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The Cosmological Eye Trilogy
They call their home studio the Space Room; they name their pieces after galaxies and nebulas; and their cat appears to be an alien. Please act surprised when you learn that this duo from Torino, Italy, plays space music -- not your ordinary brand, though: experimental space music. Maurizio Opalio and Roberto Opalio are exploring the cosmos through epic improvised journeys involving astral percussion, electric astral guitar drones, and space toys. Their territory is somewhere past the fringes of…
Okkulte Stimmen - Mediale Musik: Recordings Of Unseen Intelligen
This 3cd boxset is a fantastical document of parapsychological research throughout the 20th Century, with recordings of purported demonic possession, glossolalia, precognition, poltergeists, and the already well documented Electric Voice Phenomenon. The latter had been the subject of research by noted parapsychologists Raymond Cass and Freidrich Jurgensen, whose work was collected on several cds released on the Touch label, one of which was the AQ perennial favorite The Ghost Orchid. The first d…
Der Meister und Margarita
It is in itself a brilliant achievement to transform this complex religious-philosophical satirical novel from 1930s Moscow into a spellbinding opera. And each setting is imbued with its very special local color, whether it's Satan's ball, the asylum, the evil apartment, or the Place of the Skull: "Höller underpins, surrounds, conveys or impedes the sung and spoken parts by a dramatic theater music of powerful images and driving force, making use of the orchestral range of sounds both moderately…
Earle Brown Contemporary Sound Series Vol. 3
Wergo presents the third volume of the Earle Brown Contemporary Sound Series. Recorded between 1960 and 1973, the original LPs from which these CDs were taken have long been collector's items. These rare and historically important recordings of international avantgarde music have been carefully digitized and remastered by the Earle Brown Music Foundation. The series presents the extraordinary world of contemporary and avant-garde music that fl ourished in Europe, the United States, Latin …
Undercurrents The Hidden Wiring of Modern Music
The Wire magazine has come to be known as the authoritative source on modern music. This collection of essays springs originally from the Undercurrents, and subsequently, the Tangents series of articles that were “thinkpieces” based on 12 basic themes or forces that have and continue to shape modern music. The 19 essays, broken into 4 categories: electrification, occultism, mechanism and freedom, were contributed by some of the most prominent modern music writers and offer insight into ideas a…
Minute Particulars
In 177 pages Eddie Prévost includes twenty-nine thought-provoking essays on ideas, perceptions, reactions and the practices of improvised music, as well as a short index. Reactions to the real world - in particular, the political, corporate and commercial ones - are never far from the surface and the place of the individual is mirrored through that of the musician developing his or her own position, responsiveness and voice in a group context. Discourses include the questioning of terminology su…
American Minimal Music
The first book which deals in depth with the school of American repetitive music, better known as minimal music. The author discusses in detail the work of La Monte Young, Terry Riley, Steve Reich and Philip Glass and places them in the tradition of Western music. Minimal music thus emerges as the latest stage in a development leading from Schoenberg, Webem, Stockhausen and Cage.Considering the philosophical thinking of Deleuze and Lyotard, the representatives of the so-called French 'libidinal …
N° 1
“Bilinguage (english-french). First issue of the contemporary art journal about sound, devoted to the complex relationships between visual and sound forms, both in contemporary art and history.Featuring: analysis (“A Brief History of Sound Art” by Rahma Khazam; “Sound Art, a Fortified Art” by Bastien Gallet; “Notes on Steve Reich's Pendulum Music” by Christophe Gallois; “A Formless Form” by Mathieu Copeland; “Sound in Artist's Films” by Alexandre Castant, etc.) / “focus” on Philippe Decrauzat's …
As loud as possible: the noise culture magazine - 1
As Loud As Possible is a dense, perfect-bound UK-based magazine that debuted in late fall of 2010 to explore Noise music and culture with articles, interviews and reviews with both seminal and newly emerging sound artists that specialize in atonal sonic brutality. With ear-splitting frequencies and crumbling avalanches of layered sound, harsh noise is a provocative brand of sound art that frequently fascinates as much as it alienates. But in defence of this raging racket, I will say that Noise i…
I speak through a hole in my head...
