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Issue 74: Telex - The Original Eurovisionaries (Magazine + 7")
This month's Electronic Sound cover story details the highly entertaining exploits of Telex, the maverick Belgian trio whose early synthpop records were a major influence on the American and European club scenes that followed a decade or so later. And to accompany the magazine, we have an exclusive yellow vinyl seven-inch boasting two of the band's best-known tracks.
Issue 76: Chris & Cosey (Magazine)
We're marking 40 years of the one and only Chris & Cosey in the new issue of Electronic Sound. Our cover story is an in-depth interview with Chris Carter and Cosey Fanni Tutti, who look back over the highs and lows of their incredible musical partnership, which they formed straight after Throbbing Gristle imploded. The fact that Chris and Cosey are a couple has always been central to everything the pair have done, including the 20-odd albums they have released under a range of different guises, …
Issue 80: Drive - Inside the Untimate Synthwave Soundtrack (Magazine)
This month's Electronic Sound cover feature tells the fascinating story of the soundtrack to 'Drive', one of the greatest movies of recent times.
Issue 81: Faust - Freakatronica 1971-74
Viva freaktronica! For this edition of Electronic Sound cover stars are the legendary Faust, the wildest and weirdest of the 1970s krautrock outfits. We have a transparent vinyl seven-inch featuring two tracks from 'The Faust Tapes', the group's best-selling 1973 album, to accompany the magazine too.
Issue 82: The Genius of Tom Tom Club (Magazine + 7")
Devoted to the art of moving butts, our latest cover stars are the fabulous Tom Tom Club, the band that started out as a Talking Heads offshoot but rapidly turned Tina Weymouth and Chris Frantz into global musical heavyweights in their own right. We have an exclusive blue vinyl seven-inch featuring two awesome remixes of the group's 'Genius Of Love' to accompany the magazine too.
La Vie Electronique 4
The third in Klaus Schulze's series of three-disc compilations of live and rare material (all of it previously released in his 50-disc Ultimate Edition box from 2000) is pure bliss for fans of early-'70s analog synthesizer music. The melodies swoop and whoosh like comets passing by a slowly drifting space station manned by dudes and ladies in unisex jumpsuits with long, perfectly coiffed hair, and beards on the men. Close your eyes and you're there. Many of these tracks are grouped into half-hou…
Ethernity
Simona Zambolis first album on Mille Plateaux "Ethernity" is a piece of haunting music - vibrating, pulsing and cutting through the concrete and the chaos at the same time, when you listen close enough. The album is a journey through trans-reality, not only as a melancholic drama, but also as a travel to alien worlds, hence as a necessity of an electronic intervention. "Ethernithy" is radical fictioning in a non-expressive, non-melancholic and ultrablack sense. Profound music demands blackness, …
Say Laura
The new record by Eric Chenaux is his most immaculate and pristine. Say Laura perfectly incarnates the counter-intuitive interplay of instrument and voice that Chenaux has been revealing and revelling in throughout the past decade: his gently unhinged juxtaposition of resplendently smooth, seductively assured singing and puckish, frazzled, thoroughly destabilized guitar could come from no other musician. The five wandering, wondering ballads on Say Laura bring Chenaux’s semi-improvised but keenl…
First Flight Redux (Harrington Dub)
On “First Flight Redux” Dave Harrington takes a scalpel to the multi-tracks of "First Flight" (LP/DL, Algorithm Free) remixing the raw material into something else entirely.
