I Am The Center: Private Issue New Age Music In America, 1950-1990
An exploration into the golden era of New Age music in America. Spirituality and psychedelia, gentle waves of analog music often made and distributed in the most DIY of ways with a radical spirit. Overall, an essential insight into an often misunderstood genre
Green
**Small repress available** Green vinyl. First ever reissue of this groundbreaking ambient work ! Barely known outside of his home country during his lifetime, the late Japanese ambient music pioneer Hiroshi Yoshimura has seen his global stature rise steadily in the past few years. The 2017 reissue of his lauded debut, Music For Nine Post Cards, along with a slow building cult internet following has helped ignite a renaissance in his acclaimed body of work, much of which has never been released…
Trans-Millenia Music
Since launching six years ago, the ReRVNG series - a curatorial effort by the New York based imprint RVNG, has carved a singular place in the cultural landscape. Dedicated to highlighting remarkable, but overlooked gestures in sonic expression, its effect has been so wide sweeping that the names found within its catalog - Harald Grosskopf, Craig Leon, K. Leimer, Ariel Kalma, Anna Homler, etc, have emerged from the shadows, becoming familiar to most. After a year hiatus, much of which has been sp…
Beside Herself
Michele Mercure often dreams of music, and in her waking life, reclaims
fragments of these fleeting, floating melodies in her compositions and
sound art. Beside Herself, an anthology of Mercure’s self-produced and
distributed cassettes released between 1983 and 1990, collects these
dreamlike passages and lo-fi nocturnes, preserving the qualities of
discovery and intimacy surrounding their genesis. Mercure’s sound is a porous electronic art that overlaps ambient,
abstract, and industrial se…
Omamy
* Edition of 100. Comes with small 16 page booklet * In what is best described as “horror musique concrète”, Polish multidisciplinary artist and musician Samutek has composed a 47-minute album that emits a distinctive, hypnotic aura — intricately developed and mastered over the years. Ingrained with echoes of gongs, chimes, crickets, drones and a plethora of haunted sounds recorded and found, “Omamy” (Polish for “Hallucinations”) is the soundtrack of a phantasmagoric spiral, summoning an unceasi…
From Ajanta to Lhasa
* 100 Copies in red vinyl, few available * Over the last few years, the Milan based imprint, Soave, has taken great strides toward illuminating Italy’s historically singular movement of musical minimalism. Working at an incredibly high bar, with a catalog of works made up by artists like Riccardo Sinigaglia, Roberto Musci, Giovanni Venosta, Pier Luigi Andreoni & Francesco Paladino, Roberto Mazza, Giusto Pio, Egisto Macchi, Sandro Mussida, and numerous others, they have cast crucial light on an a…
Chorus
Chorus is the new single from Holly Herndon, the inimitable artist and technologist responsible for 2012’s acclaimed album, Movement. Another evolution in her production technique, Chorus bridges multiple disciplines and spaces to blur the politic between natural and synthetic. Crafted with polyphonic passages from live vocal takes and re-synthesized instances of her own voice and those foraged and sampled, “Chorus” continues Herndon's explorations in vocal processing with a basis in the banging…
I Shall Die Here
Probably our favourite release on RVNG Intl comes from metal duo Lee Buford and Chip King aka The Body produced by Bobby Krlic aka The Haxan Cloak for their crushing 4th album, 'I Shall Die Here'. Abetted by Krlic's visceral production, The Body sound more fearsome and physical than ever before, shaping a series of tracks which only seem to get more intense and nightmarish as the trip takes hold. From the funereal trudge of opener 'To Carry the Seeds of Death Within Me' we pass through successiv…
Tomorrow Was The Golden Age
'Tomorrow Was the Golden Age' is an unmistakably gorgeous and refreshing suite of microtonal minimalist composition by New York-based ensemble, Bing & Ruth. Helmed by writer, conductor and lead pianist, David Moore, and supported by two upright bassists, two clarinetists, a cellist and a tape delay tech, Bing & Ruth genuinely sweep us off somewhere sublime without recourse to overblown conceit or cliche - something all too prevalent and cloying in today's neo-classical quarters. Their sk…
We Are Not The First
For those who maintain the more mutable dance music is, the deeper its impact on human evolution, RVNG Intl. presents We Are Not The First, an Epic conducted and deconstructed by Chicago artist Hieroglyphic Being and the J.I.T.U. Ahn-Sahm-Bul. We Are Not The First combines the musical forces of Marshall Allen, Daniel Carter, Greg Fox, Shelley Hirsch, Shahzad Ismaily, Elliott Levin, Jamal Moss, Rafael Sanchez, and Ben Vida in deep dialogue with each other and humans’ hidden sonic history. Tracked…
Reassemblage
We just knew last year's debut Visible Cloaks offering for RVNG, the Miyako Koda-featuring Visible Cloaks single Valve, would be the prelude to something greater from Ryan Carlile and Spencer Doran. Reassemblage marks the Portland pair's second album and further expands upon the Visible Cloaks 'verse, calling on Motion Graphics and Root Strata alum Matt Carlson for assistance.
