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Paolo Angeli’s latest is an extraordinary collection of pieces that explore the full range of his highly modified, extended and prepared Sardinian guitar; and although it’s just him and electricity, it seldom sounds like fewer than 3 people. Great compositions, each like a short novel, beautifully recorded. Paolo’s unique music defies genre or category - at once accessible, experimental, tuneful, tactile, ambient, with a folk root and a rock inflection and a contemporary outlook. And his instrum…
Since the late 1970s Biota has ploughed its own furrow, producing a body of work that resembles nothing anyone else has done or is yet doing. Their compositions evolve in long, constantly shifting timbral blocks filled with fragments and echoes of quasi-familiar musical languages and sounds – or none - and use instrumental resources that span half a millennium and two thirds of the planet to create unique combinations of timbral colour in constant motion; this is a music in which everything is i…
A beautifully recorded and produced cycle of pieces that combine complexity and precision with rich and unfamiliar timbres. The ensemble pieces amplify and enrich a core piano with various combinations of harmonium, double bass, violin, percussion, Hungarian zither, citara bassa, bowed cymbals, alto clarinet, melodica, sampler and field recordings, all sparsely but powerfully deployed. This is a deep and powerful music with both crystalline clarity and cinematic low frequency power. And no fat o…
Former Henry Cow guitarist Fred Frith pays homage to three giants of contemporary classical music: John Cage, Morton Feldman and Earle Brown. In his own inimitable fashion, Frith has tried to incorporate the chosen composer's own working methods into each of the three pieces that make up The Previous Evening. As he explains in the enclosed booklet regarding his John Cage homage: 'Fragments of text heard in Part 1 were taken at random from Cage's book Silence. Tape editing, the structure of the e…
Steve MacLeans 5-piece ensemble perform complex, composed polyrhythmic pieces interspersed with atmospheric improvisations for guitar, bass, keyboard, percussion and various objects: a journey through complex, composed polyrhythmic pieces interspersed with careful, atmospheric improvisations for guitar, bass, keyboard, percussion and various objects. There is a quiet rigour, almost a formality, about this CD that is rather unusual for the new century - the compositions are not over-elaborated an…
14 pieces originally written for dance and other practical situations, here reassigned and reconstructed for choreographer Amanda Miller and the Nederland Dans Theater. These are loop-based, textural, mood pieces, and invocations of spaces and landscapes, with some fine steel guitar playing. Mostly this is Fred multi-instrumenting, with pianist Daan Vanderwalle, percussionist Willie Wynant, the Arte Sax quartet and Lotte Anker, the Arditti Quartet, Kiku Day, occasional shakuhachi, and vio…
LP version. Wewantsounds continues their Ryuichi Sakamoto reissue series with the release of the 1985 album Esperanto, composed for a performance by New York avant-garde choreographer Molissa Fenley. Produced and performed by Sakamoto with contribution by Arto Lindsay and Japanese percussionist Yas-Kaz, Esperanto is a fascinating instrumental work mixing electronica, ambient and synth pop. Released in Japan in 1985 on Midi Inc.s' School label, the album has never been released outside of Japan u…
Presenting a third volume of collaborative works between European avant garde ensemble Zeitkratzer and modern electronic composers. On this release, Zeitkratzer cooperates with legendary Japanese noise artist, Keiji Haino. The Berliner Zeitung had the following to say about this mind-melting collaboration: "They had only rehearsed for three days, but the result was mind-blowing. Haino made music on the guitar and on the drums, on electronic devices, on two Theremins and with his wonderfully chan…
** Limited edition of 300 ** Certainly Amlux is a very cohesive and well-constructed piece; starting more softly than usual, the record slowly builds into the chaotic harsh sound that Merzbow is well known for, but this time adding some actual recognizable music elements (like rhythms), and constructing various surprisingly well-texture soundscapes, that made of this album a more focused and immersive piece that effectively keeps engaged during 40+ music of primal noise. Records like this are t…
This is a document of a band that does not exist anymore. They once appeared at the Sonic Transmissions festival in Austin, TX, and left behind this live recording. It rips. There will be no further activities for this group and they are not available for interviews.
