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Aterblick
Over the years when listening to the diverse catalog of Altar Of Flies, the primate in me has on numerous occasions tripped across a selfish thought: it would be sick as fuck if AOF did a release that was, like, straight harsh noise. Nearly all of his releases are laced with masterful passages of blown out crunch, but always as a counterpoint to more delicate and introspective narrative sound. In 2020 as we worked on the Work Ethics CD together, I toyed with the idea of making such a suggestion,…
All That We See or Seem
*Limited edition of 300 copies.* “Is all that we see or seem but a dream within a dream?” This quote from a poem by Edgar Allan Poe sums up the lamenting, primal work that is "All That We See or Seem"; a project conceived between Finland, England and Brazil. The self-titled album consists of two long-form pieces of droning mysticism hailing from the trio of Gruth (concept, production, electronics), Ellen Southern (vocals, field recordings, percussion) and Johanna Puuperä (violin, modular synthes…
Abandoned In Sleep
Single sided 10”, pressed on silver vinyl with screen-printed B-side. Numbered edition of 300. Infinite Greyscale is delighted to present a new long-form composition by Anduin. Since 2008, Jonathan Lee has been releasing beguiling and dusky cinematic music to great acclaim. Last Days of Montrose House is a deeply impressionistic work that’s constantly changing scene and perspective. Like entering a long abandoned building, it suggests both physical space and the unknown.  The sound of a projecto…
Mambo Mange
Mambo Mange' is the posthumous 4th & final album by a fine NY ensemble who unfortunately imploded at the peak of their game. Originally fronted by twin femme vocalists Lizzi Bougatsos (Gang Gang Dance) & celebrated visual artist Rita Ackermann, for what would be the band's final foray the duo enlisted Anders Nilsson (Aorta), Matt Heyner (NNCK), Dave Nuss (NNCK) & Brian DeGraw (Gang Gang Dance, Cranium). Ackermann's Yoko Ono inspired freak-outs, feline growls & orgasmic yodels and Bougatsos's bre…
Approach
Dirk Dresselhaus (Die Angel, Schneider TM), John Duncan, Ilpo Väisänen (Die Angel), Zappi (Faust). Strange attractors. Zappi's subtle tribal rhythms. Powerdrone electronics by Dresselhaus and Väisänen. Duncan's lyrics and vocals. Sublime and daunting. Tanzcandid stumbling wobbling shuffling muddling wallowing careening blundering toppling faltering unraveling bungling entangled snarling blustering bullying wrecking butchering mangling
Behind The Buddha’s Mask (Book + Tape Bundle)
** Tape + Artist book containing a cycle of mythical poems written while in covid-exile in Japan. A sumi-e drawing by Kawabata Makoto is included in the text. Gold on purple cover, including a full colour insert, pure beauty. **  Limited to 60 copies only and released by Counter Culture Chronicle, the “Behind the Buddha's Mask” cassette is a stunning effort, largely built around the unique recordings made by Christophe Albertijn at the Middelheim Museum in May 2021. While the pandemic forced poe…
Sale Quanto Basta
Deluxe LP Gatefold. Edition of 250 copies ** Welcome to Paolo Angeli's sixth release for ReR Megacorp (2013) now in Vinyl deluxe edition! It's an extraordinary collection of pieces that explore the full range of his highly modified, extended and prepared Sardinian guitar. And although it's just him and electricity, it seldom sounds like fewer than three people playing. There are twelve fine compositions, each as crafted as a short novel, and beautifully recorded. Paolo's is a music that pretty m…
Jar'a
Jar’a is a surprising album in which the prepared Sardinian guitar, without any overdubs,  achieves the tonal range and sonic pressure of a post-rock ensemble. The suite in six movements brings together avant-garde and ancient traditional singing rituals, evoking wide open spaces, combining underground worlds and the most ancestral Sardinia. Jar’a is a concept album, with three-dimensional sound,  in which Paolo Angeli expresses an innovative contemporary language, inlaying it with fragile, emot…
Ghost Notes
Ghost Notes is the third album from Nottingham-based musician Dan Layton, aka Apalusa. Whereas Apalusa’s previous release, Obadiah, was a dense, murky affair, filled with apocalyptic imagery and impenetrable layers of sub-sonic dirt, Ghost Notes is an altogether different animal.Recorded in Nottingham during the summer of 2013, Ghost Notes saw Layton employing a ‘composition by subtraction’ approach. Starting with layers of guitar drone, granular synthesis, field recordings and manipulated vocal…
A Place of Solace
Cinematically-scoped synth music with an intimate personality; the debut from Jachym Vandenbeele aka Aponogeton for Stroom. RIYL Heldon, Klaus Schulze, Eduard Artemiev scores for Tarkovsky. This album is the result of some musings on what drives us in life and how we come to terms with our place in the world. I wrote it around the time I was finishing my philosophy degree. I had also come to a point where I wanted to make music that was more personal, emotional and conceptual than before.We are …
