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The set of The Weather Pieces are reflections on the perception of meteorological phenomena. The listener is immersed in a hybrid sound world, as the line between the live performer and the computer generated propositions becomes blurred. The musician follows a score that leaves room for interaction with the computer’s ever-changing proposals. The works also use the performer’s voice, using spoken texts to convey inner thoughts and feelings. Les si doux redoux for basset horn grew out of an…
For this recording project, the fearless French musical collective ensemble 0 (pronounced “zero”) began a new kind of collaboration with the Swiss percussion ensemble Eklekto and Gamelan Oksitan — this last the traditional Javanese ensemble of gongs and metallo- phones based in France. Their transcultural bridge has foundations that go back to Claude Debussy’s fascination with the radiant tones of gamelan music that he heard at the 1889 Paris Exposition. Yet neither Debussy nor many other sympat…
Bernard Parmegiani (1927–2013), the grand old man of French electroacoustic music, did not write much music for tape with live performers. Among them is “Stries” for the unusual combi- nation of three live synthesizer players and tape. Until recently, “Stries” had not been played live for some 30 years. This is the first complete recording, only part of it had been previously released on LP on the INA/GRM label. “Stries” was written for the three synthesizer players of the Paris- based electro…
"This album collects for the first time four of the most important works from Horatiu Radulescu’s later period, all composed for cello, and all performed by his widow Catherine Marie Tunnell. Radulescu and Tunnell began working together almost immediately upon meeting in 1995. By the time they were married in 1997, Radulescu had already composed for her two of the pieces on this disc (the solo Lux Animae and the cello sonata L’Exil Intérieur), and revised and rededicated her a third, older work …
The music on this album was recorded in the studio the day after Frances-Marie Uitti and Ayman Fanous spent ten minutes improvising together in concert, in a first meeting. It represents bidirectional ideas in music often and erroneously thought to be opposites: western vs. eastern, improvised vs. through-composed. In this recording they are stood on their head, examined, dissected, tortured, and ultimately reconciled. Fanous says: “Musically, Frances and I came from two distinct sets of emphase…
This release brings all of Morton Subotnick’s piano music together on one album for the first time, along with four first recordings, all supervised by the composer.Liquid Strata is an important work in Subotnick’s oeuvre. Here the electronic component is what he calls “ghost electronics,” and this is the first of 11 Ghost Pieces. In these works, Subotnick sought to address technology in a way that highlights rather than compromises the inherent features and strengths of acoustical instruments. …
"Working with forces unknown to me has always been an exciting challenge,” says Elliott Sharp, “especially when those forces are in the form of younger musicians, highly skilled and enthusiastic.” For his work with the musicians of the Veni Academy, he chose three previously composed works that would be easily adaptable to a large ensemble whose instrumentation was not the result of prior design plus one newly composed for the occasion. The chosen pieces were based on well-defined processes that…
"The performers in Kurzwellen react to the completely unforeseeable events which they receive on short-wave radios while performing on their instruments. But this is not improvisation. Stockhausen’s score instructs them how to transform what they hear: how they imitate and modulate it, make it longer or shorter, how to rhythmically articulate it, higher or lower, louder or softer, darker or more playful. Whether they should play and as solo, duo, trio or quartet, etc.Though not so familiar now, …
**Milestone recordings. Joan La Barbara's controlled experiments into the limits of the human voice took her beyond music** Joan La Barbara is one of great figures in the history of the American musical avant-garde – holding equal standing as an innovator, composer, and performer. She has defined the field of extended vocal technique for the better part of half a century, pushing our understanding of the sonic possibility of the human voice – drawing on its primal root, and thrusting it into the…
Alvin Lucier (b.1931) is the great American poet of acoustic phenomena. He has a keen sensitivity to the way objects vibrate, the way sound waves travel to our ears, and to the way our brain processes those vibrations. Trio Nexus is a Berlin based ensemble specializing in New Music. Carbon Copies seeks the recreation on musical instruments of sounds recorded in the environment. Here, the musicians prepare the piece by making their own 15-minute recordings 'of any indoor or outdoor environment.'…
