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Pedro Santo's psychedelic soul masterpiece is one of the most in-demand Brazilian records. Santos was a percussion virtuoso driven by the spiritual realm, and this record features a unique blend of rhythm and lyrics that touch on morality, perception and existence. Unlike many rare records, it also has strikingly beautiful artwork. Unsurprisingly, Krishnanda has a strong following among diggers like Gilles Peterson and DJ Nuts.
At that time, the musician was studying philosophy and theology, particularly the works of Thomas Aquinas, which are referenced in several tracks. Among these are the absolute classic “Os Alquimistas Estão Chegando os Alquimistas,” “Hermes Trimegisto e sua Celeste Tábua de Esmeralda,” and “Errare Humanum Est.” Always preaching happiness and peace of mind in his lyrics and irresistible grooves, the artist brings his soulful singing and playful swing to other gems of the album, such as “O Homem da…
A landmark recording that is one of Jorge Ben's best albums ever! The album is a perfect realization of the way that Jorge mixes Brazilian rhythms with choppy Afro grooves - and the result is a masterpiece that yeilded some of his biggest tracks ever.
Father of Brazilian soul music, Tim Maia needs no introduction, as he is one of the greatest artists in Brazilian music. From his debut album, self-titled and released in 1970, it was clear he was destined to become a legend. Considered one of the 100 best albums in the national discography, the record returns to shelves just like the original, as part of the “Classics on Vinyl” collection from Polysom, licensed by Universal.
Fifty-five years ago, Tim Maia released his second album, self-titled. As impactful as his debut album, “Tim Maia” (1970), this was the continuation of one of the brightest careers in national music. Considered one of the 100 best albums in the national discography by Rolling Stone magazine, the album returns to shelves this year on 180-gram vinyl as part of the “Classics on Vinyl” collection from Polysom, licensed by Universal.
A hidden gem from bossa nova pioneer João Gilberto resurfaces with the reissue of 1970 En México, capturing the artist in artistic exile during his time in Mexico City. This intimate album blends timeless Brazilian classics, sultry boleros, and jazz standards, all filtered through Gilberto’s signature whisper-soft vocals and minimalist guitar accompaniment.
Recorded live in the vibrant heart of Mexico City, En México showcases Gilberto’s unparalleled ability to transcend borders. Standout tracks…
Music historians and funk aficionados rejoice: the ultra-rare second volume of Tim Maia's groundbreaking Racional album series from the 1970s is back, delivering an even funkier, harder-edged evolution of the Brazilian soul legend's visionary sound.
Building on the heavy soul vibes of Maia's early '70s Polydor albums, this gem channels a potent dose of American funk and R&B—drawn straight from the raw energy of the East Coast indie scene. Tim Maia, one of Brazil's few true masters of the groove …
The third album by the legendary Bahian trio, originally released in 1975 on Odeon and finally back on vinyl. One of the most spiritually charged records to emerge from Brazil during the military dictatorship years. Hold on to your hats. Os Tincoãs - Mateus Aleluia, Heraldo and Dadinho - came from Cachoeira, in the Recôncavo Baiano, a region steeped in Afro-Brazilian traditions where Candomblé terreiros and Catholic chapels existed side by side, where sacred rhythms passed from generation to gen…
A lot changed between Gal Costa's pleasantly straightforward 1967 debut Domingo and her eponymous follow-up two years later. Domingo, also a debut for young Brazilian songwriter Caetano Veloso, featured a set of airy, somewhat standard bossa nova tunes, sung ably by Costa. Mere months after the release of this relatively safe debut, however, Costa and Veloso found themselves alongside Os Mutantes, Tom Zé, and Gilberto Gil, recording contributions to Tropicália: Ou Panis et Circencis, the unoffic…
Before he turned 20, Lô Borges released one of the most captivating albums to come out of Brazil’s rich musical landscape — a record that somehow flew under the radar at the time but has since become a cult favorite for listeners around the world. Recorded in the same whirlwind year as the legendary “Clube da Esquina” — the groundbreaking collaboration with Milton Nascimento and Beto Guedes — this self-titled solo debut finds Lô Borges in full creative flight. Pressured by Odeon Records to deliv…
