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Massive discount on a large selection of items from the Superior Viaduct catalogue until stocks last!

Brazilian /

Procura-se Uma Virgem
Digipak CD edition. This is Erlon Chaves e Orquestra Saint Moritz - Procura-se uma Virgem, OST (1971) -, supposed to be one of the most sought after Erlon Chaves LP. This OST was recorded to a Brazilian soft porn movie with killer organ funk instrumental tracks and several funky, erotic & modal tracks, arranged and directed by maestro Erlon Chaves.
Sou Filho Dêsse Chão
Limited LP version. Brazilian Reissue* Reissue, originally released in 1976. Eduardo Araújo is a Brazilian singer owner of a bold but also incredible high note voice; and his duo singer Silvinha, owner of a great soulful voice, having both been very known to main public and successful in their careers across various music styles from the '60s, '70s, and '80s in Brazil. Araújo reached fame when still young in the early sixties with the massive hit "O Bom" in the Brazilian movement of "Jovem Guard…
Raga na Amazonia
Lucky restock! "It is rather fascinating Jocy de Oliveira's journey as a creative and sensitive inhabitant of our planet. She is a masterful composer, interpreter, multimedia artist, and storyteller. Her pieces are influenced by the avant-garde of the 20th century and all cultures and languages on Earth, emphasizing the importance of feminism, science, and the environment. Her talent and dedication brought her to work alongside eminent 20th-century music masters such as Igor Stravinsky, Oliver M…
Fôrça Bruta
The combination of Jorge Ben and Trio Mocotó had already produced great things when Força Bruta first appeared in 1970. Ben's self-titled album of the year before had reeled off a succession of Brazilian hits, including "País Tropical" and "Cadê Teresa," and made the four musicians very busy as a result. Força Bruta was a slightly different album, a slice of mellow samba soul that may perhaps have been the result of such a hectic schedule during 1969. One of the hidden gems in Jorge Ben's discog…
Os Brazões
*2022 stock.* Rare and highly sought after in its original format, Os Brazoes self-titled album was originally released on RGE Discos in 1969. It is a psychedelic masterpiece that fuses samba, r’n’b and rock ’n’ roll influences using fuzz guitars, synths, percussion, lush vocals and effects. Os Brazoes formed in Rio de Janeiro in the late 1960’s. They backed Gal Costa during her Tropicalia period, yet apparently never recorded in the studio with her. Miguel de Deus, the bands front man, recorded…
Alucinolândia
Some things take time to happen, some things perhaps take a bit longer than they should but, finally, we are delighted to present an issue of the iconic, and sought-after, Brazilian album 'Alucinolândia' by Zito Righi e Seu Conjunto from 1969. The trippy, surrealist 60s cover design with hands holding eyeballs is somewhat confusing. Rather than the stoner acid rock record that the art may suggest, 'Alucinolândia' is actually a quintessential 60s gem, mixing samba, MPB, bossa nova, quirky organ-l…
Sambadi
*2022 repress* Lucas Arruda’s born in 1983, in a Brazilian state called Espírito Santo, near Rio de Janeiro. Coming from a musical family (his dad and older brother are musicians) he started playing and listening to music very young. At the age of 13, he was also playing professionally already. After studying electric guitar and playing in various bands, Lucas passion quickly turned into Rhodes and keyboards, expanding his musical range of skills. At the same time he started a project called Du …
Tim Maia 1973
*In process of stocking* An icon of Brazilian popular music, Tim Maia was a musical polymath and prolific recording artist best known for introducing American soul to the Brazilian music scene, pioneering the sambalanço style by blending elements of soul, funk, rock, and samba. Maia recorded four self-titled albums for Polydor Brazil, this fourth release from 1973 arguably the best, with its outstanding hits ‘Réu Confesso’ and ‘Gostava Tanto de Você’; ‘Do Your Thing, Behave Yourself’ shows how t…
Leaf-Playing In Quito, 1960-1965
Tip! *In process of stocking.* The out-of-this-world recordings of Dilson de Souza, leading a kind of tropical chamber jazz on leaves from a ficus tree. Dilson was from Barra do Pirai, in the Brazilian countryside; moving to Rio as a young man, where he worked in construction. He recorded his first record in 1954, for RCA Victor. He travelled to Quito around 1957, soon hooking up with Benitez & Valencia, who introduced him to the CAIFE label. Dilson played the leaf open, resting on his tongue, h…
Brazilian Classics
Dorival Caymmi was a Brazilian singer, songwriter, actor, and painter active for more than 70 years beginning in 1933. He contributed to the birth of Brazil's bossa nova movement, and several of his samba pieces, such as "Samba da Minha Terra", "Doralice" and "Saudade da Bahia", have become staples of música popular brasileira. Equally notable are his ballads celebrating the fishermen and women of Bahia, including "Promessa de Pescador", "O Que É Que a Baiana Tem?", and "Milagre". Caymmi compose…
Werther
