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Edition of 100. This debut-LP is structured like a long-form piece split up into smaller parts, constructed with manipulated field recordings, synthesis experimentations, layered harmonies and textured sound design. One gets the sense the material journeys through a narrative in disarray, depicted through numerous undisclosed, ambiguous perspectives — there are parts that are melodic, radiant and vaguely warm, like suddenly having tuned in to an imprint of some long-forgotten person’s experience…

*Repress in 500 copies. All covers green. Including an A5 booklet* Pilgrimssånger is the first of two new Blod albums deeply inspired by the Swedish Christian parish culture. The songs deals with human connection and solitude in a life built upon faith. The lyrics depicts exposure and anxiety but also joy and belief among free church members, the complexity of the relationships in the community with its leaders and priests and - ultimately - God. The songs are mainly influenced by Swedish folk m…

**Edition of 300** Konstrukt has made contact with both Alexander Hawkins and Alan Wilkinson during their presence at Konfrontationen Festival in Nickelsdorf in 2013 where the band performed for the second time in Austria after Saalfelden Jazz Festival with Marshall Allen in 2011. All three parts were excited and have agreed to get together sometime in the future.The result was a night of music with high energy and a wide musical perspective. From drum&bass to ethnic funk vibes, from straight fr…

Sofie Herner (Enhet För Fri Musik, Neutral) returns with Neuter, the first proper album since the Gitarrmusik III-X LP released on Förlag För Fri Musik back in 2017. Neuter was recorded between 2018 and 2021 and is the culmination of a very distinctive and unmistakable sound Sofie has developed and refined during close to 10 years now. The music of Leda is based on primitive guitar loops of various lenghts, loops that intervenes and creates peculiar rhythms and subtle harmonies. Slow-burning pro…

The much anticipated sophomore solo album from Hugo Randulv (Enhet För Fri Musik, Amateur Hour, Makthaverskan etc). Following up the praised Radio Arktis that was released on Förlag För Fri Musik back in 2021, Drunkna I Ljus was composed and recorded mainly during 2024 and consists of two sidelong epics based entirely on electric cello with a sparse use of controlled guitar feedback. The overall ambience and cold yet weirdly encouraging harmonies from Radio Arktis are recognizable and still pres…

One of the most striking and enigmatic works to appear on Discreet Music in recent years. There is a long tradition of artists who have tried to set scripture to music and failed magnificently - the failure itself becoming the subject, the wound becoming the work. Carrie DeCunzo Mirande's debut album belongs to this lineage. In the twenty-four days before Christmas 2024, she read the twenty-four chapters of the Book of Luke and attempted to respond in sound. Two piano pieces emerged - one inspir…

Biggest Tip Possible! Audiophile vinyl edition, pressed at RTI, includes a 12-page booklet containing liner notes penned by Jack Denton and a plethora of unseen archival photographs . The Invisible Road: Original Recordings, 1985–1990 compiles an unheard, previously unreleased body of recordings by Sussan Deyhim and Richard Horowitz, dissidents from diametric backgrounds who met during the heady days of Downtown New York in the 1980s. This collection reveals the creative and life partners’ radic…

* 300 copies, 180 gr black vinyl * Among the many ones who left their band to pursue a solo career in the '70s we find Ivano Fossati. In 1972 his group Delirium had become very popular, thanks to 'Jesahel,' the song they presented at the Sanremo Festival in February: it became a real chart-hit 45 RPM, a very unusual thing for a progressive rock band. But commercial success didn't stop Fossati from leaving Delirium and releasing in 1973 his debut album, under the name of Alberto Ivano Fossati - I…

For almost ten years, Ruben Machtelinckx has followed an extraordinary path in Belgian and European improvised music. As a guitarist, but equally as a composer. It began in 2013, when the quartet Machtelinckx/Badenhorst/Jensson/Wouters released their debut, ‘Faerge’. The album was praised by international press and was listed ‘Best Belgian jazz release’ by Knack magazine. In 2020 he won the Klara Award for Best Belgian Jazz release for his latest record: Porous Structures (Aspen 009). In between…