Tim Maia’s self-titled 1973 album is one of those records that hits you from the very first groove and doesn’t let go. Originally released on Polydor Brazil, this was the fourth in a series of Tim’s self-titled albums and many fans and critics still consider it the crown jewel. Packed with irresistible hooks, lush arrangements, and that unmistakable Tim Maia swagger, the album captures the singer at the peak of his creative powers. If you’re new to Tim Maia, here’s the quick story: born in Rio d…
Jorge Ben is someone who needs no introduction. Since his first hits in the early 60s, this the greatest icons of the greatest icons of Brazilian pop music. His anthems 'Mais Que Nada' or 'Pais Tropical' are among two of the most ever listened Brazilian songs of all time. Ben's self-titled 1969 album is a true samba-soul masterpiece from one of Brazil's most creative voices. This isn't your typical late-'60s LP: Jorge Ben blends the hypnotic swing of samba with funk, psychedelia, and sun-soaked …
Originally released in 1972 on the Odeon label, Quarteto Em Cy stands as a high-water mark in the group’s prolific discography—and a hidden gem for collectors of Brazilian vinyl. Known for their intricate vocal harmonies and deep roots in the bossa nova movement, the quartet ventures into post-bossa territory here, where sophistication meets groove in all the right ways.Arrangements by Edu Lobo and Luiz Eça (of Tamba Trio) lend the album a richly layered sound—elegant, jazzy, and emotionally res…
Released in 1960, this album stands as one of the most powerful stories in Brazilian music. Born into deep poverty in a Rio favela, Elza Soares faced a life marked by unimaginable hardship, forced into marriage at 13, surviving abuse, and enduring the heartbreak of losing three children. Yet she refused to be defined by tragedy. Through sheer strength and talent, she rose to the top of Brazil’s music scene, her voice becoming a symbol of resilience and fire. A Bossa Negra is often hailed as her …
Dive into an extraordinary musical moment with Jorge Ben - MPB Especial 1972 TV Broadcast, a rare and captivating live performance recorded during a turbulent era in Brazil’s history. This unique album captures Jorge Ben, one of Brazil’s most influential musicians, delivering extended versions of his timeless classics such as "Fio Maravilha", "Mas Que Nada", "País Tropical", and "Domingas", along with other beloved tracks.
Recorded live for television in 1972, while Brazil was under a strict mil…
Experience the breathtaking artistry of Brazilian music legends with the remarkable release of "Milton Nascimento/Wagner Tiso – Ao Vivo 1981 (Live at Swiss TV)." This album captures an unforgettable 1980 performance, where Milton Nascimento’s flawless melodies and rich harmonies bloom in every note.
Joined by his long-time collaborator, the renowned pianist and arranger Wagner Tiso, Nascimento delivers a wondrous set—his evocative vocals and warm acoustic guitar intertwining with Tiso’s masterfu…
*2025 repress* After Caetano Veloso broke out with his solo debut, the self-titled 1968 release recognized as the building block for the now infamous Brazilian Tropicalia movement, his friends and musical peers released similar albums, always upping the ante in terms of outrageousness and inventiveness. This release, the second of two self-titled albums released by Gal Costa in 1969, set the high watermark in terms of overall insanity and complete experimental freedom for the entire lot; not Vel…
Racional Vol. 1 is the 1975 album from Brazilian funk and soul master Tim Maia, created during his brief but intense conversion to the Rational Culture cult. The album’s cosmic themes, spiritual lyrics, and deeply grooving arrangements have since made it a revered cult classic - once obscure and self-released, now hailed for its blend of spiritual quest and irresistibly tight Brazilian funk.
“Milton,” the fourth studio album from groundbreaking Brazilian artist Milton Nascimento, emerged in 1970 as a pivotal moment for the Minas Gerais music scene. Released in partnership with the progressive rock band Som Imaginário, this landmark record continues to inspire generations, both for its audacious blending of genres and its trailblazing studio innovations.
Renowned for its rich instrumentation and stylistic diversity, “Milton” laid the essential groundwork for Nascimento’s subsequent m…
Recorded in 1966, Os Afro-Sambas is a groundbreaking album that fuses traditional samba with Afro-Brazilian spiritual rhythms from candomblé and umbanda. The collaboration between virtuoso guitarist Baden Powell and poet Vinícius de Moraes creates a deeply evocative soundscape, blending haunting melodies, rich harmonies, and intricate arrangements. Featuring the vocal harmonies of Quarteto em Cy, the album honors Bahia’s cultural roots while expanding the expressive possibilities of Brazilian mu…