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*350 copies limited edition* This journey begins with ominous drones. Long sustained signals. An eerie mewing that sounds like kittens lost in space. These sequences spin backwards and forwards set against a buzz of low frequency oscillations. Morphing first into flocks of swooping birds, before transforming into something more melodic. Symphonic. Tangerine Dream first mapped this void on Zeit. A Sci-Fi movie sample announces a slow, rolling rhythm. Its pulse eventually augmented by broken beats…

2015 release. A reissue of arguably the rarest LP of European free jazz, Axiom, recorded in 1963 for the Swedish label Sonet. Test pressings were released to the musicians, but they were not approved and the label never printed more than the two first copies. Tom Prehn's music, which is exclusively known from a 1967 release that was reissued on the Unheard Music Series, is not only impossibly uncommon, it is also exceptionally wonderful, featuring an extended tenor saxophone solo by Frits Krogh …

An electrifying 1st-time meeting between guitarist Keiji Haino and trumpeter Natsuki Tamura, captured live at Tokyo's Shinjuku Pit Inn, where the duo shape an unpredictable set that veers from reflective stillness to wildly passionate outbursts, their extended techniques and visceral vocals — sometimes urgent, sometimes outrageous — fueling an exhilarating and uncompromising sonic adventure.

This CD highlights an exceptional document, a performance recorded by radio station WBAI in New York on September 12th, 1964. This event superbly represents the type of repertoire that Charlotte Moorman and Nam June Paik cultivated and proposed in the U.S., in the years following their meeting, in their memorable "duo" exhibitions. The program of the concert presented several true war-horses of their exhibitions like "26'1.1499 for a String Player" by John Cage, "Duet II" by Toshi Ichiyana…

Of the famous "TV Cello," conceived by Nam June Paik for Charlotte Moorman as a "living sculpture," this CD offers an in-situ recording released on one of the three days inaugurating the Paik retrospective at the Museum of Contemporary Art in Chicago, on the 11th, 12th and 14th of September in 1982. This version contains, respectively, the "TV Cello Duets" with Paul Garrin and the "Concerto for TV Cello and Videotapes," largely improvised, "including a tape collage by Ornette Coleman prepare…

The third chapter of this extraordinary trilogy by the world's most extreme musical explorers—John Zorn, Bill Laswell, and Mick Harris.

Edited exclusively for Dynamite Cuts, this 1972 African rhythm takes you to a time of human percussion, and energy, of another time. The entrancing, hypnotic saxophone and extraordinary vocals fill your ears like liquid gold. Sensational. The Last Poets are a group of poets and musicians, rising from the late 1960s African American civil rights movement. Jalaludin M. Nuriddin, an Army paratrooper who chose to go to jail instead of fight in the Vietnam War, founded the group in prison after conve…

Following the wave of critical acclaim for his debut, the prodigious Japanese saxophonist Kosuke Mine cemented his place in the modern jazz world with the release of his 2nd Album, recorded in Tokyo in late 1970 and originally issued on the revered Three Blind Mice label. Now, this pivotal work is available again, celebrating a new generation of jazz lovers and collectors. Rising to the forefront of the Japanese jazz scene, Kosuke Mine assembled an all-star quintet featuring trombonist Takashi I…

Now! by Masaru Imada was the second album released by the fledgling Three Blind Mice label and the pianist's first leader album for the label. All four tunes are Imada's original compositions. The two slow numbers – "Nostalgia" and "The Shadow of the Castle" show his lyrical, "quiet but emotional," qualities. "Alter" is an adventurous tune whose focus is on free improvisation while "Gehi Dorian" is a modal composition as the title suggests.

The Ethio Jazz album by Mulatu Astatatke is a jewel of the modern Ethiopian music. Essential. An incredibly groovy Ethiopian record, originally from 1969-1972. Amazing orchestral 'Ethio-groove' filled with US soul, jazz, sometimes Latin and the deepest Eastern rhythms, even including some great nasty and dirty fuzz guitars. A true gem of Ethiopian modern instrumental music, which illustrates perfectly this symbiosis of strong rhythms and quality arrangements of subtle yet deep Ethiopian melodies…

Italian sound artist and mastering engineer Giuseppe Ielasi has been a quiet but persistent presence in experimental music for over two decades, his work as a musician paralleled by his crucial behind-the-scenes contributions to countless releases that have passed through his studio. As an artist, Ielasi creates music of exceptional subtlety and precision, working with field recordings, processed guitar, and various electronic sources to build compositions that reward close listening with an abu…