A split album is a marriage of autonomous partners. On each side of the vinyl, one artist presents a limited selection of music. Both sides relate to each other, but they do not intertwine. On Aspen’s first split, guitar brothers Ruben Machtelinckx and Frederik Leroux each contribute twenty minutes of solo performance. Both Machtelinckx and Leroux make use of the oating sounds of the banjo, but in a quite distinct way. While the former presents a determined and solid selection of music, the latt…

Tip!  *200 copies limited edition* In 2019, ‘porous structures’ was released, the first album by the quartet Machtelinckx/Badenhorst/Cools/Gouband. The album won the Klara for ‘Best Belgian Jazz CD’. In September 2024, ‘porous structures II’ will be released, a new album by a quartet led by Ruben Machtelinckx, this time in the company of Fredrik Rasten, Frederik Leroux and again Toma Gouband. What remains is the choice for acoustic and fragile sounds, comprehensible to the listener but with an u…

The distinctive sound of Linus is born from a delicate balance between folk, jazz, minimalism, chamber music and free improvisation. Starting as a duo, Ruben Machtelinckx and Thomas Jillings have always tried to infuse their compositions, which tend towards poetry and simplicity, with the ungraspable spirit of true open-minded improvisation. In the search of new stories to tell, it therefore did not come as a surprise that they chose to expand their palette by including both an eclectic mix of i…

The singular Norwegian percussionist Ingar Zach, a long-time member of paradigm-shifting experimental ensembles like Huntsville and Dans les arbes, delivers his eighth solo recording, and his first on the superb Belgian imprint Aspen Edities. The percussionist digs even deeper into his sonic research, transforming a massive bass drum used in orchestral music, as a resonant surface for otherworldly, texture-rich excursions that mix-and-match rhythm and color in ever-shifting combinations.

A supreme soundscape! The world's first recording of a work released in 1997 by a composer/guitarist who has left his mark on the contemporary Mexican music scene. The latest release from SRRD label! Eblen Macari has been actively developing his unique musical style for 40 years, from the 1980s to the present. Eblen Macari has been developing his unique musical style for the past years. Eblen Macari was inspired by the sound of the guitar as well as the ecology of the trees used for the guitar. …

Traveling extensively across Asia and Africa between 1974-1985 to study music, Roberto made many field recordings and collected many instruments on his travels which he would then combine with synthesizers and electronics back in Italy

"Hyperrealist Music, 2011-2015" is a selection of late masterpieces by Noah Creshevsky, a proponent of "Hyperreal Music," which opened a new door to cyber-human music.

**Blue tape Limited Edition to 90 numbered copies ** Carlos Casas has spent years documenting the edges of human experience - from the oil fields of Azerbaijan to the remote reaches of Patagonia - and his work as a filmmaker and sound artist reflects a deep engagement with landscape, isolation, and the uncanny. The Mont Aigu Tapes 2 continues his exploration of the French countryside estate that has become a recurring site of inspiration, a place where Casas has set up temporary studios and reco…

** mini LP replica with obi & Japanese insert ** Masterpiece!!!!!! An unbeatable mix of dark psychedelic themes with heavy jazz drums, exotic percussions, obsessive piano bits, creepy harpsichord, free jazz to wah-drenched psychedelia, stiff funk, and abstract avant-gardism with atonal sounds and tonal passages that are in full-bloom here. "In December 1973 the recordings of the soundtrack for 'L'Uomo Dagli Occhiali A Specchio' took place in the historic Fonorama Studios. This is an album that c…

** mini LP replica with obi & Japanese insert ** The Psycheground Group has been a completely mysterious band for a very long time, about whom nothing was known except the fact that they released an obscure LP in 1970, with a red front cover with a stylized drawing of a male face wearing a coloured bandana. Only in recent times it has finally  been revealed that "Psychedelic and Underground Music" was played and recorded - and sung on very rare occasions - by musicians from Nuova Idea, who would…

Sun Ra Arkestra, Live in Japan! Recorded at Shinjuku Pit Inn on August 8, 1988, this recording has undergone fresh remastering from the master tape, marking the first reissue in 36 years

*2022 stock* This is volume 9 in Omega Point's Obscure Tape Music of Japan series. Yoji Kuri is one of the foremost and highly-regarded experimental animation artists in Japan, active since the early '60s. His name is well-known not only for his many works of "black humor" throughout the '60s and 70's, but also for the soundtracks to his materials, composed by avant-garde composers. Originally titled Synthesized Piano Space, it has been renamed Drip Music for this release. This new edition is co…