Inspiration for the album stems from a video essay of the same name by Trin T Minha-ha, which explored the impossibi…
UkabazUmorezU
"Sugai Ken follows in the vein of RVNG Intl’s Visible Cloaks release with an exquisite meditation on traditional Japanese percussion and 4th world electronics ruptured by unpredictable runs into more abstract terrain.UkabazUmorezU works like a stage set or a variegated series of sonic scenarios, at once smartly demonstrating his compositional versatility as well as a dilated vision of the connections between Japanese tradition and western-rooted electro-acoustic practice. In a way it resonates w…
Shelley's on Zenn-La
For 'Shelley’s on Zenn-La,' Oliver Coates designs a complex of bending truths and reverse walkways to vernal states. Open ears can peer down hidden aux channel corridors, while melodic patterns present two-way mirrors to rooms of other retinal colors. An endless euphoria is just beneath the dance floorboards of 'Shelley’s,' and an inquisitiveness unencumbered by the institution of knowledge surrounding its frame and inhabitants.
Lex
Lex is the next look into Visible Cloaks’ enduring environment design through limitless sound. On Lex, speech centralizes and synthesizes as multiversal melody embedded across generative landscapes under open liquid skies. A hopeful glimpse into the future inter-being of human and post-human inhabitants.
A portion of the proceeds from your purchase will be charitably designated on behalf of Visible Cloaks to Forest Peoples, an organization benefiting indigenous forest peoples’ rights to defend t…
Anticlines
Lucrecia Dalt’s Anticlines is a volume of bodily and geological substrates within poetic theory and sound. It is a place where skins and minerals dissolve and commingle, where gaseous subterranean leaks inflate lungs, where brain cavities echo interplanetary waves bent from passing through atmospheres. A former geotechnical engineer from Colombia currently residing in Berlin, Dalt’s concern with boundaries and edges shape the lyrics and music of Anticlines, her sixth album. Paying careful attent…
Anthology of Interplanetary Folk Music Vol. 2: The Canon
Craig Leon revisits the extraterrestrial origins of civilization in Anthology of Interplanetary Folk Music Vol. 2: The Canon, a continuing chronicle of his early 80s albums Nommos and Visiting. Exploring the cosmic lore of Leon’s earlier work, The Canon expands upon the conceptual cycle based on the alien and mathematical relationships that backbone the creation of art, architecture, science, and music. In 1981, producer and composer Craig Leon, known in the downtown New York zeitgeist for his p…
Water Memory / Mount Vision
From the Catskill Mountains, Emily Sprague channels a timeless mix of new age ambience and poetry in her captivating debut for RVNG Intl. Compiling Emily’s two self-released tapes Water Memory (2017) and Mount Vision (2018), this sublime package brings us right up to date with her effortlessly enchanting solo output. Across 14 parts in 80 minutes, she proves equally adept at sprawling out in longer forms, as with At Lake, as she is at capturing crystalline vignettes like the kaleidoscopic minia…
Sea to Sea
On Sea to Sea, Sign Libra drifts between the cerebral and celestial, arranging, and then rearranging, the complex and magnificent systems of our immediate and greater cosmos into her own graceful and eccentric sound patterns. As the moon appears in different ways on different days, Sign Libra leaves Sea to Sea open like an ocean to listener interpretation and imagination.
Natal Uranus, il Corpo Sotto la Sabbia / Birthdays
The fifth installment of Commend See maps the movements of earthly and celestial beings by means of musical creation. Birth, planets and cosmic timing underscore Natal Uranus, il corpo sotto la sabbia / Birthdays, a collaborative offering and unfolding fable from Sea Urchin and Aki Goto’s Shirotento Orchestra.
Countdown
The third installment in Commend’s There series offers optimal out-there-ness for our space’s enduring in-here-ness. Nuke Watch is an amorphous entity emanating out of Bog 65, Beat Detectives’ former, and foundational, hideout / headquarters.
In the familiar freewheeling formation of Aaron Anderson, Eric Timothy Carlson and Chris Hontos, studio mates, collaborators and friends, the Nuke Watch project transpired during a flurry of recording sessions with kindred spirit and central force Leonard K…