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With a treasure trove of analogue, swirling effects, arch songcraft and a sweet yet assured vocal delivery, Trowel & Era brings to the table the epic debut long player by the one man band Apothecary Hymns (AKA Alex Stimmel). Stimmel has made a collection with one foot in kaleidoscopic coastal loner psych that floats on a musical bed of whimsical levity and another foot rooted firmly in the grand ethos of east village troubadours of the mid 60s." Alex Stimmel: acoustic & electric guitars 6 & 12 …
Unless Sun Ra's most out there moments, one of many behavioral components from Chaos 1978-86, were beamed alongside televised presidential messages for years, or the ravenous fire from Jimi Hendrix's burning guitar had a heated soundtrack of its own on the Billboard charts, it's hard to imagine anyone being ready for this crazy shit in the early 80s. The appropriately named Wicked Witch, a richly decadent and spooky avant-garde affair of off-kilter rhythm and blues-based x-spunk, was the masterm…
Once a member of early nineties daydream shoegazers Slowdive, for whom his manned the drums for four years, Simon Scott has since worked on a variety of projects, including, in recent years, atmospheric pop/electronic outfit Televise, and, more recently, Seavault, a collaboration with ISAN’s Antony Ryan. He is also at the helm of experimental imprint Keshhhhhh Recordings, which he runs from his native Cambridge. For his first release under his own name, Scott couldn’t have found a label more ada…
VINYL FORMAT. Reissued! Rising from the silence, shaking the muck of level-Z rock and roll detritus from their feet, Royal Trux returned to action in October of 1992 with an untitled album, their third. It had been two years since they'd vanished into the negative zone with Twin Infinitives, an ultimate left-turn that appeared to have no endgame. For Untitled, Royal Trux strung together eight pieces of varying vintage that clearly communicated their rock and roll desires with the most direct app…
Take the manic snorts of captain liberty, dissonant as chalk & the next moment as melodic as sharp yet slick, metal teeth. Take the mermaid, 1988, turn the tides, gently, gently away. Selected breath/silences/selected feedback. Take an argument you have here w/ an empty street while the memory of high traffic is leaking back. Sirenum has a real "spiritual food" vibe & it's fucking pain & pleasure relief in this real met en zonder sort of way.
Absolutely mindblowing album of layered, distorted and decimated 80's synthpop meets MBV style sonic devastation - one of the albums of the year!* Occasionally artists crop up that manage to extract tangible yet ambiguous feelings of darkness while somehow pushing musical boundaries without pause for breath. Cold Cave is one of those artists. His 'Cremations' album for Dominic Fernow's Hosptial imprint is a collection of two EPs and one LP released over the last 18 months, traversing the …
Sax player Steve Mackay blow with The Stooges on the legendary Fun House session in 1970 (and rejoined them in 2003 when they played their first show in 29 years at the Coachella Festival, and he has performed with them ever since + rec. two more albums)... nearly 25 years later he got involved w/Radon Ensemble, which includes members from such disparate groups such as Temple of Bon Matin & the Arthur Doyle EAE (Paternostro/Wilcox), Nimrod (Lohman), Koonda Holaa (Kamilsky), ect... the 10 tracks …
Two years after releasing SRS' 'Heaven 39' 2LP, Diophantine Discs is happy to release a record of new recordings by Sshe Retina Stimulants! Following in a vein similar to his other recent recordings this year, we are presented with four tracks of very abstract and experimental noise music. Using a variety of treated and processed instruments and electronics, this is surely one of the most complex, intense, and dynamic works by SRS. Sshe Retina Stimulants, the project of P.NG5361.B (Paolo Bandera…
When you discover that this LP consists of two side-long tracks entitled 'Hypnotic Brain Cloud Float' and 'Mystical Bamboo Garden Cultivation' I think you know it's gonna be business as usual for Expo 70. Both tracks were recorded live in the Autumn of 2010; one in concert, one for a radio session. Both these tracks are Justin Wright performing solo, but it doesn't seem to make a huge difference to the already-minimal Expo 70 sound. On side A it's all ponderous drones and synth swoops and …
