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Takanehishigu
Born in 1964, Yukihiro Isso is a Japanese Noh flutist (hayashikata fuekata) from a family that has been playing this instrument since the 16th century. He received his initial instruction in flute playing from his father, Yukimasa Isso, and performed on the Noh stage for the first time at the age of nine. Beginning in his middle school years, he began listening to a variety of different kinds of music and studying new instruments including the recorder and piano. An acclaimed performer of classi…
Estrelando Embaixador
Originally released in 1972 in very limited numbers. A trip of an album rich in percussive energy and African chant - made in Brazil! The sounds of continents colliding in a young, funky & soul fuelled 70s ....this is one is on full burn from start to finish! This the only album by Massáhi Tribe and it became notorious for it’s unique sound and the almost complete lack of information about its creators."This is a sound made in Brazil. All the members are Brazilians. But the goal is to show the y…
Mars Archives Volume Three: N.N. End
** 500 copies ** "Barring some miraculous discovery (never out of the question!), "Mars Archives Volume Three: N.N. End" is the final LP in our series of LPs documenting the music of New York's most amazing combo of the No Wave era, Mars. From their more-quotidian beginnings as China, whose sound was influenced by The Velvet Underground and Television, Mars mutated and grew in a variety of nearly unchartable directions. "N.N. End" documents the latter, immaculate stages of the band's destruction…
Mars Archives Volume One: China to Mars
**shipping on Friday**"Following the success of the two live LPs bookending Mars's trajectory through the skies of NYC, Mark Cunningham was convinced to return to his legendary box of cassettes. Even he was surprised to discover the band's earliest shows (done under the name China) were there, amidst a tumble of other tapes. Thus, the idea was born for a trilogy of LPs tracing Mars's development from their first audition gig at CBGB through the shows following their 1980 Lust/Unlust EP. Chin…
Masada
Holywax’s treasure trove side imprint returns with this incredible mindbender from the archives, the mighty Masada by maestro Graziano Mandozzi. This musical masterpiece has been written for the soundtrack of the Hans Kresnik Ballet with the same name in 1977. Expect experimental sounds, weird synths jams, twisted electronic jazz and banging psych funk throughout the album, creating a seamlessly segued side of ghostly, decaying acoustic sounds captured within the stone-clad building's numerou…
Cool Truth
1st time LP reissue of 1985 album is a damaged, hallucinatory journey that radiates from a Chicago blues core. Performing most, if not all, the instruments himself -- sax, guitar, harmonica, marimba, etc. -- Wolf speaks in tongues, hollers & serenades. Alternates between Sun Ra-style orchestration & primitive forms to more traditional blues takes. Includes download.
Oceanos
**Available in vinyl for the first time, edition of 200** An excellent set, shedding light on the otherwise undocumented early Portuguese Electronic Music community by Cândido Lima with his legendary ring-modulated & spring reverb-laden 'Oceanos', in own composer's words: the work was about the oceans to which Nasa has paid attention in recent times to Neptune! The proper graphics to illustrate this work would be distant images where there are hypotheses of the existence of oceans, because it…
The Devil Speaks (& Plays)
Known to the world as the founder of the Church of Satan and author, among other cult esoteric texts, of the Satanic Bible (1969), Anton Szandor LaVey was also a skilled musician with a taste for weird, creepy and old-timey sounding tunes. Presented in this compilation are six of his best recordings and the first ever recording of a satanic mass conducted by the very high priest himself in 1968. A compendium of the words and music of one of the most singular and demonized (and rightfully so)…
Joy
A groundbreaking session of European jazz – one of the first true moments of genius from singer Karin Krog! Tracks are long and experimental without getting too far out – and Karin's icy voice flows out magically over compelling tunes that still remain some of the most striking jazz vocals ever recorded! The set has Karin singing with a group of young, hip Scandinavian players that include Jan Garbarek on saxes, Arild Andersen on bass, and Terje Bjorklund on piano – all of whom stretch out in lo…
Don't Just Sing - An Anthology: 1963-1999
Outstanding reissue. Double LP version. House in deluxe gatefold Stoughton tip-on jacket. Newly remastered audio. Includes rare archive photos and liner notes Q&A with Krog. The work of Karin Krog may be unfamiliar to much of the world, but in her native Norway and Scandinavia at large, she's practically a household name. This says much about the local enthusiasm for post-bop jazz but also about the tyranny of distribution: until 1994, Karin Krog's albums weren't available in the USA or UK, mean…
Spectrum
**180 gr. quality reissue, comes in a gatefold sleeve and includes a printed insert with a photograph of the original master tape box and additional notes and credits** Easily one of Volker Krieger's best albums, Spectrum was remarkably cut in just two days at MPS Studios in 1971 – with a group that includes Peter Baumeister on drums, Cees See on bongos and percussion, Peter Trunk on bass and cello, and John Taylor on Hohner electric piano. It kicks of with the amazing track "Zoom", a ser…
Live In Germany 25 June 1971
1975 was a turning point year for Kraftwerk and this live set from Koeln is a fine document of the band's live shows of the period. The album opens with an epic sidelong version of the previous year's big hit "Autobahn", their first lucky experiment with highly repetitive electronic structure, they would become known for later, and it also includes a fine rendition of "Ruckzuck", a classic tune from their 1970 first album. This is highly futuristic German Musik of the Seventies at its best.
