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De Profundis / Piano Piece No IV / Piano Sonata / Winnsboro Cotton Mill Blues
1995 release ** "This reading by Anthony de Mare of pianist Frederic Rzewski's compositions is a revelatory reading, in that those works that were written for piano and voice have never been heard outside of the composer's own interpretations. There's the amplified heavy breathing at the beginning of "De Profundis" that gives way to an angular series of scalar arpeggios and staccato phrasing before a long written oratory inspired by Oscar Wilde. At over 26 minutes, and composed for de Mare, Rzew…
The Haunt
Recorded April 21, 1976, Blue Rock Studio, NYC. This is a reissue of the rare album, ‘The Haunt’ (Otic 1005). Includes a nearly 7 minute bonus track not found on original LP. Featuring Bobby Naughton on vibes & compositions, (Wadada) Leo Smith on trumpet and Perry Robinson on clarinet. Recorded April 21, 1976, Blue Rock Studio, NYC. This is a reissue of the rare album, ‘The Haunt’ (Otic 1005). After attending dozen of jazz gigs at places like the Village Vanguard, the Village Gate and the Five S…
Rivbea Live! Series, Volume 1
Kalaparusha Maurice McIntyre - tenor saxophone, clarinetMalachi Thompson - trumpetMilton Suggs - electric bassAlvin Fielder - drums
Recorded July 12, 1975 at Studio Rivbea, 24 Bond Street, NYCRemastered by Arūnas Zujus at MAMAstudios, Vilnius, LithuaniaPhotos by Thierry TrombertCover art and design by Jeff DiPernaLiner notes by Ed Hazell
Rivbea Live! Series, Volume 2
An extraordinary, previously unheard session by alto saxophonist Arthur Blythe originally recorded on July 6, 1976 in New York City, and performed in the expansive, unconfined environment of the loft jazz movement, delivering remarkable extended solos on alto saxophone. The minimalist ensemble comprises Juni Booth on bass, Steve Reid on drums, and Muhammad Abdullah on conga, devoid of piano or additional horns, allowing Blythe ample opportunity to showcase his improvisational skills. The initial…
Frictions / Frictions Now
Awesome archival CD covering the entire production by The Free Jazz Group Wiesbaden, a quartet with the odd instrumentation of reeds (Dieter Scherf), trumpet (Michael Sell), guitar (Gerhard König, who also played flute) and percussion (Wolfgang Schlick). They released two appropriately schizoid LPs on Scherf’s LST label in 1969 and 1971 (Frictions and Frictions Now, here collected) before disbanding. This is a stunning copy of their first very rare private press side, 1969 Frictions, a spectacul…
Constant Change 1976-2016
This solo piano music has never been released before on disc. It covers a 40-year period stretching from 1976 to 2016 and contains both live concerts and studio sessions. "Paris / Debrecen are both Festival performances recorded at a period when I was concentrating on developing my own material / compositions, and before I had evolved my ‘with or without repertoire’ approach to solo playing, which explained in the ‘sleeve-note’ to Live With Repertoire on NoBusiness Records CD 58 (briefly: some p…
Melodic Art-Tet
**CD edition** 1974 recordings at WKCR in NYC from the quintet of Charles Brackeen (flute & sax), Ahmed Abdullah (trumpet), William Parker (bass), Roger Blank (drums) and Tony Waters (percussion), beautifully recorded and essential free improvisation. "The dominant influences at this time were John Coltrane and Albert Ayler (both of whom had passed away relatively recently); and Ornette Coleman (who had not yet gone Harmolodic). Although some musicians had sought to push the Fire Music of late C…
Live at Vilnius Jazz Festival
A demanding live duo performance from New York drummer William Hooker and Lithunian saxophonist Liudas Mockunas, performing at the 2013 Vilnius Jazz Festival. The playing is hard-edged, rugged and free playing, keeping a strong momentum from Hooker's unabating drive, maintaining a solid pulse without seeming to repeat himself. Mockunas has a thick confident approach to his playing, varying melodic riffs with trance-like playing. An album of edge-of the-seat and persuasive playing."Liudas Mockuna…
Live at Cafe Amores
Kang Tae Hwan plays alto sax with a rawness that's usually reserved for the tenor – a fantastic sound that really comes through beautifully here in this solo set of improvisations! The material was recorded around the same time as Kang's brilliant (and few) recordings for the Japanese market – and the long-overdue presentation of this performance comes as a much-needed accompaniment to his small catalog – the kind of record that boldly, brilliantly documents a completely unique talent – one whos…
Ghost Ship
Four years after his rock juggernaut Puritan, Chris Brokaw delivers Ghost Ship, a landscape meditation (at sea) for vocals and electric guitars.
