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1995 release. Two legendary composer/performers, David Rosenboom and Anthony Braxton, join forces on Two Lines to unite composition with improvisation, "new music" with "new jazz". Starting from David Rosenboom's notated score for Two Lines and his musical computer program, these musicians have achieved, to paraphrase Rosenboom, created a composition that is immediately heard. Duets with interactive HMSL software. Includes Rosenboom's Two Lines, plus compositions in collaboration with Braxton: L…
2001 release. Chris Mann, an Australian poet, writer, performer and composer relocated to New York City, brings a recording of his signature works to Lovely Music. With the participation of Christine Bard, Anthony Coleman, Christian Marclay, Jim Pugliese, Mark Stewart, and David Watson. Chris Mann's works for voice are based on complex texts, freely composed to allow a play of wit and humor. He explores the textures and gestures of Australian speech, with its rhythms and qualities of color, pitc…
2025 stock 1998 release. Inner Journey contains works by William Duckworth, Thomas Buckner, Jacques Bekaert, David Wessel, and Somei Satoh - united by their themes of the quest for self-knowledge. Composed of fragments from the works of F. Scott Fitzgerald, Henry Miller, Gertrude Stein, and Thomas McGrath, William Duckworth's text reveals the multiple perspectives of an unknown couple whose post-modern love story emerges. Thomas Buckner's improvisation, "Inner Journey", is dedicated to the spiri…
2025 stock 1992 release. Flutist Barbara Held presents works by Alvin Lucier, Nils Vigeland, and Yasunao Tone and a composition of her own. Known for her collaborations with composers, Held has beautifully chosen and performed this wide-ranging sampling of contemporary musical styles. Vara features Joseph Kubera on piano.
1994 release. A realization of "Blue" Gene Tyranny's How to Discover Music In the Sounds of Your Daily Life, a procedural score for recording and composing with environmental sounds. Eclectic, flowing music alternately gesturing toward impressionism and minimalism. Personnel: "Blue" Gene Tyranny - acoustic and electronic keyboards, field and studio recording, electronic transforms; Timothy Buckley - accordion in "The CBCD Intro"; the Arch Ensemble for Experimental Music, featuring Robert Hughes …
1990 release. Some of "Blue" Gene Tyranny's greatest keyboard works/performances can be found here on Free Delivery. The Nocturne With and Without Memory was commissioned by Lois Svard and has also been recorded by her for Lovely Music (LCD 3051CD, 1994). Sunrise or Sunset in Texas is from Philip Makanna's film The Crack of Dawn (1983). Personnel: "Blue" Gene Tyranny - acoustic and electronic keyboards; Timothy Buckley - accordion; Joel Ryan - computer analysis.
A collection of six compositions made in electronic music studios from 1959 to 1984. All were composed for concert hall or theater performance with choreography, as well as for distribution on recordings. Music from the Venezia Space Theatre, The Dresden Interleaf, and Echo-D were composed for quadraphonic theater systems, and were later spatially remodeled for release on stereophonic recordings. A collection of six compositions made in electronic music studios from 1959 to 1984. All were compos…
Two of Annea Lockwood's dramatic works dealing with issues of spiritual wholeness. Duende (1997), about shamanic transformation, is written with and performed by Thomas Buckner. Lockwood selected sounds which reminded her of certain vocal transformations heard in recordings of shamanic ceremonies. In such singing, changes in the voice mirror and also help to bring about changes in the singer's mind and awareness. Within an improvisational framework, Buckner explores the possibility of change of …
** 2021 Stock ** Legendary avant-garde jazz saxophonist Roscoe Mitchell is best known for his role as a founding member of the Art Ensemble of Chicago. This group is recognized for incorporating, and none-too-subtly ridiculing, the long-bearded tradition of Western art music. Mitchell, nonetheless, has something to say that is within the tradition himself, apart from, but related to his work in the field of jazz. Usually the sort of classical music piece produced by a "jazz cat" is formulated wi…
*2022 stock* "Any resemblance between these pointillistic chamber compositions and Schoenberg is purely coincidental. Delicate as to texture, curiously dispassionate as to mood, these mostly notated woodwind, string, and piano chamber works are motivically atonal, but tend to collapse into tonal cadences just to show you they know where they are. Like Ornette Coleman, Mitchell's playing with the tension between center and periphery, but in a milder, more abstract idiom and from the other directi…
An opera commissioned by Bayerisher Rundfunk Munich's Hörspiel und Medienkunst department about an internationally renowned swindler, who almost took down the European and American banking system. Featuring the voices of Robert Ashley, Sam Ashley, Thomas Buckner, Jackie Humbert, and Joan La Barbara. Recorded and mixed by Tom Hamilton. Robert Ashley on the piece: "Your Money My Life Goodbye is one of forty-nine vocal-ensemble pieces of various lengths (from ten minutes to ninety minutes or more) …
Pioneering extended vocal techniques from the 1970s: sensory deprivation experiments, multiphonic investigations, circular breathing adaptations. La Barbara liberates her classically trained voice to discover untapped sonic material, building orchestras from layered vocalisations. Essential document of radical vocal experimentation.
