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The Shipyard
Tor Lundvall has graced us with yet another remarkable album this year. Previously, Lundvall had introduced himself to Dais with his masterpiece album Sleeping & Hiding and struck lightning twice with the resilient The Seasons Unfold box set and now we are humbled to be crafting the strings with the curation of his most recent effort. The Shipyard was recorded during the dramatic season change-over of '09/'10, during which time Lundvall was immersing himself in portrait studies of local maritime…
Temper - Precis
The double LP vinyl version of Benoit Pioulard's new album Temper also includes the Precis album, issued on vinyl for the first time.
Solo Drumkit Improvisations
RESTOCKED!! Solo Drumkit Improvisations is a richly detailed document of Sean Baxter's explorations in extended percussive technique. Utilising stochastic structures applied to the conventional drumkit, Baxter exploits the sonic potential of a range of percussive implements including, bamboo wok brushes and chopsticks, enamel camping plates, aluminium wind-chimes and wok lids, scrap metal, and even the body. Recorded by acclaimed Australian engineer, Christopher Lawson, with assistance from…
I Cantori Moderni
Commercially available for the first time, this 1970 library album by Alessandro Alessandroni is the only existing full-length recording of his extraordinary vocal group, I Cantori Moderni, an eight-to-sixteen person choir featuring Edda Dell'Orso, Giulia De Mutiis (Alessandroni's first wife), Gianna Spagnuolo, Augusto Giardino, and Franco Cosacchi, and highlighting, through twelve original themes by Alessandroni, the complex vocal harmonies of the legendary group that lent their voices to the a…
The absence
“The Absence is a 7” single, a collaboration between Rainier Lericolais and Sylvain Chauveau, released on February 2011 for Abstracks, Rainier's exhibition at Le Confort Moderne (Poitiers, France). The two tracks on The Absence were built from Sylvain vocal recording sessions for his album Singular Forms (Sometimes Repeated) (Type / 2010), Rainier added his delicate arrangements of piano, xylophone, cello and weird electronics, in a similar vein to his previous single, Intangible (Sordide Sentim…
press my hungry button
Subscribers edition with bonus 7" limited to 250 copies. A selection of the best work of Cultural Amnesia spanning 1980--1983. Includes remastered tracks from their three released cassette albums and from compilations. Nearly half the tracks are previously unreleased, including pieces from two unfinished late albums that the band consider amongst their strongest songs.
Through A Pre-Memory
Pan Sonic space explorer Mika Vainio and Sunn 0))) strongarm Stephen O'Malley rock our world to the foundations with this anticipated union of electronics and guitars recorded as ÄÄNIPÄÄ, featuring vocals by Alan Dubin (Khanate) and string arrangements from Eyvind Kang. In gestation for some years now, the results are little short of a modern doom masterpiece; a bracing exposition of cold, condensed, rage and stoic passion delivered like a slow, internally bruising hate-f**k to the head, …
No Tears
Their 1978 debut EP, No Tears, was recorded with vocalist Winston Tong and sound engineer Tommy Tadlock. Replete with tense synth swells, devastating live drums and a psychotic ode to the "creatures of the night," the title track is a crucial entry in the synth-punk canon that stacks up next to the best work by UNITS and THE SCREAMERS. Reininger's electric violin congeals with electronic atmospherics to unnerving ends on the instrumental "Litebulb Overkill." Few records do justice to the mania a…
Split
Lovely first volume of the “seven inch series”, a series of limited and coloured 7″, in which the italian band Luminance Ratio collaborates with different artists and musicians from the electro-acoustic and ambient scene all over the world. This first chapter features a track by the American musician, artist and performer Steve Roden, here with “Marvelous Is Flairs”: arch drones, vocal loops and field recordings driven by a melancholic pulsation. Luminance Ratio present the track “Reoccuring Dr…
Space Homestead
Apart from the fact that “MV & EE” is slang for zero gravity and that they’ve been doing it consistently “better” with good vibes/jams they still WANT to give you more of the best of them. This is their “space homestead” and for good reason this wall of sound applied thru DIY sensibilities was recorded over the course of a year in 9 different studios, presenting as clearly as circumstances can permit, a living idea right here in the now of what it is all about. These are sonics in motion,…
Tumbler
