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Langlais is a composer and trained piano tuner, and this is reflected in the close attention to acoustics and tone has fed into the creation of these exquisite pieces for two prepared and alternately tuned pianos, with the results then treated to further edits and digital processing.Beautiful spectrums of sound, presented in silk-screened art sleeve by artist Damien Tran.
*2024 stock* Elliott Schwartz plays four of his compositions for solo piano and pre-recorded tape, a project that remains "a continuing attempt to enhance, expand, obscure, develop or otherwise modify the piano sonority and the act of piano performance, through electronics." In his improvisatory piece "Grand Concerto" he uses fragments from the Grieg, Tchaikovsky No. 1 and Liszt No. 1 piano concertos; it is as epic in scope as the classical favorites.
Lucky restock! After studying with composers John Cage and Earle Brown, Joe Jones became a prominent figure in Fluxus, contributing to the movement’s first “yearbox” alongside La Monte Young, György Ligeti and Nam June Paik. Beginning in late 1961, Jones began constructing his own music machines – drawing inspiration from the calliopes, automata and orchestrions of the 19th and early 20th century to create self-playing ensembles of stringed instruments, percussion and woodwinds – “played” throug…
**2020 stock** Ann McMillan did not record prolifically, but she was at the vanguard of electronic composition in New York in the 1970s. A student of groundbreaking composer Edgard Varèse, McMillan’s primary medium was magnetic tape, which she manipulated to create surreal soundscapes. On Gateway Summer Sounds, her debut album released on Folkways in 1979 and recorded at the legendary Princeton-Columbia Electronic Music Center, she sources sounds from the natural world – frogs, insects, field re…
**2020 stock** This 1979 album, by the husband and wife composing-performing electronic music duo of Priscilla and Barton McLean, showcases two pieces, “Invisible Chariots” by Priscilla and “Song of the Nahuatl” by Barton. Begun in 1975 and completed in 1977, “Invisible Chariots” is a three-movement piece, named after a Carl Sandburg poem, about the “intuitive creative force” that shapes composition. Composed in 1976, “Song of the Nahuatl” was underwritten by a grant from the National Endowment …
**2020 stock** This album is a compilation of avant-garde art music performed by Son of Lion, an American Gamelan Orchestra that uses traditional Indonesian instruments as well as found objects (hubcaps, foodcans) in its music. The liner notes feature diagrams and/or descriptions of each piece that explain the nature of its unique composition. For example, Elena Carey describes the four nitrogen bases of D.N.A. and an analysis of the relationship between this raw genetic material her Gamelan mus…
*2024 stock* What did the future sound like in 1980? Futurible is brought to you by Italian composer Gianni Safred and will take you both back in time and into the future. Safred uses Moog and Arp synthesizers that have now become commonplace in popular music. These sounds are "suitable for space travels, space explorers, experiments, fantastic adventures, future enterprises, interplanetary stories, important achievements, industrial accomplishments of broad implication… modern scientific discov…
One of the most unexpected yet fruitful partnerships of recent years: in the mid-1990s, Pauline Oliveros, electronic music pioneer and sage of the environmental drone, began working with Reynols, the prolific and resolutely undefinable Argentinian group. Their first joint effort sent Oliveros' music through the rigours of Reynols' heavily processed studio treatments.