Maquishti
Mexican born, New York-based vibraphonist, marimbist, improviser and composer Patricia Brennan has confirmed the release of her debut full length album Maquishti, January 15, 2021 on the Valley of Search label. The twelve original instrumentals that make up the album were composed and performed solo by Brennan on vibraphone and marimba. Employing unusual performance techniques and occasional electronics, many of the compositions were borne from improvisations created live in the studio at the ti…
Valley of Search
** 2021 Stock ** The first ever reissue of the 1975 free jazz album originally released on India Navigation. What we know of Downtown New York comes from the countercultural and creative flowering that emerged in lower Manhattan in the 1960s, attributable to cheap live-work spaces called lofts. These were often abandoned and disused small manufacturing spaces and they became a nexus for artistic practice and life. From a jazz perspective, lofts were alternatives to the club scene, and they gaine…
Mantras
*Triple LP.* In June 2016, the great-outdoors music festival Echos asked Ernest Bergez aka Sourdure to produce a series of "Mantras" set to be diffused in between each concert of the twenty-four hours event taking place in the french Alpes. These pieces were played on the festival's gigantic speakers/ horns system in the afternoon, evening, night, morning, noon... and reverberated fully in the rocky valley. This triple vinyl edition gathers the field-recording-like captures of the tracks deliver…
Smells Like Teen Spirit
Smells Like Teen Spirit is premised in a haptic interrogation of each of the label's previous editions. Berlin-based and Mexico City-born multi-disciplinary artist Mario de Vega occupied the gallery space of Rumpsti Pumsti (Musik) for three consecutive days in October 2016 with a hitherto complete Tochnit Aleph catalog, sanding machine, hammer, and recording equipment. Conflating acts of "playing" with destruction, de Vega took to the recorded works and assorted media with his Spartan too…
Yesterday + Today, A Music Of Time
"Vincent Wrenn works with a microtonal system of seven octaves and each octave being divided into 360 notes, with Saturn being the lowest and the sun being the highest octave. That may sound also pretty esoteric, but the six pieces here are excellent studies in what seems to be sine wave like sounds. Each of these pieces appears to have very few variations and when played very loud may burst an eardrum, or destroy your relationship with your neighbour. I would think these pieces are best enjoyed…
Exploratorium
Swedish experimental outfit White Stains created five highly influential albums. Band members Carl Abrahamsson and Thomas Tibert later on went on to form the equally influential act Cotton Ferox. Their improvisational approach and dark musical atmospheres created a following which remains to this day, and which even led to a one-off reunion gig in Gothenburg in 2013 together with long time collaborator Genesis P-Orridge (Throbbing Gristle, Psychic TV). The album Exploratorium is a compilation of…
Defragmental
Cotton Ferox key members Carl Abrahamsson and Thomas Tibert have composed, performed and produced groundbreaking music since the late 1980s. After their time in White Stains and several solo projects, Cotton Ferox have been their main mothership. Always producing cutting edge stuff, they have also always made an issue out of collaborating with other interesting artists. In both White Stains and Cotton Ferox, they’ve worked together with industrial pioneer/legend Genesis Breyer P-Orridge. Some ex…
Solo Etudes I
"We begin with the flickering, fire-like erraticism of the first track. Despite bearing the title of “Snow”, I’m drawn to imagine the very opposite: an intense heat that billows and dwindles across the stereo frame, suddenly erupting from left to right as if devouring an oil slick, promptly receding through oxygen exhaustion. To what extent are these fizzing, crackling chords – presumably electronics, but ultimately too distorted to accurately identify – under Hahn’s control? To what extent does…
No Time Left for Sadness
Despite having worked together in innumerable settings, including the longstanding Survival Unit III, with drummer Michael Zerang, cellist Fred Lonberg-Holm and multi-instrumentalist Joe McPhee have never released a CD of duets. In an extra intimate studio setting in upstate New York, where both players reside, No Time Left for Sadness demonstrates their incredible musical understanding. Recalling some of McPhee's landmark records with Marseilles musicians in terms of telepathy and trust, it's a…
Vario 34 3: Free Improvised Music
Since its first iteration in 1979, Vario has appeared in some fifty different versions, with a great variety of musicians, also actors, dancers, and filmmakers. It's the brainchild of Günter Christmann, a powerhouse of improvised music in Germany whose influence is out of scale with his acclaim. Since his emergence on the scene in the early 1970s, including appearances on classic FMP outings such as Rüdiger Carl Inc.'s King Alcohol (CVSD 032CD) and the eponymous Peter Kowald Quintet LP (CF 015LP…
A Poem In Cycles & Bell & Other Music For Tape Recorder
You would never believe this record to be a relic from a past of electronic music that happened before anybody even spoke about rock music. In 1957 this compilation of electronic and orchestral compositions by the three masterminds Otto Luening, Vladimir Ussachevsky and William Bergsma saw the light of the stars for the first time and has become a cult piece among lovers of electronic space music since then, despite the fact that only the first side features the so called tape compositions of Lu…