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Gestation Sonore
Long deleted, few copies available: "Gestation Sonore" is the only album to be released by the French improvisational quartet "Horde Catalytique Pour La Fin"; which rightfully found its way onto the infamous Nurse With Wound list. The four piece line-up consisted of Richard Accart (Saxophone tenor, flutes), Francky Bourlier (Harpe de verrer, flute, vibraphone, percussions), Jacques Fassola (Contrebasse, guitar, banjo, Orgue a bouche) and Gil Sterg (Drums and percussion).Released in 1971 on the l…
Piano Pictures
Now, which are the points of contact between these two composing gentlemen? "In both composers, a childlike quality shows in their indifference (or impartiality) towards the utilizable musical material: 'sophisticated' and 'lesser' styles, ragtime and music hall, neo-gothic and bitonality, typing machine and doorbell, jocular or praising quotes – everything is linked with everything, without any previous weighing and selection, without preconditions, following a kind of anarchic play instinct. […
Das tapfere Schneiderlein
Drop the usual children's opera platitudes, add a liberal measure of cheek – result: a smart musical comedy, young and saucy, just like the brave little people that go about their business here. Do the children today know at all what this fairytale is about? Well, if they don't, Wolfgang Mitterer will bring it home to them, with just a few characteristic instruments: double bass, samples, synthetic sounds. Elisabeth Rombach as the little tailor takes to the road boldly and merrily, parading the …
The Wide Album
It took Tim Wijnant two years to complete the successor of his debut-album Gravity=Love. All this resulted in a stream of ideas, influences which were put into this new album. This is a mature CD ranging him amongst the likes of Pimmon/Fennesz/Markus Schmickler. The Wide Album is a progressing work. Started out by collecting 'sounds' from different sources. Manipulated, and processed into rough tracks and fitted alongside one another until a definite version was completed and fine-tuned as a who…
Aerial # 2
This release is the second (Volume 2) in the three-part Aerial series. Tod Dockstader is one of the all-time great figures in the world of musique concréte composition, with his "organized sound" works from the 1960s being amongst the most radical ever conceived -- in league with Schaeffer, Henry, Stockhausen, and Varese. Aerial is a rare new work in the realm of shortwave radio, from one of America's most experimental composers. Volume 1 was released in March 2005 inside a slipcase. Volu…
Works for Soprano
Kurtág's attachment to speech is also to be sensed in the works from this first period of maturity, something which emerged more concretely in this CD maily cenetered around the Russian language, which he learned especially in order to read Dostoevsky, and which is almost "sacred" for him, in the way that Latin was for Stravinsky. In his Russian works, opp 16 to 19, Kurtág's response to Russian prosody transforms his musical dialect with a poignant lyricism; this is to be heard both in the works…
Gene packs
Hirotomo Hasegawa : ichiriki, voice, loops. Shizuo Uchida : bass, ichigen, loops. Debut album by a new improvisation group consisting of Hirotomo Hasegawa and Shizuo Uchida. Both have a leather-bound folder full of underground back-story. Hasegawa was the lead singer of seminal early eighties Japanese punk hardcore group Aburadako (Greasy Octopus), while Uchida was a long-term member of Haino's Nijiumu medieval dream-drone unit. The group's instrumentation is highly unorthodox, placing Uchida's …
Je Ne Connais Pas Cet Homme
Beautiful duets between Brigitte Fontaine and Areski -- and an album that's filled with loads of short little tracks that stand with some of their greatest work ever! Instrumentation is spare, but incredibly haunting -- a bit jazzy at times, slightly experimental at others -- but always quiet enough to allow the slightly-whispered vocals of the pair dominate the record. There's a strong sense of poetry here -- but without any of the stiffness or pretension that might imply -- and the re…
Jättiläisrotta
The burgeoning Finnish free-folk movement has been garnering much praise & attention over the past year. First CD release by Avarus who play a left-field blend of noise, folk & free jazz. From the same circle of psychos who bring us Kemialliset Ystavat, Maniac's Dream, Pylon & the Anaksimandros. Backward, dirt-eating freak folk that makes the Animal Collective sound like Judy Collins.
