We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
RESTOCKED, VERY FEW AVAILABLE. Reissue of this 1975 self-titled album, originally released on the Cinevox label. Tracks are: "Settimino," "Eflot," "Soup" and "Scratch." Two of these are also commonly available on CD on the Edition RZ compilation, unfortunately; the other two ("Settimino" & "Scratch") are not on CD, so you have approx 30 minutes of exclusive/rare material here on this release. Gruppo are the classic Italian freeform outfit from the '60s & '70s, still pretty undocumented on…
Licht is the debut album by Shampoo Boy, a new guitar, bass and electronics trio from Vienna, comprising members Christian Schachinger, Christina Nemec, and Peter Rehberg. Schachinger and Rehberg have played together in various projects over the last 25 years, most notably Peterlicker -- see Last Slave (2010) and Nicht (2011), both released on Editions Mego. Schachinger was also involved in Der Scheitel, their album In einem Haus das Liebe heißt being a classic of German "Schlagermusik." Rehberg…
Work of this quality tends to be the product of a self-contained and selfconcsious tradition, even if a hermetic one. And in this case I fancy I can hear the flowering of a Northern/Midlands sensibilty that setms orignally from the A Band, Youngs and Wickham-Smith, and Ashtray Navigations. It is informed by ecstatic jazz but its roots are in pragmatic sonic experimentalism of a determindedly autochthonous kind. You can almost smell the witch trials in this, and I urge you all to catch a h…
Restocked, now out of print: Pakistani-born musician Ilyas Ahmed traffics a sound that borders on the folk/drone/raga/rock axis, one that Scottish critic David Keenan has called “gone”. Currently residing in Portland, OR, Ahmed has released recordings on Time-Lag, Digitalis, and Root Strata. He is known to perform live with Honey Owens (Valet) and Jed Bindeman (Eternal Tapestry, Heavy Winged) and his recent recordings have featured Liz Harris (Grouper). He first appeared in the Fall of 2005 with…
Mats Lindstrom works as a composer and a musician, often with strains of live-electronics. He often works with intermedia, scenic elements and visual arts as a complement to the music, and has worked both with music for concerts, theatre and dance as well as radio-art and sound installations. Formerly an engineer in the electronics industry Lindstrom has designed and constructed a number of unique electronic musical instruments and apparatuses. "Mig" produced by Pro Arte Foundation for JSC Klimo…
Last copies, sold out at source: this recording is the fourth version of Images of the Dream and Death by ÃÂÂÂÂÂkos Rozmann; revised at EMS/Elektronmusikstudion, Stockholm in 2001 for a performance in Essen. The first version was realized with Buchla synthesizer at the State Academy of Music, EMS/Elektronmusikstudion, Stockholm 1974-1977 (released on Phono Suecia as PS 27, 1986); the third version in April 1990 (released on Phono Suecia as PSCD 27, 1991). Images of the Dream and Death. "…
I am not sure if I ever heard of Massimo Pupillo, who plays 'low end bowel chainsaw' on this record, but since a lot seems tongue in cheek here, it might also be a guitar with effects. Everything here says: we poke fun at those who play with the stereotypes of the world of industrial music. One side is called 'First Offence' and has titles as 'Necrophiliac Cunnilingus', 'Rope For The Undead' and 'Vomit Buffet', while 'Second Coming' has 'Rib Cage Of Rotting Horror', 'Broken Spine Crushed Cranium…
In January 2011 Mark was invited by Erik Wiegand (aka Errorsmith) to make some presets for his new software synthesizer which he was building for Native Instruments. After developing about 40 sounds*, Mark decided to rework his UL8 project by extending the pattern generating systems used in its construction, which he then connected to the sounds produced in Erik's synthesizer. The result is this double 12" single, featuring 9 tracks and a remix from Mark's friend and colleague Mat Steel. …
The 1978 release of Corwood Industries Ready For The House, began one of the most compelling, disturbed, and singular legacies in musical history. In the 30 years since this unique debut, Jandek has released 53 albums of mournful, atonal music that continues to defy classification and accessibility. And while the past three decades of intense productivity have yielded a depth of discussion, a handful of legendary live performances and even a film documentary, no amount of time or experien…
