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This concert recording from Munich’s Schwere Reiter performance space features improvisation with an expanded palette of possibilities. “To work with these colours is a great challenge and joy!” says bassist Barry Guy of the glowing and ever-changing tints, timbres and tones radiating from Jordina Millà’s freely associative piano. Like Guy, Millà is both a player of prodigious technical capacity and a fearless improvisational explorer, and her highly creative use of the piano interior opens up …
2011 release ** "This album is Gianluca Codeghini's return to his origins, and the 14 tracks were recorded after long improvisation sessions which inspired each musician with unpredictable scores, visual stimuli and stories. The starting point is "Coffee-table book" (2011), a collection of quatrains by Alessandro Broggi published by Transeuropa edizioni, and the poet actively collaborated in the composition of a few tracks and in the production phase. The sequence of the tracks lines up the rhyt…
2017 release ** "This duo started in 2014 with the idea to transform the acoustic instrument into a real electroacoustic one. Transducers, springs and microphones are attached to the cello which is then processed through electronic and tape. This CD comes from several hours of improvisations recorded in studio and reorganised to build six pieces of abstract electroacoustic music. "
2005 release ** "Painter, guitarist, composer, and free author Steffen Basho-Junghans lives in Berlin and Thuringia, Germany. He has been highly influential on the eastern German guitar scene since the late '70s. Largely a self-taught artist and musician, his style is best categorized as eccentric and highly personal. Junghans uses steel-string acoustic guitars, combining archaic sounds with altered tunings and a plethora of divergent connections. Traditional European, American Indian, and Asian…
Forms Of Minutiae presents 'Harkening Critters', the label’s second non-profit compilation of field recordings and soundscape compositions highlighting, this time, the incredible variety of animal signals.
Magnus Granberg, piano. Angharad Davies, violin. Leo Svensson Sander, cello. Erik Carlsson, percussion. John Eriksson, vibraphone & crotales. Petter Wstberg, electronics. Henrik Olsson, bowls and glasses. Anna Lindal, violin. Toshimaru Nakamura, no input mixing board.
“Ist gefallen in den Schnee is a single, hour long composition scored by Magnus Granberg and performed by the group Skogen, which on this occasion consisted of nine musicians, seven of them Swedish and two of them (Toshi…
Second outing for this powerful Anglo-Czech electronics-led trio (Jez Riley French, field recordings, zither, contact mics, electronics. Daniel Jones, turntable & electronics. Ivan Palack , amplified knitting machine). Recorded live in Hull, November 2010. 'With the Caisson CD, I think we all feel that this meeting between intuitive composition, sound & improvisation has a language of its own. The aspect of listening is constantly shifting in a forward motion. Moments are at the core of wh…
'The compositions on Lost Daylight' by John CAGE and the almost-forgotten American Fluxus composer Terry JENNINGS date from between 1958 and 1966. Yet in the hands of John Tilbury and Sebastian Lexer they sound astonishingly modern. JENNINGS' solo pieces couldn't be more conventional in using only pure keyboard notes, but they could hardly be more radical in the way in which the notes are reduced, isolated and surrounded with silences. As Michael Pisaro's sleevenotes say, 'It is music of simplic…
As George Lewis recently said, it has become increasingly difficult to distinguish between improvised and composed music. It’s a distinction he would like to see dropped. For much of its length this delicately nuanced recording could quite easily be a formal electroacoustic composition, an impression strongly reinforced by the fact that Evan Parker sounds curiously unfamiliar in this new grouping. He’s well used now to working with electronics, but this was a first convocation of this quart…
nprecedented music for Shakuhachi by Frank Denyer (releases on Tzadik, Mode) with Yoshikazu Iwamoto on shakuhachi and Paul Hiley joining Denyer on percussion.
Having used extensive editing and some remixing for the second of their two excellent Potlatch CDs, Albi Days, Contest of Pleasures – the trio of John Butcher (tenor and soprano saxophones), Xavier Charles (clarinet) and Axel Dorner (trumpet) – returns to its initial acoustic position with Tempestuous, which launches the new British label, Another Timbre. Recorded late on a stormy November night in an old church during the 2006 Huddersfield Contemporary Music Festival,Tempestuous moves between t…
Recorded live at the June 2006 Jazz à Poitiers festival this little gem features the work of two truly extraordinary musicians, both of whom are giants from a technical and creative point of view: Phil Minrton and Sophie Agnel, an unusual and very welcome pairing in that ceaselessly changing world which is the improv scene. The former is well-known, and has the weight of many years’ experience on his shoulders, but refuses to give up and continues indomitably to explore the outer possibilities o…
The Morton Feldman Piano box set is the most extensive survey of Feldman’s piano music to date. Released exactly 20 years after John Tilbury’s long unavailable 4-CD set, the new box includes several pieces which weren’t included there, and has three works which have never been released on disc before.Philip Thomas has been playing Feldman’s music for 25 years and is one of the foremost interpreters of his work with an extraordinary gentle touch. He and John Tilbury combined forces to produce the…
A beautifully produced 4-CD box set of John Cage's 'Number Pieces', played by Apartment House. With 44-page booklet and CDs in individual card wallets with original artwork by Arvinda Gray. These extraordinarily beautiful works were all composed in the last 5 years of the composer's life, as Cage approached his 80th birthday. These recordings by Apartment House are the first recordings for 15 years of almost all of the pieces. An essential release of wonderful but somewhat neglected music.
In th…