The Minexcio Connection: Live! At The Rosendale Cafe finds them collaborating on-stage in real time. Recorded in August 2000 duri…
**2020 stock** Israeli Electroacoustic Music collects the works of six musicians from varied backgrounds, all recognized for their musical activity in electronic music and in Israel at the time of the album’s recording in 1981. These composers exemplify atonal 20th century music and musique concrete in a mixture of acoustic and electronic instrumentation, ranging from album producer Robin Julian Heifetz’s dark and frantic A Clear and Present Danger (which “attempts to symbolize the fear of a mot…
Souffle Continu Records present the first ever vinyl reissue of Jacques Thollot's Quand Le Son Devient Aigu, Jeter La Girafe À La Mer, originally released in 1971. While he was still just a young adolescent who had perfected his drum technique under the benevolent wing of Kenny Clarke, the Club Saint-Germain liked to present Jacques Thollot as a prodigy capable of holding his own with the famous jazz musicians who came through Paris. It was there that Eric Dolphy immediately noticed him, and fro…
Restocked, reduced price. Bubbling below the surface of the sonic avant-garde - spanning art and music, lays the rarely observed context of the Artist Record - a field of recorded sounds stemming from, or attached to, the environments of fine art. Though expansive, elastic, and at times difficult to define, the largest body of its artifacts have been made by artists who are known for their work in other media - painters, sculptors, etc. These thrilling experimental gestures, draw on ideas which …
*2022 repress.* An album such as this obviously owes a lot to the atmosphere in which it was recorded, which we can imagine was magical. We know it took place in Fromentel, Normandy, in a farm converted into a studio by the producer Jacques Denjean, known for his work with Dionne Warwickor Françoise Hardyas well as having been a member of the Double Six. It was also at Fromentel, that Denjean would record two fantastic albums with Albert Marcoeur. When Emmanuelle Parrenin followed in his footste…
Tip Tip Tip! 300 copies, deluxe box set. Australian experimental industrial and ambient music band from the early 1980s Laughing Hands complete discography with several bonus. Laughing Hands worked in the experimental music scene in Melbourne in the very early 1980s. They were an improvisation group using tapes, synthesizers, guitar and hand percussion much of which was then treated through machines, producing their soft, insistent and rhythmic sound. The members of seminal Melbourne-based impr…
**Limited edition, custom-made clamshell box, 4xCDs in pocket sleeves, and 16-page booklet** Will Long’s Celer project returns with an expansive 4CD set, a beautiful rendering of field recordings and foley sounds in gaseous suspension, recorded to high quality recycled reel-to-reel tape and providing us with some much needed mental solace right now. As opposed to the gauzy reflectiveness of last year’s 'Memory Repetitions’ for Smalltown Supersound, 'Future Predictions’ was instead intended as a…
Tip! *Limited edition of 200 copies* Lava music, maybe. Lava music, always evolving, always surprising, always exciting because we don’t know what the other will bring to the music that we start improvising and exploring together. We’ll see what bubbles will form in this lava music and sometimes an idea comes up, a bubble pops and it becomes a track. Lava, like the wax that was melted to press the record. Lava, like energy flowing, slow. Improvising most of the time, you really connect with the …
From the moment it emerged during the mid 90’s, mystery has swirled around Galactic Explorers’ sole LP - Epitaph for Venus. Released by the Psi-Fi imprint as a long lost Krautrock gem from the mythical Pyramid label’s archives - said to be have been recorded by Toby Robinson in Cologne circa 1972/73, it has been loved by many, while others have cried hoax. Some ventured further, implicating none other than Genesis P. Orridge as the creator. The truth isn’t publicly known, but the foggy origins p…
Synthònia is an electronic ambient album record only with analog synths -- Roland System 100, Roland TB 303, Roland JX 3P, Korg Polysix, Korg MS-10, Korg MS-20, Yamaha CS 15, Kawai 100F, Teisco 100F -- which refers to Tangerine Dream, Jean Michel Jarre, Klaus Shulze, The Berlin School, and John Carpenter. Dyno, from Pesaro, Italy, discovered the passion for electronic music and analog synthesizers at the early age of 15. His first single was released in 1995. For over two decades Dyno has …
This 1975 album is a studio session organized by Maestro Giacomo Dell'Orso (the husband of Edda) here released under his given name and not the Oscar Lindok pseudonym under which he made a number of recordings including The Fine Machine. This album had the simple purpose of a fun and playful session without preconceived models.
The result is a carefree album, from the friendly cover (Orso means Bear) to the music that is interwoven with bossa nova, samba, jazz and funk in a style that rec…
Originally self-released in 1961 and later issued by Folkways, Tod Dockstader’s Eight Electronic Pieces is a foundational document of American electronic music and astunning first work from this revolutionary composer. Refused access to the resources and funding of the academy and without any interest from the record industry, Tod Dockstader assembled his debut album through three years of his own private labor – recording after-hours at the New York radio station where he worked. Dockstader’sap…
Lucky restock, totally sold-out at source **First-time vinyl reissue. Limited edition of 500 numbered copies on clear vinyl, one time pressing.** The inter-disciplinary maverick John Duncan emerged in 1970s Los Angeles as a confrontational performance artist and, as the decade progressed, aligned himself with the experimental-music collective Los Angeles Free Music Society. His sound art appeared on various self-released cassettes and alongside artists such as Jim Pomeroy and Yoshi Wada on the L…