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*In process of stocking. Limited edition of 500 copies.* German pianist Georg Gräwe, one of the most impeccable and imaginative improvisers in contemporary free music, made his debut recording, New Movements, in 1976, under the auspices of Free Music Production, the legendary Berlin-based organization run by Jost Gebers. At FMP’s Jazz Now festival, in April of that year, Gräwe presented his working band, a classic hard-bop configuration with trumpet, saxophone and rhythm section. Indeed, some ve…
Lars Lundehave Hansen has been working with ephemeral drones and physical music for the past 20 years - as a soundartist, enthusiastic promotor of and dedicated performer in these fields.
Deluxe, spot gloss-printed, massive three-hour box set collecting the full work of Herbert Joos (one of the most celebrated musicians in Lithuania’s avant-garde scene) 1968-1973 units, the Modern Jazz Quintet Karlsruhe and Four Men Only
*2023 stock* "Thousandfold is Brooklyn-based guitarist Adam Caine's debut as a leader; he's worked with Soundpainting composer Walter Thompson in addition to leading his own quartet, quintet, and the trio heard here. He's joined on these eight improvisations by regular conscript, drummer John Wagner, and bassist Tom Blancarte. The unaccompanied opening to "Castros" provides a good space in which to view Caine's approach to the guitar. It begins with blocky, almost Thelonious Monk-like cadences (…
*2023 stock* "Russian-born percussionist Vladimir Tarasov is sort of the “old man” of jazz in Lithuania – he’s called Vilnius home since 1968, and achieved international renown as an improviser with the Ganelin Trio (1971-1986). In addition to work as a sound installation artist and solo percussionist, he has also worked with American composers like Anthony Braxton and drummer Andrew Cyrille. Thinking of Khlebnikov, a dedication to Russian Futurist poet Velimir Khlebnikov, is Tarasov’s first dis…
*2023 stock* "The duo of saxophonist Jimmy Halperin and bassist Dominic Duval let you know right away what side of Monk they're most interested in, opening and closing with "Brilliant Corners," perhaps the most 'angular' and abrasive of Monk's compositions. Halperin and Duval take it in stride—well, make that tense stride. Halperin really leans into this music, creating swirling patterns on "Off Minor," "Blue Monk" and "Monk's Dream" that gives them a very different feel from the usual accounts.…
A colossal encounter of drummer William Hooker and the late wind player Thomas Chapin performing at the 9th Street Gallery in NYC in 1992, 3 massive improvisations from the jazz underground. This is a monster duo! One of the greatest duo events of all time. There were a series of weekly duo encounters with William Hooker and different saxists at Jerome Cooper's loft during the summer in the early nineties. I caught two of these with Louie Belogenis and Thomas Chapin and both were incredible.I re…
*2023 stock* "Riley’s music has often been called reserved and constructivist, maybe because of his classical avant-garde background. However, his approach is by no means unemotional, there is a very beautiful lyricism in his style. On “Live with Repertoire” you can see this if you compare his version of “Round Midnight” with the one by Miles Davis, whose interpretation of the classic Monk tune sounds like a soundtrack to a French film noir in which the protagonist strolls through a deserted Par…
*2023 stock* The title already suggests the content is inspired by the devastation of hurricane Katrina in 2005. And it is without a doubt the best musical performance dedicated to the catastrophic event (as by Terence Blanchard or Wynton Marsalis). How to be all soul and all spirit with just two instruments and remain captivating and compelling from beginning to end may seem like a great challenge to many, but these two fantastic mugicians do it.
