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The complete short prepared piano works collected on 2-CDs. John Cage's works for prepared piano expose his earliest experimentations in finding new and exotic sounds.Brief and attractive, they are among his most accessible work. This release marks the first time all of his short works for prepared piano have been made available in one set. All the prepared piano works are included aside from the magnum opus, Sonatas and Interludes. Pianist Philipp Vandr´e has recorded Sonatas and Interludes for…
Awesome collection of new, post-2000 works by Alvin Lucier. It's a been a long time since "I Am Sitting In A Room" for sure, but the dude clearly understands how to fill a room with sound as well as most anyone alive. "Alvin Lucier's (b. 1931) works on this CD, for solos and trios, continue to explore his unique sound world, exploration of microtones, and use of unusual instrumentation. 'Piper' is probably one of the few avant-garde pieces composed for the bagpipe. The piper is asked to walk slo…
"The first recording of his 32-minute grand cantata 'La Nascita del Verb.' Steeped in chromaticism, with hints of Scriabin and a sea of percussion, 'Nascita' boasts a vast double fugue (one of the most imposing in the history of music) and a forty-seven voice canon in twelve keys. This work, 'truly written in blood,' left Scelsi 'in a deplorable state, afterwards he stopped composing for several years. One of Giacinto Scelsi's infamous pieces are the 'Quattro Pezzi (su una nota sola).' Ear piece…
Tim Hodgkinson co-founded the politically and musically radical free-jazz/progressive rock group Henry Cow in 1968, which also featured guitarist Fred Frith. He regards his membership in this group, with the opportunity to work closely and collectively with other instrumentalists in developing new sound worlds, as the foundation of his musical education. In addition to composing, Hodgkinson continues to perform as an improviser (clarinets, saxes and keyboards) and considers the practice of impro…
Advance of the Fungi - (chamber works 1960-66) - Time on Time in Miracles for soprano, 2 horns, 2 trombones, piano, cello & percussion; Mod 3 for flute, percussion & contrabass; Holy Ghost Vacuum or America Faints for electric organ; Advance of the Fungi for male choir, 3 clarinets, 3 trombones, 2 horns, & 1 percussion; Two Worlds for soprano, flute, oboe, piano, percussion, violin, viola, cello & contrabass; Bestiary 1: Eingang for soprano, piano & 5 percussionists.
Luigi Dallapiccola's Quaderno Musicale di Annalibera for piano, Tartiniana Seconda and Parole di S.Paolo; Goffredo Petrassi's Sestina d'autunno "Veni Creator Igor", Seconda Serenata Trio, Dialogo Angelico for 2 flutes; Ensemble Dissonanzen.
1 = Petrassi: Sestina d'autunno "Veni Creator Igor", for mandolin, guitar, viola, cello, double-bass & percussion (1981-82).2-12 = Dallapiccola: Quaderno Musicale di Annalibera, for piano (1952).13 = Petrassi: Seconda Serenata Trio, for mandolin, guitar & har…
This recording features six of the most inventive younger composers (born between 1957 and 1977) in Mexico's contemporary music scene. Irvine Arditti and the Arditti Quartet gave the first performances of many of these works for string quartet or solo violin. The works were recorded in 2002 during the first Radar festival." Composers featured: Juan Felipe Waller, Hebert Vázquez, Germán Romero, Iván Naranjo, Rogelio Sosa, Hilda Paredes. Recorded at: April 1-3, 2002 (Irvine Arditti) and April 10-1…
"Italian Surf Academy has been exploring the sound related to 1960’s cinema since its first record, The American Dream (Mode Avant 13), a collection of music from Italian noir, horror and spaghetti western movies. In 2013 the Italian/French festival “Suona Francese” commissioned us to make a monographic program, but with the concept that it must somehow relate to French culture. We choose Barbarella — the classic 1968 sexual revolution icon directed by Roger Vadim, and starring Jane Fonda — beca…
A unique musical journey by three outstanding musicians exploring jazz, improvisation and electronic music. Percussionist/composer Roland Auzet with performer/composer Pierre Jodlowski invited the legend of French jazz and improvised music, Michel Portal (who premiered Pierre Boulez’s “Domain,” Boulez said that Portal is “blessed with an imaginative virtuosity”) to form Trio PAJ in 2007.
