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Melle-Aan-Zee is the latest lo-fi recorded collection of improvised pieces by Ghent-based occasional psych folk, kraut infused jam collective De Regering Van Treffelijke Zaken, which seems to continue to give birth to compositions that defy convention and exceed expectations. Just as their sporadic meet-ups seemingly cannot be planned, their enigmatic worlds of sound unfold through pure improvisation, sense of experimentation, a confluence of coincidences and reasoned skits. There's a special ki…
There's a moment, early in Two Lonely Space Pilots, when time seems to stop. Not pause - stop. The saxophone sustains a note that hovers somewhere between breath and pure tone, while scattered percussion marks territory in the emptiness like footprints on an unexplored planet. This isn't background music. This is Hekura - a Barcelona-based duo who've spent years learning how to make silence speak and stillness move. Ernest Pipó and Edu Pons met during their jazz studies at Taller de Músics in Ba…
For the second volume of Reflections, Black Decelerant, the duo of Khari Lucas, aka Contour, and Omari Jazz, explore improvisational jazz traditions through contemporary tone and texture, fostering sonic meditations on themes of Black being and nonbeing, life and mourning, expansion and limitation, and the individual and collective. The Black Decelerant collaboration, and intention, creates space for listeners to be still, while providing a basis for a movement beyond “the moment.”
On Louvação, Gilberto Gil fuses Afro‑Bahian rhythms, Northeastern folk and sleek mid‑60s modernism into a luminous songbook where liturgical overtones, street poetry and swinging arrangements announce a new, restless MPB imagination.
** Edition of 300. One time pressing. No digital. ** In 1934, Swiss engineers completed the Chandoline Hydroelectric Plant, channeling Alpine water through 16 kilometers of concrete pipe. By 2023, the turbines had stopped. The plant was empty, silent - a cathedral to obsolete energy with perfect acoustics and nothing left to say. Christian Marclay saw an instrument. For the inaugural Biennale Son in 2023, the artist who made his name destroying vinyl in 1980s New York turned the entire hydroelec…
Tip! Triple Point, featuring Pauline Oliveros, Doug Van Nort and Jonas Braasch, was an improvising trio with a core instrumentation of soprano saxophone, greis/electronics, and V-accordion. The name refers to the point of equilibrium on a phase plot, which acts as a metaphor for the group's improvisational dialogue. Triple Point's musical interaction was centered around an interplay between acoustics, physically-modeled acoustics (v-accordion), and electronics. Van Nort captured the sound of the…
*2026 repress!!* Amazing re-issue on Outernational Sounds of the Indio Jazz Fusion rarity from 1968! Never before reissued, this legendary 1968 EMI recording is a revered Indian jazz rarity; a collectors’ holy grail. Raga Jazz Style is an original Indian excursion into Indo-jazz fusion. A one-away recording from the almost unknown Bombay jazz scene, it is among the few jazz LPs to hail from the subcontinent. Closely contemporary with the UK-based explorations of Amancio D’Silva, John Mayer and J…
2024 was for me the year to look inwards and address in my work a couple of personal, somewhat uncomfortable subjects, something I wanted to do for a long time. This double-album is the result of this process. My deep gratitude goes to Benedikt Müller, Hans Martin Müller, Thomas Baerens, Csaba Kézér, Hermann-Christoph Müller, Stefan Deistler, Pavel Borodin, Erhard Hirt, Alex Minkin, Maciej Karlowski, Semafor and all the musicians who made it possible.
The fate of my grandfather was shared by cou…
The music of this trio is an ongoing conversation between three women about life as it unfolds between artistic practice and daily routines. Compassioned conversations about being someone’s mother, someone’s daughter, someone’s partner, someone’s friend seamlessly float into the musical sphere, where words and emotions are transformed into pitches, harmonies, rhythms and artistic gestures.
Three strong artists from the creative music scene of northern Europe has formed a trio that feeds from the…
Tip! Originally released by Innova Recordings in 1996, Nyahh Records is delighted to re issue this ground breaking and pioneering work of electronic and acoustic work in a deluxe 2 disc set with a 26 page booklet containing new essays, scores and never seen before photos.
