Richard Chartier
Richard Chartier (b.1971) minimal is a sound artist and designer who has produced critically acclaimed solo ecordings as well as collaborative works. His minimalist work explores the relationship between sound, silence, focus, and the act of listening.
Richard Chartier (b.1971) minimal is a sound artist and designer who has produced critically acclaimed solo ecordings as well as collaborative works. His minimalist work explores the relationship between sound, silence, focus, and the act of listening.
On Leaving
For over a quarter of a century, sound artist and composer Richard Chartier has interrogated an ever deepening thread of minimalist sound that meshes questions of stasis, pulse and timbre. The results of this work is some of the most quietly intense compositions of this century. His is a music of subtle variation, unwavering concentration, and also patience. This five-part work created between 2020 and 2022 is dedicated to his friend and fellow sound artist Steve Roden.
Sounding Spaces (9 Sound Installations)
*2024 Stock * English / Japanese Book (Hardcover, 80 pages) with interviews and explanations about the works presented during the exhibition of the same name held @ ICC Tokyo, july 11 - september 29, 2003.
Ni Envers ni Endroit que Cette Roche Brûlante (Pour Georgia O’Keeffe) / Recurrence.Expansion
Félicia Atkinson’s Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) is approached as a meditation, not as meditative music, but as a reflection on the art of creation: how to inhabit one’s creation, how to convey it, domesticate it and live with it. Drawing inspiration from the artist Georgia O’ Keeffe, both in her work as a painter and in the houses in which she lived in New Mexico, and even in the landscapes that surround them, Félicia Atkinson has composed a piece that ev…
Continue
* Edition of 200 * With his new album “Continue” Richard Chartier presents four minimalist compositions with a focus on deep drones and apparent silences. The music is subtle, delicate and at moments fragile. Full, with details, like delicate patterns that unfold like ripples on water.
With a keen eye on details the compositions reflect Chartier’s earlier work, but also asks new questions. When is the creative process done? Is art ever finished or does it continue to develop? And how does the li…
Built Through
The acoustic architecture of Robert Curgenven and Richard Chartier forms a delineation of space built through dismantling the constitution of internal and external. Beyond dividing space, creating a façade or habitable zone, the perceptibility of the surface is turned back in on itself and with it a shift in the ideological and social context of the space. A seamless integration of digital and analogue, a suffusion which creates a mutual modulation, transforming purpose chosen materials—dense, u…
Removed
In 2000, The Wire wrote of Richard Chartier’s work: “it’s worth stretching the ears in search of Chartier’s sequences of exquisitely sculpted sonic events, as gorgeous detail bodies forth out of the shadows”… the same holds true today. Formed over the course of 5 years, Removed was a process of removal/erasure. Only trace elements appear from what was. Their interactions merely a ghost of a composition - subtle echoes across the sound spectrum. A glacially paced progression of discreet relat…
Divertissement
**2nd press** Divertissement is the third collaborative full-length from minimalist composer William Basinski and sound artist Richard Chartier. The duo utilizes electronics, piano, tape loops, and short-wave radio to evoke a dense atmosphere suggesting hundreds of years of history rising up from the depths of a reverberating cathedral. Subtle, buried, and intense murmurs of melody morph through this deeply consuming and slowly evolving composition in two parts. William Basinski is a class…
Interior field
Limited edition of 500. Interior Field is a new stereo variation of a multi-channel sound work created from field recordings of a variety of small and large spaces from around the world. This work was originally presented at Civilian Art Projects in Washington, DC in 2012. Through his compositional practice, Chartier utilizes the unique physicality of these environments to create a newly defined acoustic space. Interior Field is a transposition of location, focus, and experience itself. A signif…
Undefined
Undefined is the first collaboration between artists Richard Chartier and Yann Novak. For this piece the artists chose to collaborate in a way that was less about concept and more about the act of listening. The piece began with Chartier creating an unfinished work and sending it to Novak with no explanation, just the instructions to add to it, subtract from it, or a combination in order to finish the piece. Novak was then to send the recording back to Chartier for a simple approval or rejection…
Aurora Liminalis