the series of texts was originally spoken improvisationally into a micro cassette recorder while driving to and from my studio in 1988. nothing was written down or planned before i pressed 'record'. the entire work is printed here. unedited and in the order spoken. the periods mark the ending of each recorded segment. some of the pieces are responses to things seen and some are about speaking, and the sounds of words. i would suggest not only a mental reading, but a verbal one as well.the drawin…
Quando Stanno Morendo
Works of art are often triggered by private events. Sarà dolce tacere (1960), for example, was written on the occasion of the 40th birthday of Bruno Maderna, Nono's (former) teacher and close friend; and also in 1960 Nono wrote Ha venido for his daughter's first birthday. Djamila Boupachà (1962), ¿Dónde estás, hermano? (1982) and Quando stanno morendo (1982), on the other hand, are clearly expressions attributable to the politically involved, the committed cosmopolitan Nono.
Eclipse
Originally released in 1975 as an LP on Iskra Records (ISKRA-001). 'First session 1: Gradually Projection'. 'First session 2: Gradually Projection'. 'Second session: Mass Projection'. New Direction Unit are Masayuki Takayanagi: electric guitar. Kenji Mori: alto saxophone, flute, recorder. Nobuyoshi Ino: bass. Hiroshi Yamazaki: drums, percussion. Recorded by Mikio Aoki in Tokyo, March 14, 1975. Includes liner notes in English by Alan Cummings.
What Was Music?
Harry Pussy was a noise rock band from Miami, active from 1992 to 1997. The main members were Bill Orcutt on guitar and vocals and Adris Hoyos on drums and vocals. Other members included briefly Ian Steinberg on accordion, and later either Mark Feehan or Dan Hosker on second guitar. They recorded primarily for the Siltbreeze label. The often violent and sexually charged music of Harry Pussy is still well-regarded and highly influential in the noise and noise rock scenes.
Ins Offene... / sphere
Enclosing the listener in sonic space: This is what Beat Furrer carried to extremes in his FAMA (col legno 20612), about 15 years after Rihm, by actually placing his audience in a “building of sound”. For Wolfgang Rihm, a sonic space was something less concrete and more indirect: “Organically sprawling strings of sound should be woven around the listener, circling her from different directions. In this way, the listener is not left to her own devices while opening up to it; the piece itself come…
Discreet Music
Orignal master series reissue: a real masterpiece...after a car accident put Brian Eno in the hospital in 1975, he came out with the idea of creating Ambient music, or music that was essentially to be used as atmosphere. Discreet Music was the first of his ambient experiments and is therefore a landmark recording in addition to being a beautiful combination of tape-delay and composition.
Jättiläisrotta
The burgeoning Finnish free-folk movement has been garnering much praise & attention over the past year. First CD release by Avarus who play a left-field blend of noise, folk & free jazz. From the same circle of psychos who bring us Kemialliset Ystavat, Maniac's Dream, Pylon & the Anaksimandros. Backward, dirt-eating freak folk that makes the Animal Collective sound like Judy Collins.
Musica Viva 02
Musica Viva 02: Space and sound, modernism and pluralism, "perfect harmony" and, finally, the fascination of collectively organized fireflies.
Je Ne Connais Pas Cet Homme
Beautiful duets between Brigitte Fontaine and Areski -- and an album that's filled with loads of short little tracks that stand with some of their greatest work ever! Instrumentation is spare, but incredibly haunting -- a bit jazzy at times, slightly experimental at others -- but always quiet enough to allow the slightly-whispered vocals of the pair dominate the record. There's a strong sense of poetry here -- but without any of the stiffness or pretension that might imply -- and the re…
The Sea swells a bit...
Aidan Baker is one of the most important emergent artist of the last years...! Probably this is the most important "musical" Aidan Baker release..., in fact here the sound is comparable to the best (obscure) psychedelic post-rock releases including great droning, hypnotic and honeiric atmospheres. Spontaneously composed by Aidan, who plays guitar (electric & acoustic), bass, tapeloops, drum machine and percussion in his droning 'fashion soup'. In this album Aidan uses (as usual) his guitar but a…
Quilisma
The succinctness of his work will first become fully apparent when it becomes possible to view the second half of the twentieth century from something more like a bird’s-eye view.