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On Introduction, Shub Niggurath emerge fully formed from the demo underground: a pre‑Les Morts Vont Vite monolith where Zeuhl extremity, chamber‑avant rigor and Lovecraftian dread coalesce into slow, abyss‑gazing marches that feel like doom metal’s evil twin from another timeline.
"A dark, brooding masterpiece of Zeuhl influenced music, Les Morts Vont Vite is actually much closer to the chamber rock of Univers Zero, Art Zoyd or Present than it is to Magma. Ann Stewarts quasi-operatic vocals have something in common with Stella Vander's contributions to Magma, but there are no choral arrangements or massed chanting here. Instead, the vocals are frequently played off the innovative trombone (an unusual instrument in a rock context) or the squalling, distorted guitar lines.…