow. For you are a mist appearing for a little while and then disappearing." (James 4:14)I am extremely grateful to Siegmar Fricke for his pharmacologic mixture of the sounds. Maurizio Bianchi
An unusual, very nice release for Maurizio Bianchi/M. B. playing droney electronics on this intimate work structured on the Biblical book of Lamentations. Ultra limited edition of 100 copies
An unusual, very nice release for Maurizio Bianchi/M. B. playing a decadent piano using sostenuto and damper pedals effects. Ultra limited edition of 100 copies
Waiting for your next breath is a double photographic book that includes four different photographic stories by Stefano Gentile and Monica Testa, whose shots have as object of investigation the landscapes of abandonment. Those that once were spaces for social relations (cinemas, parks, hospitals and so on), have now become temples of ruin: marginal, forbidden, dangerous, inaccessible. However, without indulging in the simple 'painting of ruins' so dear to Piranesi, they draw from the decadence o…