Monumental reissue of Lucier's four-part investigation into acoustic interference. Musicians sustain tones against fixed sine waves, creating audible beat patterns that reveal the hidden architecture of sound itself
Three works investigating interference between instruments and oscillators. When closely tuned tones sound together, their oscillations create audible beats that spin through space. Lucier reveals acoustic phenomena through minimal means
2007 release. Now Eleanor's Idea was made possible by grants from The Rockefeller Foundation (1984 and 1993), the National Endowment for the Arts' Opera Musical Theater Program (1985) and InterArts Program (1992). Robert Ashley's Now Eleanor's Idea is a quartet of short operas based on the notion of a sequence of events seen from four, different points of view. At the same time, each opera is an allegory, like Bunyan's Pilgrim's Progress (1678), for an individual's self-realization within the co…
Dust is an opera by Robert Ashley and Yukihiro Yoshihara (video direction) whose imaginary setting is a street corner anywhere in the world, where those who live on the fringes of society gather to talk, to each other and to themselves, about life-changing events, missed opportunities, memory, loss, and regret. Five "street people" recount the memories and experiences of one of their group, a man who has lost his legs in some unnamed war. As part of the experience of losing his legs, he began a …
Improvement (Don Leaves Linda) is the first of four operas about the "American" consciousness. The tetralogy, including Foreign Experiences, eL/Aficionado and Now Eleanor's Idea, is based on the notion of a sequence of events seen from four, different points of view. The operas share principal characters and vocal techniques (including the relationship of the voice to instrumental settings). The singers are used interchangeably as soloists and members of a chorus. The immediacy of choral respons…
*2022 repress now in digipak, with new cover art* Robert Ashley's Perfect Lives has been called "the most influential music/theater/literary work of the 1980s." At its center is the hypnotic voice of Robert Ashley. His continuous song narrates the events of the story and describes a 1980s update of the mythology of small town America. Perfect Lives is populated with myriad characters revolving around two musicians - "R", the singer of myth and legend, and his friend, Buddy, "The World's Greatest…
2010 release. Three of the satellite songs from Robert Ashley's opera Atalanta (Acts of God) - each inspired or revolving around one of the main characters of the opera, Max, Willard and Bud. Atalanta (Acts of God) was written in the 1980s, begun while Ashley was still in production for the television opera, Perfect Lives.
The many hours of material were performed throughout the world in many
different configurations, but this is the first time these songs have
been available on CD. Personnel…
Originally released on Lovely Music in 1985. Robert Ashley makes use of the story of Atalanta
- a royal princess, discarded by her family, who was raised by the
animals to become the fastest-running human, and who was later reclaimed
by her father to marry her off for dynastic purposes - to present the
character aspects of the "successful suitor". These three aspects of
character are presented in the opera as anecdotes about three
extraordinary men of our times: Max Ernst (surrealist paint…