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*100 copies limited edition* Limited to 100 Numbered LPs housed in thick silk screened cardstock New dimensions of silence,solitude and isolation found us all in the spring of 2020. Herein lies a document of my own personal journey.
Recorded outside and alone
300 copies 'Stunning, iridescent, nocturnal strums perfuse the durational sketches - highly immersive, beautiful gear that sounds something like Vincent Gallo and Iasos having a deep one.
Betraying their fine grasp of non-standard tunings, wandering feel for space, and aerosolised textures, these four extended, untitled pieces stem from a sort of communal feedback loop. Revolving Leon Brichard, Jesse Hackett and Jeff Wootton subsume a wealth of worldly musical coordinates into their sound, echo…
'The Earth is burning, covering all environments in ashes. Smoke comes to us from computers-from social networks accelerating the spread of burnt affects, damaging our ability to feel and respond to what the planet strives to express. We need to cool down. Thomas Köner's music can help change the pace of our perceptions: 1) In Daikan (2002) - a Japanese term meaning "the coldest" or "the coldest part of the year"-the ear stretches until touching the depth of time that persists in the ice; a soni…
This is the first long form solo artist release by Corker since 2013. Sounds collected and forgotten about to be then re found and used as seeds of new compositions. Neither acoustic composition nor electroacoustic but somewhere in between, the music was recorded in many different spaces from Japan to Berlin and France, often remotely, whilst finally put together in one room in London. Rooms and our current shifting relationship with them as well as using space as compositional material are some…
Frog Bones is the original Frogman music that Dean sent to his mate, Supreme Vagabond Craftsman, over which to write a story over in 2015. It was predominantly composed with an EMS Synthi AKS and an Oberheim Two Voice synthesizer, plus some crunky Watkins Copicat tape echo. Much of it didn't make the final album cut. This version has been slightly edited down to a reasonable length.
Noodles is a selection of short jams and demo ideas that were/are to be the basis of a new solo project. But Dean …
The first issue of Moonbuilding, which touched down back in May, was one of those finger in the wind, run it up the flagpole and see who salutes sort of projects. The A5, 48-page full-colour title, put together by former Electronic Sound commissioning editor Neil Mason and published by Colin Morrison’s Castles In Space label, went down rather well. There seemed to be a fair bit of saluting and lots of kind words. In fact, the debut issue came within a whisker of selling out. So Neil and Colin th…
*In process of stocking* Following up 2021’s compilation 'and felt like...', ' ...it wasn't really me' can be seen as the missing part of a diptych, only separated by the passage of time, yet whole in spirit. Again, a familiar company of singular artists showcase remarkable unity in diversity. Similar to its predecessor, a rustic gloom glues everything together into a seamless whole, enabling the collective to transcend each unique contributors' musical voice elegantly.
*2022 repress. In process of stocking* Bruce Haack's The Electric Lucifer is rightly considered one of the masterworks of 20th century electronic music. Originally recorded in 1968-69 (released in 1970), it's an eminently listenable work where pop-psychedelia and Moog/musique concrete sounds coalesce. Acclaimed upon its original release (one of Rolling Stone's favorite albums of 1970) yet unavailable for over three decades, The Electric Lucifer is presented here for the first time on LP. Remaste…
2022 Repress ***Received a 7.7 rating from Pitchfork. The release of Music For Nitrous Oxide, the 1995 debut by Stars Of The Lid, heralded a new strain of the American underground music scene, one born of the heat and humidity, boredom, and the insular, constipated, rock-ist music scene of Austin, Texas, home of the duo of Brian McBride and Adam Wiltzie. It was a muffled lashing out against surrounding musical conventions, a small middle finger to the local dominant “Americana” scene, but one th…
Tip! *50 copies limited edition. 2022 stock* Turntables prepared with misplaying flexi-discs of Japanese and Pakistani folk music, mediated into precise collages of whirling voices and broken melodies. Specifically composed for the 7” vinyl format, available in a limited edition of 50 lathe cut 7” singles, with full colour hand-numbered covers, each intricately sliced for a kaleidoscopic effect.
