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Gravity Wave, a new CD label, curated by composer Michael Pisaro, designed by Yuko Zama. July Mountain: three versions, contains a re-release of this 21-minute piece for field recordings and percussion (the original .point engraved edition is sold ou…
“Close constellations and a drum on the ground (2010) began as scored work with electronics but then developed a life of its own in the studio. It consists of the alternation of sedimentary layers of low percussion samples (mixed with guitar and m…
“Asleep, street, pipes, tones (2009) is an investigation of the sounding properties of pipes and streets interspersed with a duo for bass clarinet and electric guitar. The investigations form ten three-minute episodes, assembled in studio by Pisar…
Michael Pisaro and Taku Sugimoto are not generally closely associated, but have quite a bit in common. Both are composers whose primary instrument is the guitar, both have close ties to the Wandelweiser collective (Pisaro is a longtime member), and b…
Fields have ears 1' (2008) - for piano & tape. 'Fade' - for piano (2000). 'Fields have ears 4' - realisation for 14 players (2009). Philip Thomas: piano + members of the edges ensemble. 3 varied works by the US-based composer Michael Pisaro. Field…
an unrhymed chord is a deceptively simple piece. from the score we see that each performer picks a single sound, sustains this sound for one to fifteen minutes in each half of the piece, and that amplitude is inversely proportional to duration. it do…
Performer: Greg Stuart (tam-tam). 'The 60-inch (Mikrophonie) tam-tam is a large piece of metal, a proto-sculpture. Brancusi might have altered it: rounding and tapering the edges, making an oval instead of a circle, polishing the surface into smooth …