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Turn On Arabic American Radio
The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the same title, accidentally or not) has always been a little mysterious. Jones himself can no longer be asked, and as you continue to investigate the swathes of material he provided, you hit sources like the DAT or DATs that make up the contents of the…
Lazhareem Ul Leper
Lazhareem Ul Leper by Muslimgauze certainly qualifies for its range of percussion instruments, atypical electronics, skillful de-construction of ethno-traditional music. In turn, said music is re-assembled with urban stylings with a technical deftness akin to the way a Shao-Lin monk wields weapons. Muslimgauze enthusiasts may recognize sounds from Izlamaphobia on the odd track as they were made roughly the same time, only Lazhareem is arranged differently and with more unique elements to form a …
Iranair Inflight Magazine
This is a mostly beat-driven album with little background noise, ambient space, or reverb. There is also no big emphasis on Middle Eastern sounds, which (and you should be figuring this out by now) is a frequently occurring theme in Bryn Jones' politically-driven music. Occasionally, there is some melodic material, or a touch of the Middle East sprinkled in, but it's played down in favor of beats that could best be described as very raw and closer to early Autechre minimalism than something from…
Izlamaphobia
Edition of 500. Izlamaphobia starts with an aggressive blast, "Hudood ordinance." With a rhythm track consisting of extremely tweaked and processed electronic beats and bleeps and only the gentlest of Arabic string instruments deep in the mix to relate things to a more familiar Muslimgauze sound, the song sets the general mood for the rest of Izlamaphobia. This said, Bryn Jones's specific talent was such that even without that, this would still sound like him, his trademark care and obses…
Hamas Arc
Originally released in 1993. The reissue contains remixed material from »Shekel Of Israeli Occupation«, which did never appear. Also on there are two remixes from tracks on »Vote Hezbollah«. From the original press release: »For over ten years this solitary voice from Manchester has created a unique sound drawn from a melange of Arabic and European instrumental music. From the very beginning the music has been based on drums and other percussion instruments. Recent advances have been attained th…
Return of Black September
The excellent Black September, a continuous, five-part, 68-minute epic, is as formidably competent as ever, although more for the brooding, surreal nature of its soundworld than for its grooves, which here sound almost subsidiary. The soul samples and restlessly evolving minor-chord kaleidoscopes that unfold throughout the work is prima facie evidence of a musician on a roll. Boldly named after one of the most notorious Palestinian terrorist organizations, the group which carried out the Israeli…
Souk Bou Saada
Another Muslimgauze discovery in Staalplaat's reissue series, with eight rare tracks from the mind of Bryn Jones. Hefty slabs of beefy beats are seasoned with spicy South Asian melodies while mouth numbingly hot bass lines are smothered in distortion chutney; Souk Bou Saada was broiled in Machester's finest tandoor and is now served by Staalplaat. If you love East Indian flavors with a neo-bhangra beat, this disc will not disappoint, equally at home on the dancefloors of Bradistan, UK or Mumbai,…
Kashmiri Queens
"Kashmiri Queens" presents a more accessible side of Muslimgauze, featuring a faster tempo and fewer sonic overtones than his previous endeavors. The music's core is rooted in drone and raga samples complemented by a rich array of ethnic percussions. All the standard Muslimgauze elements present here, but this release sees a more steady approach to his sound. Far less of the abrupt cutting in and out he had favoured for a good while, and more of a concentrated approach to the music. He lets the …
Sycophant Of Purdah
Part of Staalplaat’s ongoing Muslimgauze archive series, Sycophant of Purdah was submitted in 1994 then “replaced” by another master Bryn Jones felt more fit for release. Sycophant then languished in the vaults until present, nearly a decade after Jones’ passing. It is no secret that Jones was a prolific artist and that numerous labels combined could not keep up with his output and will take several more years more for them to do so.
Sycophant opens with a radio broadcast on the on-going Palesti…
Cold Memories
"Was it yesterday or tomorrow?"
That release is a tape that Atom Heart did for the first edition of the Ambient City radio at the Museum of Contemporary Art in Helsinki 1994.
Mama Killa
Guitarist Ava Mendoza, violinist gabby fluke-mogul, anddrummer Carolina Pérez release their debut album, MamaKilla, named for the Inca goddess of the moon. Mama Killaoffers eight tracks of high-volume, riff-based guitar-violinimprovisation bolstered by thunderous drumming. Working together for the first time, these three musicians havecreated a record that blends country, blues, and psychedelicrock with blast beats and the heaviness of black, death anddoom metal, wrapping it all in feedback, dis…
Yikes
Tim Berne - alto saxophoneTom Rainey - drumsGregg Belisle-Chi - guitar
All music composed by Tim Berne Party Music BMI except Julius Hemphill by Julius Hemphill.Subito Music Publishing (ASCAP).Mixed and mastered by David Torn.Vinyl artwork + design Steve Byram.CD artwork + design TJ Huff (huffart.com).Digital artwork is a collaboration between Steve Byram and TJ Huff.
