Occam IX / A Song For Two Mothers
Black Truffle is thrilled to present a Song for two Mothers / Occam IX the first ever solo release from Laetitia Sonami. Born in France in 1957, Sonami studied with Éliane Radigue in Paris before moving to California in 1978 to study electronic music at Mills College, going on to make important innovations in the field of live electronics interfaces and multi-media performance. Sonami is perhaps most closely associated with one of her inventions, the Lady’s Glove, an arm-length tailored glove fi…
Polytempo Music
Other Minds is pleased to present Polytempo Music, a new recording by American composer Brian Baumbusch with the San Francisco Contemporary Music Players. Polytempo Music draws influence from Indonesian gamelan music and minimalism, with their interlocking rhythms, stable harmonies, and kaleidoscopic instrumental colors. Conceptually, it also owes a debt to Conlon Nancarrow's rhythmic experiments. Building on those foundations, Baumbusch invites us to explore an advanced heterophony—multiple ins…
Liturgie
Huge Tip! The new Girolamo De Simone album is finally out. In his own words "The title, ‘Liturgy', refers to a certain method of creating music, it involves a process that is analogous to a ritual, starting from the moment of composition. This process has the ability to evoke a heightened state of consciousness, where the focus is on perceiving others from one's own perspective and being fully present in the current moment. The essence of the action or movement in this music lies in the transiti…
Since When Has The Bright Moon Existed?
Chinese-American composer Kui Dong draws inspiration from old forms, employs unusual instrumental combinations, and even commingles four languages within her compositions on this collection of world premiere recordings. The major work Shui Diao Ge Tou and Song is performed brilliantly by San Francisco’s adventurous choir Volti, led by conductor Robert Geary, who also presents the heartfelt Let Frogs and Crickets Carry It On with the Piedmont Children’s Choir. Pianists Sally Pinkas and Evan Hirsc…
Il Buddha Del Contrabbasso
On the tenth anniversary of Fernando Grillo's death, Enrico Francioni realises a tribute that takes the form of a multimedia project, consisting of an audio CD, a book, the publication of live performances on the web and live concerts. You receive this CD free of charge by purchasing the book ‘Fernando Grillo, The Buddha of the Double Bass’.
another
Composed by Stefan Thut in 2021Written for Joseph Kudirka's collection of music for music boxlater the score has been read in various other ways
Side a was recorded by Jaike Stambach in Berlin in May 2022.Joseph Kudirka: music box
Side b was recorded by Stefan Thut in Solothurn in May 2023Cristián Alvear: guitarChristian Kobi: soprano saxophoneJoseph Kudirka: synthesizerStefan Thut: celloMara Winter: flute
Portals
Felipe Lara’s music is a whirlwind of energy and motion, characterized by large, expressive brushstrokes that leave palpable traces. His works are in constant flux, pulsating with spectral harmonies and iridescent surfaces. This album includes the three ensemble works Chambered Spirals, Fringes and Ventos Uivantes, as well as Injust Intonations, a reflective solo piano piece. Each composition showcases Lara’s unique ability to combine intricate textures with dynamic, expansive gestures to create…
Antigone-Legend / Jefferson
Carol Plantamura and Frederic Rzewski met in 1965 when they were both at the Center for the Creative and Performing Arts at the State University of New York (SUNY), Buffalo. After beginning to work together in 1966, they collaborated in Rome as members of the improvising collective Musica Elettronica Viva, and from 1966 to 1970 they performed together throughout Italy, Belgium, the Netherlands, and Germany as a piano-vocal duo. Jefferson was written for Carol Plantamura in 1970 as part of a seri…
Assemblage
George Lewis (b 1952) combines an astonishing level of creativity with trenchant critiques of many traditional conceptions about experimental music. The four compositions on this album reference a wide range of ideas, from rhetoric in Ancient Rome to actor network theory, and the album's eponymous composition finds its grounding in the concept of the "assemblage," (or agencement in French) a pragmatic, material, non-teleological approach to composition. Among the album's compositions, Mnemosis (…
Long Piano
The melodic and, in the case of the solo piano music, timbral materials from which Christian Wolff's (b 1934) music is made are rarely unusual; these are ordinary, everyday things. However, Wolff's rhythmic invention is of great range and variety: complex polyrhythms, speech-like-rhythms, the music flowing at a freely fluctuating rate or proceeding in a plain, straightforward manner, silences. This mix of unusual and ordinary results in a music unlike any other. And, in a piece of such length as…
Still
