We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
** Edition of 200 ** Marcia Bassett and Thomas Dimuzio create a mind-bending synthesis of sound and place on their debut LP Losing Circles. Get ready for a head trip, the album is a sublime manifestation of sound interference, texture, and ultra, low-end synth waves that literally penetrate the listener's body. The pair bonded over their Buchla systems, first meeting at Thomas's radio show, Frequency Modulation Radio at KFPA, Berkeley, California where they had their initial improv jam. Their se…
Clear vinyl; Edition of 500.
Although Sir Richard Bishop (SRB) and W. David Oliphant (WDO) worked together periodically in the '80s through Sun City Girls and Maybe Mental,
they never set out to simply work together as a duo. Fast forward to
2011, SRB, feeling the need to temporarily step out of his solo guitar
zone, approached WDO with the idea of this joint collaboration... Beyond All Defects was composed and recorded live in the studio in Phoenix, Arizona in December of 2011 (remastered …
Deben Bhattacharya (1921-2001) was a field recordist, poet, filmmaker, musicologist, and amateur ethnomusicologist, based in Calcutta and Paris. Highly influential, it would not be too bold a stretch to say that his work shaped how we listen to the world: he produced a vast number of LPs, CDs, videos, and radio shows of traditional music from India, Asia, Africa, the Middle East, and Europe from 1953 until his death in 2001. Never before published, Paris to Calcutta: Men and Music on the Desert …
The second LP by Mark Cunningham's current Spanish outfit, Blood Quartet, marks a directional shift from their 2016 debut LP, Deep Red (FTR 283LP). On Until My Darkness Goes the quartet abandons pure instrumentalism, including a few vocal takes by drummer Cândid Coll strewn amidst the album's various tangles. There is also a much more aggressively rockist focus shown at times. Rumor has always been that this is a firm part of the band's live trip, but recorded evidence of it has thus far been sc…
Deluxe 2 LP pressed to HQ-180 gram vinyl, cut at 45 RPM, housed in gatefold tip-on jacket with printed inner sleeves. The In Between is the debut solo album by harpist, composer, and sound artist Shelley Burgon. Burgon is one of the most accomplished and sought-after performers and collaborators in the world of avant-garde and new music. Her interpretations of works by composers such as Pauline Oliveros, John Cage, Morton Subotnick, and Cornelius Cardew, as well as her collaborations with artist…
"Debut LP, following a cassette, by Mark Cunningham's latest unit, Blood Quartet. Based in Barcelona, the mostly-instrumental band plays insanely great avant garde rock music, with Mark's electro-Miles trumpet spread across the top like brass icing. Cunningham has been based in Spain for many years now, and his groups there (Raeo, Bestia Ferida, etc.) have been excellent, but Blood Quartet seems like the apex of a musical quest he started with Don King, following the dissolution of his legendary…
Volume 3. On September 13th, 2023 a musical collision occurred between The Band Whose Name Is A Symbol and Dead Sea Apes. With a room booked and a full moon glowing, the doors were locked and for the next 120 minutes, the nine members created nirvana/chaos where, with no direction, all possibilities were endlessly explored. Like hearing the lost Amon Düül recording you've waited 50 years for, Glenn Branca's wall of guitars, the shamanic cacophony of The Boredoms, psych melters Comets on Fire, an…
Volume 2. On September 13th, 2023 a musical collision occurred between The Band Whose Name Is A Symbol and Dead Sea Apes. With a room booked and a full moon glowing, the doors were locked and for the next 120 minutes, the nine members created nirvana/chaos where, with no direction, all possibilities were endlessly explored. Like hearing the lost Amon Düül recording you've waited 50 years for, Glenn Branca's wall of guitars, the shamanic cacophony of The Boredoms, psych melters Comets on Fire, an…
Volume 3. On September 13th, 2023 a musical collision occurred between The Band Whose Name Is A Symbol and Dead Sea Apes. With a room booked and a full moon glowing, the doors were locked and for the next 120 minutes, the nine members created nirvana/chaos where, with no direction, all possibilities were endlessly explored. Like hearing the lost Amon Düül recording you've waited 50 years for, Glenn Branca's wall of guitars, the shamanic cacophony of The Boredoms, psych melters Comets on Fire, an…
New reduced price! **500 copies, pink vinyl** Dagored present the first ever reissue of Alessandro Alessandroni's Barocco & Romantico, originally released in 1980 by the legendary Flower label. Barocco & Romantico is another wonderful and almost unknown gem from maestro Alessandro Alessandroni. Great cinematic atmospheres in a selection of fantastic mellow tunes inspired by ancient melodies.
