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*In process of stocking. Limited edition of 500 copies.* Taking cues from doom metal, smoky ECM avant-jazz plates, dreampop and disorienting GRM classics, Jake Muir and LA psych-sludge mainstay Evan Caminiti join hands on "Talisman", a blacklight-doused set of grim, beatless shimmers that push back on contemporary ambient logic.
Muir and Caminiti are sick and tired of ambient music's bizarre entanglement with the wellness industrial complex. You know what we're on about here: healing sounds and …
** 2021 Stock. Single 140g vinyl LP in a full colour printed sleeve with printed inner. Includes download card ** Ndeya presents Seeing Through Sound - Pentimento Volume Two by Jon Hassell. A companion piece to 2018’s Listening To Pictures, this second volume in the pentimento series presents eight new tracks by the music visionary, continuing his lifelong exploration of the possibilities of recombination and musical gene-splicing. Pentimento is defined as the “reappearance in a painting of ear…
CP Unit in real time: Chris Pitsiokos, Sam Lisabeth, Henry Fraser and Jason Nazary between harmolodic funk, noise rock and musique concrète, recorded in Brooklyn in 2018.
Second CP Unit album on Clean Feed: Chris Pitsiokos with Sam Lisabeth and two rhythm sections, between Ornette Coleman's harmolodics, noise and Stockhausen.
The first CP Unit album: Chris Pitsiokos with Brandon Seabrook, Tim Dahl and Weasel Walter, jazz forms filled with noise and rock, recorded in Brooklyn in 2016.
Double CD by the Berlin CP Unit (Chris Pitsiokos, Marta Warelis, Dan Peter Sundland, Luca Marini): studio takes from October 2025 and a concert from April 2026.
Slow, static forms for alto saxophone, accordion, synthesizer, bass and drums: the Chris Pitsiokos Ensemble between late-1960s Miles Davis and Morton Feldman.
Saxophone and laptop: the first record of Chris Pitsiokos’s project on four-channel audio, rhythms from irrational numbers and shifting polarity. Each copy with original artwork.
A one-man studio album: Chris Pitsiokos on saxophones, harmonica, bass, electronic drums, voice and electronics, with Rick Eye and Jason Nazary on some tracks.
CP Unit's first live album, recorded at the Moers Festival and at Unlimited in Wels in 2018: Chris Pitsiokos with Sam Lisabeth, Henry Fraser and Jason Nazary.
2025 stock If you went looking for a poster-child for Chicago's multidirectional, cross- pollinating, interstylistic music scene, you couldn't find a better one than Jeff Parker. Parker: jazz guitarist with pro credentials, widely travelled and prized by top soul-jazzers and hard-boppers. Parker: inveterate rocker who revitalized Tortoise with his ferocious improvising and tasty licks. Parker: experimentalist willing to try new dub, hip- hop, electronic, collage, free, chamber - anything worthwh…
Long before streaming services, podcasts, or even the compact disc, there was Tellus - a radically ambitious publication that imagined recorded sound as an exhibition space. Founded in 1983 in downtown New York, Tellus transformed the humble audio cassette into a magazine, commissioning and publishing new works by musicians, composers, visual artists, poets, writers, choreographers, and performers who were reshaping the boundaries of contemporary art. Each issue invited listeners into a world wh…
Rosa Balisteri was one of the brightest stars on the Italian folk scene of the 1960s and 1970s, certainly far too little known given her talent and expressive power. Her life story is marked by a tormented nature, punctuated as it is by traumas, anguish, injustices, and wounds that forever scored her turbulent existence. Through her songs, Rosa relives the suffering and despair for the devastating challenges and trials of her harrowing life. The archaic and expressive power of her dialect stirs …
1995 release. Originally released in 1971. Key contains Meredith Monk's earliest compositions for voice. The songs that make up Key
were composed and performed in a three year period between 1967 and
1970, when Monk collected them into this 45-minute "invisible theater"
experience. Meredith Monk on the release: "In Key I wanted to
create a constantly shifting ambience. Each song dealt with a different
vocal character, landscape, technical concern or emotional quality. I
was trying for a vi…
Whether you know it or not, you've heard Nick Drake before. Maybe
it's from his other albums, maybe it's from that VW commercial, maybe
it's just the sound of that quiet bleakness we all feel when sadness
comes to the door and doesn't want to leave. This music lives with all
of us. It exists in quiet lonely nights, chilly autumn evenings, and the
muted grey of the world when it's been raining all day.During his too-short musical career, Nick used music to look at those
little feelings we a…
Sandy Denny's haunting, ethereal vocals gave Fairport a big boost on her debut with the group. A more folk-based album than their initial effort, What We Did on Our Holidays is divided between original material and a few well-chosen covers. This contains several of their greatest moments: Denny's "Fotheringay," Richard Thompson's "Meet on the Ledge," the obscure Joni Mitchell composition "Eastern Rain," the traditional "She Moves Through the Fair," and their version of Bob Dylan's "I'll Keep It …
Bells, Boots and Shambles by Spirogyra channels existential uncertainty, merging folk roots with progressive and classical flourishes. Anchored by delicate instrumentation and the crystalline voice of Gaskin, the album remains a deeply emotive exploration of loss, hope, and ambiguity, earning its reputation as a pivotal yet underappreciated work in progressive folk history.