This collection includes recordings made between 1973 and 1985 including some of David Dunn’s work which he considers his ‘Environmental Sounds Works’, which include large scale pieces recorded in the Grand Canyon with up to 2…
The renowned and widely acclaimed music label Intuition, well known since the 1980s, is proud to announce the release of its most important and successful back-catalogue titles on vinyl under the name 'Intuition Master Series'. The American trumpeter and multi-instrumentalist Jon Hassell (March 22, 1937-June 26, 2021) was an international legend despite never having managed a popular breakthrough. Hassell was a musical visionary and pioneer, one who was inspired by ambient sounds and new music. …
Kontakte is a Stockhausen classic from 1959, for electronics, percussion and piano (played here by David Tudor). One of his "moment form" compositions, which "...lead up to no climax, nor do they have prepared, and thus expected, climaxes, nor the usual introductory, intensifying, transitional, and cadential stages which are related to the curve of development in a whole work; they are rather immediately intense and -- permanently present -- endeavor to maintain the level of continued 'peaks' up…
No music swung as erratically between extremes as his: folk song, march or acoustic apocalypse – anything was possible in the cosmos of Albert Ayler’s soundscapes. With his furious instrumental glossolalia and his pathos-laden ballads, the musician from Cleveland, Ohio quickly became the most radical of the Sixties free jazz expressionists. In his hands the saxophone became a different instrument and even John Coltrane’s late work was unmistakably shaped by the influence of his younger colleague…
Highlights of their first 2 concerts in about 20 years, live in Brussels (2007-2008), shows the trio of Gilbert Artman, Jac Berrocal and Jean-Francois Pauvros anarchistic, powerful and controversial as ever. Uncertain rockers, exacerbated freejazzmen, pranksters, Jean-Francois Pauvros: guitarist, Jac Berrocal: trumpeter and vocalist, Gilbert Artman: drummer and pianist are a bit of everything, rock stomping, boring the avant garde, enraging the virtuosity. Trespassing the unbreakable with the su…
On 8 Petites Pièces De Variété, Urbi-Flat compress a playful, genre‑hopping imagination into miniature form: eight short pieces that treat “variety” as licence to slide between jazz, musette, pop and cartoon‑score pastiche with light‑footed charm.
A new CD of a live performance by these two talented improvisers. The interplay between them is, to use a cliche, telepathic. Whilst it's often difficult to figure out who is doing what, the gelling of the sounds is perfect, going from meditative to intense, smooth to harsh (but not abrasive). Improvisation at it's best - highly recommended! REVIEW by Frans de Waard, Vital Weekly : The biggest surprise here is not the music but the label. I would expect such fine talents in improvised music to f…
Black Truffle is pleased to present Radis, the first recording by the Oslo-based trio of Andrea Giordano (voice and organetto), Kalle Moberg (accordion) and Jo David Meyer Lysne (guitar and snare drum). Now based in Norway, Giordano is a native of Cuneo, in the Piedmont region in the north-west of Italy and her exploration of the Piedmontese language provides the starting point and conceptual anchor of the trio improvisations heard on Radis, which make use of the words of 20th century Piedmontes…
Cool Jojo was recorded from 3 to 5 December 1979 at Epicurus Studio in Tokyo under the direction of guitarist Masayuki Takayanagi. The album features the band ‘Second Concept,’ combining electric guitar, saxophone, keyboards, bass, and drums. The programme consists mainly of original compositions reflecting the band's electric jazz and experimental orientation in the late 1970s.
Recorded in Tokyo in June 1978 after his stay in the United States, Midnight Sun captures the Tsuyoshi Yamamoto Trio in a format typical of the Three Blind Mice aesthetic: full, dynamic sound and natural breathing of the playing. Between standards (‘Autumn Leaves’, ‘Love Is Here To Stay’) and more personal themes, Yamamoto favours melodic narration, with a deep left hand and a very singing touch.