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POPendingEYE
1993 release ** ""I want more POPEYE", writes Alfred Harth. "Possessing uncompromising moral standards and resorting to force when threatened". He also refers to "my artist's way through postmodernism", which at the beginning of the 90s brought him to grow tired of "all those mixes, remixes, postmodernisms and pop" that he had gone through during the previous decade: he was ready to return to a "pure" approach, essentially based on real players and real instruments. Enter Russian drummer Vladim…
Variazioni Canoniche / A Carlo Scarpa, Architetto / No Hay Caminos, Hay Que Caminar...
1990 release ** "“To awaken the ear well” was one of the goals of Luigi Nono in his last creative period, the 1980s and 20th century. Between pianissimo and complete silence, the listener is invited to unexpected sound adventures. Tense intensity with a sparse expression goes together with the breaking of clear coherence in a very concentrated and targeted manner. As one of his first works, the Variazioni from 1950 derives its substance from Arnold Schönberg, his posthumous father-in-law. The us…
Plays The New Compositions For The Eb Alto Saxophone
1995 release ** A fusion of jazz and avant-garde featuring saxophone with orchestra:Roman Palester – Concertino For Alto Saxophone And String OrchestraBrian Fenelly – Concerto For Saxophone And String OrchestraBrian Fenelly – Tesserae VIII For Solo SaxophoneAugustyn Bloch – Notes For SaxophoneJuji Yuasa – Not I, But The Wind...For Amplified Alto Saxophione
The Microtonal Music Of Ezra Sims
1993 release ** "Between 1963 and 1973, because there were almost no instrumentalists who I could interest in my music, I wrote very little instrumental music, contenting myself with making taped pieces, often for dancers. Since then I have been fortunate enough to find players for whom to write. At the same time, I have seen developing in my music what I think is really a revolutionary system of tonality. It is a system with all the structural, rhetorical and affective capabilities of classica…
Chamber Works For Flute And Piano
1998 release ** "For the first time, we can hear Giacinto Scelsi playing piano! It's short (3:51) and the recording quality substandard, but Scelsi's improvisation with Carin Levine, Krishna e Radha, gives a window into the mind of one of the greats--that until now we could only hear through the veils of transcription and composition. The other premiere is Quays, for alto flute (1954). Levine has made her mark in the avant of avant-garde flute. The remaining pieces here have all been recorded a…
Answers And Maybe A Question?
2025 stock ** "Udo Schindler’s Salon for Sound and Art at Krailling, Germany is the setting for this superb live duo concert, capturing Schindler and Ove Volquartz both on bass and double bass clarinet, showing the breadth of sonic possibilites and diverse approaches from the deepest of clarinets performed by two masterful musicians."
Cults Percussion Ensemble
2025 stock ** "Re-issue of legendary privately pressed 1979 LP from Scotland. This illusive, super rare and sublimely wonderful percussion album is like no other. Hypnotic, celestial, even cosmic and ambient in parts and totally unique in all ways, it was played by a group of 11 girls with an average age of 14. The group included Evelyn Glennie, who was destined to become one of the world’s greatest percussionists. This is her first ever record. The music here is really quite unique, with a cele…
Flussi E Riflussi
2009 release ** 1979 album of songs by the Ansaldo worker who had previously brought us the amazing protest avant-garde industrial musique-concrète album Rapsodia Meccanica in collaboration with Roberto Colombo.
