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** Special Discounted Bundle ** The complete archival collection of Hungary's legendary underground collective Trabant (1980-1987), preserved by Purge in two essential volumes. Active behind the Iron Curtain during the harshest years of authoritarian communism, this loose collective of songwriters and filmmakers - including Mihály Víg, János Vető, György Kozma, and Marietta Méhes - created hundreds of DIY recordings that were hand-traded on cassettes within the Hungarian underground.
Described a…
**500 copies** Pieces From the Cloudland Ballroom is the first solo LP by Anthony Moore, originally on Polydor. It was released in 1971 under the production of Uwe Nettlebeck and featured Anthony Moore on conduction, Ulf Kenklies, Glyn Davenport and Gieske Hof-Helmers on vocals, plus Werner 'Zappa' Diermeier on hi-hat. Moore is best known as a founder of the progressive rock band Slapp Happy but has also written lyrics for Pink Floyd (!)Pure minimalist experimentation with echoes of Richard Youn…
**500 copies** British experimental musician, composer, performer and producer Anthony Moore was a founding member of Slap Happy and has worked with Henry Cow, Kevin Ayers, and Pink Floyd among other great names in the British scene. In 1971 he moved to Hamburg, Germany, and worked in the boiling experimental scene of the city. As a result, two LPs were issued on Polydor Germany in 1971 and 1972, right before forming Slap Happy with old school pal Peter Blegvad and Dagmar Krause.Secrets of the B…
This fine double LP release combines two full-length albums from the German acid/kraut-folk duo Flute & Voice, which was formed by Mannheim-based multi-instrumentalists Hans Reffert ('Flute') and Hans Brandeis ('Voice'). The debut-LP 'Imaginations Of Light', originally released in 1970 by the legendary Pilz label, features wonderful trippy and progressive folk music with ethnic and even jazzy elements. This LP should appeal to fans of fellow Germans s.a. Witthueser & Westrup and Bröselmaschine, …
A real masterpiece....dreamy improvised music with eastern influences and electronics!! "Before his magnificent experiments with electronic music on Elektrictus (previously reissued on Wah Wah), Andrea Centazzo was already an accomplished musician who had issued his recorded works on the PDU and RCA labels. His first release was Ictus, a free-form avantgarde jazz oddessey on which he already started to experiment with electronic generated sounds. Ictus was a band formed by Centazzo, Armando Bat…
Zweistein's trippy Kraut psych experimental masterpiece from Philips Records 1970, arguably one of the most sought after Kraut titles, period! Remastered from the original tapes, absolutely essential! With roughly a half century between us, the revolutionary spirit of the 1960’s is easily lost - watered downed, its energy and truths rubbed clean by the ubiquity of the pop machine. Our contemporary vision of the past rarely resemblances the true zeitgeist of the day. The 1960’s was an era defined…
Remastered sound, faithfull gatefold sleeve reproduction, insert with liner notes. A limited repressing of only 500 copies - please note that the first pressing sold like hot bread and has been unavailable ever since, do not miss this killer edition repressed by popular demand! With several connections to the early Kraftwerk history and formed in the Rhineland area in 1971, Ibliss was a quintet formed by percussionist Basil Hammoudi (from Organisation, the band before Kraftwerk), drummer Andreas…
At last, in stock now!! Urban Sax's third LP was recorded in 1982 & 1985, and released in 1985 on Celluloid, and it is an absolute diamond - sharing Julian Cope words "Everything starts with this massive (and I mean it...we're basically talking about something the size of an orchestra here) wash of sound, like something dropped wholesale out of the trippier parts of Ligeti's material in the "2001" soundtrack. Then we get swept into the primal repetition of a simple motif...very Magma-like, save …
Much-needed reissue of these incredible LPs. Urban Sax's debut LP was issued in 1977 on Cobra, recalling the best Terry Riley, stunningly psychedelic, it’s the perfect combination of hazy, fluttering psychedelia and tough, tactile reed work. Urban Sax was created in 1973. Gilbert Artman, the mastermind behind Lard Free -who has also participated in dozens of recordings by other artists of the French experimental scene that included Delired Chameleon Family, Clear Light, Komintern, etc.- develope…
Mexican rock had a strong renaissance in the eighties, when most bands, majorly coming from the prog scene, turned to Spanish language again. One of the big acts from that era was Jorge Reyes' led Chac Mool. Chac Mool counted on its ranks with Carlos Alvarado, who was an accomplished musician on its own and who would record one of the most interesting electronic prog albums of the era, on which Reyes also collaborated. Originally released on mexican private label Momia in 1980. "Carlos Alvarado'…