James Romig (b 1971) endeavors to create music that reflects the intricate complexity of the natural world, where fundamental structures exert influence on both small-scale iteration and large-scale design, obscuring boundaries between form and content. Still, for solo piano (2016), inspired by the paintings of Clyfford Still, comprises 43 individual "Iterations" that may be performed in a continuous unbroken strand of music that lasts approximately 55 minutes, or it may be divided into smaller …
Dialogues and Contrasts / Colloquy
The title Dialogues and Contrasts describes the nature of the exchange which takes place between the performer and the materials committed to tape. In the first movement the exchange is more in the nature of an argument. Though initially each side appears to favor an independent thematic course, as the movement progresses the performers engage in direct response to the statements on tape. The second movement is more subdued and reflective, with many solo passages, particularly from the French ho…
Lower Limit
The immersive sonic textures that characterize Michael Winter's (b 1980) music are crafted from comprehensive lists of data, with each composition encompassing a musical question that is addressed algorithmically. A performance lasts for as long as it takes to "answer" the question, expressing all results as efficiently as possible. Winter leaves room for unanticipated results by keeping things open, notably in the instrumentation, which, rather than specifying instruments, tends to designate ce…
Musing And Reminiscence
Ezra Sims (1928-2015) was known mainly as a composer of microtonal music. Surrounded by world-class performers who championed his music, he produced a large number of chamber and solo, choral, and two orchestral works. With his unwavering commitment to his unique vision, he made an enormous contribution to modern music. This retrospective spans his entire career, almost fifty years of compositional activity, and is an excellent introduction to his very distinctive sound world. Sims’s lyricism an…
Sonatas
Lejaren Hiller (1924-1994) is, understandably, best known for his computer-assisted compositions and works utilizing electronics. The three pieces included in this collection span a crucial fifteen-year period in Hiller's career. The first was written two years before Quartet No. 4 for Strings, The ILLIAC Suite. The second work was written three years into his time as a music professor at the University of Illinois, while the final sonata in this collection was written during his second year at …
Io
Born in Michigan but for most of his life a true Californian, Robert Erickson (1917-1997) had a reputation as a maverick. His musical path was never a straight line, nor, really, a line at all but a landscape, with ranges of features rather than mere points of interest. He was a profound and original musical thinker who embraced the expressive possibilities of all music, from the Western classics and moderns of his own early education to Indian and Balinese traditions and all manner of contempor…
Outlines of the Night
Elusive and illusory, Age Veeroos’ music captures a unique tension between focus and ambiguity. The album "Outlines of the Night" presents compositions in which, for example, violin and electronics, as in Schattenseele, evoke corresponding sensations of a “shadow soul” through obsessive, circling motifs. In Keha for bass clarinet, physical and biological processes are musically embodied, oscillating between registers. Fantasia “A Threadbare Chant” and Ma olen suur kuu su silmapiiril further demo…
Duo, Fives, Quintet, Trio
Born in Michigan but for most of his life a true Californian, Robert Erickson (1917-1997) had a reputation as a maverick. His musical path was never a straight line, nor, really, a line at all but a landscape, with ranges of features rather than mere points of interest. He was a profound and original musical thinker who embraced the expressive possibilities of all music, from the Western classics and moderns of his own early education to Indian and Balinese traditions and all manner of contempor…
Clusters: American Piano Explorations
Rory Cowal is a distinctive pianist, one who draws liberally on classical chops, ample experience with improvisation, and a predilection for the new and uncharted. This makes him especially attractive to composers who wish to blur the boundaries between traditional styles and genres. A musical adventurer at heart, Cowal seems drawn to challenging and unusual projects. The eight pieces on this CD reflect this willingness to experiment, to not just play the same old (now canonic) warhorses of the …
Schtyx
"All his life, my father played the trombone and sang; just before he died, he became a music critic. He said "Chords, yes Alvin, but it needs more melody." SCHTYX was the answer. It opens with a dotted quarter at 50. From the start, implications appear and never cease. They remain open for business like a river. The melody, first thought terminal, is recycled on a child's buzz saw, but then reappears as a mensch. Ten minutes later, it turns up a 5/4 Waltz scrutinized by a group of unemployed ha…