Live In Koeln Sartory Saal 1975
Featuring two tracks from the previous year’s Autobahn including an epic sidelong rendition of the title cut this 1975 live set from Koeln is one of the finest of the legendary Kraftwerk group’s career. Rounded out by “Ruckzuck”, the first track from the very first Kraftwerk record from 1970, this beautiful set of brilliant motorik jams is crucial for any fan of krautrock and the work of Ralf and Florian.
Knobby Knoll
Edition of 200. Lauri McNamara is one of the crazies who make the New England sub-underground such a richly interesting universe to inhabit. She worked off and on with the late, lamented Egg, Eggs, but her main focus has always been on solo performance, accompanying herself on ukelele. A few other people make their presence felt on her debut LP, Knobby Knoll, but let's not get bogged down in their details. 'Cause really, this is Lauri's show, no matter who else might be sitting in. Unlike the ma…
An Air Of Unreality
"An "air of unreality" characterizes the best free improvisation. This performance-captured during last year's Vision Festival in Manhattan's Judson Church-definitely ranks among the best on record this year. Part of this unreality has to do with finding beauty and gratification in uncertainty, something that so often makes reality difficult to bear. Another part is transcendence, both of person and pedigree: the idea of a musician effaced by their instrument, and then by their creation. Music t…
So Funny
Depending on how you count, So Funny is either the ninth or tenth album, MX-80 Sound has released. Regardless, it's their first LP since the classic Crowd Control back in 1981, and it's a pretty goddamn amazing spin. The core of the band -- Bruce Anderson, Dale Sophiea and Rich Stim -- has been more or less stable for the better part of the last four decades, despite the fact they've never had any real commercial success. They've all pursued various different paths during that time, but they'…
II
Melbourne’s Exhaustion have been producing some of the coolest records on the Australian scene for the last few years. I mean, there’s no lack of great OZ noise these days, but Exhaustion have managed to create a sort of post-scum/prog hybrid that hearkens back to those long gone bands — like the early (Mick Turner era) Moodists –who emerged from the Vegemite-stinking ashes of the Little Band scene. They generate a certain kind of noise, yeah, but it doesn’t feel like anything anyone else is do…
Revolución Electrónica en Música Venezolana
Ultimate space-age exotica trip from Venezuela. In the early '70s, well-known composer and arranger Chelique Sarabia (who penned the famous “Ansiedad” when he was just a kid) decided to record an album of traditional and folkloric songs from Venezuela but giving them a modern touch, using especially developed equipment (M.R.A.A.), based off of the principles of the Moog. Chelique, helped by a team of gifted musicians, employed traditional instruments like the cuatro and the bandola llanera, filt…
Lisa Wants to Talk to You
Vinyl actualization of a Gary Wilson album originally released on CD in 2008. The second of Feeding Tube's Wilson retrievals (following 2011's Forgotten Lovers, FTR 065LP), the label considers this the most solid of Gary's post-revival albums. While it goes in a slightly different musical direction than the deranged porn-lounge inventions of You Think You Really Know Me (the classic '77 LP, heisted in toto by Beck during his Odelay phase), the naif-ache of the lyrics and the music's laid-back…
The Cave
We were first made aware of this Brooklyn band by Gary Panter. When we asked Gary about some specific projectors for light shows, he said we'd be best off conferring with his colleague, Curtis Godino. And oh yeah, Curtis also helmed a dastardly psychedelic music unit called Worthless. Checking out some of Worthless's previous recordings for Beyond Is Beyond, Stupid Head, and Greenway, we were struck by the weirdness and seamlessness of their psych stretching; if ever there was music made for lig…