I set out to make an 8 song statement like 'Desert Shore' or 'Raw Power', but it became a 9 song...something else. I've described it to friends as 'Twin Peaks-ish' but that feels only part right. The songs were written on a 60's Teisco Del Rey electric guitar, set up by the Belgian luthier Flip Scipio with heavy gauge flat wound strings and an .80 gaug…
Låt Oss Vada Genom All Ängslan Tillsammans
Enhet for Fri Musik's “Låt Oss Vada Genom All Ängslan Tillsammans” stands as one of their most evocative works, weaving delicate melodies, tape hiss, spoken word, and dreamlike atmospheres into a truly unique listening experience. This is a perfect opportunity to immerse yourself in their singular universe and own an essential piece of modern experimental music history.
Nightmare Alley
1993 release ** "The leading New York avant jazz harpist has appeared on hundreds of free improvisation recordings in collaboration with artists such as Fred Frith, John Zorn, Elliott Sharp, Lee Ranaldo, and Ikue Mori, among many others. During the '80s and '90s, she pioneered the electric harp of her own design, an instrument which thrives on the rich tonalities of the traditional harp matched with the flexibility of an electric guitar. The instrument was so unique that it shaped and influenced…
The Reformed Faction Of Soviet France
2006 release ** "Reformed Faction is a musical group formed in 2005 by three former members of Zoviet France: Andy Eardley, Mark Spybey and Robin Storey. The band’s original name was The Reformed Faction of Soviet France. They played one concert, in Vienna on 10 November 2005, and released a self-titled album on the Vienna-based Klanggalerie label. In 2006, they announced that they were to continue the project under the name Reformed Faction in order to detach themselves from the name Zoviet Fra…
Mole's Milk & Other Pieces
2012 release ** For many years now there is a strong connection between the three members of Kapotte Muziek – Frans de Waard, Roel Meelkop & Peter Duimelinks – and Rotterdam based visual artist Ben Schot. The first time they worked together was when Schot asked Kapotte Muziek to perform at a festival about Detroit/MC5/etc festival in 1998 (released on ‘Praag/Rotterdam’ CD by Kapotte Muziek) and since then there have been various collaborations and constellations. This CD, while technically a com…
Anonym
*Packaged in an old school, tip-on sleeve. Includes hi-res digital download* Legendary debut album by Junko Tange (mystery woman who showed up on the NWW list), originally issued by Osaka’s Vanity Records in 1979. Dadaesque recitations and sparse guitar, piano and electronic meanderings combine for a beguiling, hypnotic dreamworld. Officially licensed from the custodians of Yuzuru Agi's Vanity Records archives, this edition has been fully remastered from new transfers of the original analog tape…
Tête de Chou
*350 copies limited edition* An’archives are proud to announce the release of the debut album by Tête de Chou, the trio of Mark Anderson, Kurumi Kido, and Arlo Wynks. Some may know Anderson for his membership of Greymouth, 番長Taste, Mysteries Of Love, and Suishou No Fune; Kido and Wynks have more personal, sporadic musical histories, which informs the intimacy and gently exploratory nature of the eight pieces contained here. The trio’s movements seem spontaneous and open-ended, which makes sense …
Personalidade
1987 release ** "One of Brazilian PolyGram's anthologies of homegrown music, this volume offers a cross-section of Milton Nascimento's Brazilian output from 1980 to 1985, with a side trip way back to the unforgettable tune that launched him in 1967, "Travessia." From North American rock/funk -- a live rendition of a tune dedicated to the Beatles, "Para Lennon e McCartney" -- to smooth-textured pop, lush electronic backdrops, a mournful Villa-Lobos melody ("Cantiga"), and various Brazilian backgr…
Estudando O Pagode
2006 release ** "Tom Zé has always had a knack for mixing rural, back-porch compositions with whatever technology was available to him -- giving his music a distinctive spice of the avant-garde. His tunes may be centered around the strumming of his battered acoustic guitar, but his production and mixing techniques often take his songs into a weirder world. A self-described "musical journalist," Zé isn't concerned with making you boogie as much as he is concerned with telling you what the deal is…
God Is More Than Love Can Ever Be
* 2023 Edition. Remasterd * God Is More Than Love Can Ever Be is something of a rarity in the Sun Ra catalog—a cohesive album, with none of the stylistic eclecticism and musical chair shifting found on many of the artist’s self-released LPs. Recorded at Variety Studios one day in 1979, the album's five tracks comprise a solid jazz trio set. It's also unusual because it had not previously been reissued. In March 2018 Cosmic Myth Records issued a newly remastered edition in LP, CD and digital form…
