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We are proud to present the Mr Bongo pressing of Guilherme Coutinho E O Grupo Stalo's self-titled mythical album. Blending lo-fi, Brazilian tropicalia, jazz, funk and MPB with a unique aroma, this record is pure perfection. It was originally released in 1978 on Erla - Estudio Rauland, an obscure record label from Belém in Brazil, that only released 7” singles, with this album being one of two exceptions. During the 1970s, Belém had a thriving nightclub scene, but it is thousands of miles away f…
Antônio Carlos Jobim was a primary force behind the evolution of bossa nova and his sixth studio release Stone Flower is an absolute classic. The album is emblematic of '70s bossa with its seductive samba beat fused with elements of modern jazz provided by a star-studded supporting cast of Ron Carter, Hubert Laws, Airto Moreira, and Joe Farrell. Stone Flower was recorded by Blue Note engineering virtuoso Rudy Van Gelder and arranged by fellow pianist and guitarist Eumir Deodato; the fidelity and…
With a few more instrumental solos than regular Lobo albums, Cantiga De Longe takes advantage of the genius of the arranger / instrumentalist Hermeto Pascoal. The album has other stars, including percussionist Airto Moreira and drummer Cláudio Slom. There are several important songs on this album: "Casa Forte" (which would be recorded later by Flora Purim), "Mariana, Mariana," "Cantiga de Longe," "Zanzibar," and others. Not Lobo's biggest hits, but beautiful melodies and lyrics on an album with …
200 copies. Though often compared to Frank Zappa, Moondog, Captain Beefheart, Sun Ra, Jandek, and Father Yod, Damiao Ferreira da Cruz, better known as Damiao Experiença, it's a truly unique outsider multi-instrumentalist (without any real capability to play any of the many instruments he uses) compulsive hoarder from Rio de Janeiro, Brazil. Reportedly born on September 27th, 1935 in Bahia, Damiao lived an unhappy childhood and ran away from home at the age of 10 to escape the mistreatment by his…
Grupo Medusa was one of the best instrumental bands out of Brazil during the 70s and 80s, blending Jazz, African Influences and traditional Brazilian Rhythms. Formed By Chico Medori, Claudio Bertrami, Amilson Godoy and Heraldo do Monte. Original release in 1981 reissue for the first time Worldwide.
2023 repress. Lilith present a reissue of Os Mutantes' self-titled debut, originally released in 1968. With the release of their debut LP in 1968, Os Mutantes cracked the already red hot Tropicalia scene wide open. Fusing traditional Brazilian music, psychedelia, rock, and a good dose of pure experimentation, they quickly became giants both in Brazil and in the outer fringes of pop music, where they have managed to reign supreme for the past four decades. Not an easy task in such a crowded arena…
Hermeto's first album recorded in Brazil, and his second solo album (the first one was recorded and released in the USA). Performs as composer of "Bebê" "Plin" and "Serearei", arranger, conductor and instrumentalist. The most experimental record of the master where he shows from beautiful themes like the choro Bebê, which is already a classic of his authorship to deconstructions of well-known themes like Asa branca and Carinhoso. On the track Sereiarei you can even hear an "orchestra" of pigs, g…
*2023 reissue* The long unavailable ninth album by Brazilian star Jorge Ben. Released in 1972, "Ben" comes from one of Jorge Ben’s most artistically important phases, the early 70s. The album has some of Ben’s most famous songs, “Taj Mahal” (plagiarized by Rod Stewart on his song “Da Ya Think I’m Sexy?”, as the British singer admitted himself in 2012), and “Fio Maravilha”, paying homage to Flamengo’s iconic football player Fio Maravilha.