Christ Knows
2006 release ** ""Cold Spring are very proud to re-issue the legendary LP released by Broken Flag in 1986, now for the first time on CD. Formed in October 1984 from the ashes of Ramleh. The membership was shifting, though focused around two members (Gary Mundy and Matthew Frith) and included contributions from several friends around the world. Featuring Tim Gane (Stereolab), Paul Lemos (Controlled Bleeding) and Pacific 231. This completely remastered disc features the complete 'Christ Knows' LP…
My Only Warm Coals
2025 stock ** "My Only Warm Coals neatly sums up a fifteen year span of Emil Amos' (Grails/Om) basement home-recording in nineteen songs. Using the 4-track like a mirror in LSD therapy sessions, Amos disassembles himself and leaves the puddle on the floor for the listener to contemplate without easy resolution. The record also arcs a period of "lo-fi" recording technique and sonic experimentation that has largely gone undocumented in the larger underground culture, while epitomizing a supremely…
Simitu
2007 release ** ""Cold Bleak Heat is the East Coast's maximalist tour de force of spontaneous sound construction. Made up of the heaviest cats in the underworld of Hated Arts, CBH is spearheaded by Connecticut's prevailing operator of the alto/ tenor saxophones, Paul Flaherty. Alongside is his regular sparing partner, drummer Chris Corsano, sound sculpting trumpeter Greg Kelley (nmperign) and Earth-boom grounding acoustic bassist Matt Heyner (No Neck Blues Band, Test). Cold Bleak Heat is a wake …
Imaginative Reflections
2025 stock ** "The sounds on this album seem to come from another world. They spread through space, then disappear, or rather: fade away, evaporate, crystallize, settle as a sedi- ment. This music is about fading away, about reverberations, echoes. European instruments sound Asian, and Asian instruments are integrated into European art music. Xiaoyong Chen, who emigrated to Germany in 1985, once a student of composition with György Ligeti and now a professor of composition at the Hochschule fü…
Métro Pré Saint-Gervais
2025 stock ** "On July 10th 2001, Guionnet (alto sax), Warburton (violin) and La Casa (microphones) explored the acoustics of the Pré Saint Gervais Metro station in Paris, riding the elevators, taking the stairs, experimenting real-time music in daily life. A reference, between site-specific improvisation and sound art."
Ansamblul Hyperion
It's a miracle that some records ever get made. Right in the middle of Ceausescu's ultra-repressive dictatorship, composer Iancu Dumitrescu managed to arrange for his first LP, a compilation of radical new music by Dumitrescu and three of his Romanian colleagues, all older than him: Ocavian Nemescu, Stefan Niculescu, and Corneliu Cezar. Dumitrescu was -- and remains -- one of the most iconoclastic figures in contemporary music. Often referred to as a spectralist (though he distances himself from…
Behind Your Very Eyes
2003 release ** "A collaboration between Colin Potter (Nurse With Wound) and Paul Bradley (another Preston-based composer, who manipulates sound with his computer in a most un-computer like way). Over 68 minutes the four tracks visit different soundscapes, exploring organic and electronic sources, sometimes peaceful, sometimes unsettling.."
Pittsburgh, Pennsylvania
2009 release (RARE) ** "The world of harsh noise has a small number of truly classic, genre-defining records: The New Blockaders "Changes Les Blockeurs", Merzbow "Material Action 2", The Haters "In the Shade of Fire", Controlled Bleeding "Knees and Bones"... and this. Macronympha's 1995 LP "Pittsburgh, Pennsylvania" was first released by the German label Praxis Dr. Bearmann and had a huge impact on the next generation of noisers. This record is loud and ugly, relentlessly negative with savage ta…
Faint At The Loudest Hour
2001 release ** "Faint at the Loudest Hour is the astonishing solo debut by guitarist Alexander Turnquist, part of a young generation of guitar players who have taken their incredible virtuosity and turned it into something actually worth listening to. Like James Blackshaw, Jack Rose, Glenn Jones, etc, this could roughly be described as "raga" guitar, with its long, modal compositions and hypnotic overtone play. Unlike most of his peers, Alex employs a variety of extended techniques ala Hans Rei…
Twin Souls
2001 release ** "Twin Souls is a collection of electroacoustic compositions that incorporate texts which deal with various gender issues. Some, but not all, refer to same sex relationships; others leave the identity of “the other” to the listener’s interpretation. In all cases I have gravitated toward lyric poetry that expresses the human desire for this other being, whether a “mirror image,” an idealized partner, or a complementary “opposite.” In the first two works, the instrument itself is pe…
Breathing
2025 stock ** "Hild Sofie Tafjord has re-written the sonic possibilities of the French horn and established herself as one of Norway's most arresting musicians. Pushing the limits of her instrument for years, whether acoustically or electronically, she has made her mark as composer, performer and improviser. Her signature is present in her group-playing in Spunk, Lemur, and Zeitkratzer, but here she takes front row in this solo work. Breathing -- her long-awaited second solo album -- is devoted …