Gavin Bryars' music, post 'The Sinking of the Titanic' and 'Jesus' Blood...', is well known and often performed today. Less known are the earlier works featured on this cd, created during the years 1969-71. At that time, Bryars became associated with Michael Nyman, John Tilbury and Brian Eno - marrying ideas from Cage, Fluxus, free improvisation and experimentalism. Some of the works recorded here appeared on Eno's avant-garde Obscure label in the mid-1970s. In 1, 2, 1-2-3-4, the musicians liste…
** 2022 remastered repress ** Pianist Margaret Leng-Tan - considered the leading exponent of “extended” piano techniques - is at her best with this music. George Crumb and Ms. Tan worked closely on the preparation of these works for the recording. Crumb’s Makrokosmos I & II were written to expand the world of color and sonic possibilities which a single piano and pianist could create. In addition to playing the keyboard, the pianist is required to strum and pluck the strings; apply glass tumbler…
*2022 stock* Although this might be labelled 'Volume 1', this large collection of Morton Subotnick's work (featuring three of his pieces - 'Touch', 'A Sky of Cloudless Sulphur' and 'Gestures') actually showcases some of his most recent compositions. The pioneering electronic composer shot into the public eye with his very well known album 'Silver Apples of the Moon', but his work didn't end there and here we get 'Touch' which was composed just after 'The Wild Bull' in 1969 set next to 'A Sky of …
Composed between 1993-97, this second volume of works by Gerard Pape on Mode continues his richly darkly dramatic style with new compositional turns. Born in Brooklyn, now living in Paris, Pape is the director of the Atelier UPIC – an electronic music studio utilizing the unique UPIC computer developed by Iannis Xenakis – since 1991. While a resident of Ann Arbor, Michigan he ran Sinewave Studios, a state of the art New Music and Electronic Music studio and organized of the annual TWICE Festival…
*200 copies limited edition* "Kali, "The Black-One", is the Hindu goddess of death, time, supreme power, destruction and change. She is dark and heartless, the anti-mother with a bloodied face. She is "The One Who Dances", leading the world towards dissolution, end and rebirth. The origins of the Thug clan, stranglers known for their ritual murders, are linked to this karmic cycle. Since the last century, her mysterious charm has inspired literature and cinema, making her a popular figure also i…
*200 copies limited release* Timeless sounds merge into a singular experience, giving birth to "L'Immagine di Me, Lontano," where timeless samples, devoid of memory, reimagined through the constant employment of granular synthesis, blend with echoes of distorted strings and distant pianos. Sounds excerpted from the sonic fabric of the world metamorphose into fragments of emotions, suspended between reality and imagination. The recordings, rich with unknown atmospheres, unveil their deepest essen…
Quentin Rollet, alto saxophone, sopranino saxophone, synthesizer, electronics. Romain Perrot, keyboards, electronics, voice. Here we leave – just a little – the world of the voluntarily failed, the waste and the sound vomit, for something cosmic-ambient low-cost, combining electronics and saxophone with a strange look on the tradition that must be destroyed!
Drawing upon traditions as varied as Messiaen, Xenakis, Ligeti, Bach, Tournemire, Ives, Korla Pandit and The Phantom of the Opera, Zorn’s organ improvisations are transcendent, inspiring, ecstatic experiences, offering a direct line to the workings of his rich compositional imagination. Performed at St. Paul’s Chapel at a time when the organ was undergoing extensive reconstruction, the limited number of stops available to him focused his imagination to new heights, resulting in Zor…
*2022 stock.* In his liner notes to Aleph, Terry Riley explains that the work was created as "an improvised meditation on the various meanings of this supreme emanation from the Hebrew alphabet." It was made using a Korg Triton Studio 88 synth with his own sound design, and employing a just intonation scale used by Lou Harrison on his last work, "Nek Chand for Just Intonation National Steel Guitar," which was performed by Riley's son Gyan on the album Serenado. Riley has been using the scale for…
*In process of stocking. 2022 stock.* Research diver, underwater videographer, world traveler, film director and guitarist extraordinaire, Henry Kaiser has been a central figure in the Bay Area music scene since the late 1970s. A member of the first generation of American free improvisers, his style is completely unique and touches on Rock, Blues, World Music, Folk, Jazz, Classical and so much more. Here he steps out on his own for a solo guitar album that pays tribute to a handful of his heroes…