Reihen
12k is very happy to welcome Uwe Zahn, aka Arovane, to the roster. Arovane, a well-respected artist in the field, hailing from within the German countryside, has been active since the early 2000s beginning with releases on City Centre Offices and DIN in the heyday of the IDM and microsound years. He has since gone on to release work with n5MD, Pure Magnetik, and A Strangely Isolated Place, among others. With Reihen he takes his characteristic pointillist synthetic structures and impeccable sound…
2020 Seven Songs
Ed Askew has been in NYC for 30 years. A few years ago he moved from Washington Heights in Manhattan to Ridgewood in Queens. And starting next month, he will be in Bedford Stuyvesant in Brooklyn. During all this time, Ed developed a home recording method which is very nuanced and at the same time concise. Ed’s harpsichord, tiple, synth and a muscular use of Pro Tools all play a role. His lyrics are on a whole new level; and his voice is his own. 2020 Seven Songs is his most recent home recording…
Waspnest
Aspec(t) are SEC_ and Mario Gabola from Naples, Italy. SEC_ plays electronics through laptop, processed tapes, and analog synthesizer. Mario plays saxophone and feedbacks through a system of resonant drums and small speakers. Their music shares the timbrical research and the execution control typical of some radical impro music (Pateras/Baxter/Brown, John Butcher, Jim Denley, Bruce Russell,..), but meets the visceral intensity and the obscure poetic of the new aktionsm and of noise music (Rudolf…
Elliptical Gamelan
Astasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor) through the capture of sounds generated by small objects by way of contact microphones, home constructed cartridges, miniature piezo microphones and conventional microphones. Various devices are used as constraints in order to distance any performin…
Things that just happen
'Things that just happen' is the 2nd full length release by the duo of Ashley Paul and Eli Keszler. A longstanding collaboration, this record incapsulates a merging of the off kilter, quiet and fragile song based work of ashley with the decisive and material based sound which can be seen in the duos live performances. The album begins with and is framed by a multi part suite of pieces based around bowed crotales and saxophone. Simple in materials, with no electronic processing, the overtone and …
Plasma Splice Trifle
Debut collaboration between these like-minded English underground titans, perfectly mixing the long-form pop eccentricities of Grumbling Fur with the free electric sound of Astral Social Club to produce four epic and memorable tracks. The music is dense and layered, with hidden hooks, haunting vocals, unidentifiable electronic shuddering, delicate ambience, etc. Challenging but completely accessible and beautiful stuff. After a brief vocal declaration of purpose, Back To the Egg rides a motorik …
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this amazing collaborative lp is the coming together of two distinct creative forces in the form of ATAVIST (UK) and NADJA (Canada), and represents an abstract detraction from both of the bands previous works. The feel of the album is one of blissful escapism presented through harmonious audio manipulation, intricate melody and polarizing heaviness. This release sees Atavist / Nadja placing the listener into an dreamlike environment throughout the albums two expansive tracks by using an innovati…
Yes
Shinichi Atobe’s fifth album for DDS, his first in two years. Deep and sublime, the classic Chain Reaction < > Chicago House vibe, but this time with a swarming Drexciyan undercurrent, somewhere between DJ Sprinkles, Dopplereffekt and The Other People Place, and yet still 100% Shinichi.  It’s odd working with an artist without ongoing dialogue; no context or an exchange of ideas. It’s all conjecture. Here's another CD of material in the post from Shinichi, two years more or less since the last o…
<3
Uwe Schmidt runs sly and dry commentary on modern electro-dance-pop, recalling a ruder take on his seminal Pop Artificielle project with nods to Rian Treanor, PC Music and Grimes.  Full of upfront, processed vocals and precision tuned, up-to-the-moment drum programming, ‘<3’ is the sharpest thing we’ve heard in years from the artist with more monikers than we can count. Following 2013’s ‘HD’ album for Raster, he recalibrates the rhythmic mechanics from techno to a slick mix of electro, EBM and e…
Summer Mix
The Automatics Group's dance-pop deconstruction, 'Summer Mix' is one of the uncanniest computer music releases of this decade - first issued as a limited CD edition by Entr'acte in 2011. In the time since then it’s quietly become a bit of an iconic reflection for a post-rave generation, presenting a non-trivial nostalgia trip that somehow sounds like a digitally diffused, skeletal take on Gas, Basic Channel or Ross 154. It was created by applying a mathematical process known as a discrete …