**Very rare original 1975 LP masterpiece, few copies available** A twisted gem from the dark Italian maestro, Egisto Macchi of Gruppo di Improvvisazione Nuova Consonanza fame. "Sei Composizioni" was released on the Italian label, Gemelli, in 1975, and was Egisto Macchi's 10th full-length library music LP. His typically dark and discordant approach can be compared to some of fellow Italian composer Piero Umiliani's own library music efforts. "Sei Composizioni" consists only of 6 tracks, though tw…
The analogue-digital electronic duo of Marcus Schmickler and Thomas Lehn has been working since its first meeting in December 1998 during the German premiere of the Music in Movement Electronic Orchestra (aka MIMEO) in Cologne. Since they have been extensively touring in Europe, the USA and Japan and performed at Experimental Intermedia/NYC, Mills/Oakland, Bard College, Lampo/Chicago, Princeton University, Festival Wittener Tage fuer Neue Kammermusik, AMPLIFY/Tokyo, CCA/Glasgow, Darmstadt…
In the year since Luke Roberts recorded his debut Big Bells and Dime Songs a lot has changed. Luke now owns a guitar (a Collings 000 2H model) that his sophomore album was written on, he has moved from Brooklyn to Montana to Nashville, his childhood home, and the songs were written over a long period of time in his Brooklyn apartment (as opposed to largely on the bus down to the studio on the debut). The combination of changes made a significant and noticeable impact on the songwriting an…
hand-numbered edition of 200 copies lp on manuel mota's private headlights imprint documenting a heavyweight duo set from marcia bassett of zaimph, hototogisu, double leopards, ghq et al and improvising portuguese bassist and guitarist margardia garcia. garcia is one of the major new generation european free players, coming out of the same scene as mota, and she's just as capable of generating swans-style industrial entropy as she is playing explosive fire music. here bassett uses keyboar…
First instalment in this new o series providing a long overdue and much needed vinyl-only glimpse into Jim O'rourke's electronic/synth music archive* 'Old News No.5' introduces a "nearly regular series of vinyl albums documenting analog synth and tape works (both studio and live) from the depths of Jim O'Rourke's archive, spanning a near quarter of a century in the field." Side A 'Pedal & Pedal' features 15 minutes recorded at Super Deluxe, Tokyo, 2010. It unfurls a series of tender pasto…
"In early 2010 Peter Broderick was approached by the collaborative media artist duo kit monkman and tom wexler aka kma, who asked him to create a score for congregation, kma's most ambitious work to date. The world's first ever ballet designed, choreographed and composed entirely for pedestrian performers, congregation has been commissioned by scan and the british council. Due to premiere simultaneously at rockbund art museum, shanghai as part of world expo and bournemouth for the inside out fes…
It's been five years since the last Belong long player, as the duo works slowly to organize their sound works. Both the time invested, and the wait, have been well rewarded with this return.Common Era shows extraordinary progression from that first album of dense, scorched earth instrumentals, hints of a new direction having been revealed on the Colorloss Record EP from 2008 which contained covers of four should-have-been classics from the original psychedelic era. The new material has such comm…
Another curveball from the Not Not Fun camp, 'Human Fly' pits Wolf Eyes noisenik Nate Young against veteran garage punk drummer Dave Shettler and while their collaborative moniker might be a little zany, their brand of dancefloor-ready industrial/techno variations is tough to ignore. Veering from hazy EBM-flecked speed garage (we're not kidding, take a listen) on the title track to Chicago bleep on the zonked 'Cyber Rebels' there's a sense that Young and Shettler are not only well studied…
This one was their second album in 1975, featuring Richard Pinhas from Heldon and the most electronic effort of Lard Free. We can't hear bass guitar here anymore. The instruments on this item are mostly synths, in addition yet piano, drums, vibes, guitar - and clarinet as the first time guest on the recordings of LF. And the trips are longer (two LP-side-long trips here) than on earlier stuff. We can understand approaching to more meditative and athmospheric electronics with urbanis…
“Those who expect Tim Presley’s White Fence project to be an extension of Darker My Love are in for a lysergic surprise. Sure, listen to Is Growing Faith, and you’ll hear the same ’60s love that’s in Presley’s day-job band. But replace the boogie bass with The Velvet Underground and Nico guitars, ramp up the weirdness—you’ll start to feel all the brown acid in your brain melting into your pineal gland just in time for the bad trip lyrics to kick in. That and the laughter, and the reverb, and the…