Ribbons Of Dust
In La Monte Young's formulation, drone music is built on the idea of vertical composition, moving away from developmental form towards "Vertical Hearing". The danger, of course, is that layers will be substituted for composition, resulting in dissonant monolithic roars. These have their place, but tread an easy route to some ambiguous transcendence. On the four extended meditations for guitar and electronics here, Alex Cobb chooses no such route. Instead, patience and focus help him build up vas…
No Birds Do Sing
Everyone's belle de jour Diana Rogerson and Andrew Liles got together to create what we regard as one of the most considered and well conceived albums Liles has been part of. 'No Birds do Sing' can only be described as a hallucinogenic voyage of disconcerting mysticism and cosmic pandemonium and is a recording he's very proud of. This disc is a completely black and comes in a stunning super high gloss digipack with wonderful artwork by Babs Santini.
Dawn
It was recorded at the legendary Total Music Meeting of Free Music Production in November 2000. Dawn is a composition played off the cuff of nearly 42 minutes. All the highs and lows of a longer composition are on this recording: searching and finding, restrained groping and violent erupting.... The decisive factor, however, is that this music is played by people who have nothing or very little to do with this attitude, by Gert-Jan Prins (see his solo record Prins Live, GROB210), by the saxophon…
Concierto n° 1 para piano y orquesta \'Atlántico\' / La Luz del
Canary folklore: the Concierto Atlántico is based on two motifs that have been "united with the almost obsessive rhythm of the tango herréno, an essential element of the oldest folk music of the island." The piano piece Latir Isleño, on the other hand, is based on a well-known Canarian folksong, Arrorò. But traditional Canarian music is merely the starting point for these works, not their destination; their structure, like that of La Luz del Aire (The light of air), is determined by exact mathem…
Musica Viva 02
Musica Viva 02: Space and sound, modernism and pluralism, "perfect harmony" and, finally, the fascination of collectively organized fireflies.
Quilisma
The succinctness of his work will first become fully apparent when it becomes possible to view the second half of the twentieth century from something more like a bird’s-eye view.
Piano and Orchestra, Palais de Mari, Piano
In the early 1970s, Feldman increasingly turned his attention to works for orchestra, in most cases combined with a solo instrument. The compositions dating from this period include, among many others, Cello and Orchestra (1972) or Oboe and Orchestra (1976). One aspect that was important to him in all of these works was a research into sound, an "unceasing effort to create, by way of exclusion and integration, by operating with colored projection surfaces and various spatial levels, a kind of se…
Kraanerg
"I originated in 1954 a music constructed from the principle of indeterminism; two years later I named it "stochastic music." The laws of the calculus of probabilities entered composition through musical necessity… But other paths also let to the same stochastic crossroad -- first of all, natural events such as the collision of hail or rain with hard surfaces, or the song of cicadas in a summer field. These sonic events are made out of thousands of isolated sounds; this multitude of sounds, seen…
The Rara Requiem
Added to these are bits and pieces of first names of real people and opera characters, and numerous quotes from older works by Sylvano Bussotti – who combines it all to a work that is also a grand opera: The Rara Requiem was written as the third part (acts 4 and 5) of Lorenzaccio (1968-72), the story of a renaissance man. A pandemonium of sounds, the subtotal of Bussotti's previous oeuvre – and the celebration of a proud renaissance man who confronts death with the courage of contempt. "The musi…
Zombie Fela Kuti And Afrika 70
Includes liner notes by Jacqueline Grandchamp-Thiam, Rikki Stein and Mabinuori Kayode Idowu. Digitally remastered by Pompon (Translab Paris, Paris, France). With the inclusion of Nigerian master musician Fela Anikulapo Kuti's incendiary 1977 single, "Zombie," "Mr. Follow Follow," a typical anti-authoritarian exhortation, and a couple of hitherto-unreleased live cuts from the 1978 Berlin Jazz festival, ZOMBIE finds the iconoclastic singer and bandleader at his electrifying best. The title track, …
String Quartets Vol. 3 (Nos. 7-9)
String Quartets Nos. 7, 8 and 9 suggest that Rihm has finally left behind the neo-romantic expressive pathos of earlier compositions: “Real or virtual allusions to the past are rarely to be found any more – and the same holds of the luscious and revelling strings. Remnants of tonal harmony are, with a few exceptions, almost completely obliterated. … Instead, new constellations come to the fore, emancipated from traditional conceptions of sound – heeding, in particular, the principle of polarity …