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** Newly remastered for this edition. Limited edition pressing ** Shivkumar Sharma, the guitarist Brijbhushan Kabra, and flutist Hariprasad Chaurasia were all aged about 30 when they made Call of the Valley. Shivkumar Sharma, who had made his first solo album in 1960, was responsible for establishing and popularizing the instrument in Hindustani classical circles. Kabra was also having to prove himself because of the guitar's Western and Indian popular music associations Chaurasia's problem was…
* Newly remastered, limited edition pressing * In the 1920s, Tau Moe (pronounced mo-ay), a Hawaiian musician, arrived in India and introduced Hawaiian music to the Sub Continent. After settling in Calcutta in the early 1940’s, Moe and his family performed, taught and introduced Hawaiian music by building and selling guitars to the local musicians. Indian filmmakers and composers quickly fell under the spell of these instruments and sounds and made them suitable for playing ragas— the melodic p…
* Newly remastered, limited edition pressing * Brij Bhushan Kabra was one of the Indian musicians who heard the steel guitar’s siren call, but his vision went beyond adapting Hawaiian sounds to popular music. Instead, he saw the instrument’s potential for playing ragas. To pursue this dream, Kabra began studying with Ali Akbar Khan, whose fretless sarod offered a sonic example for Kabra to emulate with his lap-slide guitar. Kabra’s instrument was a Gibson Super 400, modified with a drone string…
Swiss/Lebanese experimental duo Praed (Raed Yassin & Paed Conca) is back with a new blast. A band whose musical oeuvre can be described as a mixture of Arabic popular music, free jazz, and electronics. Following Doomsday Survival Kit previously released in 2019 (Akuphone, AKU1011), Kaf Afrit keeps the listener in suspense by imposing its cataclysmic universe. An album inspired by Shams al-Ma'arif, a 13th century esoteric and magic book from Egypt composed of four furious pieces that don't leave …
“Gaia-Songs” (1992 - revision 2015). Songs for the other half of the sky n° V - VI. For a soprano (or mezzo-soprano) solo and an actress voice (Sprechgesang technique) with electro-acoustic (fixed sounds). Anne-Lisa Nathan, mezzo-soprano. Helena Rüegg, actress voice. “First there’s this relation between sung voices and spoken voices with regard to the electro-acoustic parts. The sung v…
Providing the simple text 'Blowing into playback remembrances. Rescription. Some kind of telling.' Banana seem to improvise in space, with considered timing, to-hand objects and bursts of feedback, voice and hidden instrumentation. The tape rings of previous releases of theirs such as MP Hopkins solo LP 'Blue-Lie Half Breath' on Penultimate Press or Alexandra Spence's 'a veil, the sea'. I hear nods to the 'Onkyo' scene in the whistling feedback and stark spaces. Comparisons to works by Akio Suzu…
** Edition of 75 ** Soundtrack commissioned by the dance platform Cerco Coreogràfico (São Paulo, Brasil), for the performance AMA. Composition by Patrícia Bizzotto with the collaboration of Andreia Yonashiro, Bárbara Malavoglia, Marion Hesser, Sara Lana, Felix Blume, Francisco César, Lucas Veríssimo, Marina Cyrino, Matthias Koole, Shari Simpson.
**Edition of 100** "Recorded with a 4-track cassette recorder in c/ Natalio Rivas 7, Granada, Spain, on the nights of June 23rd (Nido i) and September 21st (Nido ii), 2018. Electric guitar, toy instruments, recordings of my daughter playing in Las Mimbres, Granada. The two tracks were meant to be some sort of lullabies, some music my then-2-year-old daughter could fall asleep to." - Francesco Covarino
** Edition of 100 ** Tsss Tapes presents Tiento Madera by Marco Serrato: double bass and Raúl Cantizano: flamenco guitar. Recorded, mixed and mastered by Nacho García in Sevilla, October 18th, 2020.
**100 copies** Derek Baron and Zoots Houston experiment with an array of objects and junk.Resonating metal surfaces, chains, paper, thin strips of wood, a broken radio, small battery powered oscillators and a floor tom. Passing cars outside the window. Silence.One microphone recording it all in Chicago, December 2015.