A previously unreleased concert recording from 1986 of a group of leading out jazz artists (Billy Bang, Fred Hopkins, Andrew Cyrille, &c.). Part of the magic of jazz in New York City is groups of musicians coming together for brief engagements and then moving off into other groups and configurations, leaving fond memories but little recorded evidence of their existence. The Group was a very talented amalgam of musicians, veterans of the free jazz and loft scenes: Ahmed Abdullah on trumpet …
Daunik Lazro - baritone & alto sax. Jean-François Pauvros - electric guitars. Roger Turner - drums & percussion. Tracks 1 and 2 recorded live at Instants Chavirés (Montreuil) by Jean-Marc Foussat and Dominique Pauvros on 7th November 2008. Tracks 3 and 4 recorded live at festival Jazz en Frache-Comté (Besançon) by Jean-Marc Foussat on June 30th 2010. Edited and mixed by Jean-Marc Foussat
*2023 stock* "Both a reunion and a new configuration, the galloping interaction which makes up Hell-Bent in the Pacific unites alto saxophonist Marco Eneidi, who now lives in Austria, with his West Coast rhythm section plus added impetus from Los Angeles-based Vinny Golia’s many reeds. Golia’s wide-ranging gigs have frequently put him in contact with bassist Lisa Mezzacappa and drummer Vijay Anderson, two of the Bay area’s busiest players, so that his contributions are inspired not alienating. M…
Superb improvisation from three masters - Evan Parker on sax, Barry Guy on bass and Paul Lytton on drums - performing at the Maya Recordings Festival, September 23 - 25, 2011 at Theater am Gleis, Winterthur, Switzerland." After twenty one recordings there may not be too much more to say about the superlative English threesome of saxophonist Evan Parker, bassist Barry Guy and drummer Paul Lytton. Some 30 years on since their debut Tracks (Incus, 1983), they converse in a language entirely of th…
*2023 stock* "Recorded in Hasparren, in the French basque county, we find two of the country's most eloquent free improvisers in a fantastic duo album. Daunik Lazro is on baritone sax and Joëlle Léandre on bass. Their music is a sheer delight. It is subtle, nuanced, powerful and sensitive, flowing in the most natural kind of way, together in the same direction. [...] Beautiful, beautiful ... and rich." - Stef Gijssels
CD1: Edward "Kidd" Jordan – tenor saxophone, Alvin Fielder - drums, percussion, Peter Kowald – bass. Recorded on 28th April, 2002 at Zeitgeist Multi-Disciplinary Arts Center, New Orleans, Louisiana / Coordinator - Eduardo Young / Engineer - John Crutti Jr. All titles composed by Edward "Kidd" Jordan (Danjor Music, ASCAP), Alvin Fielder (ASCAP) and Peter Kowald (GEMA) Special thanks to Rene Broussard, Rob Cambre and Dr. Jimbo Walsh
CD 2: Edward "Kidd" Jordan – tenor saxophone, Alvin Fielder - dru…
Distinguished jazz and improvisation artists, pianist Dave Burrell and trombonist Steve Swell have crafted one of the most exciting and unique duo presentations I've heard in quite some time. The album moniker Turning Point is the third in a series of five suites honoring the individuals and events of the American Civil War. Here, Burrell ruminates upon Civil War era Americana, integrated with a progressive jazz flair amid lofty improvisational sequences and humbly stated melodic choruses v…
\\\"Billy Bang was a brilliant human being, always much more than himself, especially when he surrendered to his true calling-that of musician, one who transforms music into magic, dancing instead of walking, jumping instead standing still. Billy Bang was an American original, an original musician, an organic person who had tapped into the river of sound and was riding on a boat drenched in blues-soul-funk and space.Billy is gone and unfortunately for the world there will never ever be another p…
Awesome archival CD covering the entire production by The Free Jazz Group Wiesbaden, a quartet with the odd instrumentation of reeds (Dieter Scherf), trumpet (Michael Sell), guitar (Gerhard König, who also played flute) and percussion (Wolfgang Schlick). They released two appropriately schizoid LPs on Scherf’s LST label in 1969 and 1971 (Frictions and Frictions Now, here collected) before disbanding. This is a stunning copy of their first very rare private press side, 1969 Frictions, a spectacul…
*2023 stock* "Ask most open-eared listeners about Japanese music since the 1960s, and they’ll likely talk about the psych and noise scene, the offshoots of Onkyo music movement or maybe the richly documented electronic music documented by Omega Point on their Obscure Tape Music of Japan series. The free jazz scene in Japan and neighboring countries has been a bit harder to pin down. PSF nailed the voluminous output by Masayuki Takayanagi and Kaoru Abe and labels like Trio, Japanese Denon and Pad…
*2023 stock* "Kami Fusen" is the second volume in the ongoing collaboration between NoBusiness and Chap Chap Records, after the excellent "The Conscience"by Rutherford and Toyozumi. This time, all the musicians come from the Far East: Itaru Oki was one of the first Japanese musicians to explore the free jazz idiom in the early Seventies; Nobuyoshi Ino comes from the same country and musical scene, even if he has often played in more traditional contexts; similarly, Korean trumpeter Choi Sun Bae …