“This is the time that we, who have benefited from the Last Poets should be able to say, ‘it’s the Last Poets. It’s them we should be honouring, because we did not honour them for so many years…” KRS One wasn’t just addressing the hip hop fraternity when he uttered those words by way of introducing the video for Invocation – a poem written thirty years ago, around the time of the Last Poets’ last significant comeback. He was speaking to everyone who’s been affected by the word, sound and power i…

**200 copies, of which only 100 are available for distribution** A previously unreleased recording of Sven-Åke Johansson playing a solo set at the legendary Petersen Galerie in West Berlin, 1982. The concert took place inside an exhibition of drawings by Tomas Schmit and runs the gamut from Johansson's trademark Schlingerland-style drumming to accordion sabre dance and absurdist poetry. The gallery, owned by Jes Petersen, hosted Fluxus, Actionist, Art Brut and Surrealist exhibitions and performa…

Limited to 450 copies. Includes two-sided postcard insert. A much needed reissue of drummer Stephen McCraven's astounding 1979 debut as a leader, originally issued on Marion Brown's Sweet Earth label. A holy grail of private press loft-jazz, bleeding the lyricism of spiritual jazz and the ambitious expressions of free improvisation. McCraven — father of Makaya McCraven — studied with Max Roach, Archie Shepp, Philly Joe Jones and Kenny Clarke, and worked as sideman with giants like Sam Rivers, Da…

**Edition of 500 copies on clear vinyl.** This release documents a meeting of titans that, tragically, can never be repeated. Mika Vainio, one half of the legendary Finnish duo Pan Sonic and a towering figure in electronic music, passed away in 2017, leaving behind a body of work that continues to influence and inspire. His presence here alongside Charlemagne Palestine and Eric Thielemans makes P V T a document of considerable historical importance, a record of three extraordinary musicians find…

"If you think that the constellation of Nicholas Bussmann, Sven-Åke Johansson and Yan Jun is a sort of dream lineup, you are not far off the mark. The joint improvisations that you hear on tea time capture a sound that once came to Bussmann in a dream and that he made a reality with the help of his fellow musicians. The trio recorded the five pieces across two days at Johansson’s SÅJ studio with engineer Andrew Levine, working with Bussmann’s curious piano robot while Johansson was on percussion…

The intrepid free jazz pianist Cecil Taylor produced some of his best work for Blue Note Records, including his explosive 1966 label debut Unit Structures featuring Eddie Gale on trumpet, Jimmy Lyons on alto saxophone, Ken McIntyre on alto saxophone, oboe, and bass clarinet, Henry Grimes and Alan Silva on bass, and Andrew Cyrille on drums. Over the course of four extended original pieces by Taylor—“Steps,” “Enter, Evening,” “Unit Structure/As Of A Now/Section,” and “Tales (8 Whisps)—the band sca…

Reconstruction of The Velvet Underground's Fabled Lost 1969 album, available on vinyl for the first time with bonus tracks. To honour The Velvet Underground's 50th anniversary, Grammy-winning producer Bill Levenson has lovingly recreated the band's much-mythologized lost album, 1969. Nearly fifty years later, much remains unclear about these mysterious recordings. While there's been reports that the album was intended to be the band's fourth record only to be rejected by MGM, it's also possible …

Ahmad Jamal is a jazz giant and The Awakening is his iconic masterpiece. The landmark deep trio session - recorded in NYC and released on Impulse! in 1970 - is an essential album and perennially sought-after on vinyl, so Be With Records are delighted to make it available again. As a “Zen master of jazz piano” and one of its greatest innovators, Jamal evolved his elegant sound with this adventurous record. The Awakening showcased his fast, richly melodic chops in remarkable variation. A consummat…

Gábor Szabó was one of the most original guitarists to emerge in the 1960s, mixing his Hungarian folk music heritage with a deep love of jazz and crafting a distinctive, largely self-taught sound. This evocative 1967 set for Impulse! features nine live tracks recorded at Boston's Jazz Workshop, capturing Szabó and his finest working group at their peak.