Total Head Crush Destruction from Mr Wiese (also of Sissy Spacek and LHD, works with Sunn 0)), etc,etc), if your head was made out of a boulder the sounds here enclosed are still designed to leave behind nothing but blood stain dust. Side A is the eternal acid rain that we all fear slowly melting your skin away and reminding of your insignificant humanity, Side B is a metallic behemoth continously punching you from all directions leaving you with just enough unbroken bones so that you can…
Raga electric
LP version. In the early '60s, fresh from his clean behind the ears years at Harvard, Henry was undergoing rapid ideological shifts: cavorting with Maciunas and the whole Fluxus bit, doing performances at Yoko Ono's loft and recording with La Monte Young; having it out with his Stalinist cohorts over the relative merits of a good blues run and searching for a new musical language outside of the various generic artistic restrictions before him at the time. What he arrived at was an expressive pra…
African Rhythms
A landmark of Afro-centric jazz in the 70s – and the first album by this famous underground collective! Oneness of Juju were a Washington DC-based group that grew out of the ashes of the Juju avant jazz ensemble "One of the most groundbreaking bands of their time. From early avant-garde jazz work on the Strata East label to their later fusions of Afrobeat, funk and spiritual jazz, Oneness stand as a huge influence for today's jazz scene. Released in 1976, the African Rhythms album is Onen…
Dagger Paths
RESTOCKED *Bit of a departure for the Old English Spelling bee, embracing scenic dubbed-out tapestries described by the label as a cross between Burial's sample-strewn claustrophobia and Ennio Morricone's spaghetti western scores...* The Olde English Spelling Bee label has lit up our week with this incredible debut from Forest Swords. Nope, we've never heard of them before either, but they're only based down the road in The Wirral so we'll send them a thank you message via carrier pigeon o…
Kerflooey
Mindblowing pure droney nectar limited LP, very last copies around..."Beautiful artwork can be the gateway to a promised land of sensual delights and aural ecstasy. This is a perfect example of that collision. Recorded at home for the famed Resonance 103.3 FM and broken into two parts for the record, Kerflooey consists of two multilayered, well-crafted sonic drone actions of subtle, beautiful, and haunting densities. Ian Nagoski takes the listener on a reworked journey through his previ…
S/T
This follows NHK's sold out 12" on Raster Noton. This is Important's final release in a 4 record series featuring the work of the enigmatic Japanese artist Kouhei Matsunaga. NHK began in Osaka in 2006 between Kouhei and Toshio Munehiro. Their previous work, titled Unununium, can be found on the Raster Noton label.These experimental electro-rhythmic compositions sound incorporate beats, noise and a modern aesthetic.
Ahh-Ahh: Music For Ed Tannenbaum's Technological Feets
Last copies of this 2012 release. The music on this LP was originally composed by Maggi Payne from 1984-1987 for the performance group Technological Feets. Formed by video artist Ed Tennenbaum in the San Francisco Bay Area in 1981, the group combines dance, live video processing and music. This is the first time these recordings have ever been released on vinyl, and aside from the track "Ahh-Ahh (Ver 2.1)," the first time any of it has ever been officially released. Composed on an Apple II …
It's Not A Fear Of Falling, It's A Fear Of Landing
restocked, sold out at source....Astonishing debut LP by percussionist Ben Hall (Graveyards/Broken Research) and violinist Mike Khoury (Graveyards, Faruq Z. Bey Northwood Improvisers). 'It's not a fear of falling, it's a fear of landing' is simply one of the wildest works of free music we got the chance to experience in recent times.Khoury emits ribbons of lyrical, stream of-consciousness violin playing, alternately letting his notes really hang, or focusing on small, scratchy sounds or di…
Kithless
Pedestrian Deposit (Jonathan Borges and Shannon A. Kennedy) possesses a certain, restrained relationship to texture. Sources both electric and acoustic operate on a logic of hybridity_ becoming compositional elements organized through their activation of a shared acoustic space. This functions in multiple directions: in some instances, the cello is captured and converted to a subtle electronic variation, expanding the range of the tone through this capture, at other times it acts as a sort of …
Different Shades Of Blue
This release is the reissue of the original one, once released in different form, as a limited edition cd-r on Tom Greenwood's U-Sound Archive (Vol. 19). Improvisation recorded on February 12th, 2004 at MCIAA's Space Room, Torino, Italy (no overdubs/ no outtakes). This new vinyl edition is a different version, remastered and re-edited of "Different shades of Blue". Furthermore, this special edition will include also the un-edited artwork originally made by Roberto Opalio and completely inspired …