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restocked: Swedish percussionist Erik Carlsson in a solo work using multi-tracking to create a set of composition ranging from ominous environments to quirky abstractions, an excellent collection of modern percussion pieces. "This is a fine album of carefully constructed, but also somehow partly unconsidered works by a finely talented musician. The six pieces each make clear musical statements, separate to one another and yet they form a well rounded, nicely balanced suite when brought tog…
The third album by the established and highly respected Greek/Swedish/Norwegian trio Looper: Nikos Veliotis (cello), Martin Küchen (saxophone) and Ingar Zach (percussion). Recorded at GMEA auditorium in Albi, France, by Benjamin Maumus, January 2010. Music by Looper. Edited, mixed by Nikos Veliotis. Mastered by Coti K. Co-release Cathnor recordings.
Originally released in 1975 as an LP on Iskra Records (ISKRA-001). 'First session 1: Gradually Projection'. 'First session 2: Gradually Projection'. 'Second session: Mass Projection'. New Direction Unit are Masayuki Takayanagi: electric guitar. Kenji Mori: alto saxophone, flute, recorder. Nobuyoshi Ino: bass. Hiroshi Yamazaki: drums, percussion. Recorded by Mikio Aoki in Tokyo, March 14, 1975. Includes liner notes in English by Alan Cummings.
In the three song cycles of this recording, Wolfgang Rihm stays faithful to the text and its meaning while paying close attention to melodic line. In choosing to do so, Rihm has a deep lineage in the great tradition of Romantic art song that stretches back to the distinguished names of Schönberg, Berg, Brahms and Schumann. Approaching the text both from the perspective of the singer and from that of the accompanying pianist, Rihm is able to reach tremendous heights of expression. While the eleve…
Hardly any other composer has ever been as far removed from conservatism as Helmut Lachenmann. In all his oeuvre his listeners are never permitted to lean back comfortably even for a moment in expectation of the well-known and familiar. Again and again Lachenmann succeeded, and still succeeds, in shaking the "aesthetic apparatus," the system of conventional formulas and phrases established throughout decades and centuries, to its very foundations. Intérieur I (1966), a piece for percussion solo,…
recorded in 1993 following the first Gulf War. 10 years later, following the second Gulf War, Soleilmoon is pleased to finally release this important Muslimgauze album. On April 15, 2003, we issued it in an expensive limited edition of 500 copies, packed in a hand-made metal box. This second edition, in an edition of 1000 copies, is released without the box but has a friendly price. It's commonly known that Bryn Jones, the late musician behind Muslimgauze, was driven by the passion of th…
Now, which are the points of contact between these two composing gentlemen? "In both composers, a childlike quality shows in their indifference (or impartiality) towards the utilizable musical material: 'sophisticated' and 'lesser' styles, ragtime and music hall, neo-gothic and bitonality, typing machine and doorbell, jocular or praising quotes – everything is linked with everything, without any previous weighing and selection, without preconditions, following a kind of anarchic play instinct. […
Last winter, when BLOODYMINDED was preparing to go on tour in the U.K., I was put in contact with Lee Stokoe, who was touring at the same time as us, under the name Inseminoid, with George Proctor of Mutant Ape. Not only was Lee beyond accommodating about letting us piggyback on the Inseminoid/Fecalove tour, but he was kind enough to also drive us around the U.K. for several days. I returned to the States with a thick stack of Culver CDs, which took some time to get through. I was most pleased t…
Hirschfeld deliberately distinguished solitude, or loneliness, from a state that leads to depression or despair. For him, the contemplation of one’s self leads to the “dialogue with one self and with nature”, as is the case, e.g., in his Chant of the Night, which is based on poems by Walt Whitman. Hirschfeld chose Whitman’s Leaves of Grass with its portrayal of human solitude in the plains as a starting point in order to develop the music from a simple melodic cell, “which, like human consciousn…
Franz Schubert may not have been an expert dancer, but he certainly was an extremely skilled composer of dance music. Most of his numerous dances – often miniatures comprising only a few chords – were improvisations created for special occasions, such as house parties. And many of these impromptu waltzes were noted down by Schubert later, including several pieces for piano four hands. Brahms, who held Schubert's music in high esteem, remained faithful to his own majestic musical language in his …
a representative and intense snapshot of the Milanese sinthy wave scene of the early eighties, 20 tracks that recount the salient steps of the brief but intense career of four Milanese bands — from the post-punk of Other Side, to the oblique funk of State Of Art, to the evident Kraftwerk infl uences of La Maison, to the electro of Jeunesse d’Ivoire — four bands that illustrate the mood of an underground scene tha…
with Steve Swell: trombone Jemeel Moondoc: alto saxophoneWilliam Parker: double bass Hamid Drake: drum set - This is an album to be cherished, because it reaches back and incorporates styles from swing to post-modern free jazz; and because the playing of Steve Swell and the members of his quartet are as near-perfect as you are likely to find; and because the melodies capture the imagination with a complex beauty that hooks into the inner being of soulfulness. It encompasses a unity of elements…
It has been Chicago, not New York, that has been the confluence of music of Europe, jazz of the Americas, and improvised music. Whereas NYC claims all things to be "New York" (sort of like Al Gore inventing the internet), music makers in Chicago identify and defer to varying regional influences.Such is the case on Cipher, where seemingly disparate forces come together to create heady and engaging music. But then leader Josh Abrams has made a career of such things. He began with the Philadelphia …
It was recorded at the legendary Total Music Meeting of Free Music Production in November 2000. Dawn is a composition played off the cuff of nearly 42 minutes. All the highs and lows of a longer composition are on this recording: searching and finding, restrained groping and violent erupting.... The decisive factor, however, is that this music is played by people who have nothing or very little to do with this attitude, by Gert-Jan Prins (see his solo record Prins Live, GROB210), by the saxophon…
The minor forms represented on the present recording range from the principles of the ars nova in the Sonata piccola to the weird waltzes in the Movimenti per chitarra. With the exception of the Préludes, the pieces are to be performed as cycles. The Sonata Piccola, composed in 1986 and revised in 1996, is really based on medieval compositional principles. The names of the movements of the Movimenti per chitarra and of the Partita then suggest Baroque forms of the suite. At the same time, a logi…
Last copies, nice price....Debut CD from Brooklyn musician and film maker Sarah Lipstate. Red Rainbows is full of growing tonal drones that evoke visions of menacing multicoloRed skies alongside tracks full of beautiful minimalistic structures that shoot straight for the heart. Sarah uses double-neck guitar and various electronics to create breathtaking atmospheres with an intensity that works on both a cognitive and emotional level. These tracks are either really beautiful or really dirty when …
String Quartets Nos. 7, 8 and 9 suggest that Rihm has finally left behind the neo-romantic expressive pathos of earlier compositions: “Real or virtual allusions to the past are rarely to be found any more – and the same holds of the luscious and revelling strings. Remnants of tonal harmony are, with a few exceptions, almost completely obliterated. … Instead, new constellations come to the fore, emancipated from traditional conceptions of sound – heeding, in particular, the principle of polarity …
First live document and fourth album overall from a band that mixes free jazz ecstasy with garage rock intensity. Even with no electricity, they make a hell of a noise and the album is an explosion of energy. Recorded at the Bla in Oslo.