Horace Silver had been delivering hard bop classics for over a decade when he moved into more groovy territory in the late-’60s on albums including Serenade to a Soul Sisterfeaturing two different quintets performing a set of Silver originals from the high-octane ‘Psychedelic Sally’ to the groove waltz title track to the tender ballad ‘Next Time I Fall In Love’. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g …

By the time drummer Pete La Roca recorded his debut album Basra in 1965 he had already appeared on 9 Blue Note sessions as a sideman and spent time in bands led by Sonny Rollins and John Coltrane. But it was another tenor titan, Joe Henderson, that La Roca brought in as the sole horn voice to front a dynamic quartet that was completed by what liner note writer Ira Gitler called “one of the most attuned rhythm sections in jazz” featuring bassist Steve Swallow and pianist Steve Kuhn. The resulting…

For his third Blue Note album Inventions & Dimensions (1963), pianist Herbie Hancock began moving away from the modernist hard bop sound that defined his first two albums Takin’ Off and My Point Of View. Inspired by explorers like Eric Dolphy and Tony Williams, Hancock went in search of greater musical freedom by composing a set of ingenious originals each with their own unique inner logic that did away with what he considered the established jazz “assumptions” of the time. Hancock also pared th…

San Francisco is an album by jazz vibraphonist Bobby Hutcherson and saxophonist Harold Land, released on the Blue Note label in May 1971. The album features a shift away from the usual hard bop-post-bop style pursued previously by Hutcherson and Land, and shifts towards jazz fusion.

An ancient Roman house holds a terrible secret. Dust, old books and a morbid and veiled eroticism. Before devoting his career to the so-called cinema civile (political cinema), Damiano Damiani directed his most obscure and mysterious film, a jewel of the contemporary Italian Gothic style. Based on the short novel 'Aura' by Mexican writer Carlos Fuentes, the film is enhanced by the interpretations of the very sensual Rosanna Schiaffino and a young Gian Maria Volonté during the years of his debut …

* Deluxe Edition. Released in a gatefold cover. Black Vinyl Numbered Limited Edition of 899 copies 1 page insert 2 OBI strips * Another great italian avantgarde progressive rarity from 1972! Complex and excellent album, with classic moments, jazz-rock influences in the Canterbury vein, acoustic parts, sudden rhythm changes and complex arrangements, in a few words everything we love from vintage italian prog! "Part of the charm of the Italian progressive rock is undoubtedly due to its inner prese…

500 numbered copies Remastered from the original tapes. Like many of his peers, Mino Di Martino first emerged within the context of popular music, working in numerous Italian beat bands, before finding enormous success as a pop star as a member of I Giganti, whose 1971 LP, Terra in Bocca, is often cited as a spark for the sea change in Italian music that would emerge over the coming years. After his experience with Albergo Intergalattico Spaziale (together with the actress and singer Edda 'Terra…

Hits Are for Squares is the first greatest hits album by American rock band Sonic Youth, released on June 10, 2008, by Starbucks Entertainment. The album features 15 songs spanning Sonic Youth's career since the release of their debut studio album in 1983, Confusion Is Sex. It also includes one new song: "Slow Revolution". The band intended to create a compilation album that appealed to the casual consumer. Hits Are for Squares received acclaim from critics, who noted it as a strong introduction…

Tip! The holy grail for Sun Ra collectors and fans, an album that forever gave them a slogan to live by! The record's different than some of the other Arkestra work from the time – in that it's a bit tighter and more spiritual, more in keeping with the style of the Blue Thumb label, for which it was recorded – and soaring along on a wave of post-Coltrane spiritual jazz enthusiasm. Side one features the ultimate recording of "Space Is The Place" – an anthemic tune that blends chanting, modal rhyt…

This special 60th Anniversary reissue of groundbreaking jazz artist Sun Ra’s iconic 1962 album The Futuristic Sounds of Sun Ra features all-analog re-mastering by Kevin Gray at Cohearent Audio, pressed on 180-gram vinyl at RTI. The package includes Tom Wilson’s original liner notes, plus insightful new essays by jazz historian Ben Young, as well as by Irwin Chusid, who is also a journalist, radio personality, and author.   Engineered by Paul Cady, the sessions featured nine players, including Ra…

Icelandic composer Snorri Hallgrímsson releases "Longer Shadows, Softer Stones", his debut for Deutsche Grammophon. The EP will be released on 180g vinyl and contains six tracks written and produced by him. The multi-instrumentalist Hallgrímsson, who has already impressed with his skillful reinterpretations of works by Satie, Schumann and Boulanger, takes on the vocals and plays piano as well as electronic elements. He is supported by strings from the Reykjavík Orchestra under the direction of V…

Legendary producer David Axelrod’s solo album Heavy Axe is one of the finest outputs of the jazz-rock wave, which was the preeminent sound of the mid ’70s. With a little help from legendary players like Johnny “Guitar” Watson, Cannonball Adderley, and George Duke, Heavy Axe crisscrosses between lush funk sounds and full, round low end and majestic orchestral flourishes that made Axelrod’s sonic realm a goldmine for sample-hungry hip-hop beatmakers from the ’90s until today.