'Relativity/Only' is Clinton Green's clearest refinement of the dutiful and curious work he has cultivated over several years in recording his gently automated percussion experiments. Green conjures a celestial zoom view of a very private cosmos, using turntables as a source of movement and various static or suspended instruments and repurposed objects, captured in a softly endless world of binaural ambience. Unable to repeat a single step or rhythm given the mostly hands off methods Green emplo…
*200 copies limited edition* Deals with the forgotten coast guard detachments from desert storm to ground zero and onwards…divided between gulf breeze soundscapes of hudson river rhythms. Regular edition of 4xcs in hand tip on box in the hospital tradition.
There are many rooms in the O.R. solitary, duplicates, conferences, private residences, campaign offices, businesses, nightclubs, medical, tactical… conducting deep politics isn’t limited to one cutting room… perhaps one day you or someone you admire, someone who inspires may find themselves on the autopsy table as we have seen so many generations before… the wheels of the gurney and the freezer door roll and swing with speculations of the past. The identification of the body is just the first o…
*2022 stock* Now-legendary producer, DJ, and art director Juan Mendez arguably reset techno at least twice. Once with his surreal and Europe-by-way-of-LA '80s apocalypse culture aesthetics for Sandwell District, and again--as Silent Servant--with his “Jealous God" imprint that captured the youth-driven mutation of crossover electronics and dark parties churning in the American underground, which followed directly in the wake of his game-changing modern classic, Negative Fascination.
Mendez has e…
In process of stocking Released for the first time in 2011, 'Summvs' is the fifth and final installment of Alva Noto and Ryuichi Sakamoto's V.I.R.U.S. series. The title 'Summvs' refers to the Latin word "summa" (eng. sum) and "versus" (eng. towards); it serves as a metaphor for the work being oriented towards a collaborative result. The album features "Microon" compositions containing recordings of a 16th tone interval tuning piano - Piano Metamorfoseador Carrillo en Dieciseisavos de Tono. The a…
Released for the first time in 2009, ‘utp_’ is the third installment of Alva Noto and Ryuichi Sakamoto’s V.I.R.U.S.'s series. It was commissioned for the 400th anniversary of Mannheim, Germany. The flowing 10-section multimedia work derives its shape from a rasterized structure of the southwestern city, founded in 1608. The recording documents the work’s debut performed by Ensemble Modern at the National Theatre in Mannheim. The music embraces the electronic, piano-based palettes, an expanded ar…
In process of stocking Initially released in 2006, Revep is the third collaboration album between Alva Noto and Ryuichi Sakamoto and the third installment of V.I.R.U.S.'s five album series. Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by three new compositions titled "City Radieuse", "Veru 1", and "Veru 2". "City Radieuse" was composed for the 2012 short cinematic essay titled "Cité Radieuse" and part of Carsten Nicolai's "future past perfect" ser…
*Limited to 100 copies. Comes in in a hand painted, paraffin, sea shell package with the bonus tape single “Saga of Capsizing Dolphins".* The rainforest spiritual enslavement environs conceived by Dominick Fernow and Philippe Hallais complement ‘artificial spaces’ and ‘synthetic nature’ through the decay of ‘digital rain storms’ and ‘falling comet bass drops’ - 'Flying fish ambience' is the duo's first studio album together after a series of tours, and builds the RSE sound into a deep hypnotic s…
‘Jellyfish reproduce black magic’ is the companion ep to the ‘Flying fish ambience’ album by RSE. The nature of a ‘permanent record’ whether digital or encrypted in the fossilized remains of evolutionary anthropomorphic species or ‘economic DNA’ left behind only further supersedes ‘artificial reality’ of environmental imprints. The alternative ‘occult economy’ is both reproducing and perpetuating a lethal life force. The essential premise of RSE remains ‘artificial spaces’ and ’synthetic nature’…