Big Tip! *240 copies limited edition* Audio dream directors Timo van Luijk (Af Ursin, Elodie) and Bart de Paepe (Sloow Tapes, Sylvester Anfang II) played as Ilta Hämärä on a MiMa night in Rotterdam (NL) in 2016. It was the day before Kraak fest, and they had a tour tape with them. A great night, as so many MiMa nights. Timeless Reality, featuring Family Underground, were also on the bill and on fire too: passport losing lo fi stoner garage. The toilet was broken, so everybody had to go to Hostel…
First reissue on CD, after 32 years since its original edition on this format, of “Transreplica Meccano”, Lāszlō Hortobāgyi's masterpiece. "Transreplica Meccano - Complete Edition” is the comprehensive and remastered edition of this opus with tracks from the same recording sessions that never saw the light before.
Although they have sewn their names into the thread of rock history with their work with King Crimson, Roxy Music and production work ranging from Keith Tippett to U2, the three albums these boys have recorded together are equally important. It’s ironic that No Pussyfooting was withheld by Eno’s record company for two years, as they feared it would destroy his career. Its blend and textures of Eno’s electronics and Fripp’s treated guitars was as important to left-field music as Eno’s solo ambien…
*2023 repress* Akhenaten was the first album Nat released on the fledgling Gondwana label back in 2009, it was the second release on the label and has remained a hugely popular and much sought after album ever since. Jazzman Records issued a vinyl version in 2016 (which quickly sold out and is now a collector’s item) and Nat reissued a CD version a few years later, but this is a much needed and long awaited new vinyl pressing. Featuring four original compositions the album is a deeply meditative…
Monobeat Original is the new project by Werner "Zappi" Diermaier, drummer and founding member of the legendary Krautrock band Faust. An odyssey of dark-tribal-ritualistic-krautrock with a cinematic bent. From the atavic to the post-industrial and the renewal of a distant and hypnotic Krautrock. Music from a future too far away. Zappi W Diermaier drums, keyboards, psalter, voice. Elke Drapatz drumeffekts. Amaury Cambuzat guitar. Uwe Bastiansen guitar. Dirk Desselhaus guitar, bass guitar, Artwork …
The Galician duo Trajedesaliva (Mon Ninguén – music , synths & Una Vena – words, voice and visual concept) returns with Ultratumba, an album full of passion, anguish, bitterness and sadness. Guided by naked emotions as much as by sparkling intellect, this is a singular work, an architectural wonder of pure analog electronic sound as we have not heard for a long time, with splendorous timbres that tend to the dark but also to the emotionally devastating. An album that feels strangely interactive …
*2023 repress* Eighth album from Gilles Peterson favourite Nat Birchall. Deep, soulful spiritual jazz of the most honest kind and probably Nat's best album to date. The band features two drummers who, along with the rest of the 5 piece group, create enough kinetic energy for interstellar travel, which is exactly where the music takes the listener!
Starless and Bible Black is even more powerful and daring than its predecessor, Larks' Tongues in Aspic, with jarring tempo shifts, explosive guitar riffs, and soaring, elegant, and delicate violin and Mellotron parts scattered throughout its 41 minutes, often all in the same songs. The album was on the outer fringes of accessible progressive rock, with enough musical ideas explored to make Starless and Bible Black more than background for tripping the way Emerson, Lake & Palmer's albums were. T…
Ptah, the El Daoud was the third solo album by Alice Coltrane. This was Coltrane's first album with horns (aside from one track on A Monastic Trio (1968), on which Pharoah Sanders had played bass clarinet). Sanders is recorded on the right channel and Joe Henderson on the left channel throughout. All the compositions were written by Coltrane. The title track is named for the Egyptian god Ptah, "the El Daoud" meaning "the beloved". "Turiya", according to the liner notes, "was defined by Alice as …
The subject of many poor quality bootlegs, this concert - one of only a handful undertaken by Fripp & Eno - is routinely described as legendary. Hearing the tapes in fully restored audio quality, it's easy to understand why it attracts such reverence now and perhaps, why the shows attracted such hostility then. No Roxy Music hits, No King Crimson riffs, just a duo sitting in near darkness with a reel to reel tape recorder, improvising over the pre-recorded loops with a filmed background projecti…