Johnny Griffin had been kicking around in R&B bands for years before his Blue Note debut in 1956. And what was "introduced" was a tenor saxophonist with a fresh sound, a warm, soulful style and the fastest technique in jazz. He moves from lyrical ballads to blistering tempos with ease. Within two years, Griff would become one of the leading tenor saxophonists in jazz as a member of Thelonious Monk's quartet.

London, 1970 saw the release of one of the most distinctive and enduring albums in the history of British jazz: Flare Up, the debut LP from visionary trumpeter and flugelhorn player Harry Beckett. Now widely recognized as a classic, the record remains a defining statement from an artist whose lyrical phrasing, inventiveness, and subtle command of mood set him apart on the vibrant UK scene.   Born in Barbados and arriving in London in the 1950s, Harry Beckett quickly became a central figure in th…

Portrait Of Sheila is the legendary 1962 debut album by Sheila Jordan, recognized as one of the only vocal jazz albums released by Blue Note in the 1960s. Backed by Barry Galbraith (guitar), Steve Swallow (bass), and Denzil Best (drums), Jordan’s inimitable approach includes stark, intimate renditions of standards, including a celebrated voice-bass duet on Bobby Timmons’ “Dat Dere.” The album’s new Tone Poet Series reissue, shipping in late 2025, brings her singular artistry to new audiences wit…

One of the funkiest & most inventive organists to ever walk the earth, Dr. Lonnie Smith made his name on Blue Note beginning with his 1968 label debut Think! Produced by Francis Wolff, the album featured trumpeter Lee Morgan, tenor saxophonist David Newman, guitarist Melvin Sparks, and drummer Marian Booker Jr., with Henry "Pucho" Brown, William Bivens, and Norberto Apellaniz adding percussion on two tracks. Groove is the thing on this session from the hard-driving opener “Song of Ice Bag” writt…

Right from the stop-start bass groove that opens The Emperor, it's immediately clear that Ethiopian Knights is more indebted to funk - not just funky jazz, but the straight-up James Brown / Sly Stone variety - than any previous Donald Byrd project. And, like a true funk band, Byrd and his group work the same driving, polyrhythmic grooves over and over, making rhythm the focal point of the music. Although the musicians do improvise, their main objective is to keep the grooves pumping, using their…

On his debut album Takin’ Off—recorded and released in 1962—jazz legend Herbie Hancock arrived fully formed at the helm of an impressive quintet with trumpeter Freddie Hubbard, tenor saxophonist Dexter Gordon, bassist Butch Warren, and drummer Billy Higgins. Though rooted firmly in hard bop, the brilliant pianist and composer presented his own strikingly original voice on this 6-song album consisting entirely of his own compositions from the funky hit “Watermelon Man” to the timeless ballad “Alo…

After trumpeter Lee Morgan set the music world on fire with the runaway success of his hit soul-jazz single “The Sidewinder” in 1964, many artists tried to duplicate his triumphant feat in search of another boogaloo sensation. Even Morgan himself cooked up funky follow-ups using “The Sidewinder” recipe including “The Rumproller,” which was recorded the next year. Beyond the groovy title tune (which was written by Andrew Hill) the quintet featuring Joe Henderson on tenor saxophone, Ronnie Mathews…

Trumpeter Freddie Hubbard burst upon the Blue Note scene in June 1960 with his auspicious debut album Open Sesame. Within 6 months Hubbard had already recorded a follow-up (Goin’ Up) and appeared as a sideman on sessions with Tina Brooks (True Blue), Hank Mobley (Roll Call), Kenny Drew (Undercurrent), and Jackie McLean (Bluesnik). Hubbard’s bravado style was already fully formed on Open Sesame with his brilliant tone and jaw-dropping technical prowess at the helm of sterling quintet with tenor s…