Line is pleased to announce the upcoming release of the second highly anticipated collaboration from renowned composer William Basinski and sound artist Richard Chartier. Aurora Liminalis is a rich and nebulous soundtrack, the aural equivalent of undulating trails of light. Disintegrating spatial shifts incorporating the two artists' distinct sonic palettes mesh to create a slow, deep ebb and flow, like some melting spectral transmission. The work has a distinct complex presence, difficul…
Recurrence
The latest from microsound pioneer and LINE boss Richard Chartier is a re-imagining of probably his best-known work, 2000s ‘Series’, which incidentally was the inaugural LINE release. Since 2011 Chartier has worked on revisiting elements of ‘Series’ and reworking them into ‘Recurrence’, which was intended to be able to be performed in the live environment. One of the drawbacks of ‘Series’ was that its character left it almost ‘unperformable’, so this re-visitation of the source material was out …
Transparency (Performance)
In 2010, sound artist Richard Chartier was awarded a Smithsonian Institution Artist Research Fellowship to explore the National Museum of American History’s collection of 19th Century acoustic apparatus for scientific demonstration. Chartier focused on the works of the German physicist Rudolf Koenig, including the Grand Tonometer (c. 1870-1875). This beautiful and precise set of 692 tuning forks expresses the frequency range 520 v.s (vibration simple)(260 hz) to 8192 v.s. (4096 hz). The p…
Further Materials
A sequel to the Other Materials compilation (released via Richard Chartier’s own 3Particles label), this album draws together the various compilation tracks released by the artist between the years 2002 and 2005. Many of these pieces take the form of miniatures, meaning they’re both shorter and more condensed than Chartier’s conventional output, the most succinct of these being the two-minute sound sculpture ‘Tracing (Sketch For)’ lifted from Raster Noton’s Frequencies [Hz]. You’ll…
Retrieval
Formed by Richard Chartier at music research centre, York University (York, UK). These works utilize original loops and recordings from 1990-1993 as source material.
A Field for Mixing
'Richard Chartier's monochromatic aesthetic has come to define an audio culture surrounding minimalism. His craftsmanship, working predominately with sounds that exist at the edges of perception is a powerful, albeit subtle statement about notions of space and sound density. With A Field For Mixing', chartier brings the physicality of space directly into his compositional practise. Recording a variety of small and large spaces in Australia, Japan and the USA (amongst other locations), chartier …
Fabrication 2
'The first collaboration by these two renowned sound artists. Fabrication saw its beginning during the production of Re-Post-Refabricated, a project in which artists were selected by Richard Chartier to rework-create new works from his 1998 CD Postfabricated for its reissue in 2003. As it was intended as an open project, Asmus Tietchens continued to explore the source materials and suggested further formal collaboration. This evolved into the collaborative work Fabrication. The CD comes in a ful…
Untitled (angle. 1)
'Untitled (angle.1) is a stereo composition based on the eight-channel installation Untitled.First exhibited February 11 Ð March 13, 2009 at the Art Gallery of the University of Maryland (USA), Untitled is the unique first collaborative project between visual artist Linn Meyers and sound artist Richard Chartier, in an installation where optical and sonic patterns intersect. With an architectural transformation of the space, two fifteen foot long by eight foot high walls meet in an enfolding chev…
Untitled 1-3
This magnificent collaborative album from two of the key minimalist composers of their generation originally crept out in 2004 as one of the very earliest releases on the Spekk label. The album now sees a significant overhaul for its reissue, with an extra two pieces thrown into the bargain plus a remastering job courtesy of Taylor Deupree. Although the original Spekk edition of the album went out of print within two months of its release, a digital version has been in circulation more recently.…
Incidence
This release is an expression of long-lasting artistic ties between both labels. In the greyness, heavy waves begin to glide into the one-hour work. They swell and flood a vacuum. Richard Chartier intensifies this maelstrom in long and graceful moves. In a majestic and subtle manner, he creates a subsonic vastness, capturing the listener, disconnecting him from the irrelevant reality. The end mirrors the beginning -- revealing the idea of an endless space in an endless composition. Finally, Inci…
Tracing
Richard sent me this piece last year for another possible collaboration. After listening to this gorgeous work, I told him there was not anything I could add that would not take away from the beauty that was already there.” William Basinski limited to 300 copies, hand numbered