*2022 stock* 1970’s best-kept Bossa Nova secret. Surrounded by mystery for nearly 50 years due to its obscurity, this is one of the most honest, personal and unpretentious albums of its genre. A selection of 12 exquisitely crafted songs supported by measured, subtle arrangements. The list of musicians born or raised in the Tijuca district of Rio de Janeiro is long and illustrious and includes names that have shaped Brazilian music: Tom Jobim, Roberto Carlos, Tim Maia, Milton Nascimento, Jorge Be…
The Incredible Nana with Agustín Pereyra Lucena
*2022 stock* Often missing in Naná Vasconcelos' discographies, this is in fact the first recorded work to his name, one year before recording for Pierre Barouh's Saravah label in France the records that introduced him to a wider audience. Offering an early glimpse of his unique approach to music, The Incredible nanà features the first recorded version of "Concerto pra Mae Bio", a composition Naná redid for his ground-breaking album Africadeus, which effectively appointed him as the world's most …
Frauen-Feuer
This would have been the Brazilian post-punk supergroup. It would have, because bassist and singer Sandra Coutinho moved to Germany, leaving these recordings behind -- only two songs were released, in an independent compilation (Enquanto Isso, 1991). Sandra (bass, As Mercenárias) along with Denise Camargo (keyboards and voice, Bruhahá Babélico and Dequinha e Zaba), Biba Meira (drums, De Falla), and Karla Xavier (guitar, R. Mutt), expressive musicians in expressive bands, were AKT. And this power…
Ao Vivo
Vinilisssimo present a reissue of Mutantes' Ao Vivo, originally released in 1976. Those who fell in love with Os Mutantes after listening to their Tropicália work in the late '60s, embracing both psychedelia and Brazilian music influences, should be aware that only one of the original band members, Sérgio Dias, is responsible for this late album, and when it came out the band's sound had changed enormously after almost ten years since their debut LP was released in 1968. The good news is that Ao…
No Sub Reino Dos Metazoários
Another incredibly original album from the Solar/Rozenblit catalogue, this features the fabulous trio of Lula Cortes, Marconi Notaro and Ramalho. With Lula Cortes at the controls, writing, playing and illustrating the album cover. Soon after recording the classic album ‘Satwa’ (MRBLP083), Lula was back in the same Recife studio with his friend, the cult poet and writer Marconi Notaro to lay down another equally magical album. This joyous masterpiece stands musically somewhere between the Lula Co…
"O Bidu" Silencio No Brooklyn
*2022 repress* O Bidú: Silêncio no Brooklin is the fifth studio album by Brazilian singer-songwriter and guitarist Jorge Ben. It was recorded with Brazilian rock band The Fevers as Ben's backing musicians and released in 1967 by Artistas Unidos, a small-market record label based in São Paulo. The album was recorded while Ben was living in Brooklin, a neighborhood of São Paulo with Erasmo Carlos. Its title is a reference to a car that Ben owned at the time and the subtitle is a joke on a neighbor…
Racional Vol 2 (LP)
Exact LP repro edition. Grey-area reissue of this legendary album, with top audio quality. When in 1974 the Brazilian soul singer Tim Maia discovered a book called Universo em Desencanto (Universe in Disenchantment) no-one around him would have predicted what would happen next. At that time Maia was one of Brazil's biggest pop stars, and undoubtedly its biggest soul singer. Singles like "Chocolate" and "Não Quero Dinheiro (Só Quero Amar)" had propelled him to the top of the charts. With his grou…
Jorge Ben
The sixth studio album of the Brazilian artist Jorge Ben. Released in 1969, it was Jorge Ben’s first album with Trio Mocotó, a group that would be backing him along the 70’s on many other seminal albums, such as Força Bruta (1970), Negro É Lindo (1971) and A Tábua de Esmeralda (1974). The present album is said to have influenced the “Tropicália” movement, as three tracks from this set, “Que pena”, “País tropical” and “Charles, anjo 45” were immediately covered by Gal Costa (the former two), and …
Fragmentos da Casa
Brazilian percussion is a universe apart. The fusion of African and Brazilian cultures and rhythms has generated many talented musicians who have gone deep into Brazilian roots to search for its essence and thoroughly research all of our diversity. Many of the percussionists have been transformed into an "export products” worshiped worldwide: Airto Moreira, Naná Vasconcelos, Djalma Corrêa, Fernando Falcão, Pedro “Sorongo” Santos and Marco Bosco, among many others.

 Marco Bosco started his perso…
Every Single Night
From a time before Covid, Brazilian singer/songwriter/producer Moreno Veloso began singing his children to sleep. After the virus set in, this habit took on added significance, a father's reassurance. The music he chose for these nocturnes was drawn from friends and heroes, a selection of beautiful tunes and lyrics that began to form itself into a songbook of sorts, and Veloso started recording these pieces after the kids were tucked in. Gently surrounded by the night sounds outside his apartmen…
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