*250 copies limited edition* "I’ll definitely listen to Eric Arn & Margeret Unknown’s frantic, two-guitar improvisation LP Paranza Corta again for sure. When these two really get going with their unusually-tuned, well mic’d acoustic interplay, it sounds like the perfect soundtrack to an ant colony documentary, sped up 100x. It’s pretty berserk." - Jay Hinman, Dynamite Hemorrhage
Repressed, in process of stocking. "The Chicago-based string genius Joshua Abrams first talked to us about the idea of this album a while back. It took a couple of years to get together, but in a way, it's cool that it's being released in 2018 -- the 50th anniversary of the recording of the first free bass solo LP, Barre Phillips' Journal Violone. Issued by Opus One in the U.S., Music Man in the UK (as Unaccompanied Barre), and Futura in France (as Basse Barre), Phillips' groundbreaking album wa…
**Double-LP version presented in a heavy tip-on gatefold jacket with textured clothe wrap and matte foil stamping** 75 Dollar Bill is one of the essential groups at the heart of NYC's underground. Driven by the telepathic union of Che Chen's microtonal electric guitar and Rick Brown's odd metered percussion their long-form sound is unmistakable and compelling. On their third album, I Was Real, the group expands in bold new directions, embracing brilliant fuller orchestrations, joyous rockers and…
Drawing from Tasmania’s rugged landscapes and the spectral absence of its lost fauna, Clinton Green composes a series of site-specific sound works that fuse kinetic turntable setups with ambient field recordings. The album is an evocative journey through environmental improvisation, blending mechanical invention, wildlife acoustics, and subtle instrumental textures into a narrative of listening and ecological reverence.
Movement, unpredictability and found sound take center stage as Clinton Green and Ernie Althoff bring together turntable constructions and hand-built kinetic instruments. Their joint work finds a magnetic middle ground between gentle percussive chaos and immersive, floating textures—highlighting the overlapping of machine logic and human touch.
Neil Ardley's visionary bridge: 1976's Kaleidoscope of Rainbows fuses British jazz-rock with Balinese gamelan scales. Seven Rainbow compositions built on pelog and slendro patterns, featuring Ian Carr, Paul Buckmaster, Tony Coe. Final part of Ardley's trilogy, pointing toward 1979's Harmony of the Spheres. Minimalist counterpoint meets exotic structures.
2025 stock The story of Australian experimental music continues with Artefacts volume II documenting the explosion of Australian experimental music practice from the mid 1970s; from the use of synthesisers and computers, through to the radical fringes of post-punk, and to the beginnings of industrial and dark wave. The double CD set complete with 16 page booklet features one of Warren Burt’s first compositions completed in Australia, the Loop Orchestra’s first performance, South Australian indus…
In December 2015, these three Melbourne musicians camped at Murray Sunset National Park in northern Victoria, Australia, sounding various sites and performing ritualistic actions. This album documents our interactions with rusted salt harvesting machinery discovered at the outdoor 'salt museum' on the shore of the Lake Crosbie saltpan.
*100 copies limited edition. In process of stocking* "This album was created unintentionally during the past two years. I was mostly at home by myself. At times, energy needed to let out and flow. Making sounds channeled my anxiety, boredom, happiness, and nameless feelings. A lot had happened, yet nothing really happened. A lot of the sounds were created either on my double bed, in the wardrobe, or in my living room, a small part of it was possibly recorded in the bathroom.
The album was record…
2025 stock Suddenly, there was a stick to dig a hole. Now countless years into the future, we await, anticipating more than competition and violence. I am drawn in, and ultimately mesmerised. Later that night, I began to clearly see the de-centralised nature of an awakened awareness, baked to a crisp by a relentless sun on the inside AND the outside. Unobserved, the need for acknowledgement will run away with the spoon leaving nothing to chance. It must be said that no two instances are ever the…