**strictly limited edition of 500 copies** 1972 saw the release of The Sixth Ear (Narco NR666), this time credited to Nik Pascal. A more complex work than Beyond The End..., it adds consistent rhythmic patterns to the mix with the addition of bongoes and also explores some interesting chord progressions. Besides his musical explorations, Nik was also an interesting painter. His paintings are auctioned from time to time, and are consciousness expanding works influenced by abstract cubism and surr…
If you check the credits of The Rolling Stones' Goats Head Soup LP from 1973 you'll find a certain "Pascal" listed on the percussion section. That is none other than Los Angeles based artist Nicolas Pascal Raicevik (1933-1994), aka 107-34-8933, aka Head, aka Nik Pascal, aka Nik Raicevic. Besides his hitting the bongoes on the Stones album, Nik was a great artist on his own, both as a painter and as a musician. As a musician, he was a pioneer in the use of synthesizers, preceeding the Berlin scho…
In the early sixties, "Mantequilla" had the chance to lead his own combo, Mantequilla y su conjunto, with which he was to record the three splendid EPs that are compiled on the present album. All these 7" have become elusive collector pieces in the record market, with sellers demanding from 200 to as much as 950 euros per copy. In 1961 "Mantequilla" was at his best moment, his gigs at the Jamboree Jazz Cava had brought him back to the first line of Barcelona's jazzmen after he had been working a…
Issued on le Kiosque d'Orphée in 1979, Voyage aux fonds de la Mer is the only LP by Alain Meunier (not to be confused with French classical music cellist of the same name), and is one of the most elusive collector pieces of the 1970s electronic experimental French scene.This rare sought after album starts with an instrumental guitar introduction but from the second track onwards it becomes a totally electronic experimental psychedelic trip that can be aligned with the most kosmische side of krau…
Again under the influence of both first and second generation of Berlin school musicians the LP will appeal to fans of Klaus Schulze or Tangerine Dream, but they will also find a big deal of Zanov's own personal sound on it, since as the musician himself reckons he had little contact with other peers of his generation, so besides a general love for the electronic gear used and the sounds you could make out of them the creative ideas behind his works were all his own. On his second album a richer…
Under the alias of Zanov we find the works of French electronic pioneer Pierre Salkazanov, who had started playing guitar in the 1960s in a Shadows styled band, Les Ambassadors. Instrumental rock was not enough for Salkazanov, he was always looking for evolution, so when a meeting with French synth player Serge Ramses (of "Secret" fame) got him into the world of synthesizers he just dived deep into the bourgeoning world of electronic music. He got himself his first syths and started producing wo…
Edition of 500. Best known to funk / groove collectors for his 70's library efforts (Freezing Point, The Pop World Of Yann Tregger, Schifters, Catchy, Ducks & Drakes) on such cult labels as L'Illustration Musicale, MTS or Montparnasse 2000 or his late funky disco output via projects like Major Symphony or M.B.T. Soul; french trumpet player / composer /arranger Yann Tregger also devoted time and efforts to delve into electronic sound abstraction when needed. Based around the possibilities of the …
**Black vinyl, limited edition of 350 copies** Tim Clark’s The Last Question is a foundational work of cosmic electronic music, now reissued in a definitive edition that brings this elusive 1973 private-press masterpiece back into the spotlight. Originally composed and recorded while Clark was Music Director at the Strasenburgh Planetarium in Rochester, NY, these pieces were crafted as the soundtrack to the planetarium’s adaptation of Isaac Asimov’s visionary short story, The Last Question. The …
This splendid catalan Jazz LP was originally released on Edigsa in 1968 and sees its first ever vinyl reissue here. Barcelona has always had a boiling jazz scene, and since the 1960s a strong focal point of the city jazzmen has been the Jamboree Club, in the centric Plaça Reial. The Jamboree was a regular point for al American artists doing the European jazz circuit, as it was for all European acts and, of course for the local talent. Among these, a young quartet formed by alto sax & flute playe…
Viva Boma was Cos second LP, originally issued in November 1976, and added some African influences to the mix, including the cover which, designed by Alain Goutier upon a concept by Daniel Schell, depicted a trio of hipopotamus that made reference to Boma, a portuary city at the banks of the river Congo, and Bomma, Belgian word for grandmother (hence the title appearing either with one or two m's on different parts of the artwork).
The Wah Wah reissue comes housed in a beautiful reproduction of …