The extraordinary 1987 debut album from the Italian legendary duo. Water Messages on Desert Sand was the very first sound creation from the Italian avantgarde duo of Roberto Musci and Giovanni Venosta. A classic work in the genre, released by Chris Cutler's Recommended Records in 1987. Back in the mid Eighties, Musci & Venosta, both on sampler, synthesizer, guitar, piano, effects and tapes were masters in overlaying and constructing rhythmic and harmonic pictures of transparent sound from electr…
"The debut album by this two-woman, one-man trio presented contemporary British folk with the slightest of pop and folk-rock edges. The most prominent pop embroidery was found in the occasional sweeping, haunting string arrangements; there were also dabs of organ, harp, and percussion here and there. It was pretty but somewhat bland music on the border of late-'60s British folk-rock, the songs faintly echoing those of U.K. peers such as Donovan and Bert Jansch.
Bread, Love and Dreams had a sligh…
2023 repress. Lilith present a reissue of Os Mutantes' self-titled debut, originally released in 1968. With the release of their debut LP in 1968, Os Mutantes cracked the already red hot Tropicalia scene wide open. Fusing traditional Brazilian music, psychedelia, rock, and a good dose of pure experimentation, they quickly became giants both in Brazil and in the outer fringes of pop music, where they have managed to reign supreme for the past four decades. Not an easy task in such a crowded arena…
** Edition of 250 ** Dalibor Cruz's debut LP traces his families bloodline to the mountain town of Siguatepeque and the native people of Honduras, teaming these ancient rhythms inside the framework of the midwest's noise scene. The artwork is an original piece by Gabrielle K. Brown.
Finnish bassist Antti Lötjönen returns in February 2023 with his second Quintet East album on We Jazz Records. With Verneri Pohjola on trumpet, Mikko Innanen and Jussi Kannaste on saxes, and Joonas Riippa on drums, Quintet East is a hard-hitting ensemble of Helsinki scene A-listers. The new release sees the quintet work with Lötjönen's inspired new music with remarkable spirit, spreading out on a quest for new sounds and ideas, and returning to base with a fresh batch of acoustic creative music,…
* 2022 Repress. Wow! * Pianist Imada Masaru was 42 years old when he recorded this album in 1975. His adventurous spirit led him to use the electric piano for the first time in a recording, and thanks to his musicianship, he made it sound like he'd been playing the instrument for years. The program opens with the title track, a sophisticated urban funk. Guitarist Kazumi Watanabe plays a big role here. It is followed by a more intricate, fusion-like "Straight Flash." The all-original-composition …
Park Jiha’s debut album Communion - released internationally by tak:til last year - drew well deserved attention to the young Korean instrumentalist / composer’s vivid soundworld. The widely acclaimed album graced 2018 critics lists at The WIRE, Pop Matters and The Guardian. Her new album Philos - which she calls an evocation of her “love for time, space and sound” - is every bit as inventive, elegant and transcendent as her debut. While Park Jiha’s music is often contextualized by its kinship w…
Ritmiche Italiane transports the listeners through an anomaly in the fabric of musical space-time, connecting the distant past with the modern era and the plains of a lost continent with the cities of the Italian peninsula. The artists featured in the compilation strongly believed in the absence of barriers and conventions between genres, fully able to effortlessly put together West-African influences, World music, Jazz and crime movie soundtracks to achieve a boundless, meditative and hypnotic …
Tip! “Japanese jazz has been recognized and celebrated by music lovers worldwide for decades. The origins of this trend may be traced back to the rare groove movement that flourished in the 1990s, but its current deep and wide popularity seems to be connected to the fact that Japanese people have been reevaluating their own jazz since the mid-2000s, locally referred to as WaJazz ("Wa" meaning Japan but also the Shōwa emperor period, from 1926 to 1989). Since the beginning of the 2000s, there has…
2022 REPRINT. This is the first issue of the new We Jazz Magazine, 128 pages, 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. Inside, you'll find great new stories about music including the cover piece on Alice Coltrane by Ashley Kahn, Sun Ra by Daniel Spicer, Berlin report by Debra Richards, Corbett by Stewart Smith, Andreas Müller on Lockdown Listening, Alan Braufman talking to Nabil Ayers, plus more. This is a magazine but together by a quality cas…