2023 reissue After Caetano Veloso broke out with his solo debut, the self-titled 1968 release recognized as the building block for the now infamous Brazilian Tropicalia movement, his friends and musical peers released similar albums, always upping the ante in terms of outrageousness and inventiveness. This release, the second of two self-titled albums released by Gal Costa in 1969, set the high watermark in terms of overall insanity and complete experimental freedom for the entire lot; not Velos…
*2023 reissue* A lot changed between Gal Costa's pleasantly straightforward 1967 debut Domingo and her eponymous follow-up two years later. Domingo, also a debut for young Brazilian songwriter Caetano Veloso, featured a set of airy, somewhat standard bossa nova tunes, sung ably by Costa. Mere months after the release of this relatively safe debut, however, Costa and Veloso found themselves alongside Os Mutantes, Tom Zé, and Gilberto Gil, recording contributions to Tropicália: Ou Panis et Circenc…
*2023 stock* Mainly known to DJs for the funk groover "Te Queria", Rota-Mar is the first solo album by the charismatic Zéca do Trombone. During a vertiginous career which started in the late 60s, Zéca was a permanent member of Wilson Simonal's band, toured with Luiz Eça's Sagrada Família (alongside Joyce, Naná Vasconcelos, Nelson Angelo and others), recorded the seminal Brazilian funk "Coluna do Meio" for his joint effort with Roberto Sax, and played and recorded for some of the big names of Bra…
Reissue, originally released in 1963. Pianist and arranger João Donato was a major figure in the bossa nova movement. During his long career he recorded with many of the great names from both Brazilian and American Latin-jazz scene (Tom Jobim, Ron Carter, Airto Moreira, E. Deodato, Randy Brecker, Mongo Santamaria, Tito Puente, Cal Tjader, and several others). First released in 1963, this is a marvelous example of bossa jazz album featuring the highly syncopated drums grooves of Milton Banana and…
Reissue, originally released in 1963. Ellis Regina one of the greatest Brazilian interpreters of all time. Originally released in 1963 when she was not even 20 years old, this was her fourth album and second for Columbia Records. Still a few steps before she became a star, here Ellis Regina's fresh and extremely ductile voice shines on top of sophisticated jazz arrangements by Astor Silva and a mixed repertoire based on charming romantic songs and vibrant sambas, all composed by Brazilian author…
Searing samba soul from Jorge Ben – one of his best-remembered albums of the 70s, and for good reason too! The album's got a slightly fuller feel than some of Ben's other work of the time – never slick, but with backings balanced nicely against his own raspy vocals and acoustic guitar – sweetening things up with a bit of the strings you'd find on Forca Bruta, but with a hint of the soul to come on Africa Brasil! The balance is great – thanks to arrangers Osmar Milito, Darcy De Paulo, and Hugo Be…
A lost MPB gem from rural Finland! We Jazz presents the first ever reissue of this rare 1990 local release by Brazilian duo Rosanna & Zelia. 7" EP with inside out 3mm spine sleeve. RIYL: Gilberto Gil, Joyce, Musica Popular Brasileira, bossa nova, bossa jazz Liner notes by Mikko Mattlar: "Rosanna & Zélia were a Brazilian duo of singers and musicians Rosanna Guimarães Tavares and Zélia Nogueira da Fonseca. They moved from Minas Gerais, Brazil to Europe in 1988, released five albums in Germany betw…
Transa is the fourth album by Brazilian musician Caetano Veloso, released on 1972 by PolyGram. Like its predecessor, it was recorded while the artist was exiled in London, though he returned to Brazil shortly after completing it. Evocative, eclectic, intimate, and rhythmically complex, Transa contains everything that has made Caetano Veloso the most distinctive and, arguably, most important voice in modern Brazilian music. The record was cut in 1972, shortly after Veloso's return from political …
*In process of stocking* Gilberto Gil’s second album is packed with some of the best songs of his career; jubilant pop extravaganzas like “Domingo No Parque”, “Pega a Voga, Cabeludo”, and “Frevo Rasgado” that were equally inspired by the irresistible, brassy bombast of Carnaval and intelligent rock & roll from America and Britain. Even more than the other Tropicalistas, though, Gil blends his rock and native influences seamlessly, resulting in songs like “Ele Falava Nisso Todo Dia”, which chart …
*In process of stocking* "Negro é Lindo is a worthy successor for the great album he had released in the previous year. Jorge Ben now takes his sound further toward a tropical Soul, a style that was his unique invention. But there are also still those hypnotic Samba grooves. Clearly, Negro é Lindo belongs to those master albums Jorge Ben bestowed to the world. With a good handful of records, Jorge Ben enriched Brazilian Pop and beyond, international Pop music. Negro é Lindo is one of them.
While…
Recorded in Rio de Janeiro in 1959 and originally released on Phillips in 1960, this was Baden Powel's debut album. Baden Powel has been one of the most celebrated figures in Brazilian music. A technically proficient guitarist and highly sophisticated composer who managed to integrate classical techniques with both popular and Jazz harmonies. Backed here by Monteiro De Souza's orchestra, Powell displays fascinating renditions of tunes from the American songbook such as "Stella by Starlight", "My…