Premiere release! Two sound compositions discovered at Toshi Ichiyanagi’s home in 2018 to be released for the first time! One is an unknown early work created on a computer and the other is material for an experimental short film by Toshio Matsumoto. Particularly, the former piece was revolutionary. the quirky sound he made on the computer at the time was unheard of especially because a computer could only create simple sounds then. Moreover, it also includes an unknown electronic ambient piece …

The details of Shikisokuzekuu-Kuusokuzeshiki (1964) are unknown except that it was created at the NHK electronic music studio. According to Toshi Ichiyanagi, there were various discussions about the title, but it would seem to have been eventually broadcasted on the radio with the title Kuu after a producer renamed it. Here, the original title is used, following Ichiyanagi's initial intention. This work has no relation to the short experimental film Shikisokuzekuu (1974), produced by filmmaker T…

In October 1962, John Cage and his great interpreter/co-visionary David Tudor visited Japan, performing seven concerts and exposing listeners to new musical worlds. This legendary "John Cage Shock," as it was dubbed by the critic Hidekazu Yoshida, is the source of this series of releases -- three CDs and a "best hits" double LP compilation. Recorded primarily at the Sogetsu Art Center in Tokyo on October 24, 1962 (with two performances from October 17 at Mido-Kaikan in Osaka), all recordin…

The final CD of the John Cage Shock series features John Cage's 0'00" (1962), also referred to as 4'33" No. 2, performed by the composer, with daily activities such as writing and drinking coffee amplified by contact microphones into sonic abstraction, following the score's directions: "with maximum amplification (no feedback), perform a disciplined action." Next is Composition II for 2 Pianos (1960/1961) by Michael von Biel, lovely and sparse, performed by David Tudor and Toshi Ichiyanagi. …

Omega Point had obtained the original tape recording of "Extended Voices" composed by Toshi Ichiyanagi (first released by Odyssey/Columbia in 1967 on the compilation of the same name, alongside other pieces for voice & electronics by Pauline Oliveros, Morton Feldman, John Cage, Robert Ashley and Alvin Lucier). The piece consists of electronic sounds and modulated voices which are included on this album in two new 2014 realizations, in collaboration with Takashi Matsudaira, a baritone singer…

**2022 stock "Funakakushi" [1]: This electronic work was composed for the opening ceremony of the hotel "Funakakushi-en" in Kagawa prefecture in 1963. It was realized as a sound installation and used many speakers inside a built-in stone sculpture. They were designed by sculptor Mitsu-aki Sora (b. 1933) and were arranged here and there in the main garden of the hotel. The sound was made from a modified Japanese traditional instrument, biwa, as well as from a sea wave sound [2]. The engineer Juno…

The Music for Piano series was written under John Cage's influence in his New York years. This CD is the premiere complete recording without simultaneous playing. The series was played and recorded by pianist Takuji Kawai at KEN in Tokyo in October 27, 2012. "Music for Piano No. 1-No. 7" was composed between 1959 and 1961. All the works were written using graphic notations (No. 1, No. 2, No. 5 and No. 6) and instructions (No. 3, No. 4 and No. 6). "This period of my compositions such as 'Music fo…

Volume one of Omega Point's Obscure Tape Music of Japan series, featuring Joji Yuasa's "Aoi-no-Ue" (1961) and "My Blue Sky" (1975). Joji Yuasa (b. 1929) is one of most important composers in Japan after World War II. "Aoi-no-Ue" was composed for experimental theater at Sogetsu Art Center. The sound of this work is made from the chants of Japanese traditional "Noh" theater. "The text is recomposed by me keeping the original words. And it was sung in the style of Noh-chant by three brothers ... Th…

GAP is an improvisation group which was founded by Kiyohiko Sano, Masaru Soga and Masami Tada in the Mid 1970’s. Gap had only one album on the famous ALM records, and from the early time, they played oscillators and synthesizers, adding to simple self-made instruments, and made a free improvisational performance which is comparable to Taj-Mahal Travellers. Especially for Tada who was under tutelage of Takehisa Kosugi, GAP was a missing-link which lead him from East Bionic Symphonia to Marginal C…