This daring collaboration reflects their influence of various artists and styles, from Boulez to Stockhausen…
Respect In Yule promises to be among the most fun and eclectic holiday albums ever – the album ranges from introspective to ecstatic, from the popular to the obscure, the sacred to the secular. In choosing the repertoire, The Respect Sextet wanted to pull together some of their favorite holiday music from all genres and view them through Respect-colored glasses. Featuring compositions by Misha Mengelberg, Loudon Wainwright III, Frank Loesser, Robbie Robertson (of The Band), Thelonious Monk, Jule…
Marco Cappelli, guitar. Ken Filiano, double bass. Satoshi Takeishi, percussion. “… La Nuages en France is what happens when you cross one of Europe’s best and brightest new music classical guitarists/composers with the best of New York’s avant jazz/improv scene. The sonics recall the lusciousness of Ralph Towner’s ECM work, but the compositional/improvisational smarts and depth of Marco’s classical chops and background on this recording are unlike anything I’ve heard. Also, Marco has devel…
This CD allows the music of two of the 20th century's musical giants to be heard as they've never quite been heard before. Sun Ra and Stockhausen have a lot in common: mysticism, astrology, a self-constructed cosmology and (intertwining) compositional language, the idea of 'advanced' musical and intellectual work, and an early, involved adoption of synthesizers. In choosing the repertoire, Respect wanted to draw comparisons and contrasts between the two composers and address the questions of how…
This superb pairing of two top-flight improvisors reminds me of why I listen to this music. It’s not about ‘music’, it’s about sounds and their making. It’s a given that these two can really ‘play’. Joe McPhee established that in the immediate post-Coltrane era, and Heward – while I know little about him except that he’s also a visual artist who recorded a duo album on Avant with Steve Lacy – I’m sure he can really whack those tubs. The point, however, is that they don’t ‘just play’, they also l…
A major discovery and first recording of an important Cage piece from 1944. In 1944, John Cage was invited to participate in “The Imagery of Chess” exhibition at the Julien Levy Gallery in New York City. The artists included Calder, Noguchi, Motherwell, Breton, Duchamp, Ernst, Man Ray, Tanning and other leading surrealists.Cage contributed a painting entitled “Chess Pieces”. It was purchased at the show and went into a private collection. For decades it was deemed lost and was (almost) forgotten…
This new release marks the first collection of Alvin Curran’s major works for piano solo. It also marks the first release in Mode’s Edition Yvar Mikhashoff, a series documenting the great artistry of the late pianist. Yvar Mikhashoff was a champion of new and neglected music — his unique style revealed new facets and insights to everyscore he played. The full scope of his pianistic brilliance will be showcased in Mode’s comprehensive Edition YvarMikhashoff, including solo composer recitals, fou…
** 2021 Stock ** John Luther Adams is an Alaskan composer. For Adams, Alaska is not a catalogue of ideas and sounds, instead, Alaska is a provocation. For all of its enormity, Alaska leans inward towards essential qualities and purified forces, and in Adams’ music we find this same sense of space and the same tendency inward towards the purified. His is an intimate and focused music that reverberates in a large place. Strange and Sacred Noise is a monumental work for percussion quartet in 9 move…
Chamber Works 1973-2001. Frank Denyer's (b.1943, London) music is the work of a truly original mind, one that sees and hears the world just a little differently. The six pieces on this CD are unlike the music of any other composer working today, celebrating the richness of acoustic sound in all its inexhaustible variety. The composer supervised performances by The Barton Workshop, which Denyer co-founded in 1990.