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Nuke Watch stretch out and zone in on “Wait For It…”, two side-long jaunts that run their freeform M.O. to their own illogical ends. Following on from recent excursions on The Trilogy Tapes and Impatience, they revel in the long format for Patience, crafting a steady assault of haywire rhythms and swampy, off-world ambience.
On the A-side’s Supersonic Percussion Anagram, a battery of electronic and sampled drums - from window-shaking subs to melodic sub-continent percussion - shift from one bar …
*In process of stocking* Nuke Watch wade out into liquified ephemera and ride their muggy percussive loops to safety. A foamy, landfill jazz collage originally performed in Antwerp now committed to tape.
The third installment in Commend’s There series offers optimal out-there-ness for our space’s enduring in-here-ness. Nuke Watch is an amorphous entity emanating out of Bog 65, Beat Detectives’ former, and foundational, hideout / headquarters.
In the familiar freewheeling formation of Aaron Anderson, Eric Timothy Carlson and Chris Hontos, studio mates, collaborators and friends, the Nuke Watch project transpired during a flurry of recording sessions with kindred spirit and central force Leonard K…