"From 1972 to 1973, I was based in New York for my creative activities and live performances. New York at this time was in its golden age of experimental music. Towards the end of my stay, I held a live performance entitled Event '73 to sum up my creative works in New York. The venue for the performance was The Kitchen of the Mercer Arts Center that provided spaces for innovative and emerging artists. This CD consists of a mixture of sounds that were created at a studio prior to the live …

Onnyk (Yoshiaki Kinno) is a well-known on the field of Japan's underground and free improvisation, acted as 'The Fifth Column", also called 'Daigoretsu', in mid 70's to 80's. This release is not only one of his obscure recordings in earliest years, but also it's rare electronic works on his carrier. "A late friend of mine, two years elder than me, he bought the synthesizer for first public use, made in Japan, SH 1000. He rented me it when I was 18 years old. For I was so interested in making str…

** 2021 stock ** This record of absurd, delirious sound poetry, drawn primarily from the voices of Graham Lambkin and Joe McPhee, marks their first vinyl release as a duo. It was published in 2018 in an edition of 270 regular copies and 30 copies with handmade art. Joe McPhee has been a deeply emotional composer, improviser, and multi-instrumentalist since his emergence on the creative jazz and new music scenes in the late 60s. Inspired by the music of Albert Ayler, he taught himself the saxopho…

"Unbegrenzt" is the third in an ongoing series of archival records of the unheard music of Swedish composer Catherine Christer Hennix, co-released by Blank Forms Editions and Empty Editions. It follows "Selected Early Keyboard Works" and "Selections from 100 Models of Hegikan Roku" (named the #1 archival release of 2019 by The Wire), in addition to a two-volume collection of Hennix’s writing titled "Poësy Matters" and "Other Matters".

A few months after the foundation of Can, Holger Czukay recorded his first solo album ‘Canaxis’, in conjunction with producer/engineer Rolf Dammers, this album was assembled from thousands of snippets recorded from short wave radio, a long standing obsession of Czukay's which he also incorporated into some of Can's later albums. A refugee during the Second World War, Holger Czukay famously studied with Karlheinz Stockhausen in the early ‘60s. That direct exposure to the challenging and experimen…

Pure Virgin Vinyl, 180 Gram, Audiophile Grade, Limited Edition. Alfred Lion and Max Margulis established the Blue Note label in 1939, with photographer Francis Wolff becoming involved shortly afterwards. The caliber of the musicians that recorded for Blue Note coupled with its stylized cover designs has made it one of the most legendary jazz labels of all time. From the dozens of classic albums produced by the Blue Note label, our collection presents some of the most outstanding titles. They hav…

*2023 stock* "John Coltrane's Crescent from the spring of 1964 is an epic album, showing his meditative side that would serve as a perfect prelude to his immortal work A Love Supreme. His finest quartet with McCoy Tyner, Jimmy Garrison, and Elvin Jones supports the somewhat softer side of Coltrane, and while not completely in ballad style, the focus and accessible tone of this recording work wonders for anyone willing to sit back and let this music enrich and wash over you. While not quite at th…

180g Vinyl LP! Remastered & Pressed at Quality Record Pressings! Mastered by Ryan K. Smith at Sterling Sound from Original Analog Tapes! This important historic jazz record pairs guitar virtuoso Wes Montgomery with Miles Davis' rhythm section - featuring Paul Chambers on bass, Jimmy Cobb on drums and Wynton Kelly on piano. This is timeless music that has inspired innumerable jazz guitarists and aficionados. In fact, jazz guitar great Pat Metheny has said, "I learned to play listening to Wes Mont…

The Way Of Time takes loose inspiration from Elizabeth Madox Roberts’ novel The Time Of Man, sampling Joan Lorring’s voice from the 1951 radio play adaptation of the novel. Biosphere’s signature ambient loops, soothing arctic synths and melodies combine with Lorring’s sweet, wistful and deep-south wonderings to create a record that is both deeply human and searching.

Getatchew Mekurya is probably the most revered veteran of Ethiopian saxophone. A real giant, both physically and musically. Not only is he at the very top level of Ethiopian saxophonists, but he is the 'inventor' of an extremely distinctive musical 'style.'