Connecting his many worlds, ideas and influences into highly personal live performances and recordings, floris vanhoof keeps on amazing people here and abroad. after his vinyl debut on ultra eczema, this is his second outing on wax. cycles of confusion unites two different aspects of vanhoof's work. side a is a live piece recorded to four tracks and mixed in his home studio. it shows vanhoof's riley inspired side, focussing on consciousness outside the mind as evoked by modular synth soun…
Originally issued on cassette on the R.E.P. label in the '80s in very limited quantities, then re-issued on a 10 CD-R box set entitled Makoto Kawabata early works 1978-1981 (ltd. ed. 100 copies only). "This is a music that I originally composed for a play called Alice in Nakedland. The play was some erotic expressionist nonsense, sort of like Alice in Wonderland and Dr. Caligari's Crime added together then divided by two. My script was used, but my music was rejected by the other staff members."…
Nobody knows what a Brainbomb is, but with the sounds of this record strapped close to your skull you will not need your fancy pants college thesaurus to figure out exactly what the meaning is. This record is maximum, in-the-red and dealing with more issues than a year of after school specials. Sounds like a fried out speaker blowing a mix of Detroit fueled orgy fun and evil bad-assery. Driving around in your car, being tired, picking up hitchhikers and killing them with hammers and scre…
A journey in free improv noise ambient performed by a duo comprised of Stefano Pilia (3/4havebeeneliminated) on guitar, audio collages and effects, and media artist Andrew Hooker on electronics. Higly Recommended
Last copies...180 gram orange vinyl with gold mixed in, cover by Mike Rudolph. Recorded on 11/04/04 and 3/13/05 by Mike Johnston & Dennis Gonzales. Dennis Gonzalez (trumpet, percussion); Faruq Z. Bey (tenor, alto sax, gong); Mike Carey (tenor sax, bass clarinet); Skeeter C.R. Shelton (tenor, soprano sax); Mike Gilmore (vibes, marimba, saz, tamboura); Mike Johnston (bass, percussion); Nick Ashton (drums, percussion). 3rd vinyl release on Qbico by this great ensemble. Here, as a septet with specia…
LP version with printed inner sleeve: The Bureau B label breaks into new territory and presents a newly-recorded album by Krautrock legends, Faust. "There is no group more mythical than Faust." Thus wrote English musician and eccentric Julian Cope in his classic of the genre, Krautrocksampler. Which says it all really -- neither the habitus nor the music of the six-piece Hamburg group is easy to grasp. Formed in Hamburg in 1970, some lauded Faust as the best thing that ever happened to rock, oth…
Massive new album in an edition of 300 copies from the duo of Karen Constance & Dylan Nyoukis: The Larval Tuning Fork consist of two side-long works judiciously edited and put-together with an easy/impenetrable logic from live shows and performances across the globe. Much of this is on the minimal side as is the contemporary Blood Stereo style, with plundered conversations and small-scale clatter and drone put to the service of long blanks of almost hypnotically monomaniacal accumulations…
"Recorded in 1969 , early electronic music pioneer Bruce Haack and child educator Ms. Nelson go bravely and deeply into psychedelic music compositions designed to open the minds and hearts of the young. Truly far out electronic music that evokes a space age alternate universe. Bruce and Ms. Nelson are joined by pianist Praxietellis Pandit and their relaxed sounding friend Chris to bring you songs about everything from ancient folk tales to outerspace to what the world sounds like when y…
Restocked, few copies left: the privately pressed Cairo Free Jazz Ensemble 1st album had always been considered as a kind of legendary album, difficult to find (Hartmut confirmed to me that it was pressed in Egypt in only 200 copies)... here are available for the 1st time ever the sole other recordings left of this mythical Ensemble ! it all started with Salah Ragab & the Cairo Jazz Band playing jazz standards and new compositions in the end of the 60's... then, with the arrival of Hartmut, they…
lucky warehouse find, few copies available of this long out of print lp "For many, this is the definitive Lightning Bolt album. It's certainly an accessible release given some of the mayhem that came earlier in their back catalogue, yet somehow, despite sounding more tightly organised, and being structured around more conventional song frameworks the album manages to be heavier, focusing on riffs and dare I say it, actual hooks. Illustrative of that point, apparently Muse have been known to…