Tracks 1-10 recorded April 20th 2024 by Greg DiCrosta at The Studio at Firehouse 12.
Tracks 11-18 are a live concert recorded Mar…
Flashing Spirits
Legendary pianist Cecil Taylor enjoyed a month-long residen-cy in Berlin in June and July 1988, during which he began anartistic partnership with drummer Tony Oxley which lasteduntil Taylor’s final public performances in 2016. Recorded at theOutside In Festival in Crawley, UK in September 1988, FlashingSpirits is a high-intensity, extraordinarily beautiful piano-drumsduo, previously unreleased and a revelation even for listenerswho followed Taylor’s long and unceasingly exploratory career.
22/12/2017 Guilin Synthetic Daydream / How to Avoid Ants
22/12/2017 Guilin Synthetic Daydream is a perceptual trap. Inspired by an experience of intense perceptive disorientation while crossing a market in China, Eve Aboulkheir reinstantiates, in the field of sounds, the swirling and anamorphic universe of thwarted perceptions, surrounding multitudes and shifted sensations. She thus constructs a dreamlike and artificial universe, suspended and hyperactive, which is both an electronic vortex sucking us in and a mechanical ballet developing its arabesqu…
Hudson River Wind Meditations
Tip! “I first composed this music for myself as an adjunct to meditation, Tai Chi, and bodywork, and as music to play in the background of life, to replace the everyday cacophony with new and ordered sounds of an unpredictable nature. New sounds freed from preconception. …over time, friends who heard the music asked if I could make them copies. I then wrote two more pieces with the same intent: to relax the body, mind, and spirit and facilitate meditation.” - Lou Reed
Lou Reed’s final solo album…
Critical Trip: Live At Rokumeikan, Tokyo, 13th May 1987
On May 13th, 1987, at Tokyo's Rokumeikan, Les Rallizes Dénudés delivered what may stand as their definitive performance—a concert that captured the band's unique ability to transform noise into transcendence. Critical Trip: Live At Rokumeikan, Tokyo documents this extraordinary evening, preserving the raw, immersive power that made Mizutani Takashi's ensemble one of Japan's most enigmatic and influential musical forces. By 1987, Les Rallizes Dénudés had spent nearly two decades perfecting their …
Forbidden Questions In Space
*100 copies limited edition* Forbidden Questions in Space is a haunting, koan-inspired journey of ambient, vocal, and drone improvisations. Born from Zen riddles and cosmic wonder, Angela Winter transforms existential dread into spacious, contemplative soundscapes. It asks: How do we meet the world as it is? The result is meditative and stirring, an invitation to let go of certainty and awaken to beauty in the unknown.
"Forbidden Questions in Space emerged in 2021 when I was mixing my album lig…
I'm Gonna Take You Home
The story of Father Yod, Yahowa 13 and the Source Family could literally fill books, but rest assured, they truly were the "apex of high" in terms of psychedelic music. A tale that transcends conventional music history, this legendary collective represents one of the most radical experiments in communal living and cosmic sound ever documented. The basics paint an extraordinary picture: Father Yod was a WWII flying ace and spiritual seeker who gathered his "children" around him in early 1970s Los…
The Lo Yo Yo
London’s The Lo Yo Yo was conceptualized by John “Alig” Pearce in 1984 after his primary group, the deservedly legendary Family Fodder, went dormant. Soon enough a few others were enlisted to round out the quartet, including Mick Hobbs of The Work and Officer! fame, alongside friends Joey Stack and Carrie Brooks. The Lo Yo Yo took elements from their other groups and, in the tradition of somewhat like-minded acts like The Raincoats, Naffi and Amos & Sara, added a strong dub/reggae element.
Short…
New Assumptions...
Ex Agent’s debut EP New Assumptions… is a collision of no-wave beauty, improv-adjacent disorder, and spoken-word poetics that teeter on the edge of collapse. Within this exquisitely precise disarray lie carefully constructed moments of fragility, repeatedly unsettled by bursts of sudden, free-jazz chaos. Across five tracks, the Bristol-based five-piece explore queer and neurodivergent identity through sonic themes of refuge, instability, and